DYLAN’S TOUCH


The irony.  When I first heard “Like A Rolling Stone” as a teenager, the lyrics saddened me every time I played it or it came on the radio. Then this song became my destiny.

“Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn’t you?
People call say ‘beware doll, you’re bound to fall’
You thought they were all kidding you
You used to laugh about
Everybody that was hanging out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging your next meal
How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone
Ahh you’ve gone to the finest schools, alright Miss Lonely
But you know you only used to get juiced in it
Nobody’s ever taught you how to live out on the street
And now you’re gonna have to get used to it
You say you never compromise
With the mystery tramp, but now you realize
He’s not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?
How does it feel, how does it feel?
To be on your own, with no direction home
A complete unknown, like a rolling stone
Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you
You never understood that it ain’t no good
You shouldn’t let other people get your kicks for you
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain’t it hard when you discovered that
He really wasn’t where it’s at
After he took from you everything he could steal
How does it feel, how does it feel?
To have on your own, with no direction home
Like a complete unknown, like a rolling stone
Ahh princess on a steeple and all the pretty people
They’re all drinking, thinking that they’ve got it made
Exchanging all precious gifts
But you better take your diamond ring, you better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him he calls you, you can’t refuse
When you ain’t got nothing, you got nothing to lose
You’re invisible now, you’ve got no secrets to conceal
How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone.”
Songwriters: Bob Dylan
© Downtown Music Publishing, AUDIAM, INC
Photograph credit Jim Marshall

STORIES TO SCREEN-AUTHORS AND PRODUCERS CONNECT


Pitch Page by TaleFlick  http://www.taleflick.com

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CRADLE OF CRIME-A Daughter’s Tribute
Luellen Smiley

GENRE
MEMOIR CRIME DRAMA BIOGRAPHICAL FAMILY
Drama

Mature Audience

Politics

Suspense

Romance

Core Theme
A MAFIA STORY THROUGH THE EYES OF A DAUGHTER.
TIME PERIOD
1960s & ’70s
COMPARABLE TITLES
THE SOPRANOS, THE GODFATHER, CASINO, GOODFELLAS
CHARACTER LIST
• LUELLEN “LILY” SMILEY: TEENAGER/50S. NEEDY, LOOKING FOR LOVE/ADMIRATION FROM HER FATHER; DILIGENT, STRONG MORAL CODE, CAN READ A ROOM.
• ALLEN SMILEY: 65. LILLY’S FATHER, (IN)FAMOUS GANGSTER. CRIMINAL, AGGRESSIVE, CHARMING, BADASS, ENGAGING.
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Pitch Page by TaleFlick Info by Author

Brief
Luellen “Lilly” Smiley is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and
business partner. She rips herself from innocence and confronts her father’s nefarious criminal life, as
she breaks the mafia code of silence ten years after her father’s death.
What We Liked
– True story;
– A period piece inside a period piece (‘40s and ‘70s);
– 1940’s Hollywood, with actual “appearances” by stars of that era;
– The mafia and its members through another perspective;
– The father/daughter relationship;
– Episodic narrative, making it perfect for series;
– Possibility of both a fiction piece and a very rich documentary.
Synopsis

940s Hollywood may seem like the Golden Era of Cinema; Clark Gable, Judy Garland, Lauren Bacall
graced the screen, but behind the camera, there was a seedy underbelly ran by Bugsy Siegel and Allen
Smiley.
In the 1970s, Allen’s daughter Lilly Smiley gets a job at her uncle Jack’s book store. There, she is
constantly reminded and asked about her father from customers and other “uncles” who would come
in. After answering with pleasantries, she realizes that people have a completely different view and
opinion of her father than she does. Through research and help from her therapist, Lilly decides to
unearth the real Allen Smiley.
Each story is an episode; a look into the relationship Allen had with Lilly, Lilly had with Allen, Allen had
with the Mafia, and Lilly had with the Mafia. All three of these dynamics weave a tapestry of an
unstable, yet loving relationship. Some of the stories consist of:
● The day her dad died of Hepatitis C was an apparent hit on the Mafia;
● Meeting celebrities of the day and how they respected her father;
● The day her loving Uncle Bugsy died from a drive-by that sent her dad into hiding;
● One incident where her father wouldn’t let her into the apartment because she forgot the safe
word. He forced her to go to another home to get the key, and wouldn’t let her in;
● The day her parents got a divorce, yet her father came home for dinner every night;
● The relationship between Uncle Bugsy and her dad;
● The time her mother was diagnosed with cancer and spent the rest of her life in the Hospital.
How her dad, even though divorced, never left her side;
● Dad coming from an immigrant family, and how that shaped how he approaches problems;
● Allen, disappearing for weeks or months at a time, and how hard it was on her and her
mother. Once her mother died, it was even tougher on her.
● All the different “Uncles” that would stop by and look after the family.
By the end of the series she has a journey of denial, curiosity, and disbelief. She eventually manages
to find people who understand her history and accept her.
About The Author
Luellen’s “Smiley’s Dice-Growing Up with Gangsters columns appeared in San Diego newspapers and earned a Blue Ribbon award from the CA Newspaper Association. Her research led to TV, radio, and print interviews about her father and Bugsy Siegel.

HOPSCOTCHING THE TRUTH TWO


Three days later: The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I?
It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year “Huckleberry Friend” song. I don’t know how anyone else adapts to this. I’m kinda staring out the window, like a cat staring at an unreachable mouse. When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic.  Photo Credit Philip Townsend. ” London in the Swinging Sixties.”

OPERA OF THE NIGHT.


https://www.pandora.com/station/play/1486524031572378132.

I understand how to harmonize with tragedy. Tomorrow I may be Loulou, but tonight I am all adult.  The crashing of my life is cushioned and softened by music. Thank you, Puccini. Photo of my Malibu residency, it just seems to fit the opera. Or it could be Stairway to Heaven? I can’t write any more now, the music has modified my sadness so I’m going to say goodnight and pray for South Carolina and all my fellow Americans in the path of more disaster then me.

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MADNESS


 “YOU NEED A LITTLE MADNESS IN YOUR LIFE.”       ZORBA THE GREEK

November 10, 2017

Is it my aging, the world struggling, the politics punishing, the climate destroying, or is it because all of the above feels personal. Every day is a recovery from the disasters, deaths and destruction of the previous day. I can’t decide if my thinking process is changing or the world really is bubbling over the edge of horror. Today the fires in Sonoma hit a personal note; I went to Sonoma State University and lived two years wandering the hills, rivers, towns, farms, and vineyards. I have to remember all the places I lived in:   a dorm in Cotati, then Rio Nido along side the Russian River, it was too far to hitch to Sonoma so I moved to Petaluma, then I spent a few months in a hippie house in Glen Ellen and then… I dropped out of college and moved to Mill Valley.  Northern California shocked the Beverly Hills plushness off my shoulder and I smothered myself in the outdoors. I used to walk or bike everywhere, I don’t know how I managed without a car. Did you?

My heart and mind turn to the images on the TV news: twenty two fires burning, five hundred unaccounted for and now forty dead.

My family home burnt down in the Bel Air fire on November 5,1961. It rearranged my life as suddenly as it happened, and I discovered growing up wasn’t so bad.

 

I need a movie to watch that resonates life’s invasive  tragedy and triumph; Zorba the Greek.  As a young girl that movie moved me in a way so unfamiliar. The writer and Zorba the teacher, the French debutante unzipped, and the widow, whose life was taken because of unreturned passion. Last night, Zorba came to me and said, “You need a little madness in your life.”  I listened, and found myself at El Farol on the dance floor.  Tuesday Blues Jam used to be a weekly routine. It’s been two years since I went on my own. Dance is always alive in me, moving really fast to great music.

I sat down at the newly restored bar, and looked around, a few familiar faces, and then I looked at the man next to me. He smiled informally, the way someone does when they recognize you. I hadn’t seen Dancing Dennis in years.

” Hi,” he said in a sort of chuckle.

” Do I know you?” I asked.

” Dennis.”

” Oh Dennis!  I didn’t recognize you. You’ve lost weight or something, you look so different.” He chuckled and let me talk.

“How are you? How funny to run into you, I  haven’t been here in years.” Dennis and I met on the dance floor at El Farol, and I asked him to marry me! I guess that’s why he just listens to me, he knows I’m a grab bag of surprises.  I thanked him for reading my book and writing a beautiful review and then he said,

” I liked your hair short but I like this too. “I don’t recall what I said, but I remember feeling at ease sitting next to him, and trying to recall who he reminded me of, I thought it was Michael Caine, but today I remember, its Oscar Werner, when he played the Captain in Ship of Fools.  When the band started I jumped, without even asking Dennis, and darted for the dance floor before it got crowed. I took off like a wild bird and let my Zorba dance.  I knew Dennis and I would dance later but I needed to let my madness out.

When I returned to my seat, he looked left out, and so we talked about the past times we danced, and moments later, without any discussion of our personal lives, we danced, and danced and danced. I asked the band to play “Honky Tonk Woman,” and the floor regaled with dancers. Every time I looked at Dennis he was smiling or laughing.

November 15,2017

Today I am in a religious mood, not in the sense of Jewish or Catholic, just feeling like  I am waiting for God to stop the tragedy.

 

 

 

SAM SHEPARD & THE FILM SHEPARD & DARK.


I’ve had bar chats with Sam; many Santa Fe locals claim friendship; he’s our Santa Fe Shepard for independent thinking, accessibility, dust-bowl prolific honesty and still a flush hand of rugged classic looks. The last time I saw him, he was sitting next to me at Geronimo, writing in his little notebook and eating steak.  He put his fork down when I said ‘Hi Sam.’  He talked about his novel (Inside Man), his Kentucky ranch, and showed me his new cell phone. When he held it, it was like a man holding a gun for the first time. Nothing about him was robotic, on cue, or predictable. When he gave me his phone number and said ‘Call anytime,’ I resisted throwing myself into his arms; now I wish I had.

When Shepard & Dark opened in town for three days, I was out the door within hours. I figured the movie theater would be packed, so I brought earplugs. I take my films too seriously and refuse to be interrupted with slurping and munching. Into the first scene, my concentration was bulletproof; I would have protested if anyone said a word.

Beginning with the footage; incredible home-made movies and photographs of early Sam. You will see him as a youngster on the ranch where he is raised, and Sam leaving home as he kicked his way through puberty. Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark. The dialog between the two men and the dramatization of their adventures through home movies and collected letters they exchanged over a forty-year period broke my heart. I felt the pain inside of Sam as if we were best friends.

It is as honest and genuine a continuum of conversation between two men that I’ve ever witnessed. The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. It is a wrap of cinematography, humor, philosophy and a pool-of-tears-ending.

Yes, there is a dusting of emotions on Jessica Lange.

Several lines I recall, in particular, to paraphrase Sam:

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer, you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.  

 

 

 

 

 

 

 

 

 

 

 

 

 

YOU’RE INVITED


 

PUBLICATION PARTY FOR LOCAL AUTHOR’S MEMOIR-CRADLE OF CRIME

                                                                     by Luellen Smiley

 

La Posada Resort & Spa- 330 East Palace Avenue Santa Fe. NM 

Sunday – February 12, 2017

3:00 PM – 5:00 PM MST

CELEBRATE WITH LOCAL AUTHOR LUELLEN SMILEY

Complimentary Wine, Champagne & Appetizers

Book signing & Q & A

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RSVP

loulousmiley@yahoo.com

This eye-opening memoir, twenty years in the making chronicles Luellen’s journey into her father’s criminal past, beginning ten years after his death in 1982. Luellen is the daughter of Allen Smiley – Benjamin “Bugsy” Siegel’s best friend and business partner for ten years. Allen was seated next to Bugsy the night he was murdered. Luellen discounted her father’s Mafia association until she was forty years old. Awakened by an identity crisis, she cut through her silence and used government surveillance records, newspaper articles, and FBI files to discover her father’s legacy.

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Location

La Posada de Santa Fe, a Tribute Portfolio Resort & Spa

330 East Palace Avenue

Santa Fe, NM 87501

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Friends Attending

 

 

 

PUSHING POETRY


 

I’m reminding myself to write more poetry.

DOUBLE VISION 1996.     I was empty pocketed then. Thinker

Neckties choking thin men with beepers

I want to strip the needles pricking inside their ambition

Stone the waxed smiles spitting false promises

Shatter the pointed arrogance

Wrapped in crisp bills

Inside brand wallets

Strapped on trendy trousers

Driven by rovers and jeeps

Never been on life’s edge

Save the Artist

Who wears his life holy

Waiting for the moments to create

Starved from meat and wine

Sits on a ray of light

Enraptured

 

 

 

 

 

FRIENDS


 


A VERY CLOSE FRIEND that trades you in for a step up the ladder, to improve their bank statement is unjustified malice. This is the most disappointing of all adventures in livingness. At my age, I am still adapting to this egregious consciousness.  How do we all get through the maze of life’s obstacles?  FRIENDS AND  FAMILY. Your pet loves you, your home and garden blooms, your car runs because you service it, your teeth don’t fall out because you go to the dentist but REAL FRIENDS HAVE YOUR BACK.

Thank you to all of my friends that are in my cradle of LIFE.   I am sensitive and Im proud!.charlie-hebdo-cartoon2life.

 

A MEMOIR HAS TO END book 2


The sunlight shatters the curtain-less bedroom window and burns into my eyes at daybreak. From this unsheltered spot I rise to see a pot of blue sky over the rooftops, and the expectant afternoon showers building up in the clouds. The sky is filled with crows, eagles, and magpies lingering overhead weightless and free-falling, beyond all of us caught behind electronics. The days  filled with desert showers that drench the soil and turn the arid dry land green and lush. For this I am thankful.  At the end of the day, I am inclined to sit in the courtyard and watch the sky manifest colors unmatched by any Dunn Edwards collection. By the time dinner is topical, I have substituted preparing food, to just snacking, This August underscores the need to sit down, to sort of bob my head to Nancy Wilson music, and do very little. I’m self publishing Cradle of Crime- My Father, Me, and the Mob.  images

EDITING LIFE


There are  reasons to quit and more reasons not to. The one reason that hovers above all is that everything we do in life needs revision. We are never through evolving into more thoughtful, loving, or wise human beings. Every day there is an opportunity to  revise your valor and conviction.

Revising the position you sit, walk, talk, judge, form opinions, contribute to your home, friends, partners, and discovering what you’ve learned,  dreamed, and mastered, is your novel.   How to write a chapter when you feel  caught;  trapped by decisions that are outdated. Antiquities of a former persona.

Changes in life are like  photographic images.  Looking at old photographs and what I see is someone else. Some are recalled with approval and others are works that led me astray.  I’m not alone. Life is a runaway that we have to catch for ourselves. 

The puzzle is how to live, where to live, and for whom.  It is the same with  manuscripts; they improve with each revision. 

 

TRIPPING ON TAOS, NEW MEXICO


1998 WAS ALL RIGHT

AWAKENING ON THE ROADRUNNER SHUTTLE as we chugged up the steep grade highway, the red skin of Taos peeled back the imposing medieval Gorge crack. The cavity unzipped and five thousand feet below was the Rio Grande. I felt the altitude filling my lungs, and my eyes twitching from one scenic masterpiece to another. Everyone in the shuttle was giving me a history lesson about Taos. Before I knew it, the shuttle door opened, and the driver yelled, ‘Smiley.”

At the end of a two-mile dirt road the shuttle dropped me off and I was shouldered on either side by melting banks of snow.  It was April. Unexpected snow storms arrived the same week.

The FBI boxes I’d shipped were in front of my casita.  Darting from room to room, thoroughly satisfied with a two-story loft, floor-to-ceiling windows, and sunlight in all the right spots. I unpacked in the sedated silence. Was I all alone out here?  A few other casitas were on the property, but they looked vacant. A pang of anxiety seized and then I realized, I had a cell phone, a credit card, and cash. I could always call a cab right.  It was winter in April; the first time I’d lived in falling

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DH. LAWRENCE WRITING ROOM. TAOS.

snow.  In the dining room, I unpacked the boxes and arranged them in a circle around the table. It was a heavy southwestern oak table, twelve feet long, and to the right were sliding glass doors that let the light stream across the black-and-white print. I was left to unravel two thousand more pages on Dad’s criminal life.

The trip was extended to two months. I read all the files and left Taos a different woman. I came back, persuaded Rudy to come visit, and he was hooked within minutes. He bought the Live Work Studio and fulfilled my dream of opening a  Gallery of Black & White Photography of our 60s Rock & Roll legends.. One of Lou Reed shooting up heroin.