MUSIC and DANCE INSTEAD OF PILLS


mq1tTIEMPO LIBREADVENTURES IN LIVINGNESS – CUBAN STYLE

SOMETIMES AN INTERVIEW WITH A MUSICIAN GOES DEEPER than a narrative history of recordings, concert calendar and early training. That happened when I met Jorge Gomez; founder, keyboardist and musical director of Tiempo Libre, an all Cuban born Timba band.

We met in a modest hotel room in Santa Fe, New Mexicoย where he and his six band members were invited to play for the second time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductionsโ€™ everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul,ย propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.

Jorge and Iย sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the Unitedย States?

โ€œOh my God! It was my dream; all through childhood in Havana.โ€

โ€œDo you love America now?โ€

His arms shot straight up, as he rose from his chair.

โ€œAre you kidding? We love America! How can you not? This is the best country in the world. Iโ€™ve been all over: Europe, Asia, Mexico, and Caribbean. You have all the opportunities; you make your own life here, whatever you want.โ€ย  He shifts his attention to Raul, agreeably excluded.

โ€œYou canโ€™t do this in Cubaโ€”right Raul?โ€ Jorge leans forward and Iโ€™m struck by the indisputable untainted smile. ย Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, โ€œI got out because I had friends in New York.ย  They helped me get gigs in the bars, weddings, and then we got into the clubs.โ€ ย The room is silent except for Jorgeโ€™s satin smooth transitions from one question to the next. That alone is reason enough to meet Jorge for conversation.

โ€œWe were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.โ€

โ€œWhere did you learn Salsa?โ€

โ€œFrom America! Yes. As teenagers we climb to the roof and we to wait till state programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Esteban, Michael Jackson, everyone. We listened all night so weโ€™d take the rhythmsโ€™ in our heads you know.โ€

โ€œWhatโ€™s the difference between Cuban Salsa and Latin Salsa?โ€

โ€œEveryone claims this is their Salsa; itโ€™s Latin, Marenge, Colombianโ€ฆ it is a blend of many cultures and musical influence. We take from each other. All the instruments I learn come from listening. They teach me everything; and I teach them.โ€

โ€œDo Americans play Conga different than Cubans?โ€

โ€œIt depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolisโ€ฆall those places that are so.โ€ He pauses to express it precisely. Cold he says, laughing out loud.

โ€œAnd Iโ€™ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.โ€ Jorge breaks to howl out his enthusiasm and surprise, and demonstrate the memory.

โ€œWho do you like to listen to do today?โ€

โ€œI donโ€™t know the names, but I have a lot of friends, and they call me and say, โ€˜I have a band, you come and hear me.โ€™ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good. ย Everybody haveย a different reaction. My job is to transfer the energy to the person; thatโ€™s the idea. Not to play the music for me; I want them to be happy.โ€

โ€œ How do you do that?โ€

โ€œ Sometimes you are sick, and no matter how many pills you take you are still sick. Right?โ€

I nod and watch his facial expressions twitch in thought.

โ€œThen letโ€™s say I come and say, Wow! You look so good man, you are looking good, and he clapsโ€™ his hands and pantomimes the joy heโ€™s transferring. โ€˜You wanna a coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.โ€™ Suddenly, you feel good.โ€ He nods his head. โ€œTrust me.โ€

Jorge is toe tapping in place, his arms positioned in a warm world embrace.

โ€œYou forget all about the pills. Trust me, that is the kind of energy I give.โ€

โ€œI suppose you donโ€™t get sick?โ€

โ€œNever. For sure. Never. I donโ€™t know what this head pain isโ€ฆ how you say, headache? Like friends say I have so many problems, so many headaches, I canโ€™t go out. I say, โ€˜What! Come on we go the beach, to the sand. Bring your conga. What are you crazy! Come on!โ€™ So he comes and we play on the beach in Miami.โ€

Jorge drums on the counter top. โ€œHave a beer, have another.โ€™ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, โ€˜I had the best day of my life.โ€™ Yea! Be happy! This is youth; this is how you stay young. Life is so big.โ€

I shake my head, โ€œNot in America; we concentrate on sickness and misery.โ€

โ€œYea! You donโ€™t have sickness yet, but you are going to get it.โ€ He ruptures into laughter, and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I canโ€™t go to sleep at night. All the songs and ideas in my head and I canโ€™t sleep. I must write it down, and the next morning I feel so good, because I didnโ€™t go to sleep. I drink beer because I am too happy-over happy.โ€

โ€œWhere did you learn this happiness?โ€

โ€œFrom all the difficult paths I have in my life. Childhood was very difficult;no food, no water, no electricity, no plumbing. What you going to do? Party, go outside, dance, play basketball, baseball. I get my friends and they say, my problemsโ€™ are bigger than yours. Blaย blaย bla.โ€

Iโ€™m laughing now as Jorge continues to articulate his life philosophy.

โ€œ At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you canโ€™t go it alone.โ€

He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorgeโ€™s eye and brows are in motion, as much as his legs arms and hands.

โ€œ What youโ€™re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. Youโ€™re going to see a lot of soul. When Raul plays his trumpet youโ€™re going to turn inside out.โ€

โ€œWhat is Timba music?โ€

โ€œA mixture of jazz, classical, rock, and Cuban music.โ€

โ€œSounds like a musical.โ€

โ€œYes, Yes! We are in preparing for that.โ€

Four hours later I was in the Lensicย Theater, twelve rowsย from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betranย Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was below the stage. Two and half hours later I was still dancing, along with half the audience. Thatโ€™s entertainment! http://www.tiempolibremusic.com

The three-time Grammy nominated band will perform Thu, Sep 26, 2013 at a Special Event at the Arts Garage in support of AVDA, Inc. Arts Garage in Delray Beach, Florida.

THE ORDER OF DISORDER


Whispers of The Past
Whispers of The Past (Photo credit: tj.blackwell)

ย The order of this week is disorder. Not the trivial disorder of a closet, or a work in progress; this week is the unraveling of the self which comes with separating from someone you love dearly. ย It is the subject of: poetry, theater, film, literature, dance, visual arts and music โ€” all forms of music from opera to rap. For all of you who have mothers’ and fathers’ close to death, and you don’t want them to leave.

Adults protect you from the brutality of death when youโ€™re very young. They keep it behind locked phrases like โ€˜she had to go away to a better place; youโ€™ll understand when you grow up.โ€™

The camouflage of death may go on indefinitely until one day, you are hit over the head with a block of ice, and it splits you right down the middle. You can see your guts spilling out, and everything is all out of order. Walking is an effort. Thinking clogs with the big question: Why? Why canโ€™t we all stay here together and live forever?

Flashback to 1966 โ€” I was very young, not so much in years, but when I was 13 my mental and emotional age were more of an 8-year-old. I donโ€™t know if I was ADD or DDT because those acronyms were not in vogue yet.

My development was arrested because I was raised on a fantasia of false identities, fiction, and privledge. I thought we were rich, happy, and would live together forever. The fantasia of falseness was abruptly taken away on June 19, 1966. On that day, I saw for the first time, my father weep uncontrollably. I was told my mother was in heaven.ย  My father was seated on my mother’sย  avocado green sofa in our tidy mid-century apartment in Westwood. Nana โ€” motherโ€™s mother โ€” was seated on the sofa next to my father.ย  Nana and Dad had reconciled for the period of time my mother was sick with cancer. They both were sobbing. I was not. There was nothing inside of me but resistance; a blockage of emotion that remained there for so many years.

I was left in my fatherโ€™s care. He was busy out chasing government subpoenasโ€™ย  and running the Fontainebleau Hotel in Florida.ย ย  He kept a command post on my emotions. He would not tolerate my grief, because he could not tolerate his own. So, I had to chin-up, chest out, walk up and down Doheny Drive in Hollywood where he lived and pretend I was going to be fine.

When I turned eighteen and left my fatherโ€™s apartment was the first time I was free to unravel my feelings. The emptiness filled with confusion, anger and drugs. If college was supposed to be my best years, then I missed that chapter. Looking back, the real leap to personal growth came at that time when I was left unattended to wander through life with my own eyes as guardian, and my heart as my compass. That is when I missed my mother the most. It was my fortune to have my father back in Los Angeles, throwing his weight around from a distance. He kept me under radar by having a friendโ€™s son working in the admittance office of Sonoma State College.

I remember days when my mental attitude needed electric shock therapy. Miraculously, I did find my way home, and to the matter of my mother, and growing up with gangsters. From a wafer of stability, very slowly, Iโ€™ve built a nice lifeboat to keep me afloat. My screaming, cantankerous, and intimidating father who loved me beyond measure is in this imaginary boat, and my mother who loved with a silent gentle hand she gave to me whenever I needed assurance.

All I have to do is look at her photograph placed in every corner of my house, and I regain momentum in my lifeboat. When I am particularly insolvent with lifeโ€™s measures, I recall the years she spent fighting cancer so she could continue to hold my hand. How can I disappoint such a woman? I cannot, and I know that with more certainty than I know anything.

We all have a basement strength that rises up and balances us when we need it. Each time we cross that unpleasant road, and say good-bye to our friends, our pets, our parents, or our siblings, we have to find our basement strength.

You can read poetry and essays, listen to opera or rap and find five-thousand waysย  of expressing the same painful stab of separation. If the comfort comes in just knowing โ€” we all have that in common โ€” then all you have to do is tap the shoulder of the man in front of you, and ask, โ€œHow did you handle it?โ€

Or as Henry Miller said, โ€œAll growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.โ€

Any dice to throw, e-mail it to folliesls@aol.com.

LOOKING BEYOND


What if we entered the day without the purpose of attainment for ourselves, and rather brought gifts of friendship, attention, and comfort to others. DSC02846

WHERE DID SHE GO?


I feel myself crossing the double yellow line,

into the lane of a demon woman and full of hellish fire. It is the line that divides those that still care from those that just, whatever.ย ย 

Never thought I’d be a don’t care, no dreamer, no hope woman
but I am there.ย  What is God telling me? What is the message?

Why am I meeting pitiful people? Do they reflect me?
Do they mimic me? Do breasts mean everything?
Was my youth my only charm?

Why are men blocking instead of
buying me drinks?

Why do they
prick, instead of prune?

Only when they are detonated with insults do they respond.
Is the strong female driven Hollywood character
emblazoning every commercial, film, ad, and song
Stolen the testosterone?

I am going to look for the eighties woman I was. She was

full of laughter, confidence, romance and aspiration.

DSC00130-1

ONE DAY AT A TIME


Reader View: Random chats make life sweeter

 

 

 

Posted: Saturday, June 8, 2013 10:00 pm

 

 

One day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing: One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didnโ€™t feel like flexing, just evaporating into the shadows and the moving clouds. I walked by a little adobe that once was a dump site for empty bottles, cartons, worn-out furniture and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom Iโ€™d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy, blanket-like coat and a bandanna on her head. Regardless of weather, sheโ€™s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas and the Abeytas, all families she knew, all with streets named after them.

Estelle asked me my name, and then took my hand in her weathered unyielding grip, โ€œOh, I had an Aunt named Lucero, and we called her LouLou.โ€ She didnโ€™t let go of my hand, and then she told me that the families, some names Iโ€™ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. โ€œYou know how many houses they bought? Five! Then they fixed them up and sold them.โ€

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a Southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, Iโ€™m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

Luellen โ€œLouLouโ€ Smiley is a creative nonfiction writer and award-winning newspaper columnist.

 

 

 

 

 

)


 

LAS VEGAS WHEN WE WERE YOUNG


I wasnโ€™t allowed in the Copa when the Rat Pack performed; I listened to the uproar

The Sands 1963
The Sands 1963 (Photo credit: D’oh Boy (Mark Holloway))

from outside the door, and caught a glimpse when Uncle Jack let someone in. It was a wild charade of slapstick, improvisation, and politically incorrect slurs, swearing and insults, all dressed up in comedic song and dance.

Thatโ€™s how I remembered Las Vegas. When I returned for the grand opening of the Mob Experience Las Vegas,ย  I bounced into the spot lights, press conferences,

introductions, and interviews in a shiny aquamarine pants suit, I hadnโ€™t worn in six years. Congregating with the sons and daughters of my Dadโ€™s associates, who were raised in a similar fashion of privilege and secrecy, was my homecoming to

Las Vegas. There I was, speaking into a microphone about my father, who obsessed over me, as I was now doing in Las Vegas. What was the importance of this seventeen year battle? To re write history that was written about him, by people who never even met him. They couldnโ€™t get the camera off of me, โ€œLuellen, weโ€™ll turn it over to the station now,โ€ while I am still stating the case of Allen Smiley. What would Meyer and Dad and Roselli think of all this. Theyโ€™d say, โ€œWish the Brain (Arnold Rothstein) could have seen this racket.

BOSTON BOMBS BACK


IMAGINE, if you were in Boston
On the day of the flare
and it fired your daughter
and you dived in the dare
Hell rises
and heaven opens
the souls are not lost
they are moments to bare
BOSTON, is the angel
that brought the fire to lair.

MIDDLE CLASS, MIDDLE-AGE MAP TO WHERE??


I rolled the dice this morning; got seven. This always lifts me UN-proportionately to

the triumph. ย  What is a seven going to do? Nothing. The dice don’t do it;ย  what happens Is

I believe it’s a lucky day;ย  like the wind won’t knock down my outdoor writing arrangement,

and I’ll be able to write for hours, and not be interrupted by registered letters, construction noise coming

from the new Drury Hotel,ย  or tenant complaints.

Whatย  we all treasure and wish we could stack up in a treasure chest is piles of peace from whatever our lives do to make us nervous, edgy, and cuffed. Or we stop the behavior which I think is more difficult.

If you’re a middle class, middle-aged person who expectedย  to be retired in Costa Rica by now with a book and a bottle, then you have to rearrange the internal map.ย 0414131321

I ‘ll never retire from writing; I hope one day I can live in my home again.

THE LEGEND LADY OF PALACE AVE


0124130930

The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didnโ€™t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom Iโ€™d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, sheโ€™s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, โ€˜Oh I had an Aunt named Lucero, and we called her LouLou.โ€™ She didnโ€™t let go of my hand, and then she told me that the families, some names Iโ€™ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. โ€˜You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.โ€™

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

ย 

PAIN OR PLEASANTRY- SHOVELING SNOW IN SANTA FE


WRITING BY HAND at my tiny Eurasian desk facing the window to the west; framed by time and familiarity into the branches of JDโ€™s pine tree, today ward-robed in bacon colored leaves.ย ย  The black silky toned crows are still basking like prowesses on the branches, and waiting for the crumbs that fall out of the garbage cans at the hotel across the street. My bird family has already eaten through a full dayโ€™s feeding, and is fleecing each other to first place at the table. The silky drape of the winter sky sometimes adorned with lacy clouds is blue as sea and has shaken the clouds all night. N08041215581.jpgO SNOW. I am selfishly opposed to snow becauseย  I donโ€™t happen to get snow shoveling without gut-wrenching lower back pain.ย  How do you shovel snow?

Iโ€™m wearing one cotton camisole, one shapeless thermoย  turtle neck, a down vest, and when I go outside I wear a down jacket. Iโ€™m so bundled up it feels like my limbs are bound in masking tape.ย  My teeth look whiter and my hair is flat instead of frizzy. Snow changes everything.ย ย  From my desk, I write, without thoughts predefined, just a drain of emotional threads from my heart, listening to Zap Mama as she takes me to the wild, naked, warm region of Africa.

This year isnโ€™t like last year. The absentee man, fussing with the fireplace, making me afternoon espresso, kissing me when I cook, hugging me when I pull a folly, has excused himself from my adventures in livingess. ย It is not at all like last year. Long time friend Rudy is in San Diego and so I am not interpreting the division of attention, between two men laughing at the kitchen table, and eating my blueberry pancakes, as they did last year.

I had the song of Judy Garlandโ€™s rainbow in my heart.ย  It was a time I will never forget, or regret, because I was satisfied for several years. Unabridged ecstasy poured out of body, and spread over my attitude, abundant spirit, mood, facial expressions, and my dreams were filled with amusement instead of nightmares.ย  I wander into unfamiliar snowy woods unsteady, juxtaposed between, acceptance and self anger for being so so… whatever it is that I pump into myself.ย  If I was judged by my adventures and not my accomplishments I would be a contender.

Growing up with gangsters teaches you to live with risk, to invite challenge, andย  not complain if you loose. It’s wrong but it’s right.ย ย  Nothing is worthless; not one moment should be wasted because there is always that window of escape. Our minds are there to take us away. Iโ€™m escaping now, Zap Mama Pandora station on the headset, and writing. This is taking the moment out of frustration and into pleasantry.

My steps inward reply with emotional break-troughs, mundane tasks accomplished, solo ventures, match.com dates (another story) and a comedic sideshow as I wrestle with sealed boxes, make repairs, and toggle in my patent leather too stylish boots to actually be called snow shoes.ย ย  In these moments, I assure myself that evolving is never ending, and we do not ever know what to expect from ourselves.ย ย  If I write down the pleasantries surrounding my life, the blessings rise up and give me a softened comfort.ย  The sweet peace may vanish the next day, or be intercepted by the news, a wreck in the street, an unexpected phone call. The crossroads of everyday life comes and goes. Between all of these uncontrollable incidents we are writing stories that some day will be told in conversation, or written in journals and books. The essence of our changing lives is universal. Why am I doing this now, why am I feeling this now? Etc.

Remember your pleasantries, and bring them closer. ย  A few of my snow cold freezing feet remedies:ย  Kneipps Herbal Lavender Bath: Do not apply to the face!

Ralph Lauren Candles: I paid too much, but the scent is like having a man around the house.

Homeland. ย Sunday nights Showtime. Clare Danes has replaced my empty strong female lead on television. I mean, this is one to Watch! ( season ended. Vegas on Tuesday’s is the other one to watch)

My friend Loren visits three times aย  week at least: Snow means, silence, and hermitizing, so Iย  can’t wait to open the door to Luxury Limo Loren, and make him brunch.ย  We harmonize for hours;ย  on tones of fretful fear, wicked secrets, sex,ย  laughter, Santa Fe, immigration, buy American, and the crust of survival that is stale and must be reheated.

Treats: Snicker bars, Vodka and snacks that I can nibble on while indoors more than Iโ€™d like to be.

Bar Bells: For those combative moments on hold with Comcast, SWA or Verizon.

Books: Time for Virginia Wolf and Jack London.

Movies- Zorba the Greek, Auntie Mame, U-Turn, Breakfast at Tiffany’s, and Once Upon a Time in America.

I AM PACKED FOR THE BEACH, JUST IN CASE.

ENTERTAINMENT WEEKLY


I didn’t subscribe to this weekly trade rag, and I’m not in the entertainment business. Still they pile up on the island counter in the kitchen, becauseย  it’s what’s happening baby. So I opened one last night. My younger than I look paradigm dissolved, as I viewed musicians, celebrities, TV, film/ trends that were as unfamiliar to me as I would be to them. Should I develop an interest in what they are pitching? I kept reading about bands I never heard of,

Thirty Something Kufiya
Thirty Something Kufiya (Photo credit: tsweden)

books, new killer thriller suspense series that will make my blood curdle,ย  single women who make love to themselves,ย  murderers to fall in love with, and ten pages on the OSCARS.

I’m grateful for those artists of mercy that I have been turned on to in my life. Those are the ones I’ll cherish. That first Stones concert, first performance artist,ย  exhibits at Mass Moca, an Afro-Cuban dance performance, Baryshnikov, Miles Davis, Cab Calloway, Tito Puente,ย  the movie Women In Love, and Thirty Something.

โ† Back

Thank you for your response. โœจ

SWIMMING WITH GANGSTERS-VEGAS 1960s


Lullabies of Birdland
Lullabies of Birdland (Photo credit: Wikipedia)

Photograph of Dean Martin with celebrities sta...
Photograph of Dean Martin with celebrities stage-side, Las Vegas, March 6, 1957 (Photo credit: UNLV Libraries Digital Collections)

PART THREE

THE CROWD TWITCHED IN ANTICIPATION, except for overly sensitive children, (OSC) without a prescription. My heart beat like a wild Pinto running from the rope as the doors to the Copa Room closed, and the lights dimmed. Streams of Parliament and Marlboro smoke desensitized the spring scent of Shalimar, Aramis cologne, and steaks grilling close by. The horizon of necks seen from the stage must have looked like a display at Tiffanyโ€™s.

Photograph of the Rat Pack performing together...
Photograph of the Rat Pack performing together in the Copa Room, Las Vegas, 1960 (Photo credit: UNLV Libraries Digital Collections)

We were in the front row of tables, two steps from the stage, so I had to raise my head vertically to see Ella.

I sat transfixed by this sensory tsunami at a table with a group of Uncles; Uncle Joey, (Joey Adonis, or Joey Fusco, or Joey whomever) Nick the Greek, Chuckie Del Monico (son of Charlie the Blade. I still squint when I read about him) and Uncle Charlie, (The Babe Baron) who enlisted or service in WW11 in Canada because the United State denied his application due an arrest record. Charlie was a stiff suited Four Star General under the hand of *General Curtis LeMay when he wasnโ€™t managing the Riviera. Someone put that in โ€œVegasโ€ the new television series.

The men and women composed a landscape of histories, though their costume like wardrobes were similar, except for the gangsters, who dressed according to Johnny Roselli standards. The women wore spaghetti strap cocktail dresses and strapless full length gowns, like a spring bouquet of color, transparency, and glitter. They, (I mean most of them that I met) were in a state of unconsciousness; shifting from cocktails, sun, lovemaking, gambling, and entertainment. Mad Women in the desert enjoyed their decorations of diamonds, fox fur wraps, and pointy spiked patent leather heels. Cocktail trays flew by in succession, because their husbands were not watching them. What was all the fuss about?

I could feel their panting exuberance before we even walked in the Copa Room. I felt it when we walked through the lobby, and everyone scampered before they knew where they were headed. It looked like an off stage performance; jittery anticipatory gestures that made any girl even without OSC dizzy. I was inside this swirl of liberation from the age of six to about twelve. We went to Vegas three or four times a year that I can recall. It was before I started my journal so the memories are part substance and part reflection.ย ย  TO BE CONTINUED

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