CANDLES OF THE MOUNTAIN


 

ADVENTURES IN MALIBU DINING. 20140725_193214[1]

The fog today has brushed the mountains with a thick white mist almost like a snow mass; yet the temperature is warm. What I found most entertaining in a writers way, was the night Chantel and I visited NOBU; “No One Beats Us.”

ON THE OTHER SIDE OF UNTAMED, UNDRESSED WILDERNESS are the unhurried pocket full of cash residents, or resident visitors, that line up in waxed sports cars and convertibles at the entrance of NOBU. I wonder if they have summer and winter cars as I watch them slouching on the terrace sofas: women in latex tight jeans, bottoms-up mini skirts, and men in tight V-Neck T’s and designer jeans.

“ Oh Chantel this is going to be so fun.”
“ You think so?”

We sat down on the terrace sofas and ordered drinks. As a thirty-year old
this sort of stylish trendy expensive dining was all I cared about and I can’t tell you why because I never got inside the groups that I followed. Thirty years later my sense of belonging is unimportant; it is the observation deck of a group that is
capable of supreme prating, joking, excessive drinking and charismatic behavior.

NOBU

I spotted two men dressed in musicians gear, top hats, and dancing lace up boots swaying towards us.
“ Hello girls, do you mind if we join you.” I didn’t look at Chantel until they swayed a bit more indiscreetly, and realized they were hammered.
“You guys rock n roll musicians.” I asked
“What? How’d you know?”
“The British accent, two bottles of beer in one hand and the hat.
They bent over at the waist in laughter and collapsed on a sofa across from us.
Thirties, with squinted red eyes, and big smiles; they laughed at everything I said.
“ I like that you call us girls; but we really are. Aren’t we Chantel?”.
She smiled and when they asked her what kind of music she liked she said
‘ All kinds.”
What about you?” The less than stupid drunk one asked me.
“ Mick Jagger.”
He spread his arms out wide and then slapped the table.
“The guy is unbelievable. No truly the best man today, still. I can’t believe the guy.”
Common ground in music stroked our conversation, until the stupid drunk one
tipped over one of his beers, while trying to stand. They drifted off to their crowd and I remained fixated to the garden of youth circulating the terrace.

The indoors were crammed with shiny female legs, and beautiful male arms. There was no identification of loners or singles; just one large crowd hip to hip. No one place I’ve been to can beat the sizzling sexuality, liberation of theatrics, and prices. Two pieces of tuna are $8.00 and Sashimi is $25.00.
I left my phone that night  and when I returned the next day at noon there were twenty people waiting to get in. Thinly disguised in hat, ankle length bathing suit wrap, and glasses, I did not look like I belonged and I liked that feeling. It was a star-spangled banner sort of celebration that I really don’t mind being on the outskirts. I am staying in Malibu; but I am not a Malibu moneyed account.

The next evening outing I stopped at Geoffrey’s Restaurant; in my southwest dirty 2002 Discovery. The valet was directing traffic as if he was a pilot commanding a landing of private jets.
“ You are very good with those signals.”
He nodded. No time to talk. images

I tried to walk in without looking at the floor; as if I’d been there before.
The bar was half full; and the dining room tables were all taken.  The backdrop was cinematic; a glorious china-blue sea, with seagulls and surfers marked through floor to ceiling spotless glass. There was so much reflection and light;  the groomed and jeweled diners looked like actors on a movie set. That makes me a little uncomfortable; to be so transparent. I noticed a spot on my shoe, a tiny one that turned brownish the more I stared.

The bartendress breezed over,’ Hi. May I start you with some sparkling water’ one I’d never heard of.
“ A wine list please and the appetizer menu.” She gleamed at that.

My journal was my partner; so I scribbled away casually and felt inducted into Geoffrey’s.   I ordered the crab cakes appetizer,  wafer size but so delicious I would order them again.  As soon as the gloaming hour arrived it was time to leave. I had not mastered the swerving mountain roads  to Chantel’s in the dark.

” Check please.”  I said.

What a sensational feeling to sign the slip and know there is more than enough in my bank account.

” Your card didn’t go through.”

” Try it again please. There should be no problem.”

” Sorry. The card is — not accepted.”

Not enough cash to pay a thirty-five dollar bill was more than humiliating;  so I pulled an Allen Smiley.

” I’ve never heard of such a thing. Wells Fargo will hear about this!” I called Wells Fargo and followed all the instructions and then waited. By this time the owner, thirties and as pretty as the Blue Boy, appeared.

I signaled him to wait a moment just as Wells Fargo disconnected me.

Then I pitched up my voice melodramatically  to the owner and talked up my frustration. As I am explaining that I am visiting and that all my ready cash was spent in one day in Malibu and I was so sorry;  I went swimming in his almost Paul Newman eyes.

” It’s no problem. It’s okay.  I”ll run the hand written receipt tomorrow.” He said with suave charming lips and teeth.

Then he left. I turned to the Bartendress and asked if this ever happens at Geoffrey’s. She smiled and said, ‘ No, but it used to happen in a bar I worked at.’

I left in a roundabout reminder  that I should stop galloping around without cash; especially on a vacation.

The next day I walked into Wells Fargo at Trancas Canyon.  Three employees welcomed me: coffee, water, how can we help, all in sync.   After I explained the story to  a college age man behind a walnut desk, he  called someone at Wells Fargo and then I learned the trick to traveling.

” If you go out of state you need to let us know so we won’t block your account.”

” For thirty-five dollars? Don’t tell me you do that when Cher leaves town.”  She didn’t laugh.

” The block is removed. Is there anything else we can do?’

” I hope not.”

The suntanned jolly man at the desk began a conversation:  where do you live, how long you’re in Malibu, have you been to Trancas Beach and then he asked why I didn’t have a savings account.  I leaned in real close and whispered, I don’t have that much money.

‘” I see we just sent you a platinum credit card.”

” I never received a platinum credit card.” He leaned back in his leather executive chair that really didn’t suit  him at all and said,  ” You probably thought it was an advertisement and threw it away.”

” Do you know what the limit is?” I asked.

He tapped on his computer and I watched in anticipation.

” Three thousand dollars.”

” Really?”

” Yes. Now let’s talk about you opening up a savings account. You have to have one.'”

I wanted to stand up and hug him. Instead I asked him if he surfed.

” Yea, but I’m not that good really.”

”  It doesn’t always matter that you’re good; some things  are just about doing it.”

To be continued.

PART TWO CANDLES OF THE MOUNTAIN


ADVENTURES IN LIVINGESS-20140713_205128MALIBU

The next morning Chantal was not in her transparently privatized bedroom with a gauzy drape.  From the kitchen I’d poured a cup of black as beans espresso from Chantal’s Turkish coffee maker and dozily slumped into a swinging love seat on the lanai. Still in my pajamas,  listless as a floating cotton willow; the grounding I’d felt the day before had evaporated. Looking and listening to birds, rooster, and distant horses, all within a misty silhouette that filled in the hips of the mountains. Beyond the sea, the imagery of my reclusive life in Santa Fe manifested. The skin I wore in Santa Fe; unreasoningly introverted with a coating of protection flaked off and a news skin surfaced.
Just as the image is crystallizing, I sense Chantal crossing the garden towards me.
“ LouLou—are you okay?”
“ I’m not living right at all, ” I uttered without a smile.
She sat down beside me, placed her cell phone behind her, rested her elbows on her knees and leaned toward me to look in my eyes.
“ Oh why? You are not happy in Santa Fe?”
“ Not anymore-I see things differently now.”
“ Yes, this is what happens when we take vacation. If you’re life is not full then you must change it. It’s not always the place that matters, but how you live. You know some people like to suffer, this is not you. I know– believe me. I meet people from all over the world.  I traveled with Carl everywhere.”
“Well  I’m full now– but I’ve been in a cage.”
“ This is not good! I will tell you that since Carl died I too wanted to live in my bedroom and not even get out of our bed. So I worked day and night to keep his legacy going, and to manage the vacation rentals. I made myself so busy just to get through the pain. I was a mess; many times I didn’t think I’d get through it. But you see–I am okay now. I still think of him everyday and some days are rough; but this is life. We don’t know what will happen. You have to live now. When you die no one remembers you; they go on living. “She opened her mouth and her smile asked me to smile with her.
“ We will have a lot of fun you and I. You know I feel like we’ve known each other. You feel that too?”
“ Yes! I think my choice to come here was to meet you.”
“ Oooh lala-then we begin to enjoy. You hungry? I make some breakfast and then we go to Trader Joes. I make a party tonight. How’s that?”
“ I’d like that.”
“ You want some eggs–how do you like them?”
“ I’m so full of joy I have no appetite.”
She threw her head back, and laughed.
“ What time is it Chantal?”
“ It’s eleven o’clock. You sleep very late.”
“ No.  I never sleep this late.”

I followed Chantal into the kitchen where she was leaning against the stove frying eggs; she was on her cell phone.  ‘Cheri, you come tonight for dinner and meet my new friend LouLou.’  Then another call and another. To observe Chantal is to see the openness of a human being without hesitation, restraint or obsession. I followed her around for the rest of the day just like Kou-Koui; her little Habanese dog. Chantal’s  enthusiasm for the approaching party was seamless. As we shopped at Trader Joes, she chatted with customers, the grocery clerk, and the cell phone that rings continuously.

“ LouLou, is that you?”
I was passing her bedroom as she called me in and patted the bed for me to sit.
“Have you had a shower? I will take one after you. I marinated the chicken and meat, so all we have now is the salad.”

In the kitchen she is dressed in a skirt, neck-less blouse, and a magenta flower behind one ear. As  she demonstrates how to cut the cucumbers, tomatoes, and avocado,  she darts from one skillet  to another. The music is ruminating through the house; a French wave of seduction and rhythm that entices us to dance around  the kitchen island.  I feel like a young girl learning to be a woman. She is only a few years older than me; yet  her human connection of livingness  is unbridged and unchained.

I intended to write a travel story about Malibu;  as you see the travel story is Chantal.

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CANDLES OF THE MOUTAIN PART TWO


ADVENTURES IN LIVINGNENESS

“There is more enterprise in walking naked (in the Yeatsian sense) and being tough enough to survive such intensity of caring and such openness, between a driving need to share experience and the need for time to experience and that means solitude, a balance between the need to become oneself and to give of oneself…and of course they are closely related.” May Sarton.

The Journal of Solitude.

This book was one of the first of ten that injected my veins with the thirst to write. It was
1992, and while I scanned a bookshelf in Capistrano Beach, this book seemed to say, read me. Several months ago I ordered it online and began reading it after I wrote my segments on the Puzzle of Solitude. How curious that this is book I brought to read in Malibu; as I may teetering between this excerpt every moment of the day.

I landed on Pacific Coast Highway on the fourth of July and zipped up the curves of the road squinting to read the signs. This highway that was once my weekend adventure in a packed mustang filled with high school friends was now mine alone. Inhaling the salty sea breeze, and listening to Tom Petty sing, Free Fall, my heart opened to what I was about to experience. The doubt had vanished and as I crossed the lanes to turn up Encinal Canyon road, I broke out laughing.
Only a few days ago I was sobbing as my doubt and confidence were inflamed with childless fear. Just past Malibu colony the scenery seemed to sigh with relief from blaring radios in convertible Mercedes, motorcycles, and a river of beachcombers flip-flopping down to the shoreline. The terrain rises into a rugged enclave of sand crusted
boulders, as I passed the perfectly seamed and shaved lawn of Pepperdine College.

Chantal’s directions were exact as I pulled into the dirt and rock driveway and parked in front of the house. She has an alert buzzer on the gate so she was already on the flagstone steps when I got out of the car. Even before she welcomed me in words, a radiant warm aura illumined my response.
“You are LouLou, I am Chantal. Come, I will show you around.” Her effortless smile and fluid swaying hips led me through a garden of birds of paradise, palm trees, elm, succulents, pepper trees, cactus, and so many varieties of flowers that my first impression was already sealed,  I was in Shangri-La.20140712_18273120140707_175334

“This is the main house, where you come and go as you please,” and then she  continued through the open rooms sheltered in wood and glass into the living museum of the legacy of  her deceased husband, Carl Gillberg: chest- high clay pots, bronze and cherry wood sculptures, masks, paintings, and photographs.

 

Carl Gillberg

 

In the kitchen she announced, “Here, you see this shelf is for you, and here is your vegetable bin to put things, and you take what you want. Just because I bought it doesn’t mean you can’t take it. You see, we are very open and relaxed here.  You just be at home; like it is your home.”
I followed her through a gate; to an open garden. Here is where we shower, you like it?” She looked into my eyes and her mouth widened with anticipatory pleasure. I glanced at the claw foot tub, expansive banana plant, and shower head.
“Does anyone else share the shower?
No no, just you and me. You close the curtain see?” and demonstrated the act.
“You will love it,” and as she parted the corrugated sliding door to my room and I looked inside, the chime of change rang.
“What is your nationality?” she asked placing her hands on her hips.
“Russian Irish.”
“Oooh la la; very strong.”
“And you?”
“I am French Haitian.  I left Haiti when I was very young and went to France.  I will tell you more. Now, where is your luggage?”
“I’ll get it.”
“You need some help eh?”
“No, I loaded it in so I can load it out”
She chuckled.
Her cell phone rang. “ Oui, Cheri—it has been a long time since we talked. What has happened in your life?” Her fluid intoxicating French conversation sent me skipping off the flagstone steps to my car.

I was hopelessly impressed. The majestic mountains, slopping hillsides, and crusted canyons open to the faded-jean blue sea. The spring of joy rose like an orgasm as my eyes blinked with every turn of the head to capture another slice of the Santa Monica Mountains.  20140704_162840

When I returned, she was preparing espresso?
“You like a cup of coffee?”
“I love it.”
“Good. We sit on the veranda and you tell me your story. You like my house LouLou?”
“ Chantal, this is Shangrai-la.”
She threw here head back and her birch brown curls took flight.20140707_194504

Over the next week my life was an interpretation of the beginning except from May Sarton. To be continued.

 

 

WRITERS ROOM FOR WORDPRESS BLOGGERS


20140529_124907DSC02916I cannot believe it took me this long to figure out that  I HAVE A WRITERS ROOM TO RENT and I didn’t post it on lililespen. I am still adapting, reluctantly to understanding IT language, programs, choices, and SOCIAL MARKETING.  Since all of you are writers; let me tell you about GALLERY LOULOU ROCK n ROLL VACATION MANOR.

 

I rent a Historic (1907) culturally significant  Commercial Residence that is brick and stone, hard wood floors, chandeliers, and

sixteen windows!  Two of the rooms have writing desks, my former desks.  There is an extensive library of fiction and non-fiction, vinyl records, and CD’s.  In the Garden Movie theater  you project films on a wall and have a 6 track CD player so you can mix it up. Silent films I don’t leave out  have but I’ve tried them with my music and it’s kool aid~!

My vacation rental is next door to my Casita;sealed off thick and I have my garden and entrance.

The house and porches, driveway, theater etc are exclusively for you the  tenant.  The house is TWO  BLOCKS FROM THE PLAZA DOWNTOWN, AND Palace Avenue is peppered with bistros, galleries, jewelry shops, gift shops, and antiques.

La Posada Resort and Spa, a Luxury Collection of Starwood Hotels, is across the street.  My guests are welcome to use the Spa at no cost, pending the managers rules that particular day, so you can indulge in spa, pool, and gym.  La Po is my other home; because I can walk across the street and make the staff laugh,  have a drink at the Staab House with Raul and Stephanie;  the best bartenders in town. There’s an outdoor patio and two indoor restaurants serving New Mexican cuisine and luscious cocktails.

As you are all writers; I’ve decided to make an exception and rent out one of the writing rooms. Some of my readers are from India,

Australia, Venezuela, Russia, Mexico and the USA. It would be a thrill to meet anyone of you!  As you see, I go by a saying from the film???

” If you want to know if you can trust someone, trust them.”  I will remember it; I’m sure it was a  gangster flick.

My websites rates are based on the four bedroom house.   The rate for the writers room would be $100.00 night. You would have use of the downstairs kitchen if the house was not occupied.

http://www.vrbo.com/345671,    http://www.galleryloulouvacationsantafenm.com/wordpress,  http://www.historicstay.com 

LOOK FORWARD TO EXPLORING THIS IDEA MORE!

IMG_049120140422_120618DSC02898

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SOCIAL MEDIA SPARKS MY EMOTIONS


real socializing
real socializing

Our society has led us to the path of non-involvement. FB did that,
Email did that, cell phones did that. Yea, I love em’  for the
thing they knew we’d love them for; a delete button.

We, I mean most of us that don’t control millions of political decisions, cannot handle much more. But we could save ourselves from a real famine, a civil war , or  war on our country.   Who  would come to our aid? I really wonder.  I bet on us; the ones who’ve always struggled.
We are not involved with each other anymore; it’s like having a manicure to break out of a relationship, and if you lose your job you won’t have enough money for a manicure. So you don’t lose your job; you work  eighteen hours a day and get paid less than your staff.   But nobody cares; not unless you go viral or if you have a million   Blog stats. Social media. Then you will go somewhere; you will have a job. Artists, are  digital: writers, photographers;  musicians. Who knows whose who anymore.  I think Theater is the only venue left of our physical   involvement.  Theater is life; and no one walks out without having something to say.  I also include: dance, concerts, opera, poetry readings, performance artist, and comedians.  I prefer to see it live!

BREACH OF SILENCE


Screenplay based on a true story.
By: Luellen Smiley
LOGLINE:

Luellen (Lily) is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and business partner. Smiley, seated next to Bugsy the night of his murder, marked by historians and the media  as the set-up man. Lily rips herself from comfort and innocence into confronting her father’s nefarious criminal life. When she breaks the mafia code of silence ten years after her father’s death; she faces an unexpected opponent.

Does this procure your interest? ALLEN SMILEY IN COURT

ALLEN SMILEY IN COURT

If so tell me.

Thank you readers!

 

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London
London (Photo credit: @Doug88888)

 

Snowflakes, and charcoal sketched clouds soufflé the sky. 

 

 

 

“Darling! Please shovel the front porch,” I say to no one as my hand lazily grips
the handle, carelessly moving the shovel.

 

  • I watch the street. There are suits
    and skirts straddling terrorist chic back packs, and tiny children dressed in
    wool coats with tied hats prance behind Mums, on their Saturday shop day.

 

  • SOME musicians are playing on
    one corner on the other side of the street is the Symphony Hall, squared between a paste
    up pattern of colorful ancient theaters, opening doors to restaurant windows  lit with
    candles, perfumed air, and smoky pubs pack and push blokes and chicks.
  • I
    am in London.
  • In my home; in Santa Fe, New
    Mexico a muscle of winter has squeezed the
    noise of street life.
  • I chose between ribbons and bows sipping and sliding down Palace Avenue,
    to eat Chocolate pumpkin cream in zippered toes, on the rug, next to the
    fireplace.

    Huggin and kissin the Prancers and Dancers of my gang

    ITS HOLIDAY SEASON SO  SWING, SING, ROCK, WAVE,
    SMILE, GIVE

  • BAKE, READ, CREATE,
  • KISS CHRISTMAS.

 

SANTA FE NEW MEX SEASON START


20131129_180813

SHEPARD & DARK


SHEPARD & DARK.

SHEPARD & DARK


Ralphie I served 1966–78
Ralphie I served 1966–78 (Photo credit: Wikipedia)

THE SCREEN IN SANTA FE scheduled three showings of this Docudrama.

Huh? Sam ol boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralphie.

I figured the theater would be packed so I brought earplugs.  I take my films too seriously, and refuse to be interrupted with slurping and munching.  Into the first scene; my concentration was so acute I would have protested if anyone said a word.  Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty.   Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark.  The dialog between the two men and the dramatization of their feelings about the  collected letters they exchanged over a forty-year period is something beyond a reality show.

It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed.  The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.

Yes, there is a dusting of emotions  on Jessica Lange.

I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to question my limits on adventuring. Several lines I recall in particular, to paraphrase Sam;

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer  you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.  

That kind of admission for a floundering but dedicated writer will last me a while.  On documentaries; they don’t get enough attention. I hope this film tears that fence down and let’s the HONEST-REAL-BULLS come through.

MUSIC and DANCE INSTEAD OF PILLS


mq1tTIEMPO LIBREADVENTURES IN LIVINGNESS – CUBAN STYLE

SOMETIMES AN INTERVIEW WITH A MUSICIAN GOES DEEPER than a narrative history of recordings, concert calendar and early training. That happened when I met Jorge Gomez; founder, keyboardist and musical director of Tiempo Libre, an all Cuban born Timba band.

We met in a modest hotel room in Santa Fe, New Mexico where he and his six band members were invited to play for the second time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductions’ everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul, propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.

Jorge and I sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the United States?

“Oh my God! It was my dream; all through childhood in Havana.”

“Do you love America now?”

His arms shot straight up, as he rose from his chair.

“Are you kidding? We love America! How can you not? This is the best country in the world. I’ve been all over: Europe, Asia, Mexico, and Caribbean. You have all the opportunities; you make your own life here, whatever you want.”  He shifts his attention to Raul, agreeably excluded.

“You can’t do this in Cuba—right Raul?” Jorge leans forward and I’m struck by the indisputable untainted smile.  Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, “I got out because I had friends in New York.  They helped me get gigs in the bars, weddings, and then we got into the clubs.”  The room is silent except for Jorge’s satin smooth transitions from one question to the next. That alone is reason enough to meet Jorge for conversation.

“We were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.”

“Where did you learn Salsa?”

“From America! Yes. As teenagers we climb to the roof and we to wait till state programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Esteban, Michael Jackson, everyone. We listened all night so we’d take the rhythms’ in our heads you know.”

“What’s the difference between Cuban Salsa and Latin Salsa?”

“Everyone claims this is their Salsa; it’s Latin, Marenge, Colombian… it is a blend of many cultures and musical influence. We take from each other. All the instruments I learn come from listening. They teach me everything; and I teach them.”

“Do Americans play Conga different than Cubans?”

“It depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolis…all those places that are so.” He pauses to express it precisely. Cold he says, laughing out loud.

“And I’ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.” Jorge breaks to howl out his enthusiasm and surprise, and demonstrate the memory.

“Who do you like to listen to do today?”

“I don’t know the names, but I have a lot of friends, and they call me and say, ‘I have a band, you come and hear me.’ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good.  Everybody have a different reaction. My job is to transfer the energy to the person; that’s the idea. Not to play the music for me; I want them to be happy.”

“ How do you do that?”

“ Sometimes you are sick, and no matter how many pills you take you are still sick. Right?”

I nod and watch his facial expressions twitch in thought.

“Then let’s say I come and say, Wow! You look so good man, you are looking good, and he claps’ his hands and pantomimes the joy he’s transferring. ‘You wanna a coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.’ Suddenly, you feel good.” He nods his head. “Trust me.”

Jorge is toe tapping in place, his arms positioned in a warm world embrace.

“You forget all about the pills. Trust me, that is the kind of energy I give.”

“I suppose you don’t get sick?”

“Never. For sure. Never. I don’t know what this head pain is… how you say, headache? Like friends say I have so many problems, so many headaches, I can’t go out. I say, ‘What! Come on we go the beach, to the sand. Bring your conga. What are you crazy! Come on!’ So he comes and we play on the beach in Miami.”

Jorge drums on the counter top. “Have a beer, have another.’ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, ‘I had the best day of my life.’ Yea! Be happy! This is youth; this is how you stay young. Life is so big.”

I shake my head, “Not in America; we concentrate on sickness and misery.”

“Yea! You don’t have sickness yet, but you are going to get it.” He ruptures into laughter, and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can’t go to sleep at night. All the songs and ideas in my head and I can’t sleep. I must write it down, and the next morning I feel so good, because I didn’t go to sleep. I drink beer because I am too happy-over happy.”

“Where did you learn this happiness?”

“From all the difficult paths I have in my life. Childhood was very difficult;no food, no water, no electricity, no plumbing. What you going to do? Party, go outside, dance, play basketball, baseball. I get my friends and they say, my problems’ are bigger than yours. Bla bla bla.”

I’m laughing now as Jorge continues to articulate his life philosophy.

“ At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can’t go it alone.”

He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge’s eye and brows are in motion, as much as his legs arms and hands.

“ What you’re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You’re going to see a lot of soul. When Raul plays his trumpet you’re going to turn inside out.”

“What is Timba music?”

“A mixture of jazz, classical, rock, and Cuban music.”

“Sounds like a musical.”

“Yes, Yes! We are in preparing for that.”

Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was below the stage. Two and half hours later I was still dancing, along with half the audience. That’s entertainment! http://www.tiempolibremusic.com

The three-time Grammy nominated band will perform Thu, Sep 26, 2013 at a Special Event at the Arts Garage in support of AVDA, Inc. Arts Garage in Delray Beach, Florida.

LAS VEGAS WHEN WE WERE YOUNG


I wasn’t allowed in the Copa when the Rat Pack performed; I listened to the uproar

The Sands 1963
The Sands 1963 (Photo credit: D’oh Boy (Mark Holloway))

from outside the door, and caught a glimpse when Uncle Jack let someone in. It was a wild charade of slapstick, improvisation, and politically incorrect slurs, swearing and insults, all dressed up in comedic song and dance.

That’s how I remembered Las Vegas. When I returned for the grand opening of the Mob Experience Las Vegas,  I bounced into the spot lights, press conferences,

introductions, and interviews in a shiny aquamarine pants suit, I hadn’t worn in six years. Congregating with the sons and daughters of my Dad’s associates, who were raised in a similar fashion of privilege and secrecy, was my homecoming to

Las Vegas. There I was, speaking into a microphone about my father, who obsessed over me, as I was now doing in Las Vegas. What was the importance of this seventeen year battle? To re write history that was written about him, by people who never even met him. They couldn’t get the camera off of me, “Luellen, we’ll turn it over to the station now,” while I am still stating the case of Allen Smiley. What would Meyer and Dad and Roselli think of all this. They’d say, “Wish the Brain (Arnold Rothstein) could have seen this racket.