Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
Truth is out of style, it rather went the way of a six-hundred page novel, bicycles built for two, print magazines, handwritten mailed letters and holiday cards, classic modesty, privacy, discretion, trust to a stranger (after you have googled and backgrounded the person) and many other authenticates we don’t have the time or patience to endure. I’m leaving out acronyms because those change daily.
We take short cuts, and improvise our way through the encrypted labyrinth of electronic devices and political divided modernism. We are in a revolution, it’s been coined Cancel Culture, that’s just a tagline. Our Democrats and Republicans, are trafficking disinformation. Not a day goes by that a political analyst or news anchor doesn’t say it. The parties have developed fox and hound instincts.
9/13 First basting of Autumn doesn’t drape the beaches; I’d have to go to Julian. I love Julian, once I got this wild idea to buy dozens of pies and set up a display in local grocery stores. I got a wholesale price and loaded up my tiny kitchen with pies. Then I took them to the grocery stores, and open spaces in shsopping centers. I sold them! What I didn’t do was get a contract so the Julian Pie Company joined in and signed a contract with the stores to sell them directly from their shelves. I ate a lot of apple pies that autumn.
IMAGINE the USA was your city. Go a step further and imagine it was your community. One more step, your neighborhood. What do you think? Are you safe? Are you prospering: emotionally, professionally, financially? Are your circle of friends, family, associates dancing jubilee? If I wake up hopeful, without muscle cramps, anxiety, a friend in crisis, and a new alert, I write. . The melody of writing is like playing a violin or a guitar, it marinates the suffering, conflict, threats, political disagreement, Antisemitism, and violence beyond my front door. I am thankful that I found this little quiet friendly complex of studios.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A year ago, I bought a crate of flowers to plant in Follies House flower bed. After setting the plant to rest, I had a vivid recollection of Nana; my mother’s mother. Nana was a petite woman, with long graying hair she pinned into a perfect French twist, a cute Irish nose, and a giggling smile. When I was growing up she lived with her second husband, we called Poppop, in a spacious California ranch house in Sherman Oaks, also known as San Fernando Valley. We visited her weekly, staying over one or two nights. Nana was always waiting for us to arrive. She greeted us at the door, she had something cooking, fresh candy in crystal dishes, and in the morning, she fried bacon and the aroma woke me and got me running downstairs. She scrambled eggs with lots of butter and served it with Irish soda bread. It never occurred to me that these weekly trips were the cultural mix-up of my Russian Irish heritage. This was Nana’s only opportunity to spoon-feed us our Irish roots. At home with father, bacon and butter were prohibited, and bread came in the form of a bagel. The food was only one part of the adventure. Nana’s home was filled with antiques, family treasures, and her garden was a masterful collection of east and west coast varieties. After Nana had all her errands and household chores finished, she changed into slacks, flat shoes, and a straw hat and went outside to the garden. I would follow Nana while my Mother remained indoors; most likely talking on the phone with some degree of privacy. In the garden, Nana would trim, cut, and arrange her flowers. I kneeled down beside her and watched, while she talked. Nana had the gift of gab, and her thoughts poured out without my interruption. Between sentences, she would insert a self-effacing joke, regarding her silly hat, or her short legs. Her hands were swollen from arthritis, and she rubbed them from time to time, but she did not complain. As I planted my garden, these visions of Nana remained and grew more studied and complete. I had a memory of being assigned a school project to plant something in the garden. By this time, my Mother had moved us to an apartment and we didn’t have our own garden. I went to Nana’s and she helped me plant some variety of flowers I cannot recall. Each week I’d return to see how my plant was doing. Sometime after the assignment ended and we were walking in the yard, I looked to see how my plant was surviving. It had been replaced. I asked Nana what happened. “Oh honey I hope you won’t be mad at me, but the little flower died, so I planted a new one. It’s my fault; I didn’t look after it properly.” Nana taught me the things my mother didn’t have the time to teach; like cooking, cutting flowers and arranging them, making coffee, and setting the table. She made all these chores enjoyable, and I loved to follow her around the house and watch her change the beds, and prop up pillows, and fold the guest towels. It never occurred to me until now, that I adopted her domesticity; the sublime gratification of adorning a home for the comfort of family and friends. The plants did not blossom, the jasmine, roses, and other varieties all wilted and turned brown. I buy silk flowers.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I just came across this post and thought maybe a writer in waiting will read this and keep on truckin!
IN NOVEMBER OF 2005 I reserved a space at the San Francisco Writers Conference. I was nervous and edgy when I boarded the plane. My pitch proposal, pitch suit, and pitch necklace, were tucked inside my suitcase. The pitch convinces an agent or publisher, that you know your subject well enough to feel one hundred percent confident. It may sound irrational that a writer could work five years on a book and not know what it is about. As an emerging writer I view my work through a kaleidoscope lens. I see multiple themes, subplots, and messages, and they change with each reading. Then there are loose knots of personal misery, lost versions and rejections ringing in my ears. My pitch has to convince an agent, that at least 5,000 people will buy my book. The pitch suit is the outfit you wear for an interview; only for writers, the guidelines are very loose. Some writers wear their narrative. I brought my tailored, looking successful, pants suit. My pitch necklace is a gold Buddha medallion that my father had designed for my mother. I wear it for good luck and because I know the necklace has survived all the family tragedies. The conference is at the St. Francis Hotel at Union Square.
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It was pouring when I arrived. The staff at the front desk greeted me with musical familiarity. Every time I swished by they called out, “Hello, Ms. Smiley.” I imagined them as a chorus singing my name. I arrived one day early to pace the galleries, cafes, museums and Saks. After the first night, I had to switch rooms. I was directly above the street dumpsters, where for hours the chugging of trash kept me awake. I moved frantically, to scoop everything up and not miss a moment of San Francisco. After switching rooms, I dashed over to the Espresso Bar. It faces the corner of Powell and Sutter. Outside, the streetcars clanged by, passengers dangling from the bars like vines on a tree. In between the tracks, workers both blue and white-collar, and some without any collar at all, jammed the sidewalks on foot, bicycle, moped and skateboard. With phones and iPods attached, eyes alert, they buzzed on the vibe of Saturday, moving like musical notes in a symphony.
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In the café an elderly woman wearing a SFWC name tag was seated next to me. I noticed she positioned her book on the corner of her table. She looked overwhelmed and frightened. As I introduced myself she smiled courteously, and said she was a neurotic housewife all her life and didn’t have much to write about, so she wrote about her husband’s war stories. I told her she should write about the neurotic housewife. Just as I was leaving, she stopped me and thanked me for speaking to her. “There’s always a guardian angel around.” Her voice lingered in my thoughts all weekend. At six o’clock that evening, I was gliding around my room dressing for the gala. I reached for my jewelry bag. It was gone. The weekend was ruined! I would never get published, I’m too wired, too reckless, too distracted. I called the front desk. Heather said she would call me back. Bang, bang, bang, went my shoe against the bed frame. Then the phone rang. “Hello, Ms. Smiley. I’m sending the bellman up with your jewelry.” I answered the door recoiling with pained joy. The bellman listened attentively. I rushed upstairs to Harry Denton’s Starlight Room. There I began wine tasting with Maggie, Peg and George; three new comrades in a room of hundreds. I spent the next day among more comrades, writers with unpublished stories, books, and works-in-progress. I listened to panels of writers; agents and editors discussed the fateful downward spin of publishing and upward battle towards reward. We sat in our chairs looking overly anxious, taking copious notes, and waiting for answers to our questions. At the end of the panel discussion we all lined up to meet the agents and editors. While we stood in line we met each other. “What’s your story about?” the woman behind me asked. “Growing up with gangsters,” I replied. “ Oh well! That will get you an agent.” “ I hope so.”
During the conference, I experienced a lucky throw of the dice. I met one of my mentors; Joyce Maynard. Her book, “At Home in the World,” is on my beside table. Joyce was published in the New York Times when she was sixteen years old. JD Salinger read the piece and invited her to live with him. Joyce’s story will send you back to reading Nine Stories. As I progressed through the circle holding my pitch stick, the fear and apprehension subsided just a tiny bit. Three agents responded; ‘send me your manuscript.’ Naturally when I returned home, my hands were tied to editing. I rushed through, did not employ someone to copy-edit, and then ran about announcing my almost to be signed contract. Three months later I recovered from the rejections and began another rewrite and another until today, when I am on my fifth manuscript. This one feels right because I am not rushing through it expectant of publication; this time I know it will be published.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
FEEL, THINK, AND REACT. Tumbling through all the transitory advice forces me to examine more closely whom to believe. I’ve never been a leader, nor a follower, I walk in between, trying to pave a pathway to peace of mind. Maybe that is unattainable as I am in a cultural, political, medical, financial, and socially reimagined world. It reminds me of being a teenager when life was questionable, and confusion was like a stinging bee we couldn’t swap away. So, in my senior year in high school I started writing in a notepad. Gradually, almost supernaturally I withdrew from my gang, and spent the weekends in a Cafe with adults, or in the library. The loner label pleated my pants.
Loners were portrayed in film, books, and art as mysterious, untouchable icons. They even became romanticized as people of superior cerebral awareness. I’ve met and gained friendships with several over the last few decades. It may be that loners have thin skin, they absorb the ethereal and reality, so in many situations the absorption is too weighty and the loner cuts loose before the party is over, cancels at the last minute, and doesn’t answer the phone. Talking, engaging, evaporating into another person feelsherculean for me sometimes.
Does isolation relate to the intensification of rancorous physical assaults in streets and shops, which is my pestering pursuit today. Are all these perpetrators unloving, and live amongst the unloved? People are shot because their hamburger wasn’t properly served on time, or they have a different opinion. I was living in Los Angeles in 2018, and one day driving down Pico Blvd I noticed a sign, “Walk in Anger Management.” Maybe we need to convert a few drive-thru food diners to Anger Management centers. It sounds amusing. If I was financially able, I’d open one in every major city.
WHAT HAS HAPPENED TO THIS CULTURE is unimaginable for a woman who grew up in the Love and Peace generation, or even into the eighties and nineties. We didn’t shoot one another, maybe a fist fight, or a shouting match, but not murder in cold blood.Could this macabre movement be abated by friends who love you more when you are gentle and kind? It cannot be that simple, or could it? When I used to rage about some occurrence that tattered me personally, Dodger would come to me and say,
‘Greta put your guns down,’ that always made me laugh, and then we’d talk out what triggered my fury.
THE COMFORT OF EXHIBITINGlife on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony, a writer doesn’t need a Tuscan Villa or an English Castle, but experiences that flake off the skin and shake out relevance. What I’ve rediscovered is that without a lot of stuff to organize, the mind is free to think, more time to create and effect essential decisions. Narcissism is sacrificed and replaced with more visceral makeup. Minimalist living has erased my past, and that is as transforming as day to night.
PUZZLE OF SOLITUDE will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world that I created. I have to laugh alone, so I watch screwball comedies, seek humor in my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling when I keep forgetting where I left my phone. Laughing at myself is a funnel that leads to writing.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The first gallery opening I attended. Smashing art by Hunt Slonem, photography by Tim Hardy. Conversation, champagne, and what we all need, social engagement. Unlike a concert, or theater performance where you are seated next to someone you know, art galleries are a sensory of interaction with the artwork, the guests, and the elan of the space. Madison gallery was a warehouse, exposed twenty-foot ceilings, enormity of space, and minimalism in furnishings. It feels like an indoor park.
Once a gallery lover, then a gallery owner, and now seeking a job in a gallery. I joined the mailing list of a dozen galleries, realizing resumes are sifted through by AI and not the owner.
My love of photography began at a museum observing the work of Edward Weston. I used this line when selling my photography in Santa Fe” Photography are stories on the wall., not just the photo, the photographer. Of course you can say the same about a painter, but for me, catching a moment in time, that will never be repeated is poetic.
One guest that visited my gallery said this to me, ” Photography isn’t art.” He was famous, not as an artist but the son of John Huston. I cannot recall his explanation, but I have heard this statement several times and that is why there are so few photography galleries.I’d open one again when the if’s are removed.
One of my favorites by Jim Marshall. Jim caught Bob in a private moment, and let him publish it. An early concert, 1963, with already famous Joan Baez.Fuzziness is my fault.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
THE BEST WAY TO FIND YOUR PATH.. ROAMING
ADVENTURESS IN LIVINGNESS this week ends with new directions in living. Before that happens, you have to get lost, detached, and miserable. It messes up your social life, your routines, your comfort, and your partner. I don’t have one, so it’s all up to me.
Men wonder why women change so often, why we are spirited unicorns one day, and mules the next. It comes from the universal need to roam, to feel new sensations and passions, and to find more things to love. Even our closets are overflowing with love: “I love those shoes, I love that coat.” We replace our wardrobes because we need more garments to love.
At the crossroads of some moment in time, I stopped loving material things, my reflection, and went looking for a deeper direction of sensation.
It started last year, when my life was tangled up in two projects that were not progressing. As long as someone didn’t raise the curtain on my imaginary life, I stayed right there, like a gearshift left in neutral. When failure and rejection continued to knock me on the shoulder, I welcomed the familiar knock and remained stationary.
The exact moment I decided to shift gears was a painful one. I let go of both projects that were obstructing my motion. I have extracted the nature of the projects because it really is irrelevant. After I let go, and watched those long-term efforts just dangle from boxes, notebooks, and letters of correspondence, the straight of my back curved. Where is my direction? Where are any of us going anyway, except away from that moment we have no control?
If I asked why this happened, and that happened, I was then distracted by some woman in the car next to me who was having more fun in her convertible talking on her cell phone. Routines were becoming burdens, and my favorite places of comfort were boring. Encouragement came from writing columns, reading letters, and those long, solitary road trips in the night. I felt like I was sleeping, but even in that state of detachment people were finding me, and shaking me up.
I remembered one of the faintest memories of my childhood. I cannot even recall the place I was, or who was there; most certainly, it was not my father and mother. We were camping out and I was in a sleeping bag on the hard gravel ground. It was so unfamiliar to me, the simplicity of the natural surroundings, the heavy black balm of tranquility, and the brightness of each star. I lied awake most of the night talking to my fellow campers, and at some point they said to go to sleep. I could not close my eyes. The adventure had swept me into a state of alertness, the kind that makes you feel extraterrestrial. That night must have taught me to welcome new adventures. Sometimes they have ruined months of my life, but most definitely, at the end, I sprung up with a new line of faith.
Again, I am leaving out particulars because it is not the direction I took or what I’ve chosen. After all, it could be anything. We all want to roam, and love, and find some nugget of truth at the end of the road. I think women need to roam more now than men.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A candid and enthralling memoir, CRADLE OF CRIME – A Daughter’s Tribute is the debut release from Luellen Smiley and it proves one of the most gripping and powerful books in its genre. Certainly no mean feat, given the swelling number of similarly themed offerings but Smiley does well to distinguish hers with painstaking research, a broad narrative sweep and intellectual grip to deliver a fascinating and revealing read, for the events it covers.
The storytelling isn’t redemptive with much of the most compelling material in this book being intensely personal but it is a very human story that dispels hype and myth and gives us a telling glimpse of a remarkable life. Weaving together several stories it makes a vivid and notable contribution to the mafia debate which invariably swings between the codes of honor and family values so often portrayed on the silver screen to a brutal criminal organization focused only on the accumulation of wealth. In contrast, Luellen finds a far more equitable balance in her reflections, and it makes for a genuinepage-turner.
Extremely well written, fans of this ever popular genre will find CRADLE OF CRIME – A Daughter’s Tribute a fascinating read and it is recommended without reservation.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
It is my mother’s birthday, so I am thinking of her. If she had been here today, we would have had this conversation.
Mom, I can’t hold up, I’m so beat down.”
” You have to. I know your situation is degrading and frightening, but you don’t have a choice. You have to use all your strength.”
” I wish I was more like you.”
” You are like me, and I know you will overcome.
After our home burned down in the Bel Air fire, my parent’s divorce was in motion. Dad moved to Hollywood, and Mom moved me to Westwood to a studio until she found work. Mom returned to modeling to support us.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
IN THESE TIMES OF DISTANCE, DEATH, DISCOURSE, AND ISOLATION what can I write of value? All month this puzzle chased my thoughts; nudged me like a pesky fly. At different intervals during the solemnness, my journal returned parched sketchy paragraphs, and books did not deliver the inspiration I craved. Listening to Beethoven as I gaze out the window at the blowing branches on a spring gray and white day, I feel a singleness I’ve never known. Maybe you feel the same, and it is you I am writing to because I know you are there. Singleness in quarantine is more incarcerating than it is for married, partnered, family people. Though they have to acclimatize to spacial hardship as everyone at home is at the same intersection without privacy, and that slogan I remember from college, ‘I need my space man,” resonates. One friend said to me on the phone, “I yelled at my kids today, I’ve never done that before. We’re bumping into each other. I think I’m losing my mind.”
US SINGLES are accustomed to solitude, especially if you are an artist. How we howl for isolation to create, and now we have it. The time is here, to skip down the most bizarre roads and create COVID-Art. A few weeks ago, Governor Cuomo delivered his press conference and said, “I have something to show you.” A sliding door opened and a collage that appeared twelve feet in height displayed a tapestry of masks. He told us they came from all over the world. He was so touched by the gesture. Imagine a new solo dance performing an abstraction of the virus, or a poem, a song, and for sure a dozen or more writers and screenwriters are tapping at the speed of light to capture the pandemic in art form.
I’M GOING DOWNTOWN now to pick up a cobb salad from Sunset Grill, my stable for drinks and great food. The sky is in turmoil, as the clouds interchange across the sun, and she appears to be breaking through at one moment and the next she has revealed her radiance. I dress for the weather with a hat and coat and begin my three-block walk to downtown. When it begins to rain, I am smiling as I’ve always loved walking in the rain. As masked villagers pass, I’m struck by the absence of smiles, or good afternoon which you get a lot in a village of five-thousand. Some younger couples cross the street when they see me, and heads are mostly lowered to the ground. A new silence emerges as cell phones are tucked into pockets and passing voices are inaudible.
I HAVEN’T HAD FACE TO FACE conversation for several days and I feel a sprinting joy in anticipation of a conversation with Eric or Brian who own the café. They’ve installed a take out window, and as I approach I see Brian, and he ducks down to greet me.
Hey Loulou, how are you?
“ At this moment I am so happy to see you!
He swings down a bit lower to pop his head through the window
“ So am I. We miss you.”
“ I feel the same. How are you doing with all this.” He is smiling, and he’s always a bit jumpy like he needs to go for a jog or a bike ride.
“We had to let the staff go,” now his smile turns to a gripping inner pain. My kid is washing dishes and we’re still here, but you’re the first customer today.”
“Will you reopen when we’re off the pause button?
“ With twenty-five percent capacity, I don’t know. The numbers don’t work out so well. I mean we’ll still do curbside.”
Suddenly he turns about-face and joins me on the sidewalk touting my cobb salad. Brian must need a conversation as much I do. We chatted about the virus, our change of behavior, and this pent-up craving for closeness.
“ I can’t even go on a date anymore with someone! How can you meet anyone today?” He gestures with his arms to emphasize his frustration.
“Yeah, you’ll have to take their temperature before you sit six feet away.” We laughed, maybe for the first time in days.
AS I WALK BACK HOME my thoughts are traveling along the pathway of restaurants, I frequented in San Diego, Los Angeles, Taos, Santa Fe, and now here. I see the owners and waiters’ faces, remember the food and a visual kaleidoscope of the festive times we shared. You know that saying, the good ol’ days, now I am on the other side of that at least for the foreseeable future.
For me the adaptation is more than frustration. Last year I did not take advantage of the racetrack, or the concerts at SPAC, or the exhilarating nightlife along Broadway on a Saturday night in Saratoga Springs. I trembled in silence abashed by the consequences of my mistakes. If we un-pause this summer I promise you I will not be clasping the remote waiting for the next film.
AS I APPROACH my house, I notice the neighbor in her driveway. We clashed in the most vicious ways the summer Rudy and I moved into the house. One time I think the police were brought in to settle the argument. It was because she placed a close circuit camera on her roof to track our renovation. She was retired and her husband was always fiddling in the shed. We gave her a purpose. She looked my way timidly. I smiled at her. This is the first time we’ve been this close since I moved here two years ago. She smiled back.
“Are you happy to be back?” she said in a quiet sort of empathetic tone.
“It’s taking time to adjust. I haven’t lived here in so long.”
“I know. Well, not much has changed except for a few new restaurants. Do you plan on staying?”
“I don’t know the answer yet. We had the house up for sale…”
“ I noticed the sign.” She said expectant of more information
“ I can’t maintain a hundred and twenty-seven-year-old house on my own. You know, Rudy’s gone.” She nodded her head.
“Well, I don’t know how much longer I’ll be here either. I’m eighty years old now.” She dropped her head to the ground.
“Lorraine you don’t look like it at all.”
We continued on about my new tenants, her dog, and how much work it takes to maintain a painted lady historic home. I couldn’t believe how sweet her voice was, I’d actually never heard her speak except one time shouting at me. Give up grievances and trivia because the person you once disliked may be very different now.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
IT’S HERE. “CRADLE OF CRIME-A Daughter’s Tribute” is LIVE in the TaleFlick Discovery contest.
Hi Readers:
Voting has begun on Taleflick for this week’s winner. It ends on Friday at 4:pm. CRADLE OF CRIME- A Daughter’s Tribute is on
Page 8. There you will see a voting button. Let’s win!
Head over to the TaleFlick Discovery page, where https://taleflick.com/pages/discovery all visitors to the site will be allowed to vote (once) ON CRADLE OF CRIME- A Daughter’s Tribute
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Thank you very much for allowing “CRADLE OF CRIME-A Daughter’s Tribute” to participate in a TaleFlick Discovery contest. Your date has been set!
It will be a special week on TaleFlick Discovery: an all-women’s week, to commemorate International Women’s Day.
“CRADLE OF CRIME-A Daughter’s Tribute” will be part of next week’s contest that starts:
Wednesday 03/11/2020 at 10:00am Pacific. https://taleflick.com/pages/discovery. The contest will accept votes for three consecutive days, starting at the above time, and ending the following Friday at 4pm PT.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Here’s the link on Amazon.
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