Stay in a historic house full of fun things to see – Home/Real Estate – Santa Fe New Mexican


Stay in a historic house full of fun things to see – Home/Real Estate – Santa Fe New Mexican.

By Paul Weidemen

PART TWO: SWIMMING WITH GANSTERS


โ€œ Mommy the door knocked.โ€™ I said

โ€œ Okay, let me get it.โ€

The valet reminded me of the munchens in Wizard of Oz, because of their berets, and tightly fitted double breasted coats. But it wasnโ€™t the valet or room service, or anyone that I recognized.

โ€œLucille, darling is everything to your satisfaction?โ€

โ€œHello Jack. Yes the room, flowers, and fruit basket are so lovely. Thank You.โ€

by Ronzoni

It was the smiling big faced, former bouncer of the Copacabana New York whose name I knew only as Uncle Jack.

Jack was subtle as a semi-truck; and if the world was coming to an end, Iโ€™d follow Jack. He had fingers thick as sticks of dynamite and he squeezed my blubbery cheeks until they turned purple. I knew a cheek squeeze meant the person loved me, so Jack didnโ€™t frighten me. I learned thirty years later it was Jack Entratter; a man of chest heavy bullying, dinosaur New York threats, and answered to Frank Costello. I donโ€™t believe he pulled out the Casino movie style butcher chopping that we always see. I just think Jack did what Frank asked, and Frank didnโ€™t randomly demand nail stripping, ball butchering violence you see in the movies. Remember it is a movie.

My mother dressed up with a fur wrap (they wore furs in Vegas) and dressed me in a Pixie Town ensemble that was so starched I couldnโ€™t bend my arm, and we went to the Copa, for the dinner show. Ella Fitzgerald was the feature entertainer of the night. If I wasnโ€™t in a room at La Posada tonight, listening to Tito Puente and Johnny Pacheco, tipping a glass of Chilean wine, without all my files, and notes, I could reference many things about that night. I rented the house for the twelve days of Christmas and I cannot access anything other than what I brought. I could go googling all night, but it is close to time to eat, and parlay my chances in the lobby, meeting and greeting, as I feel I should do, because hotels are the only socially invasive venues left. I greet everyone who knows how to walk without revealing their miserable or self congratulating lives. I really like people who keep their triumphs and sorrows until the second or third time we meet. I donโ€™t like digesting four courses unless I ordered them.

Ella, came out on stage, and we were seated under her heaving breasts, the first row, the closeness was dressing room intimate. There were others at our table but they were sort of like faded ghosts after Ella started her fireworks. TO BE CONTINUED.

I REMEMBER


Frank Costello, American mobster, testifying b...
Image via Wikipedia

I was a child of the fifties; when raising kids was easily defined. Mommy stayed home and made sure the kids didnโ€™t burn the house down. Daddy went to an office to make money to pay for the house, and children waited until they were grown up to find out anything really useful. It was before the generation-gap was coined, or children knew how to be witty and sharp. In our air-tight neighborhood of Bel Air, Los Angeles, we were naรฏve, privileged, kids; bogged down with falling off bicycles, not being chosen for the school play, and bringing home the most candy at Halloween.

I believed in Santa Clause, the Easter bunny, and if I was good, Mommy would let me stay up and watch the Sunday night Variety Show.

America was threatened by the Russian Communists and Organized crime. Public enemy Number One was New York Mafia Boss, Frank Costello. Frank became super famous when he refused to testify on national television for Senator Estes Kefauver. The Kefauver Committee delivered explosive headlines between 1950 and 1951, as the government unveiled the hidden hand of the Mafia in the United States.

ADVENTURES IN LIVINGLESS


Lyrical Time Wastr - Stairway to Heaven
Image by jah~ out via Flickr

Adventures in Livingness

ย A sunrise of prosperity and a sunset on hardship.

In my home there is one large staircase window that faces east. Each morning before I descend the stairs I stop at the landing, to watch the day begin. The sun must rise past an assortment of tree limbs and trunks, and up over the ย hillside of the mountains. By the time Iโ€™ve had my coffee, the sun has risen above the obstructions. I am now jerked awake, like a slight nudge a parent might give you, โ€˜Come on–wake up! You have school.โ€ย  The sunlight guides me through the morning, and argues with my disagreement of the days activity.

The moment the cafรฉ took effect, I want to begin writing, but shameless sunlight in my eyes and the dance of the birds are tempting me to step outdoors.ย  When you live in seasonal climate, days and nights lure you outside, like old lovers that you must see again. The gradual awakening unfolds layers of thoughts, beginning with the anxiety of the times. The impending hardshipย  oozes out like a bad smell. Some mornings I cannot look ย at the newspaper, the headlines read like promotional movie advertisements, banks bankrupt, homes foreclosing, woman commits suicide, the shocking prick of national disasters is a surgical ย awakening.

There is no time to waste, no money to squander, it is a time of reduction and refusal. How can I not spend money today.

This is what brings me to the sunrise of prosperity, I have to keep studying the illumination of light, and Iโ€™ll ย move forward, and diffuse the ย chaos.

As the interruption of minor mishaps knock on my door, my head turns away from it. Iโ€™ve learned to erase the panic, and do what I have to do, and that is write.

Last week, while I was upstairs, prone on the sofa, figuring out a transition between two men, whom I love, someone came to the door, knocking, ringing the bell fiercely, oh what is that. I open the door,

โ€œ Yes,โ€

โ€œ Are you all right? Iโ€™m from the security company, your alarm isnโ€™t connected. We came to check on you.โ€

I stood there with a dumber than dumb expression, and assured him I wasnโ€™t held captive or about to throw myself out the window. When I returned to the desk, I kept seeing his expression, he really didnโ€™t believe me. I turned the alarm off when Rudy left for San Diego. ย Real estate agents our showing our house because itโ€™s up for lease. My mind is a closet of mafia memoir notes, and I canโ€™t remember to close the refrigerator door.

Later in the day, if I havenโ€™t ventured outdoors, I take a walk around the plaza, and muse over the herds ofย  tourists, and search their expressions for interior moods. I donโ€™t see panic and anxiety, I see relief; ย couples are rigid from ice and chill,ย  and they shuffle in boots, directionless, ย gaping at the churches and adobe arches, they shoot photographs, standing in the middle of the street. Vacation is bliss in the middle of discontent.

When I return to my desk, it is time to print the days work. This is always a ritual of great expectation, filled with disappointments, surprise, and sometimes a whiff of elation.ย ย  The sun has made itโ€™s journey to the other side of the house, the back porch is like starched light, it burns the eyes and flesh, like hardship, the immediate effect is callous. ย There I sit and review the pages.ย  The transition worked; the crawl from uncertainty to confidence broke through. ย Now is the time to slouch in the chair, close my eyes, and rewind a few scenes back.

Hardship is like the sun, unmerciful when it is met face to face, and transforming when we are protected. That translates to less spending and more creating.

While I am lounging in this beautifully historic old home, one track of time keeps appearing in my images. It is a time when space was limited, finances on a string as long as my finger, and uncertainty a nightmare that became a lullaby. It is that time again, nothing at all unfamiliar With the same resources I had then, all is well, the sunset can go down, and I can laugh because the adventure has risen above the circumstances.

NEW YEAR RESOLUTION


SMILEYโ€™S DICEย ย  Adventures in Livingness

Adventures in beginnings, starting over, and rewriting a story youโ€™ve lived many years is the same as re-writing a story. It takes the same blind courage.

Behavior change (James)About half between forty and fifty years old, you hear people say, โ€œItโ€™s too late to start over,โ€ย  Itโ€™s not true. I hope it never feels like that when I wake up. Just thinking about it makes me run in circles. Behavioral change is essential to living a full life. In the middle of the night I woke up as if it was morning.ย  When I looked out the window, the moon was white as aย  laundered tablecloth, staring back at me. It said get up and write.

I retreated to my corner of the world, a tiny room bathed a blush pink and gold, and wrote from beneath the goose down comforter. The moon watched.ย ย  Now that the lights and decorations are placed in the cartons, the wrapping and ribbon tossed away, a landfill of disturbing, distressing, and terrifying global news is dumped on us.ย  I do not understand the external world of political and international power, wealth, and motivation.

I fled that world a long time ago when I learned that men who controlled the paths of others were dangerously self-serving.ย  I recall my father sitting on that green velvet sofa, holding the remote in one hand and watching a news program. He turned it off and said to me, โ€œLuellen, everything that goes on is fixed; you cannot hide your head in the sand and think otherwise.โ€ I nodded my head in understanding, while internally I thought my father was suffering from his usual psychosis.ย  Eventually I crossed over, and forfeited my interest in politics. The forces of evil have shattered that glass of indemnity.

This year is not about vapid resolutions catering to our comfort, it is about survival. Itโ€™s about transforming behavior and habits, excesses and denial. Doing it in a group, makes us feel less traumatized. Imagine, all the thousands of people paddling the same current; forcing back the mortgage lender, relinquishing precious possessions, driving a car with a shattered windshield, wearing coats without any down feathers left, and wondering when the pink slip will arrive. Alienation and neurosis are at the root of peopleโ€™s aggression and discontent. It can lead to unexpected violence, and then to massacre and war. It is a collection neurosis that grows worse every year.

The inner world, where each of us faces a truth no one else knows, is ruptured. All I can think of is bringing a little bit of light to someone you know is in darkness.

LIVING ON THE EDGE


Fifteen years ago, the summer of 1993, I was having lunch in a restaurant in Los Angeles. Across from me was the only other woman of importance in my fatherโ€™s life, besides my mother, that I had known. Sandy Crosby, a leggy brunette with bark brown eyes, arched brows, and a showcase smile.

She always had a response that outwitted her opponent, including my father, who relied heavily on, โ€˜donโ€™t be so smart.โ€™ย  Half-way through the first course at Jimmyโ€™s, she looked at me and grinned.

โ€œYouโ€™re so much like your father.โ€

โ€œI am?โ€

โ€œOh yes.โ€

โ€œYour father loved living on the edge, he really did.โ€

I rested on that thought for a long time. I was temporarily living with a friend in Los Angeles. I lived out of a suitcase, with a broken down Cadillac, and a folder of resumes.ย  My dadย  never lived out of a suitcase, or needed a resume to find a job. After he met Benny Siegel, he had multiple offers in organized crime.

What I discovered, is Dad didnโ€™t truly settle down until he had to raise my sister and I. He was 56 years old when Mom died, and we were tossed into his lacquered bachelor pad in Hollywood. The same age I was two years ago.

Living on the edge is a term used to describe infinite lifestyles. The momentum, or ignition that fuels that lifestyle, is uncertainty. We live by impulse and imagination. Our plans are last minute, we never buy in bulk, and we are always dreaming of the voyage. We run from stationary life because at heart, we are gamblers.

This time, the edge is the very place I spent two years creating, the photography gallery and home in Santa Fe. Up until this winter, it operated as a gallery by appointment, while I polished my memoir proposal. After several months, I went to the edge and decided to convert the gallery into a vacation rental. I needed to roam; I longed to gather new material.

The winter climbed back into bed, and then spring ripped through the ground, and the roses and poppies bloomed. The memoir remained unpublished, and the house began to transform from gallery to a real home. The long uneventful winter punctured my prudent habit of writing, remaining secluded, and avoiding everything but the essentials. By May, I made a silent vow under a stream of sunlight, to enlist into the human race.

The reinvention resembled nature, like today. The day began with ย a feverish sky of culminating clouds, a long dreary silence, and an absence of light. The street was empty, just the valet from La Posada running to the garage to fetch the cars. They were bundled in winter coats, while the party rental truck loaded the furniture from last eveningโ€™s wedding. The storm struck with impetuous force. The valetโ€™s ran with umbrellas, small children yelled for cover, and I took a seat on the back porch. Suddenly, the storm rescinded, and the sun burst through the cloud cover.

My emancipation back into the flow of mixing strangers and friends was alchemy to the house. Now itโ€™s a home; to cook, entertain, and fill with music, laughter and conversation.ย  I can see the faces of the people Iโ€™ve met, imagine the next meeting, and anticipate the next outing. The windows and doors are opened, the people who pass by look in. I was cooking dinner one night this week, and noticed a man peeking in the window. He looked like Harrison Ford, just back from the Lost Arch.

โ€œ Is this a museum?โ€ he asked when I went to the door.

โ€œ No. Itโ€™s a gallery, a home. Well come in, and take a look around.โ€

Opening the door to a stranger returned the affirmation that impulse socializing is still possible in the banal and sterile world of FACEBOO. ย ย You donโ€™t have to be a teenager to recognize a good time, but you need to be an adult to recognize a good fellow.

Some of us lone roamers cannot reverse the inclination to retreat from life; because we find too much confusion, agitation and adversity in the world. Between all of those elements, there are treasures waiting to be discovered: opportunity collaboration, adventure, and most of all companionship.

Even though the comfort of this home has replenished my spirit and temporarily produced a yawn of security, I am preparing to go to the edge. Though I imagine it is another place of endearment, another address, and another gamble, it may be the inner voyage that will transcend.

When I tell people weโ€™re renting the house, they ask me where will you go?

I donโ€™t know yet. Sandy was right; I am like my father. The edge I picked wasnโ€™t a green felt jungle of dice and chips, itโ€™s an artistsโ€™ life.

Any dice to throw Email: folliesls@aol.com

 

IN THE GARDEN


Two months ago I bought a crate of flowers to plant. After setting the plant to rest, I had a vivid recollection of Nana; my Motherโ€™s mother.
Nana was a petite woman, with long graying hair she pinned into a perfect French twist, a cute Irish nose, and a giggling smile. When I was growing up she lived with her second husband, we called Poppop, in a spacious California ranch house in Sherman Oaks, also known as San Fernando Valley. We visited her weekly, staying over one or two nights. Nana was always waiting for us to arrive. She greeted us at the door, she had something cooking, fresh candy in crystal dishes, and in the morning, she fried bacon and the aroma woke me and got me running downstairs. She scrambled eggs with lots of butter, and served it with Irish soda bread. It never occurred to me that these weekly trips were the cultural mix-up of my Russian Irish heritage. This was Nanaโ€™s only opportunity to spoon-feed us our Irish roots. At home with father, bacon and butter were prohibited, and bread came in the form of a bagel. The food was only one part of the adventure. Nanaโ€™s home was filled with antiques, family treasures, and her garden was a masterful collection of east and west coast varieties.
After Nana had all her errands and household chores finished, she changed into slacks, flat shoes, and a straw hat and went outside to the garden. I would follow Nana while my Mother remained indoors; most likely talking on the phone with some degree of privacy. In the garden, Nana would trim, cut, and arrange her flowers. I kneeled down beside her and watched, while she talked. Nana had the gift of gab, and her thoughts poured out without my interruption. Between sentences, she would insert a self-effacing joke, regarding her silly hat, or her short legs. Her hands were swollen from arthritis, and she rubbed them from time to time, but she did not complain. As I planted my garden, these visions of Nana remained and grew more studied and complete. I had a memory of being assigned a school project to plant something in the garden. By this time, my Mother had moved us to an apartment and we didnโ€™t have our own garden. I went to Nanaโ€™s and she helped me plant some variety of flowers I cannot recall. Each week Iโ€™d return to see how my plant was doing. Some time after the assignment ended and we were walking in the yard, I looked to see how my plant was surviving. It had been replaced. I asked Nana what happened.
โ€œOh honey I hope you wonโ€™t be mad at me, but the little flower died, so I planted a new one. Itโ€™s my fault; I didnโ€™t look after it properly.โ€
Nana taught me the things my mother didnโ€™t have the time to teach; like cooking, cutting flowers and arranging them, making coffee, and setting the table. She made all these chores enjoyable, and I loved to follow her around the house and watch her change the beds, and prop up pillows, and fold the guest towels. It never occurred to me until now, that I adopted her domesticity; the sublime gratification of adorning a home for the comfort of family and friends.
The plants did not blossom, the jasmine, roses, and other varieties all wilted and turned brown, but the parties, soirees, dinners and moments of solitude are bloosoming.


 

ย 

THE SUN RISES ON HARDSHIP


ย The throw of the dice this week falls on the sunrise of hardship, for all of us.

ย ย ย ย  In my home there is one staircase window that faces east. Each morning before I descend the stairs I stop at the landing, to watch the day begin. The sun must rise above an assortment of tree limbs and trunks, and up over the mountains. By the time Iโ€™ve had my coffee, the sun has risen above these obstructions. I am now jerked awake, like a slight nudge a parent might give you, โ€˜Come on–wake up! You have school.โ€ย ย 

I begin writing, but that shameless sunlight in my eyes and the dance of the birds are tempting me to step outdoors.ย  When you live in seasonal climate, summer days and nights lure you out of your wits; why stay inside when thereโ€™s moonlight, a sage brush breeze, and merriment across the street.

The gradual awakening unfolds layers of thoughts, beginning with the anxiety of the times. The impending hardship of thousands, my friends, and neighbors, oozes out like a bad smell. Everyone seems to be slanting in new directions; some are going home where they came from, others take on another job, or moving out and leasing their homes.ย ย ย ย 

ย 

Some mornings I canโ€™t even look at the newspaper. The headlines read like Sundayโ€™s promotional movie advertisements: BANKRUPT, FORECLOSURE, and SUICIDE. The shocking prick of national disaster is a surgical awakening of a disease untreated.ย  Thereโ€™s no time to waste, no money to squander, it is a time of reduction and refusal.

ย  ย ย  As minor calamities knock on my door, and creditors calling from India, I turn my head to the sunlight and resume what I have to do, and that is write. If you know me, then you know Iโ€™ve vanished. Itโ€™s the only way I can work, and Iโ€™m standing on my head happy that I have the solitude to do it.ย 

ย Last week while I was upstairs, prone on the sofa figuring out a transition between two scenes, someone knocked at the door. Then they fiercely rang the bell. Oh what it is now I thought.ย ย ย 

ย ย ย ย  โ€œYes,โ€ I asked the man standing outside. He stared at me while twirling a toothpick in his mouth.

โ€œAre you all right? Iโ€™m from Safeguard Security we havenโ€™t had any signal on your alarm.ย  We came to check on you.โ€

I stood there expressionless. I assured him I wasnโ€™t held captive or about to throw myself out the window, but he didnโ€™t seem convinced, he lingered and kept looking over my shoulder.ย  I hastily sent him on his way, and returned to the desk.ย  Iโ€™d been rude; I didnโ€™t even thank the guy.ย  This is some kind of message, next time heโ€™ll slam the door in my face.ย ย ย ย ย ย 

Later in the day, if I havenโ€™t ventured outdoors yet, I take a walk around the Plaza, and muse over the herds of tourists. I look for revealing expressions and conversations.ย  I didnโ€™t see panic and anxiety, I observed relief. Couples shuffled together, maybe holding hands, dragging shopping bags, and aiming directionless for a new snapshot. They stand gaping at the churches and shoot photographs while standing in the middle of the street. Vacation is bliss in the middle of discontent.ย 

When I return to my desk, it is time to print the days work. This is always a ritual of great expectation, filled with disappointments, surprise, and sometimes a whiff of elation.

ย By now the sun has made its journey to the other side of the house. The back porch is like starched light, it burns the eyes and flesh, the immediate effect is callous. Now is the time to slouch in the chair, close my eyes, and rewind a few scenes back.

Hardship is like the sun, unmerciful when it is met face to face, and transforming when we are protected. The sunlight is absorbed into our bodies; the effect is invigorating when taken in increments. The light changes the color of the world, we see things differently, and so it is with hardship, we feel intensely, our senses are sharpened, and we appreciate the treats more so than in times of prosperity.

It all translates into less spending and more creating.ย 

While I lounge in this old house, one track of time keeps re-appearing. It was when my living space was limited to one tiny room, finances on a string as long as my finger and uncertainty a nightmare that turned into a lullaby. It is that time again; and what we all must do is keep the adventures above the circumstances. Any dice to throw:

Folliesls@aol.comย 

ZIGZAGGIN WITH D.H. LAWRENCE


The throw of the dice this week lands on an adventure with D.H. Lawrence.ย 

Our affair began in the winter of 1970, when the film โ€œWomen in Loveโ€ was released.ย 

ย ย ย ย ย ย ย ย ย ย ย  โ€œ Letโ€™s go see this movie, Alan Bates is in it.โ€ Lizzie,ย ย and I were madly in love with Alan Bates.ย Neither one of us had read the book, or had much knowledge of D.H. It was a film that explored sexual relations that interested us, and it was filmed in England.ย  Back in Junior High Lizzie sangย musical songsย while I taped her on a recorder.ย ย Now in High School, she was singing Hey Jude, and I wasย reading the words from theย record album. ย ย ย ย 

I remember sitting in the balcony of the Beverly Wilshire Theater, leaning forward in my seatย  as I longed, with adolescent fixation, to be inside the story. I wanted to live in a studio like Gudrenโ€™s( the part played by Glenda Jackson) and toast my bread in front of fireplace and paint all day.ย  Gudren was the artist terrified of being tamed.ย ย Her sister Ursula, who personifiedย Lawrenceโ€™s wife Frieda, wished to make her life within a manโ€™s.ย ย ย ย 

ย โ€œYour Gudren, and Iโ€™m Ursula,”ย ย Lizzie claimed with clairvoyant assurance.ย ย 

ย ”ย  No, I’m not all Gudren.” I protested.

ย ” You are– you’ll see.”ย ย ย Withinย  a year, Lizzieย would be in-love in London, creating a life around a man, and I would be an art student at Sonoma State College.ย ย 

ย ย 

But on that lazy matinee afternoon,ย  we gasped, and squeezed each otherโ€™s hands, during particular erotic scenes that shocked our sensibility. It was anย  awakening, of the abstraction of relationships. Weโ€™d discovered that friendships ย were not as they seemed, and that love did not always have a happy ending.ย ย  It woke me to what possibilities lay ahead, and turned a defining fold in my growth.ย ย Would I end up like Gudren?ย  At times the thought haunted me.

Over the last thirty years, I’ve ย watched the film every time it screened on television.ย  It was the benchmark of my youth,ย ย ย just before I wandered off into relationships with artists and bohemian living.ย ย Several years ago Iย purchased a copy.ย  I was convinced thereย  was something I’d missed.ย  ย 

ย 

Summer 2006 Taos, NM

ย I move to Taos and Rudy gives me โ€œBirds, Beastโ€™s & Flowersโ€ a collection of poems written by D.H. during his stay in Taos.ย ย  I journey out to Del Monte Ranch where D.H. and Frieda lived on and off for several years.ย  The ranch keepers took us on a private tour; oral and on foot.ย  I yearned to learn more. ย Several days later I walked down the portal of Ranchos Plaza to see what new treasure books Robert had in his shop.ย 

ย  ย โ€œWhat do you have by D.H. Robert?โ€ย 

ย  ย โ€œKangaroo, and Lorenzo in Search of The Sun,โ€ itโ€™s a biography about DH.

ย  ย โ€œIโ€™ll take them.โ€ย 

They were placedย on the bookshelf in the bedroom and remained there unread. ย By now, ย Iโ€™d seen the famous stained glass window D.H. ย painted in Mabel Dodgeโ€™sย bathroom in Taos, and the sketchings on display at the La Fonda Hotel. ย Still, I had not read any of his novels.ย ย 

Winterย  2008. Santa Fe.

The down blanket isย wrapped tightly around my shoulders on a snowy night.ย ย  I take โ€œLorenzo in Search of the Sunโ€ ย off the shelf and begin to read.ย  The book begins with his adventure in Taormina.ย ย ย ย ย 

ย ย ย ย โ€œI am so thankful to be back in the South, beyond the Straits of Messina, in the shadow of Etna, and with Ionian Sea in front: the lovely, lovely dawn-sea where the sun does nothing but rise toward Greece.โ€

ย Thisย first excerptย  leads me to chiselย the cobwebs of memory to theย  summer of 1972.ย  Iย left my sister in Barcelona, with a Spanish- lover, andย took ย a solo journey to Sicily. I donโ€™t recall what precipitated my quest;ย ย but the warnings and discouragement from myย sister, and fellow travelers didnโ€™t obstruct my vision.ย I had to go to Sicily. It turned out to be the bittersweet part of my European summer.ย  An ย Italian hotelier rescued me,ย and put me up for a few weeks in his Taormina hotel; like he did with all the lost American hippie girls.ย 

Every night this winter, I huddled insideย andย read a few pages of the book, savoring themย as I would a chocolate souffle. Theseย descriptions of Italy, Mexico, and Taos infiltrated that clamping cold. ย ย D.H mentions theย Model T Lizzie in his chapters on the El Monte Ranch in ย Taos.ย ย I am reminded of my trip to the ranch.

This is an excerpt of the column I wrote about my visit to ranch in 2006. ย ย ย ย ย ย ย 

D.H and his wife Frieda moved to the Ranch in 1924.ย  ย Imagine that journey–there was no road to the Ranch, that came much later. They must have hiked up the hill or gone on horseback.ย  The ranch includes a small barn, and two cabins; they chose the larger Homesteaderโ€™s Cabin. It is so organic, as if spun together by weeds and timber chips, but actually is a mixture of pine logs, mud, straw and water.ย  The Homesteader was a man named John Craig. He claimed this property in the 1880โ€™s, and built the cabins with the surrounding Ponderosa pine.ย  The pueblo Indians helped D.H restore the cabin and he moved in during the summer of 1924.ย 

I thought about this man sitting under the majestic beauty of the pines, and writing all day long.ย  The plateau of silence that envelopes this ranch is every writerโ€™s dream.ย  Here he wrote some of his Taos poetry, โ€œBirds, Beastโ€™s & Flowersโ€ he finished โ€œSt. Mawr,โ€ a short novel, the novel โ€œDavid,โ€ and parts of ย โ€œThe Plumed Serpent.โ€ย ย ย  D.H didnโ€™t know how to type;ย ย  he left that task to Dorothy Brett, the artist that accompanied D.H and Frieda.ย  D.H invited Dorothy and several other friends to join him in Taos after his first visit in early 1924.ย  He was creating a Utopian society, he named Rananim.ย  Brett was the only artist to accept the offer.

I took a few photographs and then we trotted back to the entrance. Just as we were getting into the Van, a car pulled up. A woman got out, and called out a hello from across the way.ย ย  I yelled back that we were just leaving, and she yelled even louder, โ€œI canโ€™t hear you โ€“ Iโ€™m almost deaf.โ€ย  I got out of the car and went to meet her halfway.ย Immediately taken with her pioneering eyes, and up at dawnย spirit, I yelled to Rudyย to get out of the car.ย ย 

ย ย ย ย ย ย ย ย ย ย ย  โ€œ Iโ€™m Mary and thatโ€™s Al over there, we’re the caretakers.ย  Alโ€™s been here 50 years.โ€ย ย  I nodded to Al, standing a few feet behind her, watching us with a tinge of curiosity. I noticed his eyes, the color of faded denim, squirming with stories.ย  I tried not to ask too many questions too quickly;ย  Al was tired from a long journey so he took a seat on the porch.ย ย ย 

ย ย ย ย ย ย ย ย ย ย ย  โ€œ Open up the cabin for them Mary.โ€ He called out.

ย ย ย ย ย ย ย ย ย ย ย  Mary nodded and led us up the path to the D.H. cabin.ย 

Along the way, she talked about the ranch. There is a society named the Friendโ€™s of D.H. Lawrence in Taos, and they want to build a big commercial visitor center on the ranch. Mary and Al think this is a bad idea, because the pines and silence are so happy, why mess up a beautiful memorial.ย  If you saw the ranch, youโ€™d agree that a visitor center will look like a spaceship in this territory of natural beauty.ย  Mary opened the door to the cabin and showed us around. The first thing I noticed was the typewriter.ย 

ย ย ย ย ย ย ย ย ย ย ย  โ€œ Is that where he typed? โ€ (She gave me printed literature that fills in the information I know now.)

ย ย ย ย ย ย ย ย ย ย ย  โ€œ Nope,– but thatโ€™s the typewriter Dorothy typed on.โ€ย  The cabin is well maintained, simple and authentic.ย  After we examined everything Mary led us back to Al. We gathered around the porch and Al talked about the road that he cleared to the ranch, the typewriter he dug out of the dump, and the time he drove out from Chicago in his Tin Lizzie.ย  Rudy turned to the Model T in the parking lot.

ย ย ย ย  ย ” You drove that out here?”ย ย He asked.ย 

ย ย ย ย ย  ” ย Naw, thatโ€™s my brotherโ€™s. Weโ€˜re going to get it workin’ย soon.ย  Go on in and take a look.โ€ย ย ย  Rudy jogged overย and got inside.ย ย Iย took photographs of him, and Al watched.ย 

ย ย ย ย ” That’s how D.H. and Frieda got around Taos, they’s was great cars.”ย ย 

ย ย ย 

ย Mary took me aside and told me that she was throwing a party for Alย in a few weeks,ย and that we’d be welcome. It would be Al’sย  90th birthday. I glanced over at him,ย petting his dog and looking very content.ย  I didnโ€™t think he heard us, but he did.ย  โ€œ Iโ€™ll be here until Iโ€™m 100.โ€ย ย We exchanged good wishes, and many waves before leaving that afternoon.ย ย 

Wasย Alโ€™s brotherย Gotzsche, who D.H. writes about andย who toured them aroundย in his Lizzie?ย ย ย Further in my reading,ย  I discovered that Gudren, personified the author Katherine Mansfield.ย ย  I became more keenly acquainted with Katherine ย in Saratoga Springs, when I attended a reading of her short stories at Yaddoย Arts Colony.ย 

D.H. ย is a puzzle that continues to zigzag around myย  “adventures in livingness.” ย He is also the author of that slogan.ย  I found the sayingย in Anais Nin writings, but in fact I think its origin is with Lawrence.ย 

Any dice to throw Email: folliesls@aol.com

TUNE TO SPRING


 

At three in the morning the walls of reality merge with dreams, timelessness, restlessness, and an alertness of unspoken needs.

What I think of at three in the morning is never the same at ten oโ€™ clock in the morning.ย  The labyrinth of safety, colliding with the unknown, seems to be the most innocent of emotions. It is also a time that ย springs bright eyed realizations, recognitions, and a time when our mirrors move toward us.ย  I see my looks fading. All I ever wanted was to see myself as pretty as my mother was.

The wind is sudden as it whips through the spruce tree outside my window.

I get up and wander downstairs, listening to the wood floors crackle at my footstep.ย  I walk outdoors onto the back porch.ย  The wind is like a mirror to me. This sound, so clear and unmixed in Santa Fe, ย brings me back to the years in Hollywood. The nights my father went out allowing me the freedom to explore outside. I would run down Doheny Drive to Santa Monica Boulevard and just keep running.ย  It was on those windy Santa Ana nights that Iโ€™d run the longest.

I was running because the need to express something was bulging through my body. ย ย Back then I didnโ€™t keep a journal at home. My father had discovered it and then questioned me about everything Iโ€™d written.

This night is like that, only I donโ€™t feel like running, I am listening to the sound of the chime and the wind. I am thinking of the music of Charles Lloyd, and the shadows that look like people, and the clouds that appear to have message, ย and how everything is different when you are alone.

I dine without pause and usually finish before Iโ€™ve even wiped my mouth. I have extended conversations with the cats, Bugsy and Alice, ย and moments are elongated. ย I sit down at the counter and this wind and chime continues to circulate the house. It is an announcement- it is expectant of spring.ย  I jotted down some notes and knew what I wished to write about today.

April is expectant- there is expectancy everywhere you look. The buds on the stark tree limbs are about to bloom, the birds have evacuated their nests and begin singing early in the morning, and insects eject themselves from their hidden corners. I donโ€™t know what spring is like for a man, Iโ€™ve never asked any man, but I am going to tell you what spring is like for one woman. The essence of spring is sensuous, and for a woman it is an overture.

We strip down the layers of clothing; replacing socks with sandals, and sweaters with t-shirts. ย When I hear birds and watch them in the trees, I think of babies, and innocence. There are flowers about to shoot through the heavy clasp of winter dormancy, and when they do, the colors remind me to replace all the black pants and turtlenecks with pastel shades of peach and blue.

English: Spring Daffodlils Roadside Daffodils ...
Image via Wikipedia

The sunlight radiates through my skin and warms every thing. My heart ย feels like it has been through a tune up.ย  My body wants to dowse in sea ย water, and to eat less, and to run up canyon road, and listen to music, and dine al fresco, and get pedicures. Men, do notice your womanโ€™s new pedicure, it will make her very happy.ย  All of this preparation is to tune up the romantic notes,ย  and to get YOUR ATTENTION. It is time to bring you out of the garage, or wherever you go in spring, and to notice that we are blooming. This is what I felt the night I heard the Charles Lloyd Quartet; ย I heard him blooming.

 

Surprise us with flowers, a new hat, or a picnic on the banks of the Rio Grande.ย  Spring is time to redirect your attention to woman because we are at our best in spring.ย  Our attention is on our surroundings; we will want to buy flowers, and baskets and new cushions for the patio furniture.ย  ย We change our lipstick color, comb our hair different, and we look for new ways of expressing how good we feel.

 

Today I see cherry blossoms in my neighborsโ€™ yard.ย  They remind me of

a day in April at Golden Gate Park.ย  Then I feel young again, like I was in the park that day, when I was in love with a man who would prove to be one of the great adventures of my life.

If you live in Santa Fe then you understand when I say-hurry up spring and start undressing.

 

โ€œIs there any feeling in a woman stronger than curiosity? Fancy seeing, knowing, touching what one has dreamed about. What would a woman not do for that? Once a womanโ€™s eager curiosity is aroused, she will be guilty of any folly, commit any imprudence, venture upon anything, and recoil from nothing.โ€

Guy De Maupassant, โ€œAn Adventure in Paris.โ€

ย My responsibility as a writer is to assure people taking a chance in life is the only ย ย way to live, and so โ€ฆ I throw the dice.

 

THE ARC OF THE WAIT.


The throw of the dice this week lands on adventures in waiting.ย 

As children, our waiting depends on how long it takes Mom and Dad to finish what theyโ€™re doing and pay attention to our needs.ย  It takes hold of us, like a fever, and we resort to nudging them, whining, even sobbing, if we are made to wait longer than we expected. During the school year, I waited all semester for the summer.ย  In Los Angeles that meant it was hot enough to go swimming in the ocean.

When I lived in Hollywood, I rode two buses, to get to Santa Monica.ย  The second bus dropped me off on Ocean Avenue, above Santa Monica Beach.ย  ย I ran down the ramp that connects to Pacific Coast Highway and headed north to Sorrento Beach,ย  another long block away, and when I got there I stumbled in the sand in my tennis shoes trying to run,ย  and find the place where my schoolmates clustered,ย  in a caravan of towels, beach chairs, radios, and brown bag lunches. I couldnโ€™t just run to the ocean, I had to sit and talk and have something cold to drink, and then ย I made myself wait until I couldnโ€™t stand it any longer. I ran down to the shore, embraced the waves, tumbling inside their grasp until I lost my breath, and floated into abandonment.

After I moved to New Mexico, I stopped thinking about the ocean, I had to remove the memories from my thoughts, and so I could continue to experience this spark of New Mexico.ย  The dry sage ocean of pink soil, and radiant blue sky that pinches your eyes when youโ€™re driving,ย  the sunlight, the warmth of a desert night, and the white snow on pink adobe rooftops.ย  It had postcard perfection, even with fallen leaves spread like trash everywhere, and the dead plants in the garden.ย  I tried not to think of the ocean, the look of the sea from watery suntanned eyelids, or from the bluff at Del Mar, or the splashing of waves around my shoulders as I tumbled beneath the surface.

I waited, like I did as a teenager, for that summer to come, so I could return to the sea.ย  Last week,ย  I stood at the waterโ€™s edge in Del Mar,ย  it was like summer without all the kids playing ball and screaming, running of the dogs, and lifeguards thrashing the beach in their jeeps shouting, no dogs off the leashes, no glassware,ย  and no surfing today.ย  They were missing in September, and so were the caravan of beach runners, families, radios, volleyball players, and lifeguards. In fact, I was the only one swimming, on that first day at the beach.

ย  ย Before I went into the water, I reclined on a big black boulder and faced the sea, and let my eyes wander amongst the scenes of the beach on a Tuesday afternoon. In front of me was an older man with graying hair, in a Walmart beach chair reading. He must be retired, he looked perfected adapt to his spot about five feet from the shoreline.ย ย  I thought about that Dennis Hopper commercial, about retirement, and how I still cannot come to grips with retirement, and spending my days on park benches or in cafes watching younger men and women live.

There was one swimmer, on a bogey board, he was far out, and floating along, and I wished Iโ€™d brought mine with me, but it was in Dodger’s van, and the last time I used it was when I lived in Solana Beach.ย  I also wished I had a new bathing suit, because the one I was wearing was ripped, and the neck straps were tied together in a knot so I could swim without losing my top.ย  ย 

The sun baked my body, and I let it without abatement, without shading my limbs or wearing a hat, just enough sunscreen to keep the rays from trotting over my skin. I closed my eyes and when I opened them,ย  this is when the waiting business suddenly felt so important, so much so that I began to think about waiting as an aphrodisiac or something like a good cocktail that you have to make last for an hour, you wait for that moment that makes you feel immortal, childlike, and emancipated into softness.

I felt the beach flies, and the tang of salt water on my lips, and when the seagulls swarmed above the waterโ€™s surface, like so many beads of a necklace, I thought, that this is about the most beautiful day I could have, and itโ€™s all because I WAITED.ย  I didnโ€™t give up on the ocean, or my place in it, or believing that I would have my day in the sand, under a faded denim blue sky, with cotton ball clouds floating above me.ย  I baked until the sweat drenched my pours, and then I raised myself up and walked slowly to the edge of the water. The flat surface made tiny breaks not enough to shatter my body warmth and I felt the first sting of the water on my feet, and then my knees. Submerged to celebrate this day, keep flopping backward on top of each wave as it crashed, and I did this for a dozen rounds, until I felt silly,ย  weak, and dented with the surf,ย  That waiting thing again, meant something that I should write about because all of us are waiting for the election, and the economy to recover, and our real estate to be worth something again, we are all waiting for this big change so we can feel secure and optimistic about the future.ย  There is something useful about waiting, something predisposed, that gives us the support and substance we need. When the waiting is over, and we are all flush with optimism again, it will feel like the first time, it will overwhelm us with power and joy, like the ocean.

ย 

TAOS