I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.
The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. I’ve finally accepted that my constant relocating, reinventing, and being restless is not going to be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of Ballston Spa is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets, all the shops, services and restaurants are a patchwork, and all the business owners know each other.
All I can think of is where I should go next. This is wholly a village of ancestral families, with defensible adaptation to the severe climate, simplicity, and uncomplicated lives. My discomfort comes from trying to assimilate.
Many years ago, in the summer of 1987, I was seated in a café in Monaco, truly, and a man that I was traveling with told me, “You have to make a choice.” He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niçoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didn’t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didn’t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it is, I do not want to sign, commit, or make final decisions. I want it all to be a temporary placement that allows me the freedom to change.
Ihave lost track of my European friend, but if he met me today, he would say, “You have not changed at all.” So that is why I was standing there in the darkness on the porch and laughing like a silly girl because it is true. I have not changed at all.
The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.
Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily engaged. You cannot wake up one day and say, “I ‘m off to become more compassionate, or more practical, or more generous.” These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.
It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life is the same. We and our characters have to make a choice.
I think of the comforts of exhibiting my life on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or an English Castle, but experiences that flake off the skin, the mise en scene that shakes its relevance.
I won’t get out of this unless I have faith in myself. If God does make miracles, I’ve used mine up. My wonderous, rewarding, illuminating, creative adventurous life was a row of blessings from people that erupted into my life at the exact right time like we had an appointment. Strangers one day, pals a week later, years later our rebar, supporting joists of our underpinning in life.
Loners were postured in film, books, and art as mysterious, untouchable, or approachable, they even became romanticized as people of superior cerebral awareness. I’ve met and gained friendships with several over the last few decades. My first high school boyfriend was a loner, he became popular but his soul craved mind expansion and he needed solitary confinement.
How this relates to the intensification of rancorous physical assaults in as many venues, streets, and shops as you can name is my pestering pursuit today. People are exploding with anger, frustration, and hatred. I understand the anger and frustration, but not the hatred. Are all these perpetrators unloved, or do they live amongst compatible comrades? People are shot because their hamburger wasn’t properly served on time, or they have a different opinion. I was living in Los Angeles in 2018, one day driving down Pico Blvd I noticed a sign, “Walk in Anger Management.” Maybe we need to convert a few drive-thru food diners to Anger Management centers. It sounds amusing, doesn’t it? If I was financially able, I’d open one in every major city.
What has happened to our culture is unimaginable for a woman who grew up in the Love and Peace generation, or even into the eighties and nineties. We didn’t shoot one another, maybe a fist fight, or a shouting match but not murder in cold blood.
Could this macabre movement be softened by friends who love you more when you are gentle and kind? It cannot be that simple, or could it? When I used to rage about some occurrence that ripped me personally my partner would come to me and say,
‘LouLou put your guns down,’ that always made me laugh, and then we’d talk out what triggered my fury.
Humankind is in recession, we need a John Lennon to lead us back to where we belong. TO BE CONTINUED
Sometimes an interview with a musician goes deeper than a narrative history of recordings, concert calendar, and early training. That happened when I met Jorge Gómez; founder, keyboardist, and musical director of Tiempo Libre, an all-Cuban-born Timba band. We met in a modest hotel room in Santa Fe, New Mexico where he and his six band members were invited to play for the third time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductions, everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.
Jorge and I sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the United States?
“Oh my God! It was my dream; all through childhood in Havana.” “Do you love America now?”
His arms shot straight up, as he rose from his chair.
“Are you kidding? We love America! How can you not? This is the best country in the world. I’ve been all over: Europe, Asia, Mexico, and the Caribbean. You have all the opportunities; you make your own life here, whatever you want.” He shifts his attention to Raul, agreeably excluded.
“You can’t do this in Cuba—right Raul?” Jorge leans forward and I’m struck by the indisputable untainted smile. Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, “I got out because I had friends in New York. They helped me get gigs in the bars, weddings, and then we got into the clubs.” The room is silent except for Jorge’s satin-smooth transitions from one question to the next. That alone is reason enough to meet Jorge for a conversation. “We were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.” “Where did you learn Salsa?”
“From America! Yes. As teenagers, we climb to the roof and we to wait till state-programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Estefan, Michael Jackson, everyone. We listened all night so we’d take the rhythms’ in our heads you know.” “What’s the difference between Cuban Salsa and Latin Salsa?” “Everyone claims this is their Salsa; it’s Latin, Marange, Colombian… it is a blend of many cultures and musical influences. We take from each other. All the instruments I learn come from listening. They teach me everything, and I teach them.”
“Do Americans play Conga different than Cubans?”
“It depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolis…all those places that are so.” He pauses to express it precisely. “Cold” he says, laughing out loud.
“And I’ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.” Jorge breaks to howl out his enthusiasm, surprise, and demonstrate the memory.
“Who do you like to listen to do today?”
“I don’t know the names, but I have a lot of friends, and they call me and say, ‘I have a band, you come and hear me.’ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good. Everybody has a different reaction. My job is to transfer the energy to the person; that’s the idea. Not to play the music for me; I want them to be happy.”
“How do you do that?”
“Sometimes you are sick, and no matter how many pills you take you are still sick. Right?”
I nod and watch his facial expressions twitch in thought.
“Then let’s say I come and say, Wow! You look so good man, you are looking good, and he claps’ his hands and pantomimes the joy he’s transferring. ‘You wanna coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.’ Suddenly, you feel good.” He nods his head. “Trust me.”
Jorge is toe-tapping in place, his arms positioned in a warm world embrace.
“You forget all about the pills. Trust me, that is the kind of energy I give.”
“I suppose you don’t get sick?”
“Never. For sure. Never. I don’t know what this head pain is… how you say, headache? Like friends say I have so many problems, so many headaches, I can’t go out. I say, ‘What! Come on we go to the beach, to the sand. Bring your conga. What are you crazy! Come on!’ So he comes and we play on the beach in Miami.”
Jorge drums on the countertop. “Have a beer, have another.’ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, ‘I had the best day of my life.’ Yea! Be happy! This is youth; this is how you stay young. Life is so big.”
I shake my head, “Not in America; we concentrate on sickness and misery.”
“Yea! You don’t have sickness yet, but you are going to get it.” He ruptures into laughter and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can’t go to sleep at night. All the songs and ideas are in my head and I can’t sleep. I must write it down, and the next morning I feel so good because I didn’t go to sleep. I drink beer because I am too happy-over happy.”
“Where did you learn this happiness?”
“From all the difficult paths I have in my life. Childhood was very difficult; no food, no water, no electricity, and no plumbing. What are you going to do? Party, go outside, dance, play basketball, and baseball. I get my friends and they say my problems are bigger than yours. Bla bla bla.”
I’m laughing now as Jorge continues to articulate his life philosophy. “At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can’t go it alone.”
He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge’s eyes and brows are in motion, as much as his legs arms and hands.
“What you’re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You’re going to see a lot of soul. When Raul plays his trumpet you’re going to turn inside out.”
“What is Timba music?”
“A mixture of jazz, classical, rock, and Cuban music.”
“Sounds like a musical.”
“Yes, Yes! We are in preparing for that.”
Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was dancing below the stage. Two and half hours later I was still dancing, along with half the audience.!!
You see a chime, the moment it responds to a breeze, the sound is beautiful, like Chopin’s Nocturne 1. Sounds that accompany a descending light mist, or setting sun, but the chime improvises its sounds and movements when a vivacious wind girdles its ether. This abstraction reminds me of sensitivity. It can be soft and gentle, nurturing to the souls of those less peaceful, but when the velocity of attack hits, sensitivity is a walloping eruption of rage, drifting on uncontrollable. I’ve been punitively and cordially of being too sensitive. There are more good reasons to alter my sensitivity than not to, but the one reason that hovers above all else is that everything we do, feel and act in life needs revision. We should never stop evolving into more thoughtful, loving, or wise human beings. Every day, there is an opportunity to leap into saintly hood. It is the same with my writing it can be better.
The next adventure is closing in on me as foreclosure is over the June horizon. The dismantling of possessions brings me some sort of twisted alignment to my life. Picking and choosing what to pack, eliminating what Dodger and I bought together, and vacillating over treasures that are now more weight than worth. If I am ever to rest in one address, I’m sure it will be a headstone and a plot of dirt. I chose a destiny to relocate, and so the highway off-ramp will evolve, I just have to be patient.
It is the inner self that concerns me, and how I will adjust and adapt to leaving my favorite house. When I was thirty, I was afraid of getting married, and when I was forty, I was afraid of not having children. Now that I am sixty-nine, I have a fear that once was my chant, the idea of moving.
The word coddiwomple is English slang, defined as “to travel in a purposeful manner towards a vague destination”. If you are anything like me you may be coddiwompling your way through life, which is not necessarily a bad thing.
We can pay to go into space, text unlimitedly to avoid, a phone call, we can avoid meeting because we have too many social media reply’s waiting. We can upload, download, delete and save in a second. We can install security alarms, and electronic remotes to open and close our appliances, and electricity. We can drive a car without hands-on, we can buy a private plane, an armored car, bodyguards, and we can remain anonymous by creating a false identity… What we are not doing is improving our behavior, our own personal evolution as humans. Our civility is most recently televised as the Chris Rock, Will Smith slap. I’m sixty-eight and have watched the Oscars, so I remember what they gave the audience- humble sweet, amusing award-winner speeches, not a political coma, or reprisal for a joke. If Chris did not know the sensitivity of Jada for suffering from alopecia, ( and she is gorgeous with or without). After the slap Chris said something like, this will be the most-watched television show. WHAT? Is that all there is to our humanity; attention, vanity, and ratings?
As time grabs our life without us evening knowing it, one day we may wake up and say, I don’t have that much time left, what should I do? If you are single without children then the options are galactic, unless you live in Ukraine. The war bleeds in my veins, sometimes I feel nausea from the videos, and other times enraged that this was not prevented. The best news of the day is that Russia is expelled from the Human Rights Council. Pause, just today? I am half-Ukrainian. My father, grandfather etc, were Ukrainians. I’ve always thought and said I am half Russian, as noted on Dad’s papers. But I am not Russian, excuse my blind spot.
The question isn’t who is going to let me; it’s who is going to stop me. Ayn Rand.
I’ve often wondered what people think about when they are alone; taking a run or walk, dining alone, in the shower or tub, or just being on their own. Artists in all genres spend more time alone in the process of creating art.
Waking alone, I step out to open the drape to see if it has snowed. If it has then I’m on landlord duty to wait for the snowblower to arrive, so my tenants can get to their cars. If it hasn’t snowed then I am thankful, not that the snow-white lawns and rooftops aren’t magically transforming, it’s that time of year when the power goes out or some other nuisance like scraping snow off my car and porch.
Then thoughts leap like little squirrels, from musing on my friends, who I need to call, do I feel like writing today, can I stomach thirty minutes of news and a bit of punishment for past mistakes. The one thread that rises in nightmares, and the first moment I wake up is unconquerable, fear is a thread I cannot snip and toss away. Fear is really about the unknown, we cannot supersede circumstances that are in the waiting room of our lives. Either they have already occurred or you know they are on their way to your front door.
THE FOLLIES HOUSE
Now with the coldness, at six or seven in the morning, I crawl back in bed with coffee and think of the past, then the present, then the future, and then my thoughts drift like snowflakes. You know the saying when you are despondent or troubled you will be told to keep busy. I have not understood that advice until now. My life prior to the last two years was dizzy bizzy. And yes, it eliminated fear and malaise, so now without all the lists, commitments, and responsibilities absent, I am on time with my thoughts.
I ROSE AT 3:00 AM to turn the heat on, pick up my writing journal, and discern the week’s theme. I wonder for a moment if I should boil water for tea or coffee, and settle on decaf. The street is hollowed like a tunnel, the light of day is shining in some distant country, and the sky appears tinted with primer. Somewhere someone is dressing for work, breathing by the tick of the clock until he or she ( can’t figure out the right pronouns) must report for work.
The draft of sleep lingers in my eyes, and my feet shuffle on the wood floors while I grind the beans and think through the remains of the week. There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpectedly and replace whatever we were holding on to dearly, and deliver something unpleasant, like sickness, or separation. The sensations leading up to my theme jilted my creativity, and the pages I wrote were jammed with contradictions, maybe they still are.
Thoughts begin to form and ruminate, what is important? The theme of my week began when I finally was in the Dentists office. It’s been a year, and at sixty that was enough. Now Dr. FX’s office calls me every six months because I am over sixty-five. Still can’t really grasp my age. When I was thirty-something sixty-eight seemed very old. Do you remember that?
Dr. FX is the Music Man dressed in a white tunic. When he comes into my cubicle, he sort of prances on his toes and gives me an elbow safe bump.
“ Hello, oh I see,” as he looks into my mouth that has been open too long and my cheeks start to stiffen. The hygienist takes that white suck-up tube out of my mouth.
“ She has some tarter that I can’t remove so I suggest she come back because her gums are so sensitive and nonvaccine her for the water treatment .”
Dr. FX nods and bounces out of the room. Now she begins to sort of authoritatively advise me again that I have serious tarter. I think this is the third time.
“ I think I got a little lazy flossing during covid.”
“And I also started snacking on those crunchy health bars at night.”
“That wouldn’t cause that.”
Now I am ready to leave and I’m elated to get out. The receptionist starts talking and advising me about Dental Insurance and she leaves her desk and meets me in the waiting room, and starts stretching.
“ I have to do this as much as I can, sitting in that chair all day long.”
“Oh, of course,” I raise my arms and swing my hips beside hers. I walked out into a day of clouds and a peek a boo sun feeling a mood change, a spark of energy from a few moments of improvisational dancing. We all crave an irreplaceable swarming of joy, that comes unexpectedly. I was awakened to my detachment from feeling truly alive.
Writing with a pen is so different from the keyboard, journaling is always with a pen, but columns are on the keyboard. I understand what tranquilizes all the peripheral complaints, mental pains, and wounds that lie dormant or at least manageable. Without thinking of the tormented hours, I think of the comforts of exhibiting my life on paper. My desk is sealed into a corner of the bedroom, next to a double pane window (original 1885) forty feet in length. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or a Moorish Castle, but experiences that flake off the skin, or recall of the experience that gives it relevance.
I return to the porch for one more gulp of landscape that I share with the stars. The street is unfamiliar, a temporary scene like a bus stop, and I am merely waiting to move on. Some of the neighbors are friendly, some have no interest, one kind of spies on me when he thinks I’m not looking. There’s a reason for that but it’s too much of a separate story right now.
If I continue to roam around the task of writing this story, the intensity of irritation will escalate, my neck and shoulders will not loosen, my walk will be feigned, my smile forced, my heart longing for padding, my ego striving for recognition in the wrong places, and my soul roaming the hallways at 3:00 in the morning. I read a quote the other day on some website, to paraphrase: When I’m writing I know I can’t do anything else. The theme of the week is to bring back LouLou, a clownish, spirited, curious, joy seeker.
Let this not be a scorched with boredom bla bla piece of writing as all the elements are with me this Sunday. No one is mowing their lawn, the sky is a metal grey shield against sunlight, a light freckly kind of rain falls outside, and Bill Evans and Jim Hall’s sublime mix plays into my pulse.
In upstate New York, an overwhelming enthusiasm erupts for pumpkins, apples, and cider doughnuts. Advertisements appear in my Saratoga news feed of festivals at the local farms, homemade apple cider, witches and hayrides, pick your own pumpkins, and doughnut-eating contests.
Instead of smirking at this unfamiliar custom, I took a ride out to Lakeside Farms Cider Mill to riddle my sensibilities and get into the autumn groove. It’s a short distance away but, after you make the third turn off the main road, the gladiator trees blushing with yellow and gold formed a canopy over my convertible. It reminded me of an amusement park ride. My mood melted with the colors and as I pulled into the driveway of Lakeside, packed as if the Rolling Stones were going to perform my internal stick shift went into submission. I’m guessing the farm sits on several acres, and on one side is a field of grass, with pathways to walk, and then as I moved closer to a small brown barn, I noticed a witch outfitted for the children standing with her pitchfork.
Shoppers with carts passed filled with pumpkins and apples, and as I looked for a shopping cart, a woman noticed my puzzled expression. “You lookin’ for a cart?”
“Yes, where do I find one?”
“There’s an empty one behind you.” I felt dumb as gum and thanked her. Then I had the choice of going into the open farmhouse where a display of a dozen diverse kinds of apples stacked in crates, farm-fresh vegetables, pumpkins of all sizes, and an assortment of Apple Brown Betty mixes neatly placed on shelves next to jars of honey, preserves, syrup, and pancake mixes.
It is now a full-blown bumper car amusement ride as carts are pushed by shoppers unaware of colliding with other carts. Children are jumping up and down, and screeching with sugar craving desire. I cannot decide which aisle to choose. First, an eggplant that wasn’t the size of a dinner platter, then a few green chilis, and sexy plump tomatoes. I could have chosen a dozen more items. Since I am single, my lesson has been learned not to overbuy only to throw it away.
Apples were tied in bags, a dozen the smallest amount, so I chose one bag of Cortland amongst the other twenty-five kinds of apples! Macintosh, Macoun, Gala, Empire, Jonagold, Honey Crisp, Red Delicious, etc.
I knew I was in the jive when I bought a two-pound sack of Buttermilk pancake mix, a jar of Vermont Syrup, and a jug of Apple Cider. At the counter, in line with half a dozen others, the clerk whom I’m sure was part of the family greeted me.
“How are you today?” He said this as if he was on stage speaking loud enough for an auditorium of guests.
“I’m doing very well, and you?” I don’t usually project an openly loving tone but he sort of earned my delight. With all that I bought, the bill was twenty-eight dollars. I used to spend that at Sprouts in Los Angeles for half the items.
Next, the bakery for those tantalizing apple cider doughnuts. Now I go indoors to a converted barn where they serve food and more grocery items. Another reason for this jaunt was to pick up a dozen doughnuts for the seven firemen who answered my call this week when my basement began to flood. We had so much rain my sump pumps gave up, and the water was just about to fill the hot water heaters in the pit. After they hosed out all the water, we chatted outdoors. Someone mentioned breakfast time. I chimed in,
“Let me guess, cider doughnut!” A round of laughter and oh yes, they all love them. They would not take any money and so I thought I’d buy them what they love.
The sandwich line was twenty groups long. I squeezed in next to the bakery and was called on right away.
“What can we get for you today?” Another gleeful greeting from a woman who looked like she grew up next to the oven. I looked at the selection of pastries oozing with sugar, cream, icing the works.
“A dozen cider doughnut in a box please-it’s a gift.”
“Sugar glazed pleased. And six cinnamons in a bag.”
With a cart loaded up, I suddenly realized I would have to wheel it all the way to my car over puddles, chipped brick, and steps. Instead, I used my less-than sturdy arms. As I walked along leaning slightly to the right (my left arm hasn’t behaved since I fell on the stairs) my LA persona surrendered to old-fashioned, no dieting, family-friendly shopping at Lakeside.
As soon as I entered my kitchen, I dug into the bag of doughnuts, poured a cup of coffee, and dunked.
I wonder what you all are doing this July 4th. The last year had pressed us closer, and friends from years past have knocked on my FB door. Someone switched the light on our lives and I for one will find pages of material as a memoirist to unleash all that happened within and without. What took me all the way down was seeing the number of deaths. NY lost more than thirty-five thousand people, that would be like all of Saratoga County.
I vote for a Memorial somewhere in the US, maybe a wall, inscribed with the names of those lost to Covid-19. Grateful is the word of the times. I wish you all a big, loud, closely adjoined unmasked party.
Looking west to a smear of dusty crimson sunlight, a young man of twenty stood on the shoulder of Highway 66 waiting to hitch a ride. A powder blue Cadillac pulled up and the lad was caught in a puff of loose gravel. When the dust settled, a woman dressed in a two piece matching suit leaned over from the driver’s seat. “Say fella, can you drive one of my cars to California? I’ll pay the expenses,” she yelled out the window. Another Cadillac pulled up next to hers with a jerk stop. The lad stared into the shine of the car. It looked like wet paint and he was tempted to touch it. “Sure will, yep I’ll do that. Should I get in now?” The young man answered. “I need to see your driver’s license.” She added. The man hastily drew out his license from a dusty plastic cover inside his billfold. She looked it over, and smiled. “All right Maurice, keep in close to us on the road, don’t get lost. We’re going far as Needles.” Maurice held tight to the steering wheel, ‘Geez, ain’t this great, what a car. I’m going all the way from Nebraska to California in a Cadillac.’ He’d forgotten about the sharp pains of hunger, and bloody sores on his feet. Now he was sitting on warm leather seats, with the cold night air off his back, and ten dollars in his pocket.
Sixty five years later, I’m walking down the street where Maurice lives. We haven’t met yet. I don’t meet my neighbors. I move before I have a chance to care about them. It comes easy to me, being a loner. Then I met Maurice.
Unless you’ve lived in a four seasons city, you just can’t understand how transformational and redivivus the vernal expectation of spring. My mind feels like someone has loosened the screws, and a willowy feeling fills the body so when I walk my steps waver, without any alcohol. This spring is like a substance prescription after one of the gloomiest winters of my life.
He pushed her on a swing, so high she touched the sky, viewed the world through his eyes, lived for a time without lies, then as mystically he appeared, he let go of the swing, and she fell on her wing, broken but with the will to begin again. A broken heart hasn’t stopped her from loving him.
For ten days she stared unblinking, just thinking of her spoken words, how they made their way to his ears and returned the sounds she so wanted to hear. She wiped the tears as some people find love at the core of their fears. The strain of regaining her former spiraling spirit and beating heart may not come for months. She says to herself out loud, ‘it must, I must.’ As written, sung, painted, and performed for hundreds of years, love is undefinable as it is something supernatural.