Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
Writing, like life itself, is a voyage of discovery, so I wrote Gaslighting Greta, to discover my part in the story. Not the one I lived as it was happening, the one that opened my eyes as I wrote. The outline was a cloudy mirror, notations every day on the events suspended into my life; gaslighting, lies, brokenpromises, tyrannical rages, physical assaults, all the emblems that my partner of thirty-five years disengaged. About midway into the manuscript, around page eighty, the cloudy mirror began exposing and demanding my full force of defense.
Writing Gaslighting Greta was my padded cell with friends, and doctors watching over me. If I kept writing and battling their bullets I would survive. It is now nine years later, and the manuscript is in the hands of a publisher’s editor. So, I have been rewriting this on and off for close to a decade.
I admit that the liberation of, it is published! will be a surprise. Not all writers understand the motive until it is over.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Author Luellen “Loulou” Smiley turns an extraordinary experience of deception, discovery, love and forgiveness into a riveting new memoir.
COMING SOON — How far can a lie travel before the truth finally catches up with it?
In Gaslighting Greta, author Luellen “Loulou” Smiley takes readers inside a deeply personal story where what appeared to be true—and whom she believed she could trust—slowly began to unravel.
What follows is not simply a story about gaslighting.
It is a story of suspense, inconceivable mystery, humor, self-reckoning, love and, ultimately, forgiveness.
Smiley recounts the experience with the perspective of a woman forced to examine not only the actions of others, but her own instincts, choices and understanding of what was happening around her. The result is a memoir with the tension and unexpected turns of a psychological novel—except it happened.
“A PERSONAL TRUE STORY THAT READS LIKE FICTION.”
Gaslighting Greta also marks the latest work from Smiley, author of Cradle of Crime — A Daughter’s Tribute, her memoir exploring her father’s extraordinary history through FBI files, court testimony, government surveillance records and her own experience as his daughter.
With Gaslighting Greta, Smiley turns the lens inward.
The book explores a question many people eventually confront in one form or another:
What happens when you discover that the story you have been living isn’t the story you thought it was?
Rather than presenting herself simply as a victim of deception, Smiley examines the far more complicated territory of recognizing the truth, reckoning with herself, finding humor amid the unbelievable, and deciding what comes after the discovery.
The result is a story about far more than gaslighting.
It is about trust. Truth. Friendship. Human vulnerability. And the surprising power of forgiveness.
Gaslighting Greta is forthcoming.
ABOUT THE AUTHOR
Luellen “Loulou” Smiley is an author and memoirist whose work draws upon remarkable true events and the people caught inside them. Her previous book, Cradle of Crime — A Daughter’s Tribute, explored the intersection of family, organized crime and American history from the unique perspective of a daughter uncovering her father’s past.
In Gaslighting Greta, Smiley brings that same determination to uncover the truth to an intensely personal story—her own.
MEDIA / REVIEW / INTERVIEW INQUIRIES
Luellen “Loulou” Smiley Author, Gaslighting Greta [Email address: loulousmiley@yahoo.com Website: loulousmiley.com- under construction.
Publication date: To be announced Review copies: To be announced
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Greta, in our last discussion this fall, is when the trunk of truth took center stage. She acknowledged her inability to contribute financially to the mortgages. ‘ I could have sought employment in another gallery, or worked in the hotel, but I was determined to be independent, to develop profits with vacation rentals, long-term rentals, and then to sell. I was pointedly wrong. I’ve been scolding and admonishing myself for five years, and I don’t know when this will stop.’ Greta did not allow self-punishment to end. The more she turned off the outside world, let her thoughts free to roam, she felt debased. She had not taken notice of the signals from Dodger, how depressed and disgusted he was with their financial ambiguity.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
When I spoke with Greta in November and asked to see the next journal book, she replied instantly, ‘There’s nothing worth writing about. I breezed through it, and it’s all about what to sell of my treasures, finances, and whiny words.’ I asked if she’d send me the journal just in case there is a good transition to the next season. She said, All right. I imagine she ripped out the pages she didn’t want to reveal.
FROM THE JOURNAL
day in bed, emptied into a slab of molasses. In the next room, half-wrapped boxed books, photographs, summer clothes that need to be stored.
Fall light appears in the dining music room and falls on a stack of Swing vinyl. I need to listen to this music in the winter. I search for jobs on Indeed in the gallery museum category. What the heck! There are so many requirements I’ve never heard of. It’s all tech, and I’m not an alpha beast expert in SEO, platforms, social media, Excel, Adobe, and PowerPoint. I do have experience. I am passionately curious about artists’ lives and art history. Now I am the one being interviewed by a thirty-year-old when once I was on the other side, a juxtaposition of reality.That kind of thinking got me into trouble, too much imagination and not enough reality. What is the name of that kind of person? Escapist, misfit, eccentric, dreamer?
The Follies House-Broadway Suite Vacation Rental 2003. What a marvelous time I had decorating.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A thirty -five-year bond broken by, sudden estrangement, psychological abuse, foreclosure, and gaslighting. Financial and legal burdens are presented in dark humor while tracking Greta’s will to survive through the power of friendship.
Gaslighting Greta is a suspenseful and deeply personal true story about the mysteries people create, the truths we sometimes resist, the enduring power of love, and the unexpected freedom found through self-reckoning and forgiveness.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Writing feels rusty today. I plow deliberately through the blank mental soil to find a blade of substance in a week of tragedy and cultural chaos. In conversations with men and women about our fractured culture.
” It was never like this when I was growing up,” that is from a fifty-year-old,
” I won’t get on a plane, no way?” from a forty-year-old.
” I don’t talk about my views with anyone at work or out of work, except my family and friends.”
I replied, “Yes, we have to talk niceties, bland boring conversation. “
When I was growing up, there was more joking, laughter, and confessional conversation. I was thinking about my high school years; we talked a lot about emotions, our parents, our dreams, and our fears. I don’t recall restraining what was on my mind. Perhaps that is why the majority of the younger generation prefers social media friends, as they can be easily deleted or blocked. On my FB page and feed, not one follower or friend reveals their political views, including myself. Isn’t that so contrary to humanity? And political violence, I keep hearing we won’t tolerate that on the news, but we are tolerating it. Do we all need drones over our homes for security? An optimist would say, We can do better, and we will; a pessimist might say, I think it’s going to get worse, and a nihilist would say, Life isn’t worth fixing; it’s just worthless.
I’m still dusting off the pleasantness of the past with the polemic present.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A year ago, I bought a crate of flowers to plant in Follies House flower bed. After setting the plant to rest, I had a vivid recollection of Nana; my mother’s mother. Nana was a petite woman, with long graying hair she pinned into a perfect French twist, a cute Irish nose, and a giggling smile. When I was growing up she lived with her second husband, we called Poppop, in a spacious California ranch house in Sherman Oaks, also known as San Fernando Valley. We visited her weekly, staying over one or two nights. Nana was always waiting for us to arrive. She greeted us at the door, she had something cooking, fresh candy in crystal dishes, and in the morning, she fried bacon and the aroma woke me and got me running downstairs. She scrambled eggs with lots of butter and served it with Irish soda bread. It never occurred to me that these weekly trips were the cultural mix-up of my Russian Irish heritage. This was Nana’s only opportunity to spoon-feed us our Irish roots. At home with father, bacon and butter were prohibited, and bread came in the form of a bagel. The food was only one part of the adventure. Nana’s home was filled with antiques, family treasures, and her garden was a masterful collection of east and west coast varieties. After Nana had all her errands and household chores finished, she changed into slacks, flat shoes, and a straw hat and went outside to the garden. I would follow Nana while my Mother remained indoors; most likely talking on the phone with some degree of privacy. In the garden, Nana would trim, cut, and arrange her flowers. I kneeled down beside her and watched, while she talked. Nana had the gift of gab, and her thoughts poured out without my interruption. Between sentences, she would insert a self-effacing joke, regarding her silly hat, or her short legs. Her hands were swollen from arthritis, and she rubbed them from time to time, but she did not complain. As I planted my garden, these visions of Nana remained and grew more studied and complete. I had a memory of being assigned a school project to plant something in the garden. By this time, my Mother had moved us to an apartment and we didn’t have our own garden. I went to Nana’s and she helped me plant some variety of flowers I cannot recall. Each week I’d return to see how my plant was doing. Sometime after the assignment ended and we were walking in the yard, I looked to see how my plant was surviving. It had been replaced. I asked Nana what happened. “Oh honey I hope you won’t be mad at me, but the little flower died, so I planted a new one. It’s my fault; I didn’t look after it properly.” Nana taught me the things my mother didn’t have the time to teach; like cooking, cutting flowers and arranging them, making coffee, and setting the table. She made all these chores enjoyable, and I loved to follow her around the house and watch her change the beds, and prop up pillows, and fold the guest towels. It never occurred to me until now, that I adopted her domesticity; the sublime gratification of adorning a home for the comfort of family and friends. The plants did not blossom, the jasmine, roses, and other varieties all wilted and turned brown. I buy silk flowers.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I just came across this post and thought maybe a writer in waiting will read this and keep on truckin!
IN NOVEMBER OF 2005 I reserved a space at the San Francisco Writers Conference. I was nervous and edgy when I boarded the plane. My pitch proposal, pitch suit, and pitch necklace, were tucked inside my suitcase. The pitch convinces an agent or publisher, that you know your subject well enough to feel one hundred percent confident. It may sound irrational that a writer could work five years on a book and not know what it is about. As an emerging writer I view my work through a kaleidoscope lens. I see multiple themes, subplots, and messages, and they change with each reading. Then there are loose knots of personal misery, lost versions and rejections ringing in my ears. My pitch has to convince an agent, that at least 5,000 people will buy my book. The pitch suit is the outfit you wear for an interview; only for writers, the guidelines are very loose. Some writers wear their narrative. I brought my tailored, looking successful, pants suit. My pitch necklace is a gold Buddha medallion that my father had designed for my mother. I wear it for good luck and because I know the necklace has survived all the family tragedies. The conference is at the St. Francis Hotel at Union Square.
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It was pouring when I arrived. The staff at the front desk greeted me with musical familiarity. Every time I swished by they called out, “Hello, Ms. Smiley.” I imagined them as a chorus singing my name. I arrived one day early to pace the galleries, cafes, museums and Saks. After the first night, I had to switch rooms. I was directly above the street dumpsters, where for hours the chugging of trash kept me awake. I moved frantically, to scoop everything up and not miss a moment of San Francisco. After switching rooms, I dashed over to the Espresso Bar. It faces the corner of Powell and Sutter. Outside, the streetcars clanged by, passengers dangling from the bars like vines on a tree. In between the tracks, workers both blue and white-collar, and some without any collar at all, jammed the sidewalks on foot, bicycle, moped and skateboard. With phones and iPods attached, eyes alert, they buzzed on the vibe of Saturday, moving like musical notes in a symphony.
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In the café an elderly woman wearing a SFWC name tag was seated next to me. I noticed she positioned her book on the corner of her table. She looked overwhelmed and frightened. As I introduced myself she smiled courteously, and said she was a neurotic housewife all her life and didn’t have much to write about, so she wrote about her husband’s war stories. I told her she should write about the neurotic housewife. Just as I was leaving, she stopped me and thanked me for speaking to her. “There’s always a guardian angel around.” Her voice lingered in my thoughts all weekend. At six o’clock that evening, I was gliding around my room dressing for the gala. I reached for my jewelry bag. It was gone. The weekend was ruined! I would never get published, I’m too wired, too reckless, too distracted. I called the front desk. Heather said she would call me back. Bang, bang, bang, went my shoe against the bed frame. Then the phone rang. “Hello, Ms. Smiley. I’m sending the bellman up with your jewelry.” I answered the door recoiling with pained joy. The bellman listened attentively. I rushed upstairs to Harry Denton’s Starlight Room. There I began wine tasting with Maggie, Peg and George; three new comrades in a room of hundreds. I spent the next day among more comrades, writers with unpublished stories, books, and works-in-progress. I listened to panels of writers; agents and editors discussed the fateful downward spin of publishing and upward battle towards reward. We sat in our chairs looking overly anxious, taking copious notes, and waiting for answers to our questions. At the end of the panel discussion we all lined up to meet the agents and editors. While we stood in line we met each other. “What’s your story about?” the woman behind me asked. “Growing up with gangsters,” I replied. “ Oh well! That will get you an agent.” “ I hope so.”
During the conference, I experienced a lucky throw of the dice. I met one of my mentors; Joyce Maynard. Her book, “At Home in the World,” is on my beside table. Joyce was published in the New York Times when she was sixteen years old. JD Salinger read the piece and invited her to live with him. Joyce’s story will send you back to reading Nine Stories. As I progressed through the circle holding my pitch stick, the fear and apprehension subsided just a tiny bit. Three agents responded; ‘send me your manuscript.’ Naturally when I returned home, my hands were tied to editing. I rushed through, did not employ someone to copy-edit, and then ran about announcing my almost to be signed contract. Three months later I recovered from the rejections and began another rewrite and another until today, when I am on my fifth manuscript. This one feels right because I am not rushing through it expectant of publication; this time I know it will be published.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I had it today, unlike other days that the truth is mettled or opaque or I am distracted. It reminds me of one of the wisdoms my father passed on to me: ” You can fool the whole world little sweetheart, but you can’t fool yourself.” I was a teen, when he passed on this mantra of living, now, today on a sunny Solana Beach go to the beach or racetrack day, I sit here and contemplate who I was fooling and why.
At some point in my thirties, I decided to outperform convention: marriage, children, my career, and lead without warnings, without proven methods, I thought experimentation was my path. I changed careers, moved to multiple locations, and threw the dice on finances. I can’t truly say no regrets, adventures in livingness brings growth, but the bank account needs growth too!My gang, assures me I’ll get back on the track, thank God for friends that believe in us, right! I don’t need five million followers, just my five fly over me forever friends.
On the track, earlier this week I had a conversation about the Del Mar Horseraces. The race track at Del Mar is on and my friend goes several days a week,
” It‘s really a lot of fun. Why don’t you come sometime and get away from editing?”
” I’ve told you, haven’t I? My dad gambled on everything: horses, sports, the academy awards, and at lunch, if the fly would go out the open window. If I win, I know, I’ll get addicted.”
” Oh, yes, I forgot you mentioned that.”
So, the dice throwing is in remission, going forward: manage impulse, unconventional living, be sensible, pragmatic and use proven methods.
Solana Beach massesare at the beach or the track, and I’m editing. ( deleted 25 pages today because people don’t read 400 page books) You know why I can do it? Because I spent my glorified years going to the beach, the track, partying, parading, and popping.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
If you’ve read my columns about minimalistic living: adapting to Solana Beach health, wealth and wardrobe conformity (female: leggings, workout bra, or at night show it or stow it. Male, bare-chested or T-shirt with their business logo on the back.) I add this confession, if the community residents were any happier than what I’ve observed I’d get therapy.
This week I became LEGITIMATE.
My New Mexico driver’s license expired in Sept 2024. I was living in my home in Saratoga, and attempted to gather the fourteen documents to show proof of residence, and get a NY driver’s license. I loved my turquoise NM license plates, and did not think I’d be there longer than a year, so I didn’t renew. I drove sparingly, as the village was in walking distance and I had Amazon delivery.
In January 2026 I moved into a hotel in Del Mar, CA and my car was transported by an auto moving company. I spent about thirty hours reviewing the documents I needed to get a CA license moving from out of state. I managed to get registration through my CA insurance agent, and CA auto insurance but DMV wanted proof of residence, (hotels not accepted) so I used Uber. I finally found my studio in May, and used all my time furnishing, and avoided the DMV. Friends offered to drive me there, and they or I got sidetracked.
Finally, a friend here said,
“ Loulou you’ve got to get it done. We’ll go Monday, this week.” I bought the cheat sheet, (out of staters have to take the written test) and studied it all weekend. Andrew, my friend, we met at five years old, called and said,
“ Did you get an appointment?”
“There’s a line of twenty-five, and besides the dice didn’t roll to seven.”
“Loulou, forget the dice and the line, they go fast.”
“ I’ll be over at ten o clock.”
I panicked and reviewed my folder of documents the online DMV said I needed: Birth certificate, certificate of sale, insurance, registration, social security card, proof of residence , passport, and DMV security code.
My phone maps app was taken over by google so I couldn’t access directions, I kept getting an error. So, I handwrote them on a page and met Andrew.
“ You have the directions on GPS, I don’t know where San Marcos is exactly, do you?”
“Not to make this more complex, I couldn’t access the app so I wrote them down.”
“ That’s good, you have all your documents?”
“ Everything but height and weight,” He laughed and we took off on the freeway. Andrew is a conversant man and because we grew up in the same class through high school we can speak, uninhibited.Childhood friends shared innocence, and the rarity of calculated devious behavior. Our trust is dependable and accountable.
“Do you know why I wore all pink?”
“Cause you … I have no idea.”
“ Men and women love pink, so if I get a male clerk, he’ll like it and so will a female.”
“ Where’d you get that tidbit?”
“Me, people like pink, and a search, pink evokes love and compassion.” Our conversation leaped from old friends to our parent’s, to tech complaints, going canoeing on a lake we passed, diet, aging, politics, antisemitism (we’re both Jewish) and then…
“ Do we turn here?”
“ Yes, we go east and then turn on San Marcos Boulevard for one mile and then Rancheros for three miles, and then..
“Okay, two directions at a time.”
After five miles of driving through residential neighborhoods, I knew we were lost. Andrew listened when I suggested we turn back, and we finally arrived at the DMV.
“My ex wouldn’t listen to my directions for thirty-five years. Thank you for listening! You know men are famous forrefusing driving directions.”
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
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