GASLIGHTING AND RECOVERY


He’s digging my grave
For the dragon he pays
With our nest, now shaved
Tumbling into the abyss
I visit the comfort robes of the past
Monogrammed in stone

The will to relive what’s past comes at night

And must be excluded by daylight.

Of HUMAN BONDAGE

The sky hasn’t decided if it will let clouds overturn the sun, and I haven’t decided if I will pack the stack of books on the floor. No, I don’t feel the drive to lift and organize, my bed is warm and the house is not as warm.

I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love.
Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep.
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.

OLYMPUS DIGITAL CAMERA

I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.

 

ADOLESCENCE OR ADULT


Remember when you opened the door to your own car and took hold of the steering wheel without any parental supervision. As a teen, my Chevrolet Impala was a haven away from my father. I rolled all the windows down, turned the volume up on the radio, and smoked. My secret joy was hoping the driver next to me would hear the music and notice me. If he was a suitable face I turned around and bobbed my head. Then, just as he looked over at me, I turned away, and looked in the rearview mirror, or sang my heart out to show off brazen behavior, the kind I couldn’t express at home. There was a sense of freedom from examination and explanation. When I drove my spinning Impala that leaped over road bumps in three waves, I was going somewhere alone.


 It was the only self-contained space my father wasn’t attached to, and he didn’t like driving with me, because he didn’t like me being in control. That is the sensation that life brings to us in volumes as teens; explosions of discovery. Today I don’t experience that sweat of discovery; my life is deodorized. Remembering the sensations I felt as a teenager, reminds me to intertwine more challenges
. If I’m lucky to break through all the percentages of disease, that the late-night commercials warn me of, the edge of my rhythm is asking me to make a commitment; to put the Bo’ Jangles back in my steps. I heard the voice yesterday, almost a whisper, asking me why I exclude long-term commitments: joining groups, classes, associations, serving on committees, planning ahead, and even magazine subscriptions are not worth the trouble because I am always planning on moving.

The answer always comes in the photographs that bring back that moment in time, and the immediate recollection of the internal places I moved from venturing into the unknown.
Many years ago, I was in therapy, and in one discussion, this discourse occurred that I considered an awakening then.
“I think you jump into unknown places, and situations, to test yourself, and you do that because that is what your father did most of his life.”
That is what adolescent behavior is meant for, to learn by experiment, to see how far our strength of character will take us.  We each have a different set of alarms and temptations. Why compare what one has to the other? My path is familiar to me, I am a born mistress of unfamiliarity; the quest for discovery keeps me moving.

FORMER HOME IN SANTA FE, NEW MEXICO 2015

As a teenager, I remember the most remarkable configuration of images, that passed by while I was driving, the faces of shopping mothers walking the streets of Beverly Hills and Westwood, the prostitutes positioned along one section of Sunset Boulevard, and their counterpart degenerate gin-soaked soul mates inched up against abandoned buildings, the Ocean Park joggers, and walkers, and picnickers, waving to each other, as they slapped together hard-boiled egg and tuna sandwiches. Like a playroom without walls for Europeans and senior citizens to elope with each other. I didn’t favor one street life over another, they all made sense to me.

Living in the Northeast calls for pragmatic and sensible strides. I’m still learning how to tame my lust for unpreparedness; like going out without an umbrella, leaving delicate brick a brac on the porch, driving with caution for deer, rabbits, and turtles, maintaining a close eye on the water in the basement, and dressing down so I don’t look like I’m from Los Angeles.  Every day is experimental in some way.  I don’t know how long I’ll be here, maybe that is how I like it.

MOODY BLUES TUESDAY


Writing somberly so if you’re not in a dreary mood, skip reading. Somber writing is akin to writer’s block. It’s not a block really more like a disregard of hallelujah holidays, maybe. Disinterest in shopping, village festivals, parties, writing, dancing, and eating. If I place all the options on a puzzle board, this leads to the center. The vortex of discontent is a punctured life.

Photo by Nataliya Vaitkevich on Pexels.com

     A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover. I watch Blacklist or some foreign film in the evening. Most weekdays I’m circulating between finance, selling furnishings online, and writing.

The windows of my home reflect the splendor of nature that plays all day long in the winter.  I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. The scenery is accompanied by my collection of records and CDs. Thank you to all my musician friends for the gift of mood enhancement. When I’m sorrowful I listen to Ennio Morricone, when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera, and when I’m a go-go girl, Swing, Salsa or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen and Annie Lenox .

        I don’t see any remedy commercials for a fractured heart. By tomorrow the despair could vanish, like the rain that puddled us for the last two weeks. Everything I’ve experienced is good in the beginning. So, to begin the beginning, I’m going to listen to Begin the Beguine.

“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theatre.  

http://vadebailes.blogspot.com/2012/01/beguine.html Word press changed the writing tools and they don’t make any sense. This is Fred Astaire and Jane Powell.

KNPR INTERVIEW


https://knpr.org/knpr/2011-05/luellen-smiley

My first interview on Dad, when I listen now it reminds me how liberating it was to talk about my family history.

Luellen Smiley

KNPR.ORG

Luellen Smiley

Luellen Smiley is the daughter of reputed mobster, Allen Smiley. Smiley’s dad was a close friend and confidant of famous Las Vegas mobster Benjamin “Bugsy” Siegel and he was sitting on the couch just feet away from Siegel the night he was murdered. While Luellen Smiley hadn’t been born at the time o…

https://knpr.org/knpr/2011-05/luellen-smiley?fbclid=IwAR2YLsL-1RUSFQdjTtbrLmoVZXC29SF9ek8goQH95onmH3h1guo8Q8dv8fw