The inner voice where gaps of expression are liberated.
Category: ENTERTAINMENT
CLASSIC, FOREIGN, INDEPENDENT AND DOCUMENTARY FILMS
LEAPING OVER YOURSELF TO ENTERTAIN SOMEONE ELSE
THEATRE
JAZZ MODERN AND POP DANCE
MUSIC – SWING, SALSA, FRENCH, WORLD, JAZZ, BLUE NOTE
Friends are bookends that bind our stories; some are novellas, some are poems, some are cinematic, and each friend serves as a bookend to our personal history. When Iโve lost my way and need direction my friends motorize me, and when I fly without wings, they ring the bell to come down to earth. At times, arguments arise and my friendships stray, but true-life friends never leave you behind. Sometimes, years may pass, and then one day you receive a call or an email, or send one yourself, and the memory of that particular squabble in history fades away. You can start anew; at the same time, it is not.
The essence of friendship never burns out; it is our galaxy, a kind of celestial agility. Are you experiencing a startling outpouring from friends whoโve left your life only to suddenly show up on your social media or a personal email? Are your friends calling and writing more often?ย I’m always examining some unfamiliar events in life, a new trend, a cultural change.ย Seems like every topic can be mixed with politics, sometimes the mixture is explosive. Iโve halted the political discussions, and so have my friends, as they are more important to my livingness than politics. With one exception, antisemitism, those are excluded!
My possessions in Saratoga Springs now appear as decorations ย ย from a former celebration, like side dishes of over 20 years of mixing and matching prints, drapes, sofas, chairs, tables, vases, and artwork. Now they’ve been removed from my experimental minimalistic living.ย A former lifecycle that began twenty-five years ago, and are boxed up in a big POD storage. And I refuse to meet them in the present. Friends ask me, โwhen are you bringing your furniture here?’ I canโt answer in words, it must crystallize like it has this past week, when I missed my wardrobe and art hangings. Within the admired art, clothes, and sixty-two boxes, (I looked at my inventory) are a haunting of memories tied in see thru knots of Dodger, my x. As a confirmed refuser of goodbyes, in any relationship, this one has to be nurtured with precision, and that means, no reminders.
The stark white walls and Amazon assembled furnishing are stationed without emotion, memory or love. Functional, practical and unfamiliar.ย Ive created a new palette, like my first studio in Los Angeles in 1976. Then the others, studios over the years, small, compact, easy to maneuver and clean. Internally, the walls and shelves are cluttered with decisions. The edits on my book from the publisher, when will I find employment? How to engage in new friendships, clubs, gyms, meetups. ย
Singleness in a city, that was once my home for twenty years, evolved through generations, adding new policies, laws, regulations, real estate development, customs, and an impressionable celebration of the arts and culture. It has no resemblance to the San Diego I met in 1983, except for the ocean and the bordering cliffs and seawalls. That is where a continuous rolling of memory waves sear my view, and I see my youthful delight in San Diego. Iโve always been impressed with people who truly live in the present, canโt figure that one out, maybe Iโm just a past time girl.
STILL A MYSTERY WHO SHOT BENJAMIN “BUGSY” SIEGEL .ย ย
ย JUNE 20,1947
Several years ago, I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website and asked for an exclusive interview. He asked about my fatherโs relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, butGeorge persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.
We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.
My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, โI think Bush did it.โ He was not too impressed with the answer; but it saved me from theorizing.
At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my fatherโs best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to โBugsyโ than what the public has been told. The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hillโs brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path. He always said, โYou donโt inherit friends,โ and so I declined to remain friends with family members of his group, because I respected hisorders, even after he died.
I doubt any of his mob friends are still alive today. Many people have claimed they knew my father, but in essence, what they mean is they met at Ciroโs, or had a game of cards, or went to the racetrack. My fatherโs only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.
A man Iโd never heard of called and informed me, โYour Dad and Ben buried a safe deposit box in downtown Los Angeles. You should look for the key, there may be a lot of cash.โ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that. Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have allowed my sister to sell his Patek Philippe diamond and ruby pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my fatherโs life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.ย ย
I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind tinted dark sunglasses. He was quiet and observant. He watched me eat and then handed me a twenty-dollar bill to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. This was a setup, he picked the losing horses, so I’d get the lesson ” Even your old Dad loses at the track, remember that.’ There wasnโt anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting.Lucky for me; I discovered Dad’sย ย gambling didn’t pay off. When he was with Siegel in the forties, controlling the wire service he’d bet up to $50,000 in one day. And lose it on the next gamble. I don’t bet on sports, or gamble in casinos. I do gamble on life, and aim for the outlandish, improbable questionable odds.ย
Photo: Leaving Beverly Hills Police Department day after the murder.
A momentary connection occurred to me last night after watching, โThere Will Be Bloodโ about drilling for oil. The oil derrick is the outline, or the notes scribbled in a journal. Then the pipes are set in place, like words in a sentence, then paragraphs. Our characters come into view some muscular and brazen like the drillers, welders, rig workers and mud loggers. Once those elements are configured in the oil field or in sensory perception the story begins. The paragraphs build into pages and the pages build a story.
The writer digs for substance for soulful spiritual contemplation and he builds on it. Sometimes it comes like a gush of oil. Other times it bubbles at the surface and goes nowhere. When the bubbles recede, we move on to another location internally and externally and we begin to dig for a new well story.
These ruminations came to me after watching the film, especially poignant to me as my father at the age of fifty left a life of gambling and mafia assorted activities and learned to be an oil producer. He was introduced to Howard Hughes through Meyer Lansky and Frank Costello and Howard introduced Dad to a wildcatter in Houston named Lenoir Josey. My mother and father moved to Houston from Los Angeles in 1949 and into the Shamrock Hotel, that being the hotel used in the film Giant, and Edna Ferber’s book, about Glenn McCarthy, played brilliantly by James Dean. He built the Shamrock, and it opened on St Patrick’s Day 1949 (the pool was so large you could water ski across) Glenn became close friends with my father. I met him once in Los Angeles at a lunch with Dad. He was broken, by his loss of fortune. and friends. I recall a face withered by disappointments.
Josey as my father referred to him took my father under his wing and tutored him in the business of oil engineering and oil production It was a gamble and my father a life long gambler on everything loved being in the oil business. I didnโt intend to wave my fatherโs story into this but intentions in writing as many things in life surprise us.
If J. Edgar Hoover hadn’t refused my fatherโs request to reside in Houston to continue the oil business I would have been born in Texas. My father was forced to move back to Los Angeles and as Hoover predicted he went back to gambling. During his time with Josey, he amassed twelve oil leases in states across the Southwest and Midwest and when he died that part of his life was handed down to his children in royalty leasehold interests. That was when oil was $17 a barrel. But Josey had passed and his son no longer honored the handshake agreement between his father and mine and forced us to sell our leasehold interests for a shameful amount.
FEEL, THINK, AND REACT. Tumbling through all the transitory advice forces me to examine more closely whom to believe. Iโve never been a leader, nor a follower, I walk in between, trying to pave a pathway to peace of mind. Maybe that is unattainable as I am in a cultural, political, medical, financial, and socially reimagined world. It reminds me of being a teenager when life was questionable, and confusion was like a stinging bee we couldnโt swap away. So, in my senior year in high school I started writing in a notepad. Gradually, almost supernaturally I withdrew from my gang, and spent the weekends in a Cafe with adults, or in the library. The loner label pleated my pants.
Loners were portrayed in film, books, and art as mysterious, untouchable icons. They even became romanticized as people of superior cerebral awareness. Iโve met and gained friendships with several over the last few decades. It may be that loners have thin skin, they absorb the ethereal and reality, so in many situations the absorption is too weighty and the loner cuts loose before the party is over, cancels at the last minute, and doesn’t answer the phone. Talking, engaging, evaporating into another person feelsherculean for me sometimes.
Does isolation relate to the intensification of rancorous physical assaults in streets and shops, which is my pestering pursuit today. Are all these perpetrators unloving, and live amongst the unloved? People are shot because their hamburger wasnโt properly served on time, or they have a different opinion. I was living in Los Angeles in 2018, and one day driving down Pico Blvd I noticed a sign, โWalk in Anger Management.โ Maybe we need to convert a few drive-thru food diners to Anger Management centers. It sounds amusing. If I was financially able, Iโd open one in every major city.
WHAT HAS HAPPENED TO THIS CULTURE is unimaginable for a woman who grew up in the Love and Peace generation, or even into the eighties and nineties. We didnโt shoot one another, maybe a fist fight, or a shouting match, but not murder in cold blood.Could this macabre movement be abated by friends who love you more when you are gentle and kind? It cannot be that simple, or could it? When I used to rage about some occurrence that tattered me personally, Dodger would come to me and say,
โGreta put your guns down,โ that always made me laugh, and then weโd talk out what triggered my fury.
THE COMFORT OF EXHIBITINGlife on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; itโs the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony, a writer doesn’t need a Tuscan Villa or an English Castle, but experiences that flake off the skin and shake out relevance. What Iโve rediscovered is that without a lot of stuff to organize, the mind is free to think, more time to create and effect essential decisions. Narcissism is sacrificed and replaced with more visceral makeup. Minimalist living has erased my past, and that is as transforming as day to night.
PUZZLE OF SOLITUDE will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world that I created. I have to laugh alone, so I watch screwball comedies, seek humor in my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling when I keep forgetting where I left my phone. Laughing at myself is a funnel that leads to writing.
My pal since 2007 when I asked him to exhibit in my gallery. He advises, humors, and inspires me on every phone call. Today he is still exhibiting his photographs worldwide.Photographer and filmmaker Jerry Schatzberg, almost 99 years old, looks back at Edie Sedgwick in a new show at the Ki SmithGallery.
IT’S UNLIKE ANY OTHER CITY I’VE EXPERIENCED.ย Named the city different, it is also the city difficult.ย She ( I see Santa Fe in the feminine gender)ย has to be treated gently. Herย weather patterns resemble a menopausal woman,her stature demands respect, and she can be congenial and patient.
You can walk this city as if it were a neighborhood. If you do that consistently you’ll meet people, and get to know them. Unless you’re like me, a standoffish fast walker dazed by the outdoors.
If you’re dazed and illusional you can master this city very well, as the drowsy pace and cordiality allow freakishย freedom.ย I ‘ve seen the liberating soul of Santa Fe,ย teenagers racing down the middle of a commercial street one foot on the skateboard, bad-ass bikers talking with bad-ass cops, women with parrots on their shoulder, dogs in baby carriages, cats in a bag, and women on horseback galloping up Palace Avenue.
At night you’ll see raging midnight ramblers dancing on the sidewalk, and all of this is appealing to an LA transplant.ย I have driven in my robe, danced in the street and broken the heels on most of my shoes because of the pot-holes. They are always working on a street, but never the sidewalks. I ‘ve been bounced out of the locals night-howl El Farol for accidently pushingย a dancer, who knew the manager, who came running after me and took down my license plate.
So many of us are loners, the serious kind, that have to be riggedout of our nests.ย Luckily I live on a commercial street and have no choice but to be commercially friendly. After nine years, my seasonal behavior is obvious: sprite in summer, blissful in fall, giddy in spring, and withdrawan in winter. I’ve learned patience,understanding, and adopted a mixture of cultural traditions. I’m close to fifty percent certain I’ll miss Santa Fe terribly when I do leave.
Has living in Santa Feย given me more than I’ve given back?ย Yes, it has and that’s why when I’m asked what’s it like living in Santa Fe, I try to reveal the blessings here and not the beef.
The first gallery opening I attended. Smashing art by Hunt Slonem, photography by Tim Hardy. Conversation, champagne, and what we all need, social engagement. Unlike a concert, or theater performance where you are seated next to someone you know, art galleries are a sensory of interaction with the artwork, the guests, and the elan of the space. Madison gallery was a warehouse, exposed twenty-foot ceilings, enormity of space, and minimalism in furnishings. It feels like an indoor park.
Once a gallery lover, then a gallery owner, and now seeking a job in a gallery. I joined the mailing list of a dozen galleries, realizing resumes are sifted through by AI and not the owner.
My love of photography began at a museum observing the work of Edward Weston. I used this line when selling my photography in Santa Fe” Photography are stories on the wall., not just the photo, the photographer. Of course you can say the same about a painter, but for me, catching a moment in time, that will never be repeated is poetic.
One guest that visited my gallery said this to me, ” Photography isn’t art.” He was famous, not as an artist but the son of John Huston. I cannot recall his explanation, but I have heard this statement several times and that is why there are so few photography galleries.I’d open one again when the if’s are removed.
One of my favorites by Jim Marshall. Jim caught Bob in a private moment, and let him publish it. An early concert, 1963, with already famous Joan Baez.Fuzziness is my fault.
ED CARAEFF PHOTOGRAPHER- He came out for the opening, a really nice guy. We played Hendrix every day for 6 months.
PHILIP TOWNSEND AT HIS EXHIBITION IN SANTA FE, NM. A PRINCE OF A MAN. WE SOLD ALL HIS STONES, BUT 4 THAT I KEPT.
JIM MARSHALL-Only he could get Dylan to smile. Jim, the legend rocked the gallery, the most eccentric man I ever met.
JIM MARSHALL.
BARON WOLMAN. The man who ignited Gallery Loulou with his introductions and faith in my passion.
LEFT TO RIGHT. MAN, unknown, my pal Blair Sabol, Jim Marshall, Ali McGraw. I get chills looking at this adventure. OPENING NIGHT IN TAOS, NM.2007
JERRY SCHATZBERG, ICONIC PHOTOGRAPHER AND FILM MAKER WHO DID MORE THAN PUSH THE ENVELOPE. HE PUNCHED IT. I JUST SPOKE WITH HIM, 99 YEARS OLD, CLEVER, HUMOROUS, ALL THERE.He exhibited in the gallery and we became confidants.
AND OF COURSE FAYE. WHOM HE ADORED AND TOOK HER TO HIS CAMERA.
After spending several summers at Saratoga Race Track, I discovered I loved thoroughbred horseracing. All my life, Iโve been a spectator of the performing arts. I never watch any sports on television, and I only attend baseball games when my father needs a companion. The art of performance is what led me to experience the racetrack as live theatre.
ย ย ย ย ย ย The racetrack is the stage, the jockeys’ are the actors, and the men and women who fill the bleachers, picnic grounds, Turf Club, and private boxes are the audience. The racehorse is the star celebrity.
The admission tickets, like any show, are based on your seating. You can walk through the gates for $3.00, or you can buy a Box for $100,000 a year. The collage of human emotions, drama, suspense, and danger, are key components to good theater.
Gambling personifies the Shakespearean twist of the racetrack. High rollers and drugstore cowboys wager to win. Some men walk out with a grocery cart of recycled cans, some walk out with enough money to buy a racehorse. They leave by the same gate, and the next day, they come back for more. But why, I ask, is thoroughbred racing not considered an all-around American sport? Why donโt jockeys get athletic respect? These two spheres of lightning truth struck me while I trampled through the mud, one rainy August day at Saratoga Racetrack.
I asked around for opinions. The Governorโs bodyguard remarked that it was a good question. He did not think gambling was the reason, because people bet on sports all the time. He thought maybe that it was because as kids we donโt learn to race horses, like baseball and football. “The public is naรฏve about Jockeys, because they have never raced.” Another answer I heard was that 200,000 fans fill a ballgame on any given day, and that those numbers donโt compare with horseracing.
ย Iโm not a bettor, and I donโt ride very well, but I am a drama whore. I took my notebook to the Jockeys’ room to ask the Jockeys’ what they thought about this irregularity in sports. Jose Santos had a few minutes to spare.
โJose, do you feel like America thinks of you as an athlete?โ
โWe donโt get the respect that we should. I think itโs the gambling. This is the greatest racetrack in America, and there is gambling in every sport, but when you come to the track, you see it right there, and people cannot avoid it. Pound for pound, we are more fit than most athletes.โ
I asked Jose what he does aside from riding. He jogs three miles every day, and walks for a mile. He reminded me that if he goes down with the horse, his strength is what gets him back up again. Another misconception is that jockeys only ride for 2 minutes. Well, the race is 2 minutes, but they ride every day of the year. They do not take breaks.
“How does the public perceive you?โ I asked.
โIn Europe they are treated like movie stars, over here the Jockey is just another person, and in sports, the Jockey is low. I wish we had more respect, but we donโt get the publicity.โ
This feels like the guts of the truth; our little minds like to align with other like minds. The leaders of the pack go to football and baseball, and the media follows behind.
Jose remarked that the only time he felt real enthusiasm and support was when he won the Triple Crown. Otherwise, they get a little column in the paper with the results. โThe Racing Form is 100 pages, and nothing is written about us.โ
โWhat if there was a Jockey Magazine?โ
โWell, that would be great, then the companies would be interested, and weโd get sponsors. When I go out to the park and run, I wear Nikes.โ He chuckled, and I lowered my head in shame. My bet is that this can, should, and will change.
WHAT ARE THESE LISTS...ย the long list is the list you started as a youth, without even knowing you were making plans for your future. This is the list that does not have to be in writing, keyed in on a phone, Outlook, or posted on the calendar.
The long list is about cutting out, shocking the system, and coming back unharmed. It is an exceptional sensation of adventure we visualize while waiting for a flight at the airport, for the neighbor to turn off the leaf blower, for the light to turn green.
All of the things we monitor in our lives, like the need to have a cavity filled or checking the coolant level, are multiplying, and that short list is so long we rarely have time to consider the long list.ย None of those items will make any difference in ten years, not one.
The short list is a big obstacle in the way of the long list. By the time we get to the long list, we may be crippled by fear, turned into a sofa shouting grumpy cynic or, worse than all the above, we may have forgotten what we wanted.
Waiting too long to start an adventure on the long list is staring me in the face. Then I realize, I’m in it!ย ย
ADVENTURERS IN LIVINGNESS 