SAM SHEPARD & THE FILM SHEPARD & DARK.


I’ve had bar chats with Sam; many Santa Fe locals claim friendship; he’s our Santa Fe Shepard for independent thinking, accessibility, dust-bowl prolific honesty and still a flush hand of rugged classic looks. The last time I saw him, he was sitting next to me at Geronimo, writing in his little notebook and eating steak.  He put his fork down when I said ‘Hi Sam.’  He talked about his novel (Inside Man), his Kentucky ranch, and showed me his new cell phone. When he held it, it was like a man holding a gun for the first time. Nothing about him was robotic, on cue, or predictable. When he gave me his phone number and said ‘Call anytime,’ I resisted throwing myself into his arms; now I wish I had.

When Shepard & Dark opened in town for three days, I was out the door within hours. I figured the movie theater would be packed, so I brought earplugs. I take my films too seriously and refuse to be interrupted with slurping and munching. Into the first scene, my concentration was bulletproof; I would have protested if anyone said a word.

Beginning with the footage; incredible home-made movies and photographs of early Sam. You will see him as a youngster on the ranch where he is raised, and Sam leaving home as he kicked his way through puberty. Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark. The dialog between the two men and the dramatization of their adventures through home movies and collected letters they exchanged over a forty-year period broke my heart. I felt the pain inside of Sam as if we were best friends.

It is as honest and genuine a continuum of conversation between two men that I’ve ever witnessed. The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. It is a wrap of cinematography, humor, philosophy and a pool-of-tears-ending.

Yes, there is a dusting of emotions on Jessica Lange.

Several lines I recall, in particular, to paraphrase Sam:

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer, you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.  

 

 

 

 

 

 

 

 

 

 

 

 

 

YOU’RE INVITED


 

PUBLICATION PARTY FOR LOCAL AUTHOR’S MEMOIR-CRADLE OF CRIME

                                                                     by Luellen Smiley

 

La Posada Resort & Spa- 330 East Palace Avenue Santa Fe. NM 

Sunday – February 12, 2017

3:00 PM – 5:00 PM MST

CELEBRATE WITH LOCAL AUTHOR LUELLEN SMILEY

Complimentary Wine, Champagne & Appetizers

Book signing & Q & A

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RSVP

loulousmiley@yahoo.com

This eye-opening memoir, twenty years in the making chronicles Luellen’s journey into her father’s criminal past, beginning ten years after his death in 1982. Luellen is the daughter of Allen Smiley – Benjamin “Bugsy” Siegel’s best friend and business partner for ten years. Allen was seated next to Bugsy the night he was murdered. Luellen discounted her father’s Mafia association until she was forty years old. Awakened by an identity crisis, she cut through her silence and used government surveillance records, newspaper articles, and FBI files to discover her father’s legacy.

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La Posada de Santa Fe, a Tribute Portfolio Resort & Spa

330 East Palace Avenue

Santa Fe, NM 87501

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PUSHING POETRY


 

I’m reminding myself to write more poetry.

DOUBLE VISION 1996.     I was empty pocketed then. Thinker

Neckties choking thin men with beepers

I want to strip the needles pricking inside their ambition

Stone the waxed smiles spitting false promises

Shatter the pointed arrogance

Wrapped in crisp bills

Inside brand wallets

Strapped on trendy trousers

Driven by rovers and jeeps

Never been on life’s edge

Save the Artist

Who wears his life holy

Waiting for the moments to create

Starved from meat and wine

Sits on a ray of light

Enraptured

 

 

 

 

 

FRIENDS


 


A VERY CLOSE FRIEND that trades you in for a step up the ladder, to improve their bank statement is unjustified malice. This is the most disappointing of all adventures in livingness. At my age, I am still adapting to this egregious consciousness.  How do we all get through the maze of life’s obstacles?  FRIENDS AND  FAMILY. Your pet loves you, your home and garden blooms, your car runs because you service it, your teeth don’t fall out because you go to the dentist but REAL FRIENDS HAVE YOUR BACK.

Thank you to all of my friends that are in my cradle of LIFE.   I am sensitive and Im proud!.charlie-hebdo-cartoon2life.

 

A MEMOIR HAS TO END book 2


The sunlight shatters the curtain-less bedroom window and burns into my eyes at daybreak. From this unsheltered spot I rise to see a pot of blue sky over the rooftops, and the expectant afternoon showers building up in the clouds. The sky is filled with crows, eagles, and magpies lingering overhead weightless and free-falling, beyond all of us caught behind electronics. The days  filled with desert showers that drench the soil and turn the arid dry land green and lush. For this I am thankful.  At the end of the day, I am inclined to sit in the courtyard and watch the sky manifest colors unmatched by any Dunn Edwards collection. By the time dinner is topical, I have substituted preparing food, to just snacking, This August underscores the need to sit down, to sort of bob my head to Nancy Wilson music, and do very little. I’m self publishing Cradle of Crime- My Father, Me, and the Mob.  images

EDITING LIFE


There are  reasons to quit and more reasons not to. The one reason that hovers above all is that everything we do in life needs revision. We are never through evolving into more thoughtful, loving, or wise human beings. Every day there is an opportunity to  revise your valor and conviction.

Revising the position you sit, walk, talk, judge, form opinions, contribute to your home, friends, partners, and discovering what you’ve learned,  dreamed, and mastered, is your novel.   How to write a chapter when you feel  caught;  trapped by decisions that are outdated. Antiquities of a former persona.

Changes in life are like  photographic images.  Looking at old photographs and what I see is someone else. Some are recalled with approval and others are works that led me astray.  I’m not alone. Life is a runaway that we have to catch for ourselves. 

The puzzle is how to live, where to live, and for whom.  It is the same with  manuscripts; they improve with each revision. 

 

TRIPPING ON TAOS, NEW MEXICO


1998 WAS ALL RIGHT

AWAKENING ON THE ROADRUNNER SHUTTLE as we chugged up the steep grade highway, the red skin of Taos peeled back the imposing medieval Gorge crack. The cavity unzipped and five thousand feet below was the Rio Grande. I felt the altitude filling my lungs, and my eyes twitching from one scenic masterpiece to another. Everyone in the shuttle was giving me a history lesson about Taos. Before I knew it, the shuttle door opened, and the driver yelled, ‘Smiley.”

At the end of a two-mile dirt road the shuttle dropped me off and I was shouldered on either side by melting banks of snow.  It was April. Unexpected snow storms arrived the same week.

The FBI boxes I’d shipped were in front of my casita.  Darting from room to room, thoroughly satisfied with a two-story loft, floor-to-ceiling windows, and sunlight in all the right spots. I unpacked in the sedated silence. Was I all alone out here?  A few other casitas were on the property, but they looked vacant. A pang of anxiety seized and then I realized, I had a cell phone, a credit card, and cash. I could always call a cab right.  It was winter in April; the first time I’d lived in falling

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DH. LAWRENCE WRITING ROOM. TAOS.

snow.  In the dining room, I unpacked the boxes and arranged them in a circle around the table. It was a heavy southwestern oak table, twelve feet long, and to the right were sliding glass doors that let the light stream across the black-and-white print. I was left to unravel two thousand more pages on Dad’s criminal life.

The trip was extended to two months. I read all the files and left Taos a different woman. I came back, persuaded Rudy to come visit, and he was hooked within minutes. He bought the Live Work Studio and fulfilled my dream of opening a  Gallery of Black & White Photography of our 60s Rock & Roll legends.. One of Lou Reed shooting up heroin.

OPEN THE DOOR!


 

The world we are living is not familiar; everyday it erupts with an inconceivable corruption, acts of violence, and viciousness against humanity. It’s not the Italian roast coffee that wakes me up, it’s world news.  I feel less and less a part of humanity and more like a wild creature chewing on an old bone.  My outlook on social clubs, synagogue and church congregations, membership clubs, group classes, and let’s meet up organizing makes a lot of sense now. Especially if you don’t have children or a life mate. The temptation to retreat into a decorous  world of fantasy is irresistible.  Experience taught me that losing it, giving up, hugging the pillow with film noir on the screen will revive me. It may take two days or more, the freedom to indulge in the absurdity, tragedy, and comedy of life is available to me.  I am fortunate that all those years studying real estate, listening and proving myself by placing money in the bosses pocket, trickled into my life.  For my Gen-X and Millennium pals I say this; buy a duplex somewhere you may want to live that is not crowded yet!

It’s a great big wide wide world if you leave the doors open. I’m feeling  really happy and if I CAN DO IT SO CAN YOU. 

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Santa Fe today

Santa Fe today, Friday the 13th. Listening to soundtrack of Man & a Woman, my lyrics, my movie. The end is what I imagine mine. The day was blowing cottonwood  and white wisteria  in a blow glow of dance.  There is a certainty about my movements, different than yesterday. I declare this day of summer, sandals,pedicure, trying on my bathing suit, making a palette change, and putting on the ritz. The gloss and bronze, and maybe even going outdoors.  Shopping and going to the Lowriders Day in Santa Fe.

 

 

 

 

 

 

 

 

 

 

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FLOOR IT


If we experience disappointment our inner oars, the ones that carry us over the tidal waves, must be accessible, we must pick them up and bash the waves.  If you are at a red light in life-like me, get a tune-up and then floor it!

 

ISADORA DUNCAN
ISADORA DUNCAN

MOVING WITH MILES


Listening to Miles I imagine my pen moving on paper in straight lines and indentations. The beak of the pen breaks out of its shell and abstractions of thought spill. Without prior meditation, feelings form the thoughts. Emotion versus reasoning. Miles musical pen is all emotion. That’s Jazz music!

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YOU’LL FEEL BETTER IF YOU TALK ABOUT IT


The throw of the dice this week lands on Adventures in Livingness.  The last time I wrote a column about life beyond the book was the Malibu series.  I’m still tainted by the U-Turn out of Malibu, but as Dad always said, ‘If you fall off the horse you get back on!’  That’s what this book is all about;  just how impressionable we are as children.

 My pals who have commented after reading this material in six different memoirs are immensely important to this writer. Word press followers, you are recognized with every comment!  Pals, Baron, Blair, and Stone who took my hand into the offices of agents and editors thank you for believing in my dice!

Santa Fe. NM 3/26/2016

A photographic day for capturing the stillness of light on the rose  20160311_112156[1]buds. Winter was a lot of writing, editing, and films. I must have seen a hundred this winter. All easy paved paths to escape.  The one I’d recommend is Divided We Fall; a Polish film set during the occupation of Poland. The Director managed to weave suffering and horror with extraordinary hope and brotherhood. If you like mystery-crime dramas,  Nine Queens, an Argentinian film that rattles the roots of a cheaters.

A FEW DAYS LATER

Today is sprayed gray and white cloud cover, and tiny drops of wet snow. I call the climate of Santa Fe, a woman with PMS.  I’m listening to Nat King Cole and withering under a  hang-over after a sensational evening with Brother Marc, (the son I wanted) White Zen, his Mother, and Rudy. I’ve watched Marc grow up. Over the last seven years he’s transformed from a shy, confused young adult, into a man of the mountain; wilderness is his passion.  He drives those big snow plow machines and grooms the mountains in Steamboat Springs, Colorado. He works at night and when he takes a break he  looks at the stars.  Six-foot thin muscle, shoulder  brown curls, and eyes  shaped like two row boats filled with blue water.  He’s not only handsome, his instincts, original expression, and amusing bellowing deep voice tie this lad up in someone you love. He’s an original. You never get the question or answer you expect;  he pulls wisdom from his head and heart as easily as folding a napkin. One two three–a brand of thinking shoots out and I just look at him bewildered. Marc is a twenty-nine year old frontiersman and  has been since he was knee high on a San Francisco skateboard. The Revenant!

Easter brings people together and I’ve sensed a developing  surge to be in a group. Distanced friends come closer, family is the bread and butter of vacation, I see so many of them at La Posada, and couples are cooperating.  No one needs to hug a pillow when they go to sleep  is my motto.

My rise above familiar surroundings and comfort began the day Brussels was terror stricken and  all Belgians  became one. I checked on Twitter that day, and was touched so deeply when I read the dozens of tweets offering shelter, food, and clothes for those in need. If I were a lifestyle journalist I’d go there and write about the emotional and physical patterns that will change over time. Imagine the consciousness’ of those personally affected after experiencing a bomb exploding beside them. I’ve asked a few people how they feel about terrorism. Some are inflamed and others refuse to discuss the matter as it elicits political commentary.   Terrorism has infiltrated the shuffle of disappointment and raised the inner riot in my head to world events. The importance of conversation so we don’t feel alone is vibrating. I don’t mean in text and twitter. It is too instant to embrace.   What happened to,

         ‘You’ll feel better if you talk about it’ psychology?

 After a few weeks of submitting the book and reading rejection emails,  I realized I wasn’t as prepared as I thought.  Not taking rejections personally is like a handshake after you’ve been swindled.  I moused over to JK Rowlings and read a few rejection letters she posted after submitting a manuscript under the name of Richard Galbraith. One of the letters suggested she join a writers workshop!   Anonymous writers like actors, musicians, artists, and photographers  are caught in the storm of celebritism.  If you are unrecognized the  brick and mortar you have to break  through is an Olympian challenge.

I was writing a lengthy portrayal of Ben Siegel one day and it occurred to me that he had become a major character in my life.  He played a role that someone else should have; a noted author, or journalist, or poet.  Ben Siegel changed my history because I had to learn to love him.  Learning to love him meant erasing everything I had read or heard. It is said he was a ruthless killer, a savage, violent, and that he loved to kill. I turned to look at a photograph of my mother.  I was told that she loved Ben too. Where once I believed my mother was naïve and uninformed, I know this wasn’t the case. She knew from the beginning. Mom fit into this strangely singular and controversial group of people. I see her in the full frame of who she was. (she is on the right in MGM Ziegfeld Follies 1946)get-attachment.aspx  I like her this way because it raised my self esteem; my rebelliousness came from both parents.

While writing about Dad I questioned my prolonged interest in his choices, behavior, and his secrecy. I asked Uncle Myron who shared the same history.   Myron reaffirmed that my father was a true to the code gangster. No one ever got him to talk about what he knew or had seen.

Children feel the repression of truth as clearly as they do the pain of bruise.  The more you hide or bandage the more they seek and peek. At my root is the inclination to question the world around me, and to mend the breaks in life that molded my identity.

Along the way of the first chapter, I discovered that people like to know how it works; how we write in a state of solitude and selfishness.  A story or any work of art lives in the artist and God. Miracles do happen!