LOVE IS A THROW OF THE DICE


                  

            AS I LOOK OUT THE WINDOW, the stark undressed trees and branches droop with the weight of snow. Footprints form a hopscotch pattern on the snowy driveway and sidewalks. January is the month that reminds me most of Casey. That’s when she wore a mink coat, hat, and gloves. Her appearance was consistently Vogue print material.    

     Casey was a woman that threw the dice all her life. She gambled on her instincts as if they were already tested and approved. She never told me much about herself. Casey lived in the present moment and considered her past a private matter. Once I learned of her struggles as a young woman and the life she’d chosen, she became more real than when I’d known her. During the years we were friends, she handed out selected stories, abbreviated and censored.  Being the inquisitive character I am, the shallowness of her stories bated me.  I had to pry the truth out from other people who had known her.  

            Casey’s first gamble was at sixteen years old. She sent in a photograph of herself for the Redbook Magazine modeling contest. If she’d won, the Powers Modeling Agency in New York City would grant her an audition as a model.  Casey was living in East Orange, New Jersey with her mother and sister. Her father had died suddenly, leaving the family without a financier. Casey’s mother was lost without her husband and unsuited to join the workplace. Casey didn’t tell her mother about the contest until she received the letter of congratulations.

            John Robert Powers met Casey in his office on East 56th Street and signed her on as a Powers Girl. She was stunning to look at, she photographed like a movie star, and she was modest. John Powers did not look for aggressive, pouty-lipped, fearlessness. The Powers Girls were captioned, “Long Stemmed American Beauties” because they were wholesome, beautiful, tasteful, courteous, and virtuous. They were so far from the runway models of today,  it is almost a reversal of the industry.  

The models of the thirties were ordained to set the highest example of classic good breeding and education. John not only schooled them in fashion, and individual taste, he instructed them in moral integrity, independence, and community service. Casey went to school at John Robert Powers and became one of the top ten models in New York.  

            She was a blue-black-haired Irish beauty, with emerald green eyes and perfect teeth. She stood only 5’ 7″  in those days that was fairly standard. When I knew her, she was still thin and beautiful but she did not fuss about herself or spend a lot of time at her vanity. As a Powers model, Casey had a long line of gentlemen callers. Powers Girls were invited to all the nightclub and dinner show openings, sporting events, community galas, and fund-raisers.  Social engagements were part of her job. Casey was not a woman of idle chat, in fact, a lot of people thought of her as restrained and unfriendly, maybe even snobbish. I think it was more secrecy. People were always prying into her life because it looked glamorous. There was another side to that glamour she didn’t want to put in the mirror.  

            One evening Casey had a dancing engagement at the Copacabana nightclub in New York City. She was on stage with some other dancers when a certain gentleman noticed her. The next chapter of Casey’s life began that night. At twenty-two years old, she fell in love with a man thirteen years older, of the Jewish faith, who lived in Hollywood. The consequences of her love forced her to change and adapt to a new lifestyle and different people.

            She did not bury or rescind her love after she learned his business. She asked him to reform his criminal activities. He agreed if only she would marry him. We all know at twenty-two a woman believes she can change a man, and a man lets her think she can.  Without that dream, many lovers would not have found their mates.

            Casey did marry her love and spent her life trying to keep her husband and children from pointlessness, and harm. I met her husband just after he tried to reform, and was beaten down by the FBI. I called him Daddy.  


VOTING HAS BEGUN ON TALEFLICK.


 

IT’S HERE. “CRADLE OF CRIME-A Daughter’s Tribute” is LIVE in the TaleFlick Discovery contest.

 

Hi Readers:

Voting has begun on Taleflick for this week’s winner. It ends on Friday at 4:pm. CRADLE OF CRIME- A Daughter’s Tribute is on

Page 8. There you will see a voting button. Let’s win!

Head over to the TaleFlick Discovery page, where https://taleflick.com/pages/discovery all visitors to the site will be allowed to vote (once) ON CRADLE OF CRIME- A Daughter’s Tribute

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LOOKING FOR VOTES


 

 

 

Dear Luellen,

Thank you very much for allowing “CRADLE OF CRIME-A Daughter’s Tribute” to participate in a TaleFlick Discovery contest. Your date has been set!

It will be a special week on TaleFlick Discovery: an all-women’s week, to commemorate International Women’s Day.

“CRADLE OF CRIME-A Daughter’s Tribute” will be part of next week’s contest that starts:

Wednesday 03/11/2020 at 10:00am Pacific.   https://taleflick.com/pages/discovery. The contest will accept votes for three consecutive days, starting at the above time, and ending the following Friday at 4pm PT.

Participation is 100% free.

FATHER GANGSTERS


I am thinking about some of Dad’s answers to questions. You learn more by listening than telling. I remember if a friend or associate made some business proposition, Dad would answer, ‘I’ve been thinking along those same lines myself, and have a few ideas.’ Now, sometimes, he didn’t know but that gave him a shot into the game. The opponent would then tell Dad everything. The reason I say this is he said that to me. Not in those words, but the same move. Gangster’s do as much strategizing as politicians, maybe more. Coming out of court LA Times Photo. He loved sunglasses, and so do I.

STORIES TO SCREEN-AUTHORS AND PRODUCERS CONNECT


Pitch Page by TaleFlick  http://www.taleflick.com

MOVING STORIES TO SCREEN The world’s finest library of original storiescropped-54795916_high-resolution-front-cover_6490467-11-19-1.jpg

CRADLE OF CRIME-A Daughter’s Tribute
Luellen Smiley

GENRE
MEMOIR CRIME DRAMA BIOGRAPHICAL FAMILY
Drama

Mature Audience

Politics

Suspense

Romance

Core Theme
A MAFIA STORY THROUGH THE EYES OF A DAUGHTER.
TIME PERIOD
1960s & ’70s
COMPARABLE TITLES
THE SOPRANOS, THE GODFATHER, CASINO, GOODFELLAS
CHARACTER LIST
• LUELLEN “LILY” SMILEY: TEENAGER/50S. NEEDY, LOOKING FOR LOVE/ADMIRATION FROM HER FATHER; DILIGENT, STRONG MORAL CODE, CAN READ A ROOM.
• ALLEN SMILEY: 65. LILLY’S FATHER, (IN)FAMOUS GANGSTER. CRIMINAL, AGGRESSIVE, CHARMING, BADASS, ENGAGING.
Register for Full Story
Pitch Page by TaleFlick Info by Author

Brief
Luellen “Lilly” Smiley is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and
business partner. She rips herself from innocence and confronts her father’s nefarious criminal life, as
she breaks the mafia code of silence ten years after her father’s death.
What We Liked
– True story;
– A period piece inside a period piece (‘40s and ‘70s);
– 1940’s Hollywood, with actual “appearances” by stars of that era;
– The mafia and its members through another perspective;
– The father/daughter relationship;
– Episodic narrative, making it perfect for series;
– Possibility of both a fiction piece and a very rich documentary.
Synopsis

940s Hollywood may seem like the Golden Era of Cinema; Clark Gable, Judy Garland, Lauren Bacall
graced the screen, but behind the camera, there was a seedy underbelly ran by Bugsy Siegel and Allen
Smiley.
In the 1970s, Allen’s daughter Lilly Smiley gets a job at her uncle Jack’s book store. There, she is
constantly reminded and asked about her father from customers and other “uncles” who would come
in. After answering with pleasantries, she realizes that people have a completely different view and
opinion of her father than she does. Through research and help from her therapist, Lilly decides to
unearth the real Allen Smiley.
Each story is an episode; a look into the relationship Allen had with Lilly, Lilly had with Allen, Allen had
with the Mafia, and Lilly had with the Mafia. All three of these dynamics weave a tapestry of an
unstable, yet loving relationship. Some of the stories consist of:
● The day her dad died of Hepatitis C was an apparent hit on the Mafia;
● Meeting celebrities of the day and how they respected her father;
● The day her loving Uncle Bugsy died from a drive-by that sent her dad into hiding;
● One incident where her father wouldn’t let her into the apartment because she forgot the safe
word. He forced her to go to another home to get the key, and wouldn’t let her in;
● The day her parents got a divorce, yet her father came home for dinner every night;
● The relationship between Uncle Bugsy and her dad;
● The time her mother was diagnosed with cancer and spent the rest of her life in the Hospital.
How her dad, even though divorced, never left her side;
● Dad coming from an immigrant family, and how that shaped how he approaches problems;
● Allen, disappearing for weeks or months at a time, and how hard it was on her and her
mother. Once her mother died, it was even tougher on her.
● All the different “Uncles” that would stop by and look after the family.
By the end of the series she has a journey of denial, curiosity, and disbelief. She eventually manages
to find people who understand her history and accept her.
About The Author
Luellen’s “Smiley’s Dice-Growing Up with Gangsters columns appeared in San Diego newspapers and earned a Blue Ribbon award from the CA Newspaper Association. Her research led to TV, radio, and print interviews about her father and Bugsy Siegel.