NIGHT THOUGHTS


I ROSE AT 3:00 AM to turn the heat on, pick up my writing journal, and discern the week’s theme. I wonder for a moment if I should boil water for tea or coffee, and settle on decaf. The street is hollowed like a tunnel, the light of day is shining in some distant country, and the sky appears tinted with primer. Somewhere someone is dressing for work, breathing by the tick of the clock until he or she ( can’t figure out the right pronouns) must report for work.

The draft of sleep lingers in my eyes, and my feet shuffle on the wood floors while I grind the beans and think through the remains of the week. There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpectedly and replace whatever we were holding on to dearly, and deliver something unpleasant, like sickness, or separation. The sensations leading up to my theme jilted my creativity, and the pages I wrote were jammed with contradictions, maybe they still are.       

Thoughts begin to form and ruminate, what is important? The theme of my week began when I finally was in the Dentists office. It’s been a year, and at sixty that was enough. Now Dr. FX’s office calls me every six months because I am over sixty-five. Still can’t really grasp my age. When I was thirty-something sixty-eight seemed very old. Do you remember that?

Dr. FX is the Music Man dressed in a white tunic. When he comes into my cubicle, he sort of prances on his toes and gives me an elbow safe bump.

          “ Hello, oh I see,” as he looks into my mouth that has been open too long and my cheeks start to stiffen. The hygienist takes that white suck-up tube out of my mouth.

          “ She has some tarter that I can’t remove so I suggest she come back because her gums are so sensitive and nonvaccine her for the water treatment .”

Dr. FX nods and bounces out of the room. Now she begins to sort of authoritatively advise me again that I have serious tarter.  I think this is the third time. 

          “ I think I got a little lazy flossing during covid.”

          “Everyone did.”

          “And I also started snacking on those crunchy health bars at night.”

          “That wouldn’t cause that.”

Now I am ready to leave and I’m elated to get out. The receptionist starts talking and advising me about Dental Insurance and she leaves her desk and meets me in the waiting room, and starts stretching.

          “ I have to do this as much as I can, sitting in that chair all day long.”

          “Oh, of course,” I raise my arms and swing my hips beside hers. I walked out into a day of clouds and a peek a boo sun feeling a mood change, a spark of energy from a few moments of improvisational dancing. We all crave an irreplaceable swarming of joy, that comes unexpectedly. I was awakened to my detachment from feeling truly alive.

Writing with a pen is so different from the keyboard, journaling is always with a pen, but columns are on the keyboard. I understand what tranquilizes all the peripheral complaints, mental pains, and wounds that lie dormant or at least manageable. Without thinking of the tormented hours, I think of the comforts of exhibiting my life on paper. My desk is sealed into a corner of the bedroom, next to a double pane window (original 1885) forty feet in length. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or a Moorish Castle, but experiences that flake off the skin, or recall of the experience that gives it relevance.

I return to the porch for one more gulp of landscape that I share with the stars. The street is unfamiliar, a temporary scene like a bus stop, and I am merely waiting to move on. Some of the neighbors are friendly, some have no interest, one kind of spies on me when he thinks I’m not looking. There’s a reason for that but it’s too much of a separate story right now.

If I continue to roam around the task of writing this story, the intensity of irritation will escalate, my neck and shoulders will not loosen, my walk will be feigned, my smile forced, my heart longing for padding, my ego striving for recognition in the wrong places, and my soul roaming the hallways at 3:00 in the morning. I read a quote the other day on some website, to paraphrase: When I’m writing I know I can’t do anything else. The theme of the week is to bring back LouLou, a clownish, spirited, curious, joy seeker.

RANDOMLY ON THE MOON


Her destiny arrived just past midnight

Next to a burning red candle

The wholeness of empty by her side

Insight living inside

Does not lay blame or cause pain

A spoonful of teenage reminiscence

I want to be alone

The foreshadowing future looms

In the twilight of a waxing gibbous moon.

OPERA OF THE NIGHT.


https://www.pandora.com/station/play/1486524031572378132.

I understand how to harmonize with tragedy. Tomorrow I may be Loulou, but tonight I am all adult.  The crashing of my life is cushioned and softened by music. Thank you, Puccini. Photo of my Malibu residency, it just seems to fit the opera. Or it could be Stairway to Heaven? I can’t write any more now, the music has modified my sadness so I’m going to say goodnight and pray for South Carolina and all my fellow Americans in the path of more disaster then me.

20140712_182639

WORLD VISION


politics+cartoon+power+of+people
WORLD VISION
By Luellen Smiley

I made a list of the horrors, corruption, and confusion that dismantled the ordinary into extraordinary. The notebook is on top of my desk, on top of the entire works-in rewrite documents. All the other tributes to my success or failure are stored mentally; I have to look and hear the world. I am addicted to news alerts, commentaries, panels, and interviews. Along with the experts and analysts I listen to, my own voice and opinions are exploding.
I am not Charlie, Kayla, or Kyle’s wife. I am a writer of interior battles. My writing has never steered towards Politics. It is a freeway I never understood; a freeway my father told me at a young age was not to be trusted. A subject I avoided in college, and a topic that fumbled my thinking during my young adulthood rap sessions.
How faraway those years grow everyday. We chanted peace and love, in our kooky outfits, and our imaginative minds. I was full with Lennon, Dylan and Joni.

How much longer can I remain silent? There is a blockade of conversation about politics; it goes up like a digital wall, as soon as I meet a stranger. I was in La Posada Hotel the night the terrorists captured the Kosher Deli and Coffee House. I went to record by hand, the reactions of people I pick out very impulsively. A sort of lightning rod hits when I go into public and select my conversations. I may meet someone I have to write about.

No one had time to really absorb the truth of this historical moment. We may read, or watch the news, shake our heads, and then tuck our children into bed. I feel that our lives our complicated more with finances than any other single threat. Most of us just want to take a vacation. So what can they expect of us. Do we have a voice? Do we have a fax number to the Administration? Sometimes I dream of one representative in every state of the Union grabbing the microphone, and all digital devices, and shouting out, “Stop the war Republicans and Democrats!  IMAGINE IF WE WERE UNITED… JUST A LITTLE.


London
London (Photo credit: @Doug88888)

 

Snowflakes, and charcoal sketched clouds soufflé the sky. 

 

 

 

“Darling! Please shovel the front porch,” I say to no one as my hand lazily grips
the handle, carelessly moving the shovel.

 

  • I watch the street. There are suits
    and skirts straddling terrorist chic back packs, and tiny children dressed in
    wool coats with tied hats prance behind Mums, on their Saturday shop day.

 

  • SOME musicians are playing on
    one corner on the other side of the street is the Symphony Hall, squared between a paste
    up pattern of colorful ancient theaters, opening doors to restaurant windows  lit with
    candles, perfumed air, and smoky pubs pack and push blokes and chicks.
  • I
    am in London.
  • In my home; in Santa Fe, New
    Mexico a muscle of winter has squeezed the
    noise of street life.
  • I chose between ribbons and bows sipping and sliding down Palace Avenue,
    to eat Chocolate pumpkin cream in zippered toes, on the rug, next to the
    fireplace.

    Huggin and kissin the Prancers and Dancers of my gang

    ITS HOLIDAY SEASON SO  SWING, SING, ROCK, WAVE,
    SMILE, GIVE

  • BAKE, READ, CREATE,
  • KISS CHRISTMAS.

 

THE POST OFFICE AND FACEBOOK


Post Office. St. Louis, Missouri, by Boehl & K...
Post Office. St. Louis, Missouri, by Boehl & Koenig (Photo credit: Wikipedia)

About the post office, it’s a relic, a dying old fortress of communication, where we all stood in line at one time to send our letters, the ones that took us a few more minutes than we can afford today.  I wrote a lot of letters, long five page letters written on delicate stationary, and art cards I bought in museums and boutiques.

The Post Office loses 96 million dollars a day according to a reporter on television.  We have stopped buying stamps, because we don’t mail letters. We don’t even need to send packages, because we  buy it online and let them ship it directly.  The cards are printed by the shipper, and impersonally attached to the gift. The type is formal, and even though you know that person, had his mind on you for the minute they typed out that note, well, it’s not the same really.  Progress is raping  us of the personal touch.  People like Zuckerberg are reinventing the way we share our thoughts, our photos, our everything.

Letters, of people that acquired prominence in the world of literature, art, and science were  adapted into books.  I wonder if their emails will be considered for a book.

The postman still comes to the house, he’s usually talking on his cell phone, or listening to his iPod, when he drops the mail off.   There is no need to rush to see what he’s brought, it’s always the same, a stack of bills, a few discount fliers, and a real estate brokerage announcement that they can sell our house in thirty days.  The postman has changed too.  They used to say hello, and have a nice day.  I suppose if I wanted to have a conversation with the Postman I could go to their Facebook page.

I’m going to check, and see if they have a Facebook page….  The first three  Facebook post offices:  one in the UK, one in St Louis, and one in Pakistan.  Clicked more, and there they are. You can Facebook the Post office.

LIVING ON THE EDGE


Fifteen years ago, the summer of 1993, I was having lunch in a restaurant in Los Angeles. Across from me was the only other woman of importance in my father’s life, besides my mother, that I had known. Sandy Crosby, a leggy brunette with bark brown eyes, arched brows, and a showcase smile.

She always had a response that outwitted her opponent, including my father, who relied heavily on, ‘don’t be so smart.’  Half-way through the first course at Jimmy’s, she looked at me and grinned.

“You’re so much like your father.”

“I am?”

“Oh yes.”

“Your father loved living on the edge, he really did.”

I rested on that thought for a long time. I was temporarily living with a friend in Los Angeles. I lived out of a suitcase, with a broken down Cadillac, and a folder of resumes.  My dad  never lived out of a suitcase, or needed a resume to find a job. After he met Benny Siegel, he had multiple offers in organized crime.

What I discovered, is Dad didn’t truly settle down until he had to raise my sister and I. He was 56 years old when Mom died, and we were tossed into his lacquered bachelor pad in Hollywood. The same age I was two years ago.

Living on the edge is a term used to describe infinite lifestyles. The momentum, or ignition that fuels that lifestyle, is uncertainty. We live by impulse and imagination. Our plans are last minute, we never buy in bulk, and we are always dreaming of the voyage. We run from stationary life because at heart, we are gamblers.

This time, the edge is the very place I spent two years creating, the photography gallery and home in Santa Fe. Up until this winter, it operated as a gallery by appointment, while I polished my memoir proposal. After several months, I went to the edge and decided to convert the gallery into a vacation rental. I needed to roam; I longed to gather new material.

The winter climbed back into bed, and then spring ripped through the ground, and the roses and poppies bloomed. The memoir remained unpublished, and the house began to transform from gallery to a real home. The long uneventful winter punctured my prudent habit of writing, remaining secluded, and avoiding everything but the essentials. By May, I made a silent vow under a stream of sunlight, to enlist into the human race.

The reinvention resembled nature, like today. The day began with  a feverish sky of culminating clouds, a long dreary silence, and an absence of light. The street was empty, just the valet from La Posada running to the garage to fetch the cars. They were bundled in winter coats, while the party rental truck loaded the furniture from last evening’s wedding. The storm struck with impetuous force. The valet’s ran with umbrellas, small children yelled for cover, and I took a seat on the back porch. Suddenly, the storm rescinded, and the sun burst through the cloud cover.

My emancipation back into the flow of mixing strangers and friends was alchemy to the house. Now it’s a home; to cook, entertain, and fill with music, laughter and conversation.  I can see the faces of the people I’ve met, imagine the next meeting, and anticipate the next outing. The windows and doors are opened, the people who pass by look in. I was cooking dinner one night this week, and noticed a man peeking in the window. He looked like Harrison Ford, just back from the Lost Arch.

“ Is this a museum?” he asked when I went to the door.

“ No. It’s a gallery, a home. Well come in, and take a look around.”

Opening the door to a stranger returned the affirmation that impulse socializing is still possible in the banal and sterile world of FACEBOO.   You don’t have to be a teenager to recognize a good time, but you need to be an adult to recognize a good fellow.

Some of us lone roamers cannot reverse the inclination to retreat from life; because we find too much confusion, agitation and adversity in the world. Between all of those elements, there are treasures waiting to be discovered: opportunity collaboration, adventure, and most of all companionship.

Even though the comfort of this home has replenished my spirit and temporarily produced a yawn of security, I am preparing to go to the edge. Though I imagine it is another place of endearment, another address, and another gamble, it may be the inner voyage that will transcend.

When I tell people we’re renting the house, they ask me where will you go?

I don’t know yet. Sandy was right; I am like my father. The edge I picked wasn’t a green felt jungle of dice and chips, it’s an artists’ life.

Any dice to throw Email: folliesls@aol.com

 

OUR NEST OF LIFE


Our nest is something we build on our own to give us
permission to explore, and then question, and we go back to our little nest,
and add a bit more certainty because the dinner was great, and the party lasted
longer than we thought, and someone smiled at you in a special way, and then it
rained.

Some thing happened last week;   that chloroformed into a mirage, of the past
persons I inhabited, use to manage and direct with more certainty only because
I believed I had a lot of time… endless time.

Out of Control


This week is on control, and losing it. You hear that phrase often enough, “she has control issues.” I’m not sure what that means. I don’t understand how a society of rules and regulations that delivers more commands every day is expected to produce a society without control issues. I lost control of my life and so I am getting in touch with “out of control.”
Bohemian living was always in my dreams, having been raised in a perfectly pressed pinafore and seated on fragile furniture. I am not really very gypsy like when it comes to home. Once upon a time I lived in a suitcase, but I have since been corrupted by the joy of controlling all the things that come into the house and find a place there.

Once faced with this alarming epiphany I vowed to give up control and accept the disorder and disruption. What I’ve rediscovered is that without a lot of stuff to organize the mind is free to think. The house chores are minimal, leaving more time to create and effect important things. Narcissism is sacrificed and replaced with more visceral reflections.

Once I place myself inside the double yellow line of society, I feel those controls closing in on me. Losing control is a replenishment of youthful spirit. It’s free and painless. Try it, take off the leash and run free.

Two days later I was in a hotel, preparing for a reunion, a day of shopping, and luxuries of a woman on the road, when the news broke.. How did you feel when you heard the news. John and I went silent, and drove two hours in more conscientious silence.

ADVENTURES IN EXPECTATIONS


“It has been a time of writing for me. The doctors have all decided that my crippled leg must be amputated. They cannot do it right away because the hospitals are so full. So, in the nights of glare I just cuss out the doctors for making me wait, and cuss out my leg for hurting. I have read Sarah Bernhardt and her superb gallantry and courage have comforted me.” From “Illumination & Night Glare” by Carson McCullers.

More on the adventure in expectations.
I wonder how all of us really accept this incongruity of life. If we experience continuous disappointment, our inner oars, the ones that carry us over the tidal waves, must be accessible so we can bash back at the unsettling news, the absence of truth, the winter storms, the lagging economy, the pain of puttering, and expectations unrealized.
At a window table of Il Piatto, a favorite Italian bistro in Santa Fe, my friend Baron, (www.fotobaron.com) John (no website) and I fervently discussed the state of the people. What we observe, think, fear, and ruminate over at home when the lights are out, the street silent as a meadow, and shadows from winds through the winter branches play like puppets on the walls.
“Baron, if something doesn’t break soon—I’m going to need anti-depressants, or heroin.”
“Have you ever tried it?”
“Heroin? No, never. I tried Prozac for a few weeks years ago. It was ineffective.”
“Look, things are tough everywhere; the shops are closing, and the restaurants empty– look around. This is weird. And where’s the god damn snow?”
“It’s in New York. Rudy was there for a few days.”
“What the hell for?”
“Court. And guess what? He flies across country on Monday, appears in court the next morning, and is asked, ‘Why are you here?’ So you can see Rudy standing there in a cotton zip-up jacket, his face flushed with snow and wind. The judge informs Rudy he didn’t have to come to court.”
“How’s business for you?” I asked.
“Terrible! I keep inventing new prints, new sizes, new shows, a book, you just gotta keep it going, LouLou.”
“I keep it going; but it is beginning to feel like neat little circles.”
John tipped his head, the tip of understanding between two writers whose fingers are bleeding, amongst a country of bloggers, Twitters, and Facebook fetish writing. We wait, as all writers and artists, and in these times, everyone must wait, until our soil is fertile, and the illumination returns.
“Any bites on the script?”
“Yes, we get them, and then you wait, you may wait two or three months to hear anything.”
“Let me explain,” John interjected. “ It’s because ninety-nine percent of the scripts submitted are passed on, and the reason for that is the executive of creative development puts his job on the line when he green lights a script, so it had better be good!”
“In the interim, I repurpose the house as a vacation rental.”
“Then where will you go?”
“I don’t know.”
“LouLou!”
We talked about Egypt, Fox News, CNN, Tunisia, mobsters, photographers, business strategy, and the next Gallery LouLou event, a work in progress. There is visceral nourishment when you congregate over the same obdurate situations. The singular frustration festering inside is softened when commingled. We lingered over coffee, still unloading the burdens of a questionable wintry month.
That night John and I rushed through the front door, seeking warmth. I was on my way upstairs when I noticed a man with long black hair seated at my porch table. I could see his whole upper body through the drapeless French windows. His hand seemed as close to the door knob as my fingers are to this laptop.
“JOHNNNNNNNNNNN, there’s a man on the porch!”
Five “hurry up’s” later, John came running into the living room.
He opened the front door and announced in his radio deep broadcast voice, “We’re closed.” John nodded several times, and closed the door.
“What were they doing?”
“Attempting to light your kerosene lamp.”
“Why?”
“They thought the porch was charming.”
A few days later, another man appeared on the porch, this one wandering back and forth. After all the times a wanderer has been loose on the porch, in the garden, at the front door asking where someone lived (they do that in Santa Fe), and then the night someone climbed on the porch and ripped off the Stratocaster guitar from the hook on the eaves (a rock n roll prop), I had to apply more caution than negligence. If someone wanted to assault me, my defense would be worthless. When all the girls started learning self-defense, and carrying tear gas in their purses, I started locking the doors. Though I am not expecting intruders and assaults, it feels like it is time to take responsibility for myself. The fear of being alone is more tormenting than loneliness.
“I brought the shot-gun. Are you ready to learn?”
“Yes.”
TO BE CONTINUED