CANDLES OF THE MOUNTAIN


 

ADVENTURES IN MALIBU DINING. 20140725_193214[1]

The fog today has brushed the mountains with a thick white mist almost like a snow mass; yet the temperature is warm. What I found most entertaining in a writers way, was the night Chantel and I visited NOBU; “No One Beats Us.”

ON THE OTHER SIDE OF UNTAMED, UNDRESSED WILDERNESS are the unhurried pocket full of cash residents, or resident visitors, that line up in waxed sports cars and convertibles at the entrance of NOBU. I wonder if they have summer and winter cars as I watch them slouching on the terrace sofas: women in latex tight jeans, bottoms-up mini skirts, and men in tight V-Neck T’s and designer jeans.

“ Oh Chantel this is going to be so fun.”
“ You think so?”

We sat down on the terrace sofas and ordered drinks. As a thirty-year old
this sort of stylish trendy expensive dining was all I cared about and I can’t tell you why because I never got inside the groups that I followed. Thirty years later my sense of belonging is unimportant; it is the observation deck of a group that is
capable of supreme prating, joking, excessive drinking and charismatic behavior.

NOBU

I spotted two men dressed in musicians gear, top hats, and dancing lace up boots swaying towards us.
“ Hello girls, do you mind if we join you.” I didn’t look at Chantel until they swayed a bit more indiscreetly, and realized they were hammered.
“You guys rock n roll musicians.” I asked
“What? How’d you know?”
“The British accent, two bottles of beer in one hand and the hat.
They bent over at the waist in laughter and collapsed on a sofa across from us.
Thirties, with squinted red eyes, and big smiles; they laughed at everything I said.
“ I like that you call us girls; but we really are. Aren’t we Chantel?”.
She smiled and when they asked her what kind of music she liked she said
‘ All kinds.”
What about you?” The less than stupid drunk one asked me.
“ Mick Jagger.”
He spread his arms out wide and then slapped the table.
“The guy is unbelievable. No truly the best man today, still. I can’t believe the guy.”
Common ground in music stroked our conversation, until the stupid drunk one
tipped over one of his beers, while trying to stand. They drifted off to their crowd and I remained fixated to the garden of youth circulating the terrace.

The indoors were crammed with shiny female legs, and beautiful male arms. There was no identification of loners or singles; just one large crowd hip to hip. No one place I’ve been to can beat the sizzling sexuality, liberation of theatrics, and prices. Two pieces of tuna are $8.00 and Sashimi is $25.00.
I left my phone that night  and when I returned the next day at noon there were twenty people waiting to get in. Thinly disguised in hat, ankle length bathing suit wrap, and glasses, I did not look like I belonged and I liked that feeling. It was a star-spangled banner sort of celebration that I really don’t mind being on the outskirts. I am staying in Malibu; but I am not a Malibu moneyed account.

The next evening outing I stopped at Geoffrey’s Restaurant; in my southwest dirty 2002 Discovery. The valet was directing traffic as if he was a pilot commanding a landing of private jets.
“ You are very good with those signals.”
He nodded. No time to talk. images

I tried to walk in without looking at the floor; as if I’d been there before.
The bar was half full; and the dining room tables were all taken.  The backdrop was cinematic; a glorious china-blue sea, with seagulls and surfers marked through floor to ceiling spotless glass. There was so much reflection and light;  the groomed and jeweled diners looked like actors on a movie set. That makes me a little uncomfortable; to be so transparent. I noticed a spot on my shoe, a tiny one that turned brownish the more I stared.

The bartendress breezed over,’ Hi. May I start you with some sparkling water’ one I’d never heard of.
“ A wine list please and the appetizer menu.” She gleamed at that.

My journal was my partner; so I scribbled away casually and felt inducted into Geoffrey’s.   I ordered the crab cakes appetizer,  wafer size but so delicious I would order them again.  As soon as the gloaming hour arrived it was time to leave. I had not mastered the swerving mountain roads  to Chantel’s in the dark.

” Check please.”  I said.

What a sensational feeling to sign the slip and know there is more than enough in my bank account.

” Your card didn’t go through.”

” Try it again please. There should be no problem.”

” Sorry. The card is — not accepted.”

Not enough cash to pay a thirty-five dollar bill was more than humiliating;  so I pulled an Allen Smiley.

” I’ve never heard of such a thing. Wells Fargo will hear about this!” I called Wells Fargo and followed all the instructions and then waited. By this time the owner, thirties and as pretty as the Blue Boy, appeared.

I signaled him to wait a moment just as Wells Fargo disconnected me.

Then I pitched up my voice melodramatically  to the owner and talked up my frustration. As I am explaining that I am visiting and that all my ready cash was spent in one day in Malibu and I was so sorry;  I went swimming in his almost Paul Newman eyes.

” It’s no problem. It’s okay.  I”ll run the hand written receipt tomorrow.” He said with suave charming lips and teeth.

Then he left. I turned to the Bartendress and asked if this ever happens at Geoffrey’s. She smiled and said, ‘ No, but it used to happen in a bar I worked at.’

I left in a roundabout reminder  that I should stop galloping around without cash; especially on a vacation.

The next day I walked into Wells Fargo at Trancas Canyon.  Three employees welcomed me: coffee, water, how can we help, all in sync.   After I explained the story to  a college age man behind a walnut desk, he  called someone at Wells Fargo and then I learned the trick to traveling.

” If you go out of state you need to let us know so we won’t block your account.”

” For thirty-five dollars? Don’t tell me you do that when Cher leaves town.”  She didn’t laugh.

” The block is removed. Is there anything else we can do?’

” I hope not.”

The suntanned jolly man at the desk began a conversation:  where do you live, how long you’re in Malibu, have you been to Trancas Beach and then he asked why I didn’t have a savings account.  I leaned in real close and whispered, I don’t have that much money.

‘” I see we just sent you a platinum credit card.”

” I never received a platinum credit card.” He leaned back in his leather executive chair that really didn’t suit  him at all and said,  ” You probably thought it was an advertisement and threw it away.”

” Do you know what the limit is?” I asked.

He tapped on his computer and I watched in anticipation.

” Three thousand dollars.”

” Really?”

” Yes. Now let’s talk about you opening up a savings account. You have to have one.'”

I wanted to stand up and hug him. Instead I asked him if he surfed.

” Yea, but I’m not that good really.”

”  It doesn’t always matter that you’re good; some things  are just about doing it.”

To be continued.

PART TWO CANDLES OF THE MOUNTAIN


ADVENTURES IN LIVINGESS-20140713_205128MALIBU

The next morning Chantal was not in her transparently privatized bedroom with a gauzy drape.  From the kitchen I’d poured a cup of black as beans espresso from Chantal’s Turkish coffee maker and dozily slumped into a swinging love seat on the lanai. Still in my pajamas,  listless as a floating cotton willow; the grounding I’d felt the day before had evaporated. Looking and listening to birds, rooster, and distant horses, all within a misty silhouette that filled in the hips of the mountains. Beyond the sea, the imagery of my reclusive life in Santa Fe manifested. The skin I wore in Santa Fe; unreasoningly introverted with a coating of protection flaked off and a news skin surfaced.
Just as the image is crystallizing, I sense Chantal crossing the garden towards me.
“ LouLou—are you okay?”
“ I’m not living right at all, ” I uttered without a smile.
She sat down beside me, placed her cell phone behind her, rested her elbows on her knees and leaned toward me to look in my eyes.
“ Oh why? You are not happy in Santa Fe?”
“ Not anymore-I see things differently now.”
“ Yes, this is what happens when we take vacation. If you’re life is not full then you must change it. It’s not always the place that matters, but how you live. You know some people like to suffer, this is not you. I know– believe me. I meet people from all over the world.  I traveled with Carl everywhere.”
“Well  I’m full now– but I’ve been in a cage.”
“ This is not good! I will tell you that since Carl died I too wanted to live in my bedroom and not even get out of our bed. So I worked day and night to keep his legacy going, and to manage the vacation rentals. I made myself so busy just to get through the pain. I was a mess; many times I didn’t think I’d get through it. But you see–I am okay now. I still think of him everyday and some days are rough; but this is life. We don’t know what will happen. You have to live now. When you die no one remembers you; they go on living. “She opened her mouth and her smile asked me to smile with her.
“ We will have a lot of fun you and I. You know I feel like we’ve known each other. You feel that too?”
“ Yes! I think my choice to come here was to meet you.”
“ Oooh lala-then we begin to enjoy. You hungry? I make some breakfast and then we go to Trader Joes. I make a party tonight. How’s that?”
“ I’d like that.”
“ You want some eggs–how do you like them?”
“ I’m so full of joy I have no appetite.”
She threw her head back, and laughed.
“ What time is it Chantal?”
“ It’s eleven o’clock. You sleep very late.”
“ No.  I never sleep this late.”

I followed Chantal into the kitchen where she was leaning against the stove frying eggs; she was on her cell phone.  ‘Cheri, you come tonight for dinner and meet my new friend LouLou.’  Then another call and another. To observe Chantal is to see the openness of a human being without hesitation, restraint or obsession. I followed her around for the rest of the day just like Kou-Koui; her little Habanese dog. Chantal’s  enthusiasm for the approaching party was seamless. As we shopped at Trader Joes, she chatted with customers, the grocery clerk, and the cell phone that rings continuously.

“ LouLou, is that you?”
I was passing her bedroom as she called me in and patted the bed for me to sit.
“Have you had a shower? I will take one after you. I marinated the chicken and meat, so all we have now is the salad.”

In the kitchen she is dressed in a skirt, neck-less blouse, and a magenta flower behind one ear. As  she demonstrates how to cut the cucumbers, tomatoes, and avocado,  she darts from one skillet  to another. The music is ruminating through the house; a French wave of seduction and rhythm that entices us to dance around  the kitchen island.  I feel like a young girl learning to be a woman. She is only a few years older than me; yet  her human connection of livingness  is unbridged and unchained.

I intended to write a travel story about Malibu;  as you see the travel story is Chantal.

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SMILEYS DICE ON THROWING ALL THE DICE


 

Adventures in Livingness

Upper Lanai
Upper Lanai

MALIBU- ISLAND
I was flipping channels one night in Santa Fe, New Mexico where I live. I stopped when the opening scene of Don’t Make Waves with Tony Curtis and Sharon Tate. Her name in the credits;  Introducing Sharon Tate. So I lay back against the warm sweat soaked pillows, turned on the A/C and watched. The first scene was on Pacific Coast Hwy in Malibu. Tony is in a car crash with Sharon Tate. The appearance of Sharon was that of Bo Derek in the film 10. A vine like body swimming in golden flesh with long honey sand hair draped over her shoulders. The flashback to the Mason Murder was soon replaced with this heart shape faced delivering sinewy gestures that matched her feathery voice. The film came out  in 1963 and the coastline was as pure and unmarked as Sharon; a winding highway empty of cars, cafes and promenades. This is the Malibu I remembered from my adolescent adventures to the beach to watch the surfers.

The scenery unfolded into breathtaking views of the coves and hillsides surrounding Malibu, like organic sculptures  drenched in sea-foam as waves broke. Within a few minutes I bolted up in bed and paused the film.

That’s where I’m going! My journey was given a name. I had a month marked out for a vacation away from Santa Fe while my house was rented to a family of eight. It was a month before the guests would arrive and I still had not penned in my destination.

I went to sleep half way through the movie mumbling to myself; Malibu, Malibu Malibu.
Please God, let me land in Malibu.

The next morning I fished for vacation rentals on the INTERNET and got hooked into
homes, cottages and condos for not less than $1000.00 a night. One estate rented for
thirty thousand a night.

I switched to Craigs list and scrolled down the postings, armored with Russian determination. A posting in bold black came up – MALIBU ISLAND. I clicked through the photographs and prayed. This is how I found my  room  in Malibu;a private room with an outdoor shower  in an estate home perched on the hills above El Matador Beach. In this house the owner, Chantal, also lived.   I booked the month without more than a day of what if’s and what nots could be expected.

To be continued.

 

STILL A MYSTERY WHO MURDERED BENJAMIN ” BUGSY” SIEGEL


July 23, 2004

Still A Mystery…Who Shot Benjamin Siegel.
Several months ago I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website, and asked for an exclusive interview. He asked about my father’s relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, but George persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.
We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.
My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, “I think Bush did it.” He was not too impressed with the answer; but it saved me from theorizing.
At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my father’s best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to “Bugsy” than what the public has been told.
The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hill’s brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path.
He always said, “You don’t inherit friends,” and so I declined to remain friends with family members of his group, because I respected his orders, even after he died. I don’t know if any of his mob friends are still alive today. Many people claim they knew my father, but in essence, what they mean is they met at Ciro’s, or had a game of cards, or went to the racetrack. My father’s only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.
A man I’d never heard of called and informed me, ‘ your Dad and Ben buried a safe deposit box in downtown Los Angeles. ‘You should look for the key, there may be a lot of cash.’ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that.
Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have sold his Patek Philippe pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my father’s life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.
I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind dark glasses. He was quiet and observant. He watched me eat, and then handed me a C note to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. ‘Now you know even your Dad loses at the track.’ There wasn’t anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting. Lucky for me;get-attachment.aspxDAD AFTER MURDER I throw the dice on a different game. Photo: Leaving Beverly Hills Police Department day after the murder.

THE MESSAGE COMES TO HOLLYWOOD -ELLIOTT RODGER


ElliottBUGSY

Rodger is on my mind. Like yours;  if you are able to  make time to think about it.

Events that curdle cocktails at a flaming hot party.  My sorrow, after the relatives of those who were murdered, bubbles in the notion that we still won’t talk, move, or protest, for the ballooning results of mental illness. It’s just beyond what I can handle without rage or tears.

HOW MANY MORE YOUNG MEN HAVE TO SHOOT BEFORE WE FEEL THE BLOOD?

Someone is out there that could push the button, or keyboard, or text, or Instagram, or whatever the newest drug for attention is, and say, LET’S TALK ABOUT MENTAL ILLNESS.

The most uncomfortable conversation for any family.

WRITERS ROOM FOR WORDPRESS BLOGGERS


20140529_124907DSC02916I cannot believe it took me this long to figure out that  I HAVE A WRITERS ROOM TO RENT and I didn’t post it on lililespen. I am still adapting, reluctantly to understanding IT language, programs, choices, and SOCIAL MARKETING.  Since all of you are writers; let me tell you about GALLERY LOULOU ROCK n ROLL VACATION MANOR.

 

I rent a Historic (1907) culturally significant  Commercial Residence that is brick and stone, hard wood floors, chandeliers, and

sixteen windows!  Two of the rooms have writing desks, my former desks.  There is an extensive library of fiction and non-fiction, vinyl records, and CD’s.  In the Garden Movie theater  you project films on a wall and have a 6 track CD player so you can mix it up. Silent films I don’t leave out  have but I’ve tried them with my music and it’s kool aid~!

My vacation rental is next door to my Casita;sealed off thick and I have my garden and entrance.

The house and porches, driveway, theater etc are exclusively for you the  tenant.  The house is TWO  BLOCKS FROM THE PLAZA DOWNTOWN, AND Palace Avenue is peppered with bistros, galleries, jewelry shops, gift shops, and antiques.

La Posada Resort and Spa, a Luxury Collection of Starwood Hotels, is across the street.  My guests are welcome to use the Spa at no cost, pending the managers rules that particular day, so you can indulge in spa, pool, and gym.  La Po is my other home; because I can walk across the street and make the staff laugh,  have a drink at the Staab House with Raul and Stephanie;  the best bartenders in town. There’s an outdoor patio and two indoor restaurants serving New Mexican cuisine and luscious cocktails.

As you are all writers; I’ve decided to make an exception and rent out one of the writing rooms. Some of my readers are from India,

Australia, Venezuela, Russia, Mexico and the USA. It would be a thrill to meet anyone of you!  As you see, I go by a saying from the film???

” If you want to know if you can trust someone, trust them.”  I will remember it; I’m sure it was a  gangster flick.

My websites rates are based on the four bedroom house.   The rate for the writers room would be $100.00 night. You would have use of the downstairs kitchen if the house was not occupied.

http://www.vrbo.com/345671,    http://www.galleryloulouvacationsantafenm.com/wordpress,  http://www.historicstay.com 

LOOK FORWARD TO EXPLORING THIS IDEA MORE!

IMG_049120140422_120618DSC02898

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SOCIAL MEDIA SPARKS MY EMOTIONS


real socializing
real socializing

Our society has led us to the path of non-involvement. FB did that,
Email did that, cell phones did that. Yea, I love em’  for the
thing they knew we’d love them for; a delete button.

We, I mean most of us that don’t control millions of political decisions, cannot handle much more. But we could save ourselves from a real famine, a civil war , or  war on our country.   Who  would come to our aid? I really wonder.  I bet on us; the ones who’ve always struggled.
We are not involved with each other anymore; it’s like having a manicure to break out of a relationship, and if you lose your job you won’t have enough money for a manicure. So you don’t lose your job; you work  eighteen hours a day and get paid less than your staff.   But nobody cares; not unless you go viral or if you have a million   Blog stats. Social media. Then you will go somewhere; you will have a job. Artists, are  digital: writers, photographers;  musicians. Who knows whose who anymore.  I think Theater is the only venue left of our physical   involvement.  Theater is life; and no one walks out without having something to say.  I also include: dance, concerts, opera, poetry readings, performance artist, and comedians.  I prefer to see it live!

PUZZLE OF SOLITUDE FOUR


 

I wrote this short piece by hand in April.

It is snowing today; the first time since February. A collage of scenery rearranges the birth of spring as a brisk snow flurry sweeps through Santa Fe.  Across the street, inside the hotel families are dining, or comparing observations with other guests, drinking apple cider and being in vacation. I see them unload suitcases, and several tote bags, a lot of luggage seems necessary for tourists these days. Teenagers are multi-texting; unaware of the flawless blue sky or architecture. I am looking for artists who’ve come to capture the light, or heal  city bruises with the language of the Indian world. The coterie of artists drawn to Santa Fe are now a minority; and on the horizon are  tour buses, family reunions, and corporate retreats.

I am standing in the center of the garden, studying the entanglement of spindly branches, clinging to the brick wall. The wall looks like an abstraction of a Kandinsky painting.My sense is that I should not pester myself about unfinished desk business-but to just turn off the motor and observe my fortune. To watch clouds so deeply, and see the shapes turn from a penis to a whale, (analyze that) has always been an act of love. Some people stare at rocks, or flowers, or rain; for me it is the clouds.
The sky has just been ticked off by the sun and she is spreading like butter over my face and legs.

Costume design and realization for ‘Seeing’ by Kandinsky. A contemporary dance interpretation.


Hanging on to home for a lot of us has become a business; a renting out rooms, and converting to a vacation rental to avoid foreclosure. I can sit inside the Movie Theater (a converted garage) and launch into a montage of memories. The Michael Jackson tribute party after he died, when friends came and we danced to his videos; and the Jimi Hendrix live DVD night that mixed jubilation, remembrance, and a lot of laughing as I expelling all I knew about Jimi to a man of twenty-seven. We always showed a film coinciding with a new exhibition of photography. Guests lingered past midnight and I had to turn off the lights to demonstrate closure. Couples in the theater necking, young adults roaring with inflammable laughter upon each opportunity, and hungry men and women waltzing around each other for a bite of passion. Gallery receptions were packed back then; a staggering amount of partying and dancing collided on Canyon Road to live music and open bars.
Hanging on to memories in corners of the house. I’ll take them with me. It will be a leap of courage to untangle myself from this home.wassily kandinsky art artist
I can almost hear the birds wind as they fly over me; my eyes close to listen. The lullaby is a bath of nature and would not have occurred unless I was alone. I want to reach through writing,  to the subject of misfits and loners, outcasts and unrecognized that are too ripe to touch, to sensitive and unyielding; annoyed with the outside world. Like me.

Contemporary PaintingKandinsky-my tree

 

 

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A LADY LIKE AUDREY


22A65Ca5ndFhXTcktfb98jnckTJl4rZP0060[1]

The throw of the dice this week lands on new adventures in selfless livingness.
There is assurance that most of all, above the tasks, aspirations, dreams and commitments; we are dead beats without love. The feeling has to pass through our veins and arteries, as often as possible, from one suitor or another. You can love a moon in a black sky, as much as a man or woman. I believe the feeling it gives us is medicinal. It gives us something no other prescription can. That is why when sickness comes, all the love pours out from friends and family.
This comes at a time when a beautiful woman who is more saintly and then anyone I’ve met, except my mother, is suffering. You wouldn’t recognize the heaviness she is carrying; she remains light and sprite. Her doe birch brown eyes flatter her high forehead, and her silky mane of brown hair that moves like a Clairol commercial, do not interfere with her life. She devotes much of her time to the Good Samaritan manifesto. She regularly offers her time to the various shelters, serves food, and provides loving comfort to the sick with her registered lap poodle. She told me that the residents of the hospice all wait for her to show up.
“It’s amazing; they are all standing there waiting for me to come in. No one visits them. Can you imagine living like that??”
“No.
“You should come with me sometime; it’ll give you a whole new perspective.”
I agreed; and thought about what she said. We all have our way of disposing of selfish acts. Some pray, some donate money, and what I’ve found that works for me is to spread my kookiness and follies without prejudgment. If someone looks sour and glib; that’s the person who needs me. It is a branch of love that will keep on blooming.

 

THE PUZZLE OF SOLITUDE Part One


Adventures in Livingness

The people who pass my window aren’t snapped into wool and leather collars any longer. Now their heads raise to the sun; but their movement is sluggishly unfamiliar with spring steps. Soon they’ll be jogging and eying the world through sunglasses instead of face-warmers. Street scenery is similar to my garden; fresh green stems courageously pop up while the rose bushes remain embryos.  20140410_183024[1]
Today I read for two hours; the longest stretch since last year. I had to stay in bed with a tray of coffee and closed curtains. I was restored to the first readings of Anais, when people still talked about her being a lesbian; when in fact she was not expressing that kind of love at all. Only the love as deep as two women want to go. Belonging to her group of artists and bohemian so appealed to me then as a teenager-I manifested that camaraderie by finding love in artists and misfits, malcontents, with rare wisdom and foresight. Men that chose not to belong because they had their own opinions.
The farolitos reflect diamonds of light when the sun is out. I can look out the window by my desk all day to catch surprises. The exchanges with staff at the hotel in a hand swipe and face to face muses on hotel complaints. A man in khaki’s and hiking boots taking studied photos of my house, and the same woman, who talks incessant baby talk to her dog as he pranced ahead.
My emotional tail is wagging; curled up in my desk chair I feel almost as if I was born in this chair. It’s cushioned me through a cyclone of adventures in livingness.
This piece of writing was handwritten on a tablet back in late January. I’ve made some minor additions and deletions. The editor I use before submitting to a publisher asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in final editing. My control over my writing is identical to my control over how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t even think of applying proven methods; I make up new ones.
Back to this plateau of solitude. Love what you have and especially yourself; with all your flaws. Integrity is more critical; be proud  not just for yourself, but because someone out there needs you.

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EVERY GENERATION IS TO TURN TURN TURN AND


are destined to change the generation before. I only know from the fifties. When I grew up, socializing in fours and hundreds was part of life. Gatherings from my generation was Woodstock, concerts in the park without violence, impromptu jams and performance The millijoules want an audience in numbers dice-logo.gif ONLINE=money. It is the WAY THEY HAVE BEEN BROUGHT UP.

PUZZLE OF SOLITUDE PART TWO


PUZZLE OF SOLITUDE PART TWO.