LUELLEN SMILEY ADVENTURERS IN LIVINGNESS

Where Gaps of Expression are Liberated

ABOUT

Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.

That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.

Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.

Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.

Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.

Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.

Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.

THE PUZZLE OF SOLITUDE Part One


Adventures in Livingness

The people who pass my window aren’t snapped into wool and leather collars any longer. Now their heads raise to the sun; but their movement is sluggishly unfamiliar with spring steps. Soon they’ll be jogging and eying the world through sunglasses instead of face-warmers. Street scenery is similar to my garden; fresh green stems courageously pop up while the rose bushes remain embryos.  20140410_183024[1]
Today I read for two hours; the longest stretch since last year. I had to stay in bed with a tray of coffee and closed curtains. I was restored to the first readings of Anais, when people still talked about her being a lesbian; when in fact she was not expressing that kind of love at all. Only the love as deep as two women want to go. Belonging to her group of artists and bohemian so appealed to me then as a teenager-I manifested that camaraderie by finding love in artists and misfits, malcontents, with rare wisdom and foresight. Men that chose not to belong because they had their own opinions.
The farolitos reflect diamonds of light when the sun is out. I can look out the window by my desk all day to catch surprises. The exchanges with staff at the hotel in a hand swipe and face to face muses on hotel complaints. A man in khaki’s and hiking boots taking studied photos of my house, and the same woman, who talks incessant baby talk to her dog as he pranced ahead.
My emotional tail is wagging; curled up in my desk chair I feel almost as if I was born in this chair. It’s cushioned me through a cyclone of adventures in livingness.
This piece of writing was handwritten on a tablet back in late January. I’ve made some minor additions and deletions. The editor I use before submitting to a publisher asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in final editing. My control over my writing is identical to my control over how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t even think of applying proven methods; I make up new ones.
Back to this plateau of solitude. Love what you have and especially yourself; with all your flaws. Integrity is more critical; be proud  not just for yourself, but because someone out there needs you.

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2 responses to “THE PUZZLE OF SOLITUDE Part One”

  1. Yes, i truly enjoyed this Post. I read it three times, and took something different away from it each time.

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