AN AFFAIR TO REMEMBER IN TAOS,NM


museum

Millicent Rogers home Taos, NM

The throw of the dice this week falls on the silhouette of a Taos night out in 2006. It begins with the sunset — a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; it silences me, it keeps me from turning on the television or answering the phone. Taos-sangre-de-christo-mountains-sunset

The sunset has settled into my routine. It’s something I watch every night. In the midst of dressing to attend an art auction at the Millicent Rogers Museum the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase, and cross over the ménage of piles shoved in a corner to allow SC to paint, I think, “This is going to be my home. I’m still here” Adventures in Livingness

In the courtyard where new flagstone has been laid, and the exit is blocked by a mud ditch, Rudy hitches me on his back and carry’s me out the side entrance through Tony Abeyta’s yard. Tony’s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican sand dunes. This is how the evening begins.

Out in the parking lot, we circle around once and stop in Robert’s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace, and says, have fun.

At times like this, I am able to forget the faces and routines I lived in Solana Beach, and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car making sure my shoes don’t fill with gravel.

RANCHOS PLAZA

Parking for the Plaza where we lived. San Francisco de Asís Mission Church.

Along the desert road, there is very little street light and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather clad bikers, and abandoned pets, is of no comfort or value. Boundaries are vague, so are civilities between people, and sometimes conversations elope into poetry.

At the Millicent Rogers Museum the director Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.

Each room is an envelope of Native American jewelry, ceramics, painting, weaving, textiles, and metal work, sealed with an ethereal presence of Millicent Rogers. She set global trends in fashion, art, and living, by coming to Taos and bridging her New York chic with southwestern sensibility.

The museum collection includes some of her own designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. She could have chosen anywhere in the world to live, and she settled in the unaltered, surreal lunar beauty of Taos.

I wandered through the tightly packed rooms, alternately viewing the guest’s attire and jewelry. The woven wraps, belts, and hats worn by men and woman form a collage of individual expression. Almost everyone seems to attract attention by the texture and color of his or her attire. It is festive traditional look, southwestern accessories paired with jeans or silk dresses. If you come to Taos, look for a belt buckle, one piece of Native American jewelry and one piece of art.

When the auction was announced, I found myself admiring the same etching as a woman next to me. She remarked that the artist was also the teacher of one of her children. I came to learn that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.

“So am I,” she answered.

Rather than talk about her work, she began talking about her daughter, also a writer.

“I’m so lucky,–all my children and grandchildren are creative and artistic.”

It was obvious that her life was a garden of earthly delights, and that she had raised many roses. When the auction began, she vanished, and I made a very swift viewing of the art before returning to the two etchings. They were both sold.

As I was walking out, I bumped into Ellen. She was clutching the etchings.

“So, you bought them,” I said.

“Oh, yes, I had to have them.”

She left me with a beaming smile and a closing remark that I hear very often: “Welcome to Taos.”

I love hearing that so much I don’t want to stop saying, I just moved here. After the auction we decided to stop in Marco’s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, visiting from Santa Fe.

PLAZA TAOS

The dim glowing melon adobe walls of the bistro, Marco hugging everyone, Joan’s melodious high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast rolling film. The conversation, and laughter surfed breathlessly from one person to another.

Joan remarked, “My 15 minutes. This is the best for me. The first time you meet someone, your both talking without any effort. It’s so perfect.”

We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friend’s house. Philip agreed to drive down to Santa Fe the next day, and we took Tylenol before going to bed.

Not every night out in Taos is like Joan’s 15 minutes, but chances are you will have something to write home about. Photos of Gallery LouLou Taos, NM


me on the roof

 

I’M JUST A REGULAR GUY


          Maurice did things for us that no one had. It started with small gestures, like inviting us inside every time we passed by his house. Even if he was on his way to deliver furniture he’d scuttle to the kitchen and give us homegrown tomatoes, and oranges, or hand me a bouquet from his flower garden.  These were the early years of my story submission rejections.  I was so consumed with rejection that the only person in the world that made me feel human was Maurice. He didn’t understand what my torment was about, but he knew how to make it go away.  Sometimes all it took was a big hug and a kiss. Maurice always met me with a hug and kiss, though I didn’t realize at the time how much he knew what I needed.

           That Christmas I felt the spirit because of Maurice. I went to Sav-On and collected a basket of decorations, and though we had no room for a tree, I did what I could. Instead of wishing I could dash into Nordstroms and shop like a madwoman, I dug a little deeper and searched for appreciation gifts for friends.

          By the time the season had ended, I was fixated on Maurice. It is strange to write about him now.  The story I wanted to write was about Del Mar, and Solana Beach, California during the thirties and forties.  I searched the indexes of the Del Mar Library and the local bookstores and shared the antiquities with Maurice.

          We were sitting on his cushy pillowed sofa one evening in 1994, sipping chilled southern comfort, and snacking on saltine crackers and cheese. There is always a subject of interest with Maurice. He is seventy-five years old, lean and tough as a stalk of corn, with blue eyes that twinkle even if he’s not in the light. His wealth came from the uniqueness of how he lived.

          “Tell me what you remember about Del Mar.”

PhotoSanDiego006Old Del Mar.

          “Oh so many good times, not like it is today. I knew just about everybody, we were like a family.”  Sometimes Maurice shared memories while driving around Del Mar and Solana Beach.  Suddenly he would start talking,  and I’d would listen with childlike curiosity. I recall one evening at the old Cilantro Restaurant while having dinner with Maurice.  We sat at a table facing the Rancho Santa Fe Polo field.  Maurice began to tell me how it used to be.  Rancho_Santa_FeRancho Santa Fe

          “I used to plow those fields there, all the way up to where the hills begin.  I worked out there all day, and I loved it. That land belonged to the Conleys’. I remember that the whole field was underwater for one year. Hard to believe–but it was.” 

          “You plowed?”

          “Sure I did! I was a farmer, a dairy farmer, and I delivered milk to Bing Crosby and Dixie Lee.  I remember  Christmas she comes out and gives me some extra money.–I always loved going there at Christmas. They was always so nice to me, you know. The Conley’s had a hog ranch, they were the ones I worked for. The year it flooded from El Camino Real to the racetrack we lost a bunch of pigs and a cow under the bridge.  It only happened twice that I know of.”   

          “ What was Rancho Santa Fe like back then, when you were a farmer?”  

         “Well, it was different than today, then it was rich people, I mean really rich.  I don’t know where they got their money but they had everything–you know expensive cars, cooks, and maids.” Maurice chuckled, “ I couldn’t understand what the cook did all day. The man my wife worked for, Ronald McDonald, he had a butler, maid, cook, and a big house, a really nice house. But today, anyone can live there, people who just inherited a lot of money.  There was just a few families back then– everyone knew who they was. One time a young girl who lived up there was stuck on the road–her car broke down, so I drove her home. You did things like that. There were two really well-known families there, the Clotfelters were one, they had a son, Tom. He stopped by my house at Christmas and brought me a fish, he liked to fish.   The other big family was Avery, he had everything. He used to get jobs for the Mexicans in the Ranch. Everyone knew him, he kind of ran the whole town, was really active in the community.  Another fellow, Joe White, went around to the homes and put in the meters for the water district. We used to play cards with him and his wife, Marilyn– have a few drinks and have a such a good time. ”  Maurice stopped and shaking his head remarked that there were so many wonderful people in his life, and how lucky he was to live in Solana Beach.

RSF VILLAGE

Downtown Rancho Santa Fe. 

          The Rancho Santa Fe I knew began when I  moved there in nineteen-eighty-three. It was a place you heard of right away, and so I drove up to take a look around. Like thousands of others before me, I dreamt of living in the Ranch under a canopy of Eucalyptus trees with a horse stable and a grove of oranges. It was a blissful place to drive on a Sunday afternoon, very few cars on the road and the homes bathed in sunlight. But when I walked down Paseo Delicias, the main road in the village,  I felt like an outsider. I did not feel that detachment in Del Mar, or Solana Beach, or even La Jolla. But the Ranch has eyes, it seemed to single you out and therefore no one on the inside made contact with you. You could dine at the charming Mille Fleurs and drop a few hundred dollars but you would not be invited to mingle. I asked Maurice if he wanted to live in the Ranch. His expression was curious as if I was pulling his leg.

 “No, I never wanted to live there.”

“Why not?” 

” I’m just a regular guy.”  To be continued.

MEMORIAL DAY AND OUR TROOPS


 

 

6/1998-Solana Beach, CA. 

                ONE EVENING, Rudy and I were sitting on the porch, it was in summer and we would sit out till after eight o’clock at night talking about different parts of Maurice’s life.  He is really busy in the summer, he works one day a week gardening for a man in Fairbanks ranch, and he spends a lot of time delivering furniture for the shops in Cedros Design District, and helping his friends with their gardens. He never seems tired; he likes to sit on the porch at dusk, watch the sunset, have a jigger and tell stories.  I had not met a man that could tell me things like Maurice.  There didn’t seem to be anything he couldn’t talk about. I will tell you in the next series how I met, ‘the happiest man in the world.’

OLYMPUS DIGITAL CAMERA

 

          “ Maurice, how old were you when you were drafted?” I asked.

          “ Well,  I was thirty-one years old, that was in 1941, you know when the war broke out. I had to leave my wife, and that bothered me, but I wanted to go overseas, there were so many nice real young boys, there were two boys from Chicago that were only eighteen years old, they lied to get in, and they were the best soldiers you ever saw, they weren’t afraid of anything.”

          “ Where did they send you, I mean after you left San Diego?”

          “ Well first I went to Camp Roberts for training, thirteen weeks, but I got out in nine weeks, then they send me to Fort Ord to get my gear and rifles and clothes to go to New Guinea to fight the Japanese. We left San Francisco on April 21, 1942, I remember going under the Golden Gate Bridge, cause we hit a bad storm there. We was on a luxury liner and then we were sideswiped by another ship.  I was in the bed at the time, and water started coming in through the porthole so I run for the door, to get on deck but I couldn’t get it open. I thought we were hit by a torpedo, then I got sick, I was real sick. Well anyway, then we finally settled down, and I think we hit coral sea  without any escort or anything and finally got into Adelaide, Australia after twenty-one days at sea.”  Maurice paused like he had to catch a breath. I watched his face, thinking he may want to stop.

          “ You remember so much, do you mind talking about it?” I asked.

          “ No, I don’t mind, it changed my life, everything about it.”

           “ Where did they send you after that?”

          “ Well we trained for awhile in Adelaide, the people in Australia were so happy to see us.  I remember they met us at the beach with tea and cookies cause the enemy were getting real close. Then we went up the coast to New Guinea to Port Moresby, we got there on Thanksgiving day 1942. As soon as we got off the ship the bombs hit us, it was the hundredth raid that night. Then the next morning we were supposed to get to Stanley Range, but we were in such a hurry because the enemy had built cement pillboxes. So we got in this plane, a hull, and they flew us, twenty-one at a time. When I got to the island of Buna, there were dead soldiers all over and so much jungle. At night the tide came in, so I found a mound to lay my head on, but my whole body was underwater. We were losing men so fast, so on Christmas 1942 General McArthur ordered us to advance, regardless of the cost of lives.  My division was one of the first divisions to stop the them, the Thirty-Second division. After we were immobilized, and a lot of our men were killed, they sent in the Forty-First division to take over. I got pictures, you want to see them?”

          “YES, RUDY,” SHOUTED. Maurice went inside and Rudy and I sat there just talking about how soft our lives had been, never having been in a war.  Maurice came back with a Life Magazine, from 1942, the headlines were Attack at Buna.  We sat next to Maurice on the couch and he sifted through the magazine showing us the photographs of his division. He picked out one photo in another stack in his lap and told us his wife kept this one, she was sure it was Maurice. It looked like him to.  The soldiers were young, but they didn’t look young, they looked like men. The things he told us that night were hard to believe. They didn’t get supplies at first, they had to wait till everything was shipped to Europe, and then they got what was leftover which wasn’t much.

       “I ate cocoanut bark for two weeks and had to drink my own piss to stay alive, there was no water. I can remember so well the first enemy I saw, sneaking through the jungle, he was only thirty feet off, and I don’t know if I shot him, but he dropped, and I don’t like to think I killed anyone, and it bothers me to this day that I had to kill, but that’s what we did.  The Japanese were good soldiers, they had better ammunition than us, their guns were always real shiny. We fought all day, and we always ran out of ammunition before they did. Christmas day of forty-two we went into a trench to get ahead, the fellow ahead of me was cut wide open, and the guy behind was shot, and I just laid there on the ground. If you moved you’d be shot. It was so bad, I laid there all day and night. “

          “ Did you think you were going to die?”

          “ I didn’t let myself think that,  I made a promise to God, that if I ever got out alive I’d never complain about anything in my life again because nothing could be worse than that day.” 

          “ You kept the promise didn’t you,” I asked. 

          “  Yes, I have.”

          “ And that’s why the war changed your life?”  

          “ That’s right, every day is a beautiful day after you’ve lived through a war, at least for me.”  

         BUNA  came into our conversations many times over the years. The things they did to survive is what he remembered; like brushing his teeth with black charcoal because it polished the teeth even though they made them black. They bathed in dirty streams, or in the puddles in the street made by the tires of the trucks. They had to relieve themselves in their pants because moving was dangerous.  They didn’t have modern medical supplies. When Maurice had cavities he was sent to the infirmary and the dentist told him to just grit his teeth, there was no Novocain. He got gum disease, leg rot, malaria, and he lost his sense of smell. 

      “But it was much worse for some of the men, so bad you can’t imagine.” He talked about the kinship amongst the troops, it was unlike anything he’d ever seen or experienced, all the guys looking out for each other. Buna was a strange place to be, I’d never heard of it before Maurice told us. After they took over Buna, one of the beaches, was named Maggot Beach, because so many dead  Japanese and American soldiers laid there, in the hundred-degree heat, and the flies got to them, and it was a terrible sight, it smelled so bad he remembered.  Maurice was sent to the hospital for two weeks, then he started working in the kitchen and got to be the first cook.

          2001. OUR CONTRY IS AT WAR AGAINST TERRORISM. Rudy and I wanted to know Maurice’s thoughts on the way it is now, and how he felt.  We sat in his living room watching the news and talking in those first few weeks after the attack on America. It seemed like Maurice couldn’t believe what had happened, I’d never seen him speechless. He didn’t know what to say for a long time.    

          “The ground troops are the only way to get this enemy. Now with these terrorists– we have a different war. I don’t know what our government will do but  they should give our troops overseas that die big funerals, news on the television and newspaper, that’s the right thing to do.  In WW11 they didn’t do that for any of us, they just wrapped the dead in a tarp, and dug a little hole in the ground. Hundreds and hundreds of thousands of boys, all they got was a stick where you was. I think they got some of the dog tags mixed up, you didn’t know who was who. When you think about what we went through, and how close you were to each other, everybody was so close, and if someone was shot, you couldn’t stop and help them, you had to keep going.  The natives were so nice to us, so good to us, they picked up the wounded guys and carried them to the hospital, they wouldn’t do that for the Japanese. Now everything is on the television so you’re part of it.”  Maurice began to weep silently. I hugged him. Rudy interjected. 

            “What were the natives like?”

          ” Back then we called them headhunters. They didn’t wear any clothes at all, but after we got there some of them started wearing our clothes. They lived in bamboo huts, pretty neat to live in, Rudy, you would have liked those tents. Anyway, they had these powwows, they’d catch a monkey, and hang him up, build a fire under him, and cinch the hair, then sit down and eat the monkey raw, I saw a lot of that. You didn’t dare look at the women, they’d shoot you with an arrow, they had poisonous arrows, the women were so terribly dirty, but they seemed to be happy.  After we took Buna, they liked to shoot up the trees and show us how they got the coconuts, they were so fast. I guess some of them are still alive today, the jungle was so thick and full of mosquitos, a lot of them had malaria, they had no medicine, they ate herbs and things, to make them better. I’ll never forget them, they were so good to us, when they took me to the hospital they put me on a  stretcher one time, they were so careful, didn’t move me at all.

          “ You couldn’t speak at all to them?”

          “ No, they had their own language, I couldn’t understand it, no one did.”     

 Maurice went into the house and came back with a photograph of a female headhunter. It was strange to think of this person as a woman, she was so primitive. Rudy loved the photograph. Maurice gave it to him. t.  Rudy knew he would never see anything like it with his own eyes, so he cherished that picture and the story Maurice told us as if it was his own experience.    

           THEN THE LIGHT OF DAY TURNED FOGGY.  Maurice said it was time to go in because it was getting cold.  He told us how much he loved us that night, and what good friends we were. When Maurice talked of his experience in the war, it was like a chiropractic adjustment on my struggle, and I had renewed strength to just keep writing.

          It was the first time for Rudy to hear first hand about WW11 because his father had been stationed here making torpedoes. My father enlisted but they wouldn’t take him because he didn’t have citizenship. It bothered him too, he was the kind of man that would die for this country in a heartbeat.

           A year or so later, some woman came to know Maurice and asked about his experience in the war. She said she would write a book about it, and so he gave her the photographs and Life Magazine and waited to hear from her. She never came back, and Maurice was really shocked because she had seemed so sincere.

         I wanted to know more about his life after the war, but the time didn’t come until one night when Rudy and I got into a nasty fight. To be continued.

 

 

COVID-CHANGED US


IN THESE TIMES OF DISTANCE, DEATH, DISCOURSE, AND ISOLATION what can I write of value? All month this puzzle chased my thoughts; nudged me like a pesky fly. At different intervals during the solemnness, my journal returned parched sketchy paragraphs, and books did not deliver the inspiration I craved. Listening to Beethoven as I gaze out the window at the blowing branches on a spring gray and white day, I feel a singleness I’ve never known. Maybe you feel the same, and it is you I am writing to because I know you are there. Singleness in quarantine is more incarcerating than it is for married, partnered, family people. Though they have to acclimatize to spacial hardship as everyone at home is at the same intersection without privacy, and that slogan I remember from college, ‘I need my space man,” resonates. One friend said to me on the phone, “I yelled at my kids today, I’ve never done that before. We’re bumping into each other. I think I’m losing my mind.”

US SINGLES  are accustomed to solitude, especially if you are an artist. How we howl for isolation to create, and now we have it. The time is here, to skip down the most bizarre roads and create COVID-Art. A few weeks ago, Governor Cuomo delivered his press conference and said, “I have something to show you.” A sliding door opened and a collage that appeared twelve feet in height displayed a tapestry of masks. He told us they came from all over the world. He was so touched by the gesture. Imagine a new solo dance performing an abstraction of the virus, or a poem, a song, and for sure a dozen or more writers and screenwriters are tapping at the speed of light to capture the pandemic in art form.

https://www.theartnewspaper.com/analysis/art-pandemic

I’M GOING DOWNTOWN now to pick up a cobb salad from Sunset Grill, my stable for drinks and great food. The sky is in turmoil, as the clouds interchange across the sun, and she appears to be breaking through at one moment and the next she has revealed her radiance. I dress for the weather with a hat and coat and begin my three-block walk to downtown. When it begins to rain, I am smiling as I’ve always loved walking in the rain. As masked villagers pass, I’m struck by the absence of smiles, or good afternoon which you get a lot in a village of five-thousand. Some younger couples cross the street when they see me, and heads are mostly lowered to the ground. A new silence emerges as cell phones are tucked into pockets and passing voices are inaudible.
I HAVEN’T HAD FACE TO FACE  conversation for several days and I feel a sprinting joy in anticipation of a conversation with Eric or Brian who own the café. They’ve installed a take out window, and as I approach I see Brian, and he ducks down to greet me.
Hey Loulou, how are you?
“ At this moment I am so happy to see you!
He swings down a bit lower to pop his head through the window
“ So am I. We miss you.”
“ I feel the same. How are you doing with all this.” He is smiling, and he’s always a bit jumpy like he needs to go for a jog or a bike ride.
“We had to let the staff go,” now his smile turns to a gripping inner pain. My kid is washing dishes and we’re still here, but you’re the first customer today.”
“Will you reopen when we’re off the pause button?
“ With twenty-five percent capacity, I don’t know. The numbers don’t work out so well. I mean we’ll still do curbside.”
Suddenly he turns about-face and joins me on the sidewalk touting my cobb salad. Brian must need a conversation as much I do. We chatted about the virus, our change of behavior, and this pent-up craving for closeness.
“ I can’t even go on a date anymore with someone! How can you meet anyone today?” He gestures with his arms to emphasize his frustration.
“Yeah, you’ll have to take their temperature before you sit six feet away.” We laughed, maybe for the first time in days.

AS I WALK BACK HOME  my thoughts are traveling along the pathway of restaurants, I frequented in San Diego, Los Angeles, Taos, Santa Fe, and now here. I see the owners and waiters’ faces, remember the food and a visual kaleidoscope of the festive times we shared. You know that saying, the good ol’ days, now I am on the other side of that at least for the foreseeable future.
For me the adaptation is more than frustration. Last year I did not take advantage of the racetrack, or the concerts at SPAC, or the exhilarating nightlife along Broadway on a Saturday night in Saratoga Springs. I trembled in silence abashed by the consequences of my mistakes. If we un-pause this summer I promise you I will not be clasping the remote waiting for the next film.

AS I APPROACH  my house, I notice the neighbor in her driveway. We clashed in the most vicious ways the summer Rudy and I moved into the house. One time I think the police were brought in to settle the argument. It was because she placed a close circuit camera on her roof to track our renovation. She was retired and her husband was always fiddling in the shed. We gave her a purpose. She looked my way timidly. I smiled at her. This is the first time we’ve been this close since I moved here two years ago. She smiled back.
“Are you happy to be back?” she said in a quiet sort of empathetic tone.
“It’s taking time to adjust. I haven’t lived here in so long.”
“I know. Well, not much has changed except for a few new restaurants. Do you plan on staying?”
“I don’t know the answer yet. We had the house up for sale…”
“ I noticed the sign.” She said expectant of more information
“ I can’t maintain a hundred and twenty-seven-year-old house on my own. You know, Rudy’s gone.” She nodded her head.
“Well, I don’t know how much longer I’ll be here either. I’m eighty years old now.” She dropped her head to the ground.
“Lorraine you don’t look like it at all.”
We continued on about my new tenants, her dog, and how much work it takes to maintain a painted lady historic home. I couldn’t believe how sweet her voice was, I’d actually never heard her speak except one time shouting at me. Give up grievances and trivia because the person you once disliked may be very different now.

 

SELF PORTRAIT

SINGLE IN QUARANTINE


ADVENTURES IN LIVINGNESS-  Without argument what motivates the locals in Ballston Spa, NY is family. They go to work every day, some in punishing freezing cold weather to earn a living. The snow blowers, plowers, farmers, horse breeders, deliveries, construction workers, postal workers, cable servers, and weather free runners.

20191106_155648
The families then gather on the weekend at any of our a dozen bakeries, cafes, restaurants, and bars to sit with the family, drink a beer or mimosa and watch the seasonal sports channel. Children are well behaved mostly, the server is probably related in two degrees of separation, so the expansive informality presides. The pretense is nine miles north in Saratoga Springs. Very minor, compared to Los Angeles, and I love that about Saratoga. They have an A-List too, mostly connected to racehorses or real estate. They aspire to win the Kentucky Derby or buy land to develop a dream community. Traditional and progressive. The generations of Saratoga go back to the eighteen hundreds. I’ve met residents who are the fifth generation, and they are proud to tell you. That stands out for a gal from LA that moved to Ballston Spa.

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Back in Ballston Spa on a milky white sky day, that feels too cold indoors. I’m wearing layers; T-shirt, a thick zip-up sweatshirt, and the Irish wool Jumper I bought in Ireland in 1987. The weather channel claims it is forty-seven degrees, so I’m miffed why I’m so cold.
This week was waiting until my brain was ready to take on the challenge of the moment; coronavirus 19. I’m a failed student of statistics, charts, science, physiology, and models. When the task force takes the stage every day, to update us on the number of cases and deaths my brain struggles with the information, as I am awed by the concentration of facts, projections, and federal coordination. It shed light on how microscopic my responsibilities are in comparison.

Living in upstate Saratoga County, New York we were on lockdown early in the game. The sacrifice isn’t as disarming for me because my personal crisis hasn’t fused with social gatherings, for the last fifteen months. In life, we all have our crisis, it is just better if I’m not in a crowd. So I limited myself to the essentials with an occasional visit to a pastry shop or bistro. Adaptation to quarantine if you are living alone is agonizing and so we have to structure our misery or it will structure us.
Bonded in solitude allows us time to reflect on our relationships, our mistakes and what we miss most in this time of quarantine. This may be the only time we will ever have to examine who we are and what we need to change. If you watch the news, you hear the stories of the first responders, and all the essential workers who risk their own lives to bus us, feed us and deliver our Amazon packages. My mirror of reflection brought the reality of singleness into focus, it is time to trust, love, and to socialize. As Joni Mitchel sings, “ You don’t know what you have till it’s gone.”
If we ignore the war in our lives, the war comes after you.


VOTING HAS BEGUN ON TALEFLICK.


 

IT’S HERE. “CRADLE OF CRIME-A Daughter’s Tribute” is LIVE in the TaleFlick Discovery contest.

 

Hi Readers:

Voting has begun on Taleflick for this week’s winner. It ends on Friday at 4:pm. CRADLE OF CRIME- A Daughter’s Tribute is on

Page 8. There you will see a voting button. Let’s win!

Head over to the TaleFlick Discovery page, where https://taleflick.com/pages/discovery all visitors to the site will be allowed to vote (once) ON CRADLE OF CRIME- A Daughter’s Tribute

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LOOKING FOR VOTES


 

 

 

Dear Luellen,

Thank you very much for allowing “CRADLE OF CRIME-A Daughter’s Tribute” to participate in a TaleFlick Discovery contest. Your date has been set!

It will be a special week on TaleFlick Discovery: an all-women’s week, to commemorate International Women’s Day.

“CRADLE OF CRIME-A Daughter’s Tribute” will be part of next week’s contest that starts:

Wednesday 03/11/2020 at 10:00am Pacific.   https://taleflick.com/pages/discovery. The contest will accept votes for three consecutive days, starting at the above time, and ending the following Friday at 4pm PT.

Participation is 100% free.

DYLAN’S TOUCH


The irony.  When I first heard “Like A Rolling Stone” as a teenager, the lyrics saddened me every time I played it or it came on the radio. Then this song became my destiny.

“Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn’t you?
People call say ‘beware doll, you’re bound to fall’
You thought they were all kidding you
You used to laugh about
Everybody that was hanging out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging your next meal
How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone
Ahh you’ve gone to the finest schools, alright Miss Lonely
But you know you only used to get juiced in it
Nobody’s ever taught you how to live out on the street
And now you’re gonna have to get used to it
You say you never compromise
With the mystery tramp, but now you realize
He’s not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?
How does it feel, how does it feel?
To be on your own, with no direction home
A complete unknown, like a rolling stone
Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you
You never understood that it ain’t no good
You shouldn’t let other people get your kicks for you
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain’t it hard when you discovered that
He really wasn’t where it’s at
After he took from you everything he could steal
How does it feel, how does it feel?
To have on your own, with no direction home
Like a complete unknown, like a rolling stone
Ahh princess on a steeple and all the pretty people
They’re all drinking, thinking that they’ve got it made
Exchanging all precious gifts
But you better take your diamond ring, you better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him he calls you, you can’t refuse
When you ain’t got nothing, you got nothing to lose
You’re invisible now, you’ve got no secrets to conceal
How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone.”
Songwriters: Bob Dylan
© Downtown Music Publishing, AUDIAM, INC
Photograph credit Jim Marshall

A VERY HAPPY, CREATIVE, PROSPEROUS, GRATEFUL AND SURPRISING NEW YEAR TO YOU


      ADVENTURESS IN LIVINGNESS 2020

 2020 SOUNDS SO PROMISING.  TO ALL MY READERS, FOLLOWERS, FRIENDS AND STRANGERS. I DO WISH YOU A SLICE OF SENSATIONAL SURPRISE IN THE NEXT YEAR.

 

MY LIST FOR THE NEW YEAR

TIDY THE HOUSE LESS

SMILE MORE

                             LET LOVE COME AND GO, NOTHING MEANS MORE THAN TO TAKE IT SLOW

CONCENTRATE INSTEAD OF CELEBRATE

WATCH MORE INSPIRING DOCUMENTARIES AND LESS OLD MOVIES

SPEND MORE TIME MAKING FRIENDS

FINISH MY WORK IN PROGRESS

THANK GOD EVERYDAY FOR HIS PROTECTION AND GIFTS

STOP FEELING GUILTY FOR SLEEPING IN

 

 

 

STORIES TO SCREEN-AUTHORS AND PRODUCERS CONNECT


Pitch Page by TaleFlick  http://www.taleflick.com

MOVING STORIES TO SCREEN The world’s finest library of original storiescropped-54795916_high-resolution-front-cover_6490467-11-19-1.jpg

CRADLE OF CRIME-A Daughter’s Tribute
Luellen Smiley

GENRE
MEMOIR CRIME DRAMA BIOGRAPHICAL FAMILY
Drama

Mature Audience

Politics

Suspense

Romance

Core Theme
A MAFIA STORY THROUGH THE EYES OF A DAUGHTER.
TIME PERIOD
1960s & ’70s
COMPARABLE TITLES
THE SOPRANOS, THE GODFATHER, CASINO, GOODFELLAS
CHARACTER LIST
• LUELLEN “LILY” SMILEY: TEENAGER/50S. NEEDY, LOOKING FOR LOVE/ADMIRATION FROM HER FATHER; DILIGENT, STRONG MORAL CODE, CAN READ A ROOM.
• ALLEN SMILEY: 65. LILLY’S FATHER, (IN)FAMOUS GANGSTER. CRIMINAL, AGGRESSIVE, CHARMING, BADASS, ENGAGING.
Register for Full Story
Pitch Page by TaleFlick Info by Author

Brief
Luellen “Lilly” Smiley is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and
business partner. She rips herself from innocence and confronts her father’s nefarious criminal life, as
she breaks the mafia code of silence ten years after her father’s death.
What We Liked
– True story;
– A period piece inside a period piece (‘40s and ‘70s);
– 1940’s Hollywood, with actual “appearances” by stars of that era;
– The mafia and its members through another perspective;
– The father/daughter relationship;
– Episodic narrative, making it perfect for series;
– Possibility of both a fiction piece and a very rich documentary.
Synopsis

940s Hollywood may seem like the Golden Era of Cinema; Clark Gable, Judy Garland, Lauren Bacall
graced the screen, but behind the camera, there was a seedy underbelly ran by Bugsy Siegel and Allen
Smiley.
In the 1970s, Allen’s daughter Lilly Smiley gets a job at her uncle Jack’s book store. There, she is
constantly reminded and asked about her father from customers and other “uncles” who would come
in. After answering with pleasantries, she realizes that people have a completely different view and
opinion of her father than she does. Through research and help from her therapist, Lilly decides to
unearth the real Allen Smiley.
Each story is an episode; a look into the relationship Allen had with Lilly, Lilly had with Allen, Allen had
with the Mafia, and Lilly had with the Mafia. All three of these dynamics weave a tapestry of an
unstable, yet loving relationship. Some of the stories consist of:
● The day her dad died of Hepatitis C was an apparent hit on the Mafia;
● Meeting celebrities of the day and how they respected her father;
● The day her loving Uncle Bugsy died from a drive-by that sent her dad into hiding;
● One incident where her father wouldn’t let her into the apartment because she forgot the safe
word. He forced her to go to another home to get the key, and wouldn’t let her in;
● The day her parents got a divorce, yet her father came home for dinner every night;
● The relationship between Uncle Bugsy and her dad;
● The time her mother was diagnosed with cancer and spent the rest of her life in the Hospital.
How her dad, even though divorced, never left her side;
● Dad coming from an immigrant family, and how that shaped how he approaches problems;
● Allen, disappearing for weeks or months at a time, and how hard it was on her and her
mother. Once her mother died, it was even tougher on her.
● All the different “Uncles” that would stop by and look after the family.
By the end of the series she has a journey of denial, curiosity, and disbelief. She eventually manages
to find people who understand her history and accept her.
About The Author
Luellen’s “Smiley’s Dice-Growing Up with Gangsters columns appeared in San Diego newspapers and earned a Blue Ribbon award from the CA Newspaper Association. Her research led to TV, radio, and print interviews about her father and Bugsy Siegel.