BOT BULLITS & CHATGPT


Photo by kat wilcox on Pexels.com

MISADVENTURES OF TODAYJob boards alerts for the JOB I am perfectly suited for, are in Tallahassee or Wichita and require AI experience, and about seven variables of programs written as unrecognizable anagrams. I am only in my fourth month of job searching digitally, days of in person interviews are akin to eight-hundred-page novels.

My resume is professionally edited, posted on all the legit job sites and about ten questionable ones. I write personal letters to the museums, galleries, foundations and event planning departments, no reply, or the feigned friendly formal answer, ‘Thank you for contacting us! We do appreciate your time. We’ve chosen another candidate.’ The algorithm cadets are pushing me in the slush pile. Can you blame me if at least one day a week I scream silently. The bot bounty hunters are shooting me. Set this aside and see my phone, the icons on the home page change weekly, by a phonebot, and google decided to sync five thousand laptop photos on my phone. Now when I have to scan for a return to Amazon because they sent me two fans instead of one, the scan is where?

On my knees praying this laptop continues to behave or I will scream outdoors and be reported within seconds by a resident because Solana Beach bodies seem to obey all the orders. I tend to test authority, like not renewing my driver’s license for two years, and lying to my Doctor about my state of mind, because he’ll advise therapy and I self-analyze myself about everything, so why hear it twice.

The new modest home serves me what I came him for, ocean breezes, quiet, and private, neighbors that seem to harmonize, we can just say hi, is ok. At the intersection where I live, athletic, toned, and tanned looking males and females run, jog, walk, bike the sidewalks and streets in identical outfits. Sort of like a stage play and it’s inspiring to see that health is the way to live, I just don’t remember that culture dominating when I lived here. What I don’t understand doesn’t bother me, it’s a curiously about moving back home and feeling misfitted. Those of you who know me, have heard me say this about every location I move.

The ocean breeze, fan blowing against the curtain panes, bougainvillea bushes that colorize my terrace, the phone calls from friends, and edits sent by my publisher tranquilize the BOTS AND BOOBOOS.

Misfitted and anxious for acknowledgement due to not having ten thousand followers or whatever is the number, an author’s marketing team (everything seems to be in teams) contacted me with an offer to represent my book, Cradle of Crime-A Daughters Tribute published in 2017. Here’s the first paragraph of the first email.

The idea at the heart of Cradle of Crime is one that I had never encountered framed quite this way before. A daughter’s journey into her father’s criminal past, beginning ten years after his death. Most memoirs about family secrets are written as reckonings, as confrontations with the truth, as attempts to understand how a parent’s hidden life shaped the child who was left behind. You wrote something different. You wrote a book that is not just about uncovering the past, it is about the impact of that uncovering on your own identity, about the humiliation, rage, shame, and acceptance that came with discovering that your father was Benjamin Bugsy Siegel’s best friend and business partner. And you built that entire idea around the truth that the secrets our parents keep are not just their own, they become ours, and that the work of understanding who we are often requires us to confront who they were, even when what we find is devastating. That reframe is everything.

Six emails later and digging through all the scam searches, I discovered BOT LITERARY HOAX. On my base she pitched me the marketing plan, without cost. Now I have a comprehensive skill set to use! Sample: Listopia, ARC team, enhanced keywords, categories, Amazon Ads, metadata overhaul, refresh, etc. I did not use any of these when I self-published. I thought about reporting them, No, they can hack me!   

This week, another author marketing team contacted me with a similar, your story resonates with multiple markets you haven’t accessed. So, I decided to ask ChatGPT to run a check. One minute didn’t pass before this was returned. The opening sentence was, Luellen, I wouldn’t advise this company for Gaslighting Greta! BOT brilliance, he remembered from a previous question.   

Absolutely. I can recreate the Michael Literary Team assessment we just did.

Michael Literary Team โ€” Red Flag Report

Website: Michael Literary Team

Overall assessment: HIGH CAUTION.

I would not send them money, your complete manuscript, financial information, passwords, or other sensitive material until the company is independently verified. I would not call it definitively a scam based solely on the evidence, but there are enough warning signs that I would not treat it as a conventional, established literary agency without further verification.

Major red flags we identified

  1. Multiple/near-duplicate domains
    • There appears to be both a correctly spelled Michael Literary Team site and a misspelled โ€œMichealโ€ version.
    • This is unusual and raises questions about the history and ownership of the operation.
  2. Changing personnel and biographies
    • Names and positions appearing on the sites have inconsistencies.
    • Some biographies have the feel of generalized/template-generated profiles rather than independently verifiable publishing-industry rรฉsumรฉs.
  3. Website/template errors
    • We found repeated spelling, wording, and structural errors.
    • There were also inconsistencies in company information.
  4. Incomplete Chicago address
    • The claimed Chicago presence did not provide the kind of easily verifiable business information you would expect from an established literary agency.
  5. Very broad range of services
    • The operation appears to offer an unusually wide combination of literary, publishing, marketing, cinematic, and related services.
    • That isn’t proof of wrongdoing, but it warrants scrutiny.
  6. Testimonials are difficult to independently verify
    • Testimonials on a company’s own website aren’t strong evidence of legitimacy unless the authors and their publishing histories can be independently confirmed.
  7. The Gavin Westbrook example
    • We found outside discussion concerning a $1,000 package and a relatively small independent social footprint.
    • This deserves additional verification before relying on the testimonial or client claims.
  8. Weak independent footprint
    • An established literary agency would normally leave a substantial trail outside its own websites: reputable publishing databases, established agents, publisher relationships, industry references, verifiable authors, rights sales, etc.

Part 2 โ€” Connection to Susan Literary Team

This was particularly interesting.

We found evidence suggesting a substantial connection between Michael Literary Team and Susan Literary Team, including:

  • Emmanuel Carter appearing in connection with both.
  • Susan Cinematic appearing on the older/misspelled Michael site.
  • Susan Cinematic being associated with the Susan organization.
  • Similar website structures, services, Chicago references, and wording.
  • The Susan domain appearing to have been registered on March 21, 2026.
  • Similar language concerning a โ€œbulk buyer strategy.โ€
  • Repeated copy/wording errors across the sites.

That does not, by itself, prove fraud. But the similarities make the relationship between these organizations an important issue to investigate.

Bottom line

My assessment was essentially:

HIGH CAUTION โ€” do not pay until independently verified.

The evidence is strong enough that I would not recommend treating Michael Literary Team as a verified, traditional literary agency at this point.

And importantly, the 75โ€“85% figure we discussed was a โ€œdo not pay until independently verifiedโ€ risk assessment, not a mathematical probability that the company is fraudulent.

I HOPE YOU FOUND THIS HUMAN TOUCH HELPFUL!

RESUME


LUELLEN SMILEY

      MARKETING & EVENTS STRATEGIST | Turning Creative Ideas Into Profit

PROFESSIONAL SUMMARY

A resourceful communications professional with a proven track record of curating high-profile exhibitions, managing multi-platform media campaigns, and producing award-winning written content. Combines creativity, research acumen, and a strong business sense to translate trends into opportunities for brand growth and audience engagement. Experienced in public relations, event management, content creation, social media, branding, and business development. Known for building collaborative relationships, maintaining integrity, and delivering results with enthusiasm and a clear strategic vision. Blue Ribbon Award for Smiley’s Dice in the 5000-10000 category | California Newspaper Publishing Contest. Retail sales experience selling art and clothing.

KEY SKILLS & AREAS OF EXPERTISE

Special Events Planning | Event Coordination | Marketing Strategy | Community Engagement | Content Writing  Copywriting | Social Media Management | Brand Development | Public Relations | Arts & Culture Promotion  Creative Campaigns | Expert Leasing Manager / Vacation Rental Owner and Management | Project Management | Vendor Relations | Advertising | Exhibition Planning | Email Marketing | Digital Marketing |  Strategic Planning | Team Collaboration

SELECTED ACCOMPLISHMENTS

  • Curated and managed the exhibition strategy for a gallery, including marketing, public relations, receptions, opening night extravaganzas, advertising, and media planning; exhibitions featured iconic photographers worldwide: The Beatles, The Rolling Stones, Jimi Hendrix, Bob Dylan, The Who, Janis Joplin, and Joni Mitchell.  
  • Awarded the California Newspaper Publishers Association Blue Ribbon Award for excellence in weekly column writing.
  • Founded and grew Odyssey of Adventures, a globally read blog featured in the New York Post and More Magazine.

PROFESSIONAL EXPERIENCE

The Scott Varley Team Keller Williams โ€“ Saratoga Springs, NYย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  2019 โ€“ 2025

Public Relations & Promotions Consultant

  • Owned accountability for media relations, promotions, event planning, and advertising for a real estate brokerage.
  • Implemented SVKW communications strategy with guidance from the Director.
  • Increased brand awareness and ensured consistent branding, voice, and messaging across all digital platforms.
  • Planned and executed social media campaigns to advance communication and engagement goals.
  • Identified and leveraged opportunities to raise awareness of SVKW initiatives, partners, and collaborators.

The Gallery Loulou โ€“ Santa Fe, NM, & Taos, NM                                                                        2006โ€“ 2018

Owner/Gallery Manager

  • Oversaw the development and execution of exhibitions and events related to photography.
  • Secured exhibitions with world-class rock & roll photographers and established the Southwestโ€™s only gallery of its kind.
  • Translated vision into executable annual operating plans.
  • Served as an internal decision-making authority across contributing photographers.
  • Managed vendor relationships across framing, shipping, and cost analysis for all gallery functions.

Main Street Media โ€“ Del Mar, CA                                                                                                           2002 โ€“ 2007

Arts & Lifestyle Columnist

  • Authored a weekly column on arts, cultural events, character interviews, and personal lifestyle on travel and horse racing.
  • Collaborated with the art department, colleagues, and city-wide councils.
  • Utilized storytelling skills to cover news, including city council meetings, press conferences, and special events.

Galerie D Art International โ€“ Solana Beach, CAย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  2005 โ€“ 2007

Publicist & Marketing Director

  • Managed all functions relating to external communications and media relations.
  • Coordinated media interviews for gallery artists and occasionally served as a spokesperson.
  • Supported division-level PR and media-related programs.
  • Originated the collaboration between the community theater and gallery to co-produce theater in the gallery.

ADDITIONAL EXPERIENCE: Leasing Manager at Terraces Condominiums | Founder of United Steps Dance Productions | Marketing & Leasing Director at Torrey Pines Science Park

Associate of Arts (A.S.), Art History and Literature |Sonoma State University                                                              

INSOMNIA OF SEPARATION-SARATOGA, NY


ย  JOURNAL 12/6/2022 ADVENTURES IN LIVINGNESS FALLS ON EXCERPT FROM NEXT BOOK.ย  ย ย ย ย ย 

A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love; instead of neutralizing, we are inspired; instead of being stagnant, we romance; and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! The vortex of discontent is a punctured life. I spend more time watching sky stage plays, my favorite window tree, sculpted into aberrations of animals and faces than on cognitive thinking.

What I think of at three in the morning spirals into realizations and recognitions, and a time when my mirrors move toward me. The insomnia of separation from a manโ€™s shoulder bowed to my head, tweaks my worries like soft bread. The mind that directs me when driving adventurely maps our journey safely. The voice that encourages and applauds my success rather than swaying with jealousy or preoccupation. ย How the laughter erupts in a moment of spontaneous passion. The gestures of him shaving, and the modest vanity after I re-wardrobe him. Feeling his eyes in a crowd, undressing or admiring me, for some folly orย expression. The humor he finds in my misguided attempts to open bottles and packages with a dull spoon and figure out electronics. How he will pardon and pamper my unwarranted fears of stalkers, nightmares, cancer, and falling down the slippery wooden stairs. The man whose balance evens my wrinkles, ย lets light into my eyes, and opens my shell with wonder and shelter. ย ย ย 

ย Henry Miller writes in his book, โ€œ Henry Miller on Writing,โ€ โ€œWhoever greatly suffers must be, I suppose, a sublime combination of a sadist and masochist.โ€™ย  I think he’s looking at me.

 Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted, and receive a thousand warnings a week to get a flu shot. My doctor has tried persuading me to get a flu shot for three years.  I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question. 

HISTORIC RENOVATION AND PUBLISHING


A PITCH FOR PUBLICATION


I just came across this post and thought maybe a writer in waiting will read this and keep on truckin!

IN NOVEMBER OF 2005 I reserved a space at the San Francisco Writers Conference. I was nervous and edgy when I boarded the plane. My pitch proposal, pitch suit, and pitch necklace, were tucked inside my suitcase. The pitch convinces an agent or publisher, that you know your subject well enough to feel one hundred percent confident.ย  It may sound irrational that a writer could work five years on a book and not know what it is about. As an emerging writer I view my work through a kaleidoscope lens. I see multiple themes, subplots, and messages, and they change with each reading. Then there are loose knots of personal misery, lost versions and rejections ringing in my ears. My pitch has to convince an agent, that at least 5,000 people will buy my book. The pitch suit is the outfit you wear for an interview; only for writers, the guidelines are very loose. Some writers wear their narrative. I brought my tailored, looking successful, pants suit. My pitch necklace is a gold Buddha medallion that my father had designed for my mother. I wear it for good luck and because I know the necklace has survived all the family tragedies. The conference is at the St. Francis Hotel at Union Square. OLYMPUS DIGITAL CAMERA

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It was pouring when I arrived. The staff at the front desk greeted me with musical familiarity. Every time I swished by they called out, โ€œHello, Ms. Smiley.โ€ I imagined them as a chorus singing my name. I arrived one day early to pace the galleries, cafes, museums and Saks. After the first night, I had to switch rooms. I was directly above the street dumpsters, where for hours the chugging of trash kept me awake. I moved frantically, to scoop everything up and not miss a moment of San Francisco. After switching rooms, I dashed over to the Espresso Bar. It faces the corner of Powell and Sutter. Outside, the streetcars clanged by, passengers dangling from the bars like vines on a tree. In between the tracks, workers both blue and white-collar, and some without any collar at all, jammed the sidewalks on foot, bicycle, moped and skateboard. With phones and iPods attached, eyes alert, they buzzed on the vibe of Saturday, moving like musical notes in a symphony.

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In the cafรฉ an elderly woman wearing a SFWC name tag was seated next to me. I noticed she positioned her book on the corner of her table. She looked overwhelmed and frightened. As I introduced myself she smiled courteously, and said she was a neurotic housewife all her life and didnโ€™t have much to write about, so she wrote about her husbandโ€™s war stories. I told her she should write about the neurotic housewife. Just as I was leaving, she stopped me and thanked me for speaking to her. โ€œThereโ€™s always a guardian angel around.โ€ Her voice lingered in my thoughts all weekend.
At six oโ€™clock that evening, I was gliding around my room dressing for the gala. I reached for my jewelry bag. It was gone. The weekend was ruined! I would never get published, Iโ€™m too wired, too reckless, too distracted. I called the front desk. Heather said she would call me back. Bang, bang, bang, went my shoe against the bed frame. Then the phone rang.
โ€œHello, Ms. Smiley. Iโ€™m sending the bellman up with your jewelry.โ€
I answered the door recoiling with pained joy. The bellman listened attentively. I rushed upstairs to Harry Dentonโ€™s Starlight Room. There I began wine tasting with Maggie, Peg and George; three new comrades in a room of hundreds.
I spent the next day among more comrades, writers with unpublished stories, books, and works-in-progress. I listened to panels of writers; agents and editors discussed the fateful downward spin of publishing and upward battle towards reward.ย  We sat in our chairs looking overly anxious, taking copious notes, and waiting for answers to our questions. At the end of the panel discussion we all lined up to meet the agents and editors. While we stood in line we met each other.
โ€œWhatโ€™s your story about?โ€ the woman behind me asked.
โ€œGrowing up with gangsters,โ€ I replied.
โ€œ Oh well! That will get you an agent.โ€
โ€œ I hope so.โ€

During the conference, I experienced a lucky throw of the dice. I met one of my mentors; Joyce Maynard. Her book, โ€œAt Home in the World,โ€ is on my beside table. Joyce was published in the New York Times when she was sixteen years old. JD Salinger read the piece and invited her to live with him. Joyceโ€™s story will send you back to reading Nine Stories.
As I progressed through the circle holding my pitch stick, the fear and apprehension subsided just a tiny bit. Three agents responded; โ€˜send me your manuscript.โ€™ Naturally when I returned home, my hands were tied to editing. I rushed through, did not employ someone to copy-edit, and then ran about announcing my almost to be signed contract. Three months later I recovered from the rejections and began another rewrite and another until today, when I am on my fifth manuscript. This one feels right because I am not rushing through it expectant of publication; this time I know it will be published.

Ten years later, I self-published.ย 

CRADLE OFย  CRIME-A DAUGHTER’Sย  TRIBUTE.

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WRITER’S REALITY


JOURNAL SEPTEMBER 2022

I was walking the streets, and the descriptive details had since evaporated. I mentally pluck myself out of this moment and open the shades to thought and memory, where all writers meet on some psychic level, the place of imagination and creation, an abnormality of reality.

A passage from Anais Nin’s diary says, โ€œBe careful not to enter the world with any need to seduce, charm, conquer what you do not want, only for the sake of approval. This is what causes the frozen moment before people and cuts all naturalness and trust. The real wonders of life lie in the depths. Exploring the depths for truth is the real wonder which the child and the artist know: magic and power lie in truth.โ€

EVERYDAY EXCLUSIONS


Mayor Zohran Mamdaniโ€™s immigrant neighborhood map highlights 30 NYC neighborhoods but has sparked controversy for omitting historic Italian, Irish, and Jewish communities.

Overview of the Map

The map, released by Mayor Mamdaniโ€™s Office of Immigrant Affairs, is part of the โ€œNYC Immigrant Enclavesโ€ guide tied to the cityโ€™s World Cup tourism initiative. It identifies neighborhoods with substantial foreign-born populations, includingย Chinatown, Little Palestine (Bay Ridge, Brooklyn), Little Egypt (Astoria, Queens), and Little Pakistan (Newkirk Plaza, Brooklyn)ย NewsNationNewsNation+1. The guide highlights 30 neighborhoods in total, aiming to showcase New York Cityโ€™s diverse international communitiesย NewsNationNewsNation.

Controversy and Omissions

The map has drawn criticism forย excluding historically significant immigrant communities, particularly:

  • Little Italy (Manhattan)ย and other Italian-American neighborhoods such as Arthur Avenue (Bronx), Bensonhurst (Brooklyn), Howard Beach (Queens), and South Staten Islandย IJRIJR.
  • Irish-American neighborhoods, including Woodlawn Heights (Bronx) and the western Rockaway peninsula (โ€œIrish Rivieraโ€) in Queensย IJRIJR.
  • Jewish enclaves, including Borough Park, Midwood, Williamsburg, Crown Heights (Brooklyn), and parts of Far Rockaway (Queens), as well as Bukharian Jewish communities in Queensย The Jewish ChronicleThe Jewish Chronicle.
    Italian-American and Jewish groups have accused the administration ofย โ€œcultural erasureโ€, arguing that these omissions ignore communities that historically shaped New York Cityย The Jewish ChronicleThe Jewish Chronicle+1. The Italian-American Civil Rights League stated that Little Italy is โ€œsacred groundโ€ and called for the map to be corrected and for an apology from the mayorย IJRIJR.

A WRITER’S PATH


To write, to study, read, edit, I sacrificed: family, marriage, children, security, finances, and peace of mind. I am a columnist, and author, that lives with a constant source of material by those sacrifices. They have become my vortex of adventures in livingness to gain material. At times, like now, I question that path–and the answer is, I didn’t choose the path, it chose me.

TRADITIONAL AND NON-TRADITIONAL


 FREINDS, FAMILY AND FIREWORKS, Not me.  Leave out the friends and family. But not the fireworks. I havenโ€™t been here long enough to make new friends, and the ones I would call are out of town or playing homebase to avoid the traffic. The first day free of mind bending, sneezing, coughing and body thrashing over the last two weeks with bronchitis subsided. I even mentioned to a friend. โ€˜the best thing about suffering is when it ends.โ€™   The last time I had the flu was 2011.  

New York.  I couldnโ€™t abate watching the fleet parade along the Hudson or the fly overs above the Statue  of Liberty, or pay very close attention to the historical narrative on the sacrifices our founders lived and died for, so we can celebrate today and tomorrow. What a juxtaposition between the insignificance of being sick and taking a bullet. The day of history and visuals had me looking up every founder, and significant document, dates, places and rendering the Saratoga Battlefield visit with Jx years ago

 “Site of the historic 1777 Battles of Saratoga, which represented the first significant victory for the rebels in the American Revolution. Today, the 3,200-acre park is a popular tourism and recreation site and a wildlife conservation area.”

I took myself out to dinner across the street at the Brigantine, folded into a room filled with chatting staff, guestโ€™s conversation, and a panoramic view of the fairgrounds and Del Mar mountain tops.  I sat in the center, unusual for me I usually cling to a wall, but this restaurant has become a sanctuary for socializing, or just being solo, either way Iโ€™ve never left disappointed.

โ€œ You dropped this outside the bathroom,โ€ a young shaggy blonde hair boy of twelve or thirteen handed it to me.

โ€œOh! Thank you so much, that is very thoughtful.โ€™โ€™  He shied, dropped his head in that way that makes adults wonder why we  became so different, and left.

Then later on, as I was outside on the terrace enjoying the view of the fair, I noticed him and a woman next to me.  We started to talk, I think she liked my necklace or my pants or something and I saw the little boy and I said is that your son? She said yes and I told her the story. She introduced me to her husband, the uncle, the children, the other children’s parents. And when she left, she hugged me. That kind of intervention makes the difference for a single person.

EVENING.  After watching the DC extravaganza, I walked outdoors, to  the corner, the street was back to back traffic, helicopters, neighborsโ€™ standing on sidewalks and on our property, and I looked up at the start of a Del Mar Fairgrounds fireworks show that  stopped me short.

MEMORY LOSS IN POSSESSIONS


My possessions in Saratoga Springs now appear as decorations ย ย from a former celebration, like side dishes of over 20 years of mixing and matching prints, drapes, sofas, chairs, tables, vases, and artwork. Now they’ve been removed from my experimental minimalistic living.ย A former lifecycle that began twenty-five years ago, and are boxed up in a big POD storage. And I refuse to meet them in the present. Friends ask me, โ€˜when are you bringing your furniture here?’ I canโ€™t answer in words, it must crystallize like it has this past week, when I missed my wardrobe and art hangings. Within the admired art, clothes, and sixty-two boxes, (I looked at my inventory) are a haunting of memories tied in see thru knots of Dodger, my x. As a confirmed refuser of goodbyes, in any relationship, this one has to be nurtured with precision, and that means, no reminders.

The stark white walls and Amazon assembled furnishing are stationed without emotion, memory or love. Functional, practical and unfamiliar.ย  Ive created a new palette, like my first studio in Los Angeles in 1976. Then the others, studios over the years, small, compact, easy to maneuver and clean. Internally, the walls and shelves are cluttered with decisions. The edits on my book from the publisher, when will I find employment? How to engage in new friendships, clubs, gyms, meetups. ย 

Singleness in a city, that was once my home for twenty years, evolved through generations, adding new policies, laws, regulations, real estate development, customs, and an impressionable celebration of the arts and culture. It has no resemblance to the San Diego I met in 1983, except for the ocean and the bordering cliffs and seawalls. That is where a continuous rolling of memory waves sear my view, and I see my youthful delight in San Diego. Iโ€™ve always been impressed with people who truly live in the present, canโ€™t figure that one out, maybe Iโ€™m just a past time girl.

SOLANA BEACHM 2005

FATHER’S DAY AFTER HIS DEATH


Overlapping Fatherโ€™s Day is a mirage of life experiences tucked into memory prescriptions you take on a stormy day. A relic of my history rises and reminds me of the fear I once broke through.

It was 1983, and I was poised on a terrace overlooking the Pacific Ocean in Venice Beach. It was March, the month my father died, and I stared at the horizon at dusk, imagining my freedom taking flight. Where would I go? Without his presence in Los Angeles, and my sister, who had already moved to New York, I was terribly alone. The replacement came in summer flings, with men who had crossed my path; a photographer, a New Jersey computer technician with a brassy voice and Joe Pesci humor, and every few days, Kenny, a former boyfriend, dropped by to smoke his pipe of philosophy and blow long-winded ideas on where I should move.

โ€œI really want to move to Canada,โ€ I said.

โ€œFor what? To go ice-skating?โ€ He said between puffs.

โ€œI have family in Vancouver.โ€

โ€œWhat family? Youโ€™re an orphan now.โ€

โ€œI am not. I have cousins in Vancouver. My fatherโ€™s nephews.โ€

โ€œOh, yeah. When was the last time you saw them?โ€

โ€œWhen I was twelve.โ€

โ€œTerrific! Thatโ€™s a solid-ass plan. So what will you do in Canada?โ€

โ€œGet a job in real estate.โ€

โ€œLue! Wake up. You canโ€™t get work in Canada unless youโ€™re a citizen. Forget that idea. Youโ€™re better off staying here; look where you are: Santa Monica, the beach at your feet. Are you crazy?โ€

โ€œI donโ€™t belong here any longer.โ€

โ€œYou donโ€™t belong to anywhere; what you need is to stop trying to be a big shot like your father.โ€

โ€œI am not!โ€

โ€œWhen was the last time you left the country? When you were eighteen? Go to Rio, youโ€™ll have the time of your life, or Italy, or Greece–it doesnโ€™t matter. Just take the chance and see how you land on your feet. Youโ€™re a dreamer; itโ€™s about time you made one of your dreams come true.โ€

In the next few weeks, I met with Larry, my boss, who was liquidating his real estate portfolio to retire at 45. Larry wasnโ€™t just an investment visionary; he was passionate about social, political, medical, scientific, and human interests. He was a genius.

โ€œYou can stay here another year–Iโ€™ll find something for you to do, but youโ€™ll be bored,โ€ Larry told me.

โ€œLarry, I donโ€™t know where to go.โ€ I wiped a tear. He ignored it.

โ€œYou have to get out of LA. Youโ€™ll never meet anyone here. You think youโ€™ll be introduced to someone riding up and down the elevator in Century City. Iโ€™ve spent a lot of time in Del Mar and Rancho Santa Fe. Theyโ€™re nice people. You have a chance there; go down, spend a few days, and tell me what you think. Iโ€™ll help you. Now, stop crying. โ€œ

I drove down in Dadโ€™s black El Dorado, and parked at Del Mar Beach right next to the lifeguard station at the Poseidon Restaurant. I opened my suitcase, took out a bathing suit, and went into the beach bathroom. The tile was wet and smelled of seaweed and salt. I walked barefoot down to the beach. It was early spring, and the sand was unmarked. A few surfers jogged past me, blonde and bronzed like the Beach Boys. I followed them down to the seashore. In every direction, there was this untouched canvas of light and color; even the beach houses retained their natural sandy simplicity.

After I swam in the ocean, I went back to the bathroom, changed into dry clothes, and walked into town. A man with a beard rode past me on a horse and waved. I picked up a Reader and read the rental advertisements on the patio of Carlos and Charlieโ€™s, the corner cafรฉ. A roommate advertisement caught my eye: โ€œRoommate Wanted to Share large two-bedroom overlooking Torrey Pines Reserve.โ€ I called, and a man who went by the name of Smokey answered the phone. He invited me to come by for a look. His voice was predominantly ranch-friendly, so I took a drive over. It did occur to me on the drive that I was taking that chance Ken was blowing in my ear, and I was listening to Larry, who told me that people in San Diego were different.

โ€œHi, Iโ€™m Smokey. Come inโ€”would you like something to drink? Too early for cocktails, unless you want one.โ€

โ€œNo thanks. How long have you lived here?โ€

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His eyes were animal-alert, his face tanned, and his hair cut short but made to look long. His smile was unfiltered with hidden motives, and he was bull-legged.

โ€I moved from Pittsburgh; Iโ€™ll never go back except to see my folks. This is paradise. Donโ€™t you think? Iโ€™ve lived here for two years. I rent out one room, because I hate full-time work. Iโ€™m more entrepreneurial. You donโ€™t have to worry about my motives. I have a girlfriend, and Iโ€™m in love with her. She doesnโ€™t stay here. I go to her house. Youโ€™ll have your space, and if you need a friend, Iโ€™m here. Come out on the balcony.โ€

I followed Smokey, and we stood on the terrace overlooking the lagoon and marshlands of the reserve. To the west, the ocean and the stump of Torrey Pines Mountain.

โ€œWait till sunset; youโ€™ll never want to leave. Come look at your room. I can help you move if you want.โ€

The room was downstairs, his upstairs, and a stairway of trust in between.

โ€œIโ€™ll take it. When can I move in?โ€

โ€œWhenever you wish.โ€

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STILL A MYSTERY WHO MURDERED BENJAMIN ” BUGSY” SIEGEL


STILL A MYSTERY WHO SHOT BENJAMIN “BUGSY” SIEGEL .ย ย 

ย  JUNE 20,1947

Several years ago, I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website and asked for an exclusive interview. He asked about my fatherโ€™s relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, but George persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.

We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.

My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, โ€œI think Bush did it.โ€ He was not too impressed with the answer; but it saved me from theorizing.

At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my fatherโ€™s best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to โ€œBugsyโ€ than what the public has been told. The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hillโ€™s brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path. He always said, โ€œYou donโ€™t inherit friends,โ€ and so I declined to remain friends with family members of his group, because I respected his orders, even after he died.

I doubt any of his mob friends are still alive today. Many people have claimed they knew my father, but in essence, what they mean is they met at Ciroโ€™s, or had a game of cards, or went to the racetrack. My fatherโ€™s only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.

A man Iโ€™d never heard of called and informed me, โ€˜Your Dad and Ben buried a safe deposit box in downtown Los Angeles. You should look for the key, there may be a lot of cash.โ€™ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that.
Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have allowed my sister to sell his Patek Philippe diamond and ruby pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my fatherโ€™s life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.ย  ย 

I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind tinted dark sunglasses. He was quiet and observant. He watched me eat and then handed me a twenty-dollar bill to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. This was a setup, he picked the losing horses, so I’d get the lesson ” Even your old Dad loses at the track, remember that.’ There wasnโ€™t anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting. Lucky for me;get-attachment.aspxDAD AFTER MURDER I discovered Dad’sย  ย gambling didn’t pay off. When he was with Siegel in the forties, controlling the wire service he’d bet up to $50,000 in one day. And lose it on the next gamble. I don’t bet on sports, or gamble in casinos. I do gamble on life, and aim for the outlandish, improbable questionable odds.ย 

Photo: Leaving Beverly Hills Police Department day after the murder.