TAKE A PASS ON THE PAST


 

AWAKENING TO AN UNFAMILIAR REALITY.  Ten years and two months I’ve nested in one place. Where once the red white and blue lights twinkled on the house and along the spruce tree, music circulated a crowd of friends and neighbors on the porch, and we danced in the street. It’s   all wrapped up in a journal, words that I can read if I wish to remember. I don’t. The past crawls up my spine like a spider trying to weave me into its web.  dsc01740.jpg

 

SARATOGA SPRINGS 2012

Clarity, comfort, security, ambition and love are broken wings. I have to redesign how I think, calculate a direction that will return me to adventures in livingness.

 

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THE MONTH OF SEPTEMBER IS…


 

SEASONAL AND SENSUAL OVERTURE TO REVERIE.

SUMMER is not a memory yet; my skin too sensitive, and my heart still attached to the moments.  I’ve misplaced my journals and so I have to read my to-do list to recall the events.  Let’s go back to June; well my head was bent like a candle wick in this memoir. By then I was into the first rewrite, the worst of the next ten. That first one is deceivingly promising, the chapters line up, the suspense tickled, and it was five-hundred pages.  The first draft was actually two books, as I dared to try and run the 100 meter in two different directions.

I must have had some standout memories, but I don’ recall June being amusing.  Writing about my deceased parents was not summer reading.  A year had already passed since I began, and I was now at the last stretch.  My sense of completion was annoying.  I began to hate the word focus. My body ached for water, in any form, a pool, a river, and the ocean.  June was also the month when rejection letters arrived.  For a moment, I’d forgotten. Whoa! Stay away from LouLou, her nerves are visible! On the flip, it was also acceptance of those letters.  I had to prove to myself that I could take it, and continue writing.

Outside my window, Palace Avenue raised to motorcycles, skateboarders, conversational bicycle riders, and families out for a walk. My concentration was beguiled.  So I turned on the fan, the loud kind that screens the room in a hum.  I tried to imagine as waves just after they have capitulated into bubbles.

Memorial weekend was gemstone sunlit of color and clarity.  I’d decided to break and go to a party at La Posada.  Yes, that was my first grasp of summer, the sudden appearance of flowers, greenness of the landscape, flowers, and light. I think it was warm enough to sit outdoors all night.  We were not yet ready to kick and scream, it was more of a real memorial kind of party.  For our troops who finally are reaching us through the news, the films, and the books.

Most every evening I’d walk across the street to La Posada, have a glass of wine while listening to the chattering guests, age-out themselves by immobilizing a very liberated and young spirit. It’s a beautiful sight. Most people in my experience, come to Santa Fe and strip fullsizerenderdown to vulnerable. They invite conversation and are genuinely interested. I am asked, ‘What’s it like living in Santa Fe?’  To be continued.

IT’S UNLIKE ANY OTHER CITY I’VE EXPERIENCE.D  It’s called the city different, it is also the city difficult.  She ( I see Santa Fe in the feminine gender)  has to be treated gently. Her  weather patterns resemble a menopausal woman,her stature demands respect, and she can be congenial and patient.

You can walk this city as if it were a neighborhood. If you do that consistently you’ll meet people, and get to know them. Unless you’re like me, a standoffish fast walker dazed by the outdoors.

If you’re dazed and illusional you can master this city very well, as the drowsy pace and cordiality allow freakish  freedom.  I ‘ve seen the liberating soul of Santa Fe,  teenagers racing down the middle of a commercial street one foot on the skateboard, bad-ass bikers talking with bad-ass cops, women with parrots on their shoulder, dogs in baby carriages, cats in a bag, and women on horseback galloping up Palace Avenue.

At night you’ll see raging midnight ramblers dancing on the sidewalk, and all of this is appealing to an LA transplant.  I have driven in my robe, danced in the street and broken the heels on most of my shoes because of the pot-holes. They are always working on a street, but never the sidewalks. I ‘ve been bounced out of the locals night-howl El Farol for accidently pushing  a dancer, who knew the manager, who came running after me and took down my license plate.

So many of us are loners, the serious kind, that have to be rigged out of our nests.  Luckily I live on a commercial street and have no choice but to be commercially friendly. After nine years, my seasonal behavior is obvious: sprite in summer, blissful in fall, giddy in spring, and withdrawan in winter. I’ve learned patience, understanding, and adopted a mixture of cultural traditions. I’m close to fifty percent certain I’ll miss Santa Fe terribly when I do leave.

Has living in Santa Fe  given me more than I’ve given back?  Yes, it has and that’s why when I’m asked what’s it like living in Santa Fe, I try to reveal the blessings here and not the bullshit. 025

imagine


IMAGINE the USA was your city. Go a step further and imagine it was your community. One  more step, your neighborhood. What do you think? Are you safe? Are you prospering: emotionally, professionally, financially? Are  your circle of friends, family, associates dancing jubilee? Is it my age? I don’t know. If I wake up adding hope,  commitment, and love to my coffee, then it is a JUBILEE images

EDITING LIFE


There are  reasons to quit and more reasons not to. The one reason that hovers above all is that everything we do in life needs revision. We are never through evolving into more thoughtful, loving, or wise human beings. Every day there is an opportunity to  revise your valor and conviction.

Revising the position you sit, walk, talk, judge, form opinions, contribute to your home, friends, partners, and discovering what you’ve learned,  dreamed, and mastered, is your novel.   How to write a chapter when you feel  caught;  trapped by decisions that are outdated. Antiquities of a former persona.

Changes in life are like  photographic images.  Looking at old photographs and what I see is someone else. Some are recalled with approval and others are works that led me astray.  I’m not alone. Life is a runaway that we have to catch for ourselves. 

The puzzle is how to live, where to live, and for whom.  It is the same with  manuscripts; they improve with each revision. 

 

SINGLES


All of them.  I mean all ages, classes, genders, and sexes.  Single people must  be brave; they do not have a partner to hold on to when THE LIGHTS GO OUT.   The eye of the United States Government knows  we are single.  Why are we not included in your speeches, legislation, and laws?330px-WLANL_-_MicheleLovesArt_-_Museum_Boijmans_Van_Beuningen_-_Eva_na_de_zondeval,_Rodin?

Excerpt from soon to be finished book, Smiley’s Dice


THE SNOW SEDATED the choppy feeling in my stomach, the conjecture of  discovering why my father was wired with anxiety. His whole life was a chase scene: arrest him, convict him, send him to Russia, and never pull the tap from his apartment, or the FBI guys from his tail.

Me,  Diane Friedman and Cindy Frisch.

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Now there is a wash over my interpretation of his obsessive, protective, paranoia, distrust, and interrogation of my friends. I wonder if those gals I grew up with knew about Dad from their parents’. I relied heavily on the open arms of my friend’s families. They’re remembered more than my teachers: The Blair’s, Bourne’s, Both Friedman’s, Frisch’s, Hoffman’s, Pindler’s, Saunders, Schwadel’s,  Taubman’s, and the Tefkin’s.  Hope I didn’t leave anyone out.  I left out the Berman’s and the Crosby’s.

ANAIS NIN ON PARIS


anais-ninwww.famousauthors.org

THE DIARY OF ANAIS NIN VOLUME SIX 1955-1966

“All of Paris is caressable, La ville caresse, la ville caressante, with its outer life all grace and wit, at heart a mystic lover, a philosopher, a man of taste.  In its ancient decor, it is always youthful because its source of life is inner, and always renewed. The past is so vivid that it fills the streets. It is full. the magic of its unity and harmony of colors and textures and styles. When there were contrasts, they were contrasts between medieval somberness and modern gaiety.  “