PHILIP TOWNSEND REMEMBERED


The Beatles and the Maharishi   1967Philip Townsend

The Beatles and Maharishi at the Meditation Centre, Abbotsbury Road, Kensington. After this meeting, they went to the Hilton Hotel, Park Lane, where Maharishi gave a lecture.  These shots for Beatle purists were taken before they went to Wales or India.  The shot of all the fabs, partners and road crew is interesting as it is one of the few with the whole lot in one snap.

The photographs are exclusive as I was the only photographer there. I had been asked by the holy man’s Public Relations agent to take them but they failed to pay, me therefore I own the copyrights.

What I love is every Beatle has a distinctive expression at the meeting. Note John contrasted with Paul.

Gallery Loulou 2008

Philip arrived from London late in the evening. We met him at La Posada Resort Hotel. He did not stop smiling and chuckling in spite of his lost luggage, and a twelve-hour flight. His photographs had arrived and were already placed when we invited him into the gallery. Again, a resonating joyous outburst, ” Oh, it’s lovely, marvelous, just marvelous.” He was tall, lanky, and at seventy-something majestically youthful. We spent hours together over the next week. He loved when I made him a cup of Tea, the bumpy New Mexico road trips we planned, and the dinners. The slightest bit of congeniality towards him was returned with a pat or a hug and kiss. Opening night was a sensational tribute to a prince of a man.

What

POP-UP FRIDAY FOLLIES


DICE LOGO

I‘ve been stalked by a sensation and image of Loulou, scrambled up in whistles blowing, each one commanding me in a different direction. The annoyance of conflicting orders robs me of my Aladdin ( magic moments)

sURREALISM 2
sURREALISM 2 (Photo credit: Nesster)

 AS I CLEAR OUT THE FEAR OF NEW ORBITS,  I feel like time is belted with interior stop lights, instructions, taboos, restrictions, and preparation for a new passage to go through.  What happens is subtle, but when so much time is placed in questioning and introspection,  life loses its Aladdin. It is time to polish my gold lamp and follow an unknown light. Do you know what I mean?

If you like the post I would love to know. Thank you for reading.

SANTA FE-WINE & CHILI FESTIVAL, A MEMORY LIKE CEMENT.


THE MEMORIES are fading, like images floating through a mist, not just of Dodger but the life pre-break-up, a carousal of my favorite places; swimming, hiking, running, new restaurants, gallery openings, shopping, concerts, clubs, dancing in the street and our porch parties, but I cannot remember the state of grateful, emerging in the vortex of sensations, stimulation, surprise.

Do we ever return to that kind of forever spectrum, as if it will never end, and then it does, and we cannot go back. It’s not too late to feel grateful, fortunate, and lucky to have lived so many acts of my choice.

May be an image of 6 people

All reactions:

5Carolyn Gootgeld-Levine, Erika Marie Schwalbach and 3 others

ACADEMY AWARDS


Academy of Loulou Awards. All of you that respond to my nuanced writings are awarded. A Star award for a few that push my cart.

Marc Romano, Historian, J’amie Rubio, author, and archivist, Antonio Mendoza for the best photographs of the Rolling Stones, Alison Martino for Vintage LA, Rare Jazz Photos for the best photographs of Jazz, Eric Dezenhall real friend and author, Cynthia Duncan, my consiglieri, Santa Fe Bulletin Board to bring back the memories, Scott Varley, the best real estate broker I ever met in 25 years, Las Vegas Mafia History… I’ll think of more later. Warren and Annette Hull, filmmakers, Danielle Haynes, an angelic warrior who joined my battle, William Winant, a high schoolmate and acclaimed musician who remembers me, Larry Henry, torch-carrier of Mafia history and Greg Price, my UK 911 call, along with Gloria Devan, Tere Tereba and Armen Ozaynan who settles me down. Friends, when you are single, are food for the soul.

Del Mar, Ca.May be an image of 1 person, standing, coast, sky and ocean

RELOCATION…SENIORS


My direction is following Lawrence Durrell, “Spirit of the Place,” and living where I would never expect to live.  I wish I could control my impractical, impulsive, and annoying spirit of adventure. I think about architecture, Jewish deli’s, Italian restaurants, at least five movie theaters built in the 1930s, and neighborhoods of unfamiliar lighting, expressions, and conversations. Gambling on yourself is how much you can adapt, change, influence, and accept the days of your life.

In my syndicate, there must be a dozen pals with the same unsolved equation. Is it age that blocks me and maybe you from relocation, or is it the trauma and stress? What liberation to just pack a suitcase and board a plane like in the movies. Separation from the familiar..

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GASLIGHTING AND RECOVERY


He’s digging my grave
For the dragon he pays
With our nest, now shaved
Tumbling into the abyss
I visit the comfort robes of the past
Monogrammed in stone

The will to relive what’s past comes at night

And must be excluded by daylight.

Of HUMAN BONDAGE

The sky hasn’t decided if it will let clouds overturn the sun, and I haven’t decided if I will pack the stack of books on the floor. No, I don’t feel the drive to lift and organize, my bed is warm and the house is not as warm.

I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love.
Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep.
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.

OLYMPUS DIGITAL CAMERA

I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.

 

WINTER WRITING IN UPSTATE NEW YORK


    Still flustering over how to save more money, and which expense she should solve; the dental appointment that’s six months overdue, the servicing of her car overdue since June, or elevated reasons to book a trip to San Diego. The urgency to decide sent her into a minor mid-afternoon tizzy and she decided she needed potato chips to solve her physical edginess. She does not use salt in her cooking, and from experimentation over the years realized that salt could elevate her dizzy thinking and lackluster posture. The momentary outdoor freshness stilted her, to stop moving, and breathe deeply like she was in the doctor’s office and they say, ‘ deep breath.’   The street is absent of walkers, workers, delivery trucks, and residents, it’s almost like a graveyard and this does not irritate Greta, she uses the bliss to engulf her creativity, and so she began to write.

“Young woman sitting on the books and typing, toned image”

PUZZLE OF SOLITUDE  will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

 I contest what seems endless solitude with my Irish Russian temper; condemning irritants like street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. After the first ice rain and snow, the fever dulled, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world I created. I have to laugh alone so I watch screwball comedies, seek humor in my irregularities; wear a sweater inside out, pour coffee into a wine glass for a cocktail and chuckle up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere-daydreaming.
I’ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I haven’t experienced here; and how could I complain when half of Upstate New York is buried in SEVENTY INCHES of snow and no way out? At the end of the day, pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly slumguillion stew while listening to Tony Bennett, Nat King Cole, and swing music.
Winter has in the past been a funnel that leads to writing.

Untitled manuscript- Pg 565.


May be an image of outdoors

Excerpt from the new manuscript. No title yet.

Will-powered out of the house on a glory hallelujah day of ballet winds and buttercup sun. I walked along the bike path and observed the cyclists, and joggers, some still masked. Along the way, I smiled at passing strangers, and sometimes even a hello. How reviving to connect with strangers after two years of physical masks. Emotionally optimistic, a rare trajectory of nature and my life within. If nature can survive, why can’t I? What prevents us from launching new growth, mentally emotionally, and financially?

Let me take this day and bless it with hope, miles, and miles of hope and faith that I will land, plant new roots, and bloom.

WHY LIE


When do we begin to lie about our life our feelings, our fears, our everything? I ask this because of simple observation, knowing when someone is not telling me their truth and I remain silent, it’s not my way to ask, why do you lie to me? My friends are not lying, it’s more like a social cultural mask. My wise father once told me ‘Tell them your sister or father just died, and they’ll respond, excellent because they do not want to hear your problems.’ But I do, I’ve always wanted to know the truth. Why should we shield our traumas and hardship, more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, films, the theater, and ballet or other dance performances. I cannot comment on sports because I’m not a spectator although I do love basketball.

We, and I mean this in only a visceral sense, do not believe the politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts. And that my friends is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

FOUND ON THE INTERNET

THE PHILADELPHIA PHILHARMONIC

MAXFIELD PARRISH

PHILIP TOWNSEND

WHAT IS A LOVE STREAM


TWO EMBANKMENTS WEDGED BETWEEN A STREAM

     THAT RIPPLES THE UK TO THE USA.  

     WHAT FALLS BETWEEN THE MEANDERING

     USHERS GENTLE WAVES, LOVING CARESSES

SMASHES WHEN THE WAVES ARE EVIDENT. 

     SOAR TO BRING THEIR STREAM TO REST

    TO FIND THE BEST

    BELIEVING EXIST AND DESTINY FLOW

THEY DON’T KNOW

    IF THE STREAM WILL ENTWINE

    ENSNARE OR EMBRACE

   EMBANKMENTS MEANT TO SHOULDER   

UNTIL THEY ‘VE FOUND EACH OTHER

   

FREE TO WRITE


I think of the comforts of exhibiting my life on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or an English Castle, but experiences that flake off the skin, the mise en scene that shakes its relevance.