FROM ORDINARY TO EXTRAORDINARY


With every turn, right, left, or center, I observe novelty, unfamiliar faces, facades, and finery.  The conversations that linger over the opulent surround sound lobby release a fusion of shouting and laughter.  New Yorkers are not whisperers, and my annoying sensitivity to sound, forces me to go in and outside a dozen times a day. That is when I meet the guests, perched on benches and rocking chairs. In the six days I’ve been, here I’ve accumulated dozens of conversations, not just niceties but life stories expressed in thirty-minutes.

The first day of arrival began with a dining hallabaloo organized by the best broker, Scott Varley, who sold my home.   At the table, Scott and his friends, who  knew the bartender’s, waitress, restaurant manager, and a few guests at the bar, so our table became a Musso Frank sort of mise en scene. I, as usual, was punctuated with awe, as this is a new kind of adventure in livingness after Ballston Spa. Drinks arrived with the speed of a remote, and as we all filed in for the liberated moment, when we exhumed our true selves.  Lynn, the woman next to me, was a beautiful, statuesque, stylish woman whose poised and confident aura emanated from her.

“ I hear Scott sold your home. Is that a good thing for you? It’s not always.”

“ Yes, a few days ago.  Well, a paradox, I loved the home, a Victorian, but it was also most of my income.

“ What will you do now?”

“ About what?” She laughed and tilted her head back.

“ Where are you moving?”

“ I don’t know yet.” Her eyes widened, and she responded flatly.

“ You don’t know? You have to have some idea.”

“ It depends on the proceeds, an ex is involved, it’s too complicated over a martini, and all this talk. I can barely hear you. “

“ An ex is always involved. How long are you staying at the hotel?”

“ You’ll love this..

“ Don’t tell me, you don’t know. You’re adorable.”

“ Thank you, and I sense you are very strong.”

“ You bet I am.! She punctuated that with a fist to the table. “

The night zigzagged, with Lynn and Scott scurrying into the casino, while I remained, as casinos mean, the genes of my father may flare up. The bar was baritone loud and after what seemed four hours, I returned to my room, quite comfort, marvelous pillows unlike I’ve ever felt,  “ I can’t fucking believe this.”   To be continued

DEATH DISORDER


 The order of this week is disorder. Not the trivial disorder of a closet, or a work in progress; this week is the unraveling of the self, which comes with separating from someone or something you love dearly.  It is the subject of: poetry, theater, film, literature, dance, visual arts, and music — all forms of music from opera to rap. For all of you who have mothers and fathers close to death, and you don’t want them to leave.

Adults protect you from the brutality of death when you’re very young. They keep it behind locked phrases like ‘she had to go away to a better place; you’ll understand when you grow up.’ The camouflage of death may go on indefinitely until one day, you are hit over the head with a block of ice, and it splits you right down the middle. You can see your guts spilling out, and everything is all out of order. Walking is an effort. Thinking clogs with the big question: Why? Why can’t we all stay here together and live forever?

Flashback to 1966 — I was very young, not so much in years, but when I was 13, my mental and emotional age was more like that of an 8-year-old. I don’t know if I was ADD or DDT because those acronyms were not in vogue yet.

My development was arrested because I was raised on a fantasia of false identities, fiction, and privilege. I thought we were prosperous, happy, and would live together forever. The fantasia of falseness was abruptly taken away on June 19, 1966. On that day, I saw for the first time my father weep uncontrollably. I was told my mother was in heaven.  My father was seated on my mother’s avocado green sofa in our tidy mid-century apartment in Westwood. Nana — mother’s mother — was sitting on the sofa next to my father.  Nana and Dad had reconciled for the period my mother was sick with cancer. They both were sobbing. I was not, I was in shock. There was nothing inside of me but resistance, a blockage of emotion that remained there for so many years.

I was left in my father’s care. He was busy avoiding government subpoenas and running the Fontainebleau Hotel in Florida.   He kept a command post on my emotions. He would not tolerate my grief, because he could not tolerate his own. So, I had to chin-up, chest out, walk up and down Doheny Drive in Hollywood where he lived and pretend I was going to be fine.

When I turned eighteen and left my father’s apartment, I was free to unravel my feelings for the first time. The emptiness was filled with confusion, anger, and drugs. If college was supposed to be my best years, then I missed that chapter. Looking back, the real leap to personal growth came at that time when I was left unattended to wander through life with my own eyes as guardian, and my heart as my compass. That is when I missed my mother the most. It was my fortune to have my father back in Los Angeles, throwing his weight around from a distance. He kept me under radar by having a friend’s son working in the admittance office of Sonoma State College.

I remember days when my mental attitude needed electric shock therapy. Miraculously, I did find my way home, and to the matter of my mother, and growing up with gangsters. From a wafer of stability, very slowly, I’ve built a nice lifeboat to keep me afloat. My screaming, cantankerous, and intimidating father who loved me beyond measure is in this imaginary boat, and my mother who loved with a silent gentle hand she gave to me whenever I needed assurance.

All I have to do is look at her photograph placed in every corner of my house, and I regain momentum in my lifeboat. When I am particularly insolvent with life’s measures, I recall the years she spent fighting cancer so she could continue to hold my hand. How can I disappoint such a woman? I cannot, and I know that with more certainty than I know anything. We all have a basement strength that rises up and balances us when we need it. Each time we cross that unpleasant road and say goodbye to our friends, our pets, our parents, or our siblings, we have to find our basement strength.

You can read poetry and essays, listen to opera or rap and find five-thousand ways  of expressing the same painful stab of separation. If the comfort comes in just knowing — we all have that in common — then all you have to do is tap the shoulder of the person in front of you, and ask, “How did you handle it?”

Or as Henry Miller said, “All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.”


THE BEST WAY TO FIND YOUR PATH.. ROAMING

ADVENTURESS IN LIVINGNESS this week ends with new directions in living. Before that happens, you have to get lost, detached, and miserable. It messes up your social life, your routines, your comfort, and your partner.  I don’t have one, so it’s all up to me.

Men wonder why women change so often, why we are spirited unicorns one day, and mules the next. It comes from the universal need to roam, to feel new sensations and passions, and to find more things to love. Even our closets are overflowing with love: “I love those shoes, I love that coat.” We replace our wardrobes because we need more garments to love.

At the crossroads of some moment in time, I stopped loving material things, my reflection, and went looking for a deeper direction of sensation.

It started last year, when my life was tangled up in two projects that were not progressing. As long as someone didn’t raise the curtain on my imaginary life, I stayed right there, like a gearshift left in neutral. When failure and rejection continued to knock me on the shoulder, I welcomed the familiar knock and remained stationary.

The exact moment I decided to shift gears was a painful one. I let go of both projects that were obstructing my motion. I have extracted the nature of the projects because it really is irrelevant. After I let go, and watched those long-term efforts just dangle from boxes, notebooks, and letters of correspondence, the straight of my back curved. Where is my direction? Where are any of us going anyway, except away from that moment we have no control?

 If I asked why this happened, and that happened, I was then distracted by some woman in the car next to me who was having more fun in her convertible talking on her cell phone. Routines were becoming burdens, and my favorite places of comfort were boring. Encouragement came from writing columns, reading letters, and those long, solitary road trips in the night.  I felt like I was sleeping, but even in that state of detachment people were finding me, and shaking me up.

 I remembered one of the faintest memories of my childhood. I cannot even recall the place I was, or who was there; most certainly, it was not my father and mother. We were camping out and I was in a sleeping bag on the hard gravel ground. It was so unfamiliar to me, the simplicity of the natural surroundings, the heavy black balm of tranquility, and the brightness of each star. I lied awake most of the night talking to my fellow campers, and at some point they said to go to sleep. I could not close my eyes. The adventure had swept me into a state of alertness, the kind that makes you feel extraterrestrial. That night must have taught me to welcome new adventures. Sometimes they have ruined months of my life, but most definitely, at the end, I sprung up with a new line of faith.

 Again, I am leaving out particulars because it is not the direction I took or what I’ve chosen. After all, it could be anything. We all want to roam, and love, and find some nugget of truth at the end of the road. I think women need to roam more now than men.


FILM NOIR MESSENGER


Photo by u041au0430u0440u0438u043du0430 u041au0430u0440u0436u0430u0432u0438u043du0430 on Pexels.com

I watch film noir with an admitted addiction. The grainy black and white stillness, the music scores, the cinematography satisfies more than current cinema . The message comes through, live gracious, selfless, forgiving, brave, and passionate? As I feel these thoughts streaming along, the one that stabs like a knife is passion. That visceral sensibility has driven me throughout my life: about men, mystery, adventure, accomplishment, art, music, dancing, unfamiliar places and faces, and café society rendezvous. A temporary grasp of glee. And when it ends, it goes like this.  

Unprepared, who knows where
The leaves will fall
They don’t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread on our minds  

Uncertainly
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I don’t know if I can see ahead

My steps, like pebbles, follow the rush in the river
On the edge of the quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch,

To land a launch.

MOODY BLUES TUESDAY


           MATISSE

Writing somberly is parallel to writer’s block. It’s not a block, really, more like a resistance to engaging feelings.  If I place all the options on a puzzle board, this leads to the center. A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions, and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! I watch Blacklist or some foreign film in the evening. Most weekdays, I’m circulating between finance, selling furnishings online, shoveling snow, and researching acronyms because the news uses them so often.

The vortex of discontent is a punctured life. The windows of my home reflect the splendor of nature that plays all day long in the winter.  I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. My collection of records and CDs accompanies the scenery. When I’m sorrowful, I listen to Ennio Morricone; when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera. When I’m a go-go girl, Swing, Salsa, or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen, and Annie Lenox. 

      I don’t see any remedy commercials for a fractured heart. By tomorrow, the despair could vanish, like the rain that puddled us for the last two weeks. Everything I’ve experienced is good in the beginning. So, to begin, I will listen to Begin the Beguine. 

“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theater.  

    Henry miller writes in his book, “ Henry Miller on Writing” “Whoever greatly suffers must be, I suppose a sublime combination of a sadist and masochist.’  I suppose that a few of my friends have aligned me as such, and now that I write this, as in all writing, answers blink at you, and then the soul receives them like a wafer of wonder. Perhaps I am, but where that evolved and manifested, I have no time to think about it because the sun is out. I must sit in my newly designed sunroom, a small book library alcove that receives the sun at noon.  When I returned with my phone to snap a photograph, the sun disappeared like a footprint in the sky. Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted and receive a thousand weekly warnings to get a flu shot. My doctor has tried persuading me to get a flu shot for three years.  I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question. 

A LADY LIKE AUDREY


CHANGE IS COMING


Photo by Nataliya Vaitkevich on Pexels.com

Some of us are not rushing to wave the I made it flag. Some favor holding back until the other elements of our character life are solid;  our fear, pettiness, falsity, greed, so many steps to climb. I have to trust in the pattern of our lives; the invisible thread that taunts us, teases us, and even torments us. I am discovering the shame and greed, the absolute indifference to my security, and finances.

Gravity has dropped, and so has my sense of structure, health, and self-discipline. Making a bed was too tedious, and grocery shopping was needless because I didn’t care about food; I like tuna sandwiches with avocado and bananas for breakfast. The comfort comes from writing, cloud watching, and phone calls with friends.   

The loss of direction and ambiguity lurking in the future is a place any person can find themselves in, especially those sensitive and artistic, without a map, familiar signs, and a plan. You have to ride it all the way to a new horizon.

It is a day later; the sky is unchanged, and the cloud cover is still nailed to the sky.  In random conversations, I have heard of people’s hardships, sacrifices, and compromises.  I tell myself not to be too sentimental , but it’s a useless force, I am sentiment. Don’t open those links to real estate values, how much money you need to retire. Open the link to redesign my interior life using new colors, textures, and backgrounds.

FAME & FAILURE


SHAME IN SHY

LIKE EYES OF A SPY

HOWLING IN THE STREET

A GUTTURAL CRY

TO BE RECOGNIZED

LIKE JAGGER AND DYLAN

WHERE THEY DWELL

THE SHEEP WILL FOLLOW

CHASING PIECES OF THEIR PIE

CLOAKED IN YOUR SUCCESS

WE HOPE TO IMPRESS

THE ONES WHO TOOK YOUR HAND

TO THE PROMISE LAND.

TO BE PASSED OVER BY THE GAME

AND WATCH YOUR MASTERPIECE LAY IN BLAME

NO ONE NOTICED

YOU HAVE PASSION

IN DARK FLAMES

SHY IS A SHAME WHEN YOU ARE TOO PLAIN

VALENTINE FRIENDS


What I think of at three in the morning is never the same as at ten o’clock in the morning.  The labyrinth of safety and comfort, colliding with the unknown darkness, seems to be the most revealing of emotions. It is also a time that spirals into visual realizations and recognition, and a time when our mirrors move toward us.  Tonight is about friends.

Friends are bookends that bind our stories; some novellas, some poems, some cinematic, each friend  serves as a bookend to our personal history.  When I’ve lost my way and need direction my friends motorize me like a little engine, and when I fly without wings, they ring the bell to come down to earth. At times, arguments arise, and my friendships stray, but true-life friends never leave you behind. Sometimes, years may pass, and then one day, you get a call or an email or send one yourself,. The flushing of that particular squabble in history vanishes. You can start anew; at the same time, it is not.

The essence of friendship never burns out. It is our galaxy, celestial agility. Are you experiencing a startling outpouring from friends who’ve left your life only to suddenly show up on your social media or a personal email? Are your friends calling and writing more often?  I’m constantly examining some unfamiliar events in life, a new trend, a cultural change.  Seems like every topic can be mixed with politics, sometimes the mixture is explosive. I’ve halted the political discussions, and so have my friends, as they are more critical to my livingness than politics.

PHOTO CREDIT PHILIP TOWNSEND. The first time the Beatles met the Maharajah.

WHICH WAY TO TURN…IF


Sunday thinking: future, plan, prepare, implement. What if I go West, East, North, or South? One at a time. I use it a lot; it’s my mascot, mental disability. If I got over it, I would delete it from wherever it rose.  

It reminds me of Rudyard Kipling’s If Poem. I am fearless one day and fearful the next, a collage of paradoxical thoughts. Emotions are my yellow brick road and also the vouchers of the victim. I’ve never been an A student of defensive tools; my acquiescence serves my need to be approved, which is so annoying.

I am not going back to childhood experiences; that cathartic tunnel has been examined, and approval and cherishing is the pillow of my contentment.

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THE END OF THE BOOK


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I’ve ended my book. Now, the editing takes you to a critical, objective perspective. It’s like looking in the mirror of truth, wrinkled, obtuse sentences. If I had not had this manuscript to write, I would have stared out the window and thought about it. A wise man told me,’ Write every day,’ and so I have. A photo from the Santa Fe fine days is placed in my heart like a vessel. One of those days is the Wine and Chili Festival.

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2William Winant and Nancy LeRoyilliam Winant and Nancy LeRoy

SATISFYING PRINT ON AL SMILEY AT LAST: IN JEWISH POST & NEWS


April 6, 2015

Former Winnipegger Al Smiley had a close association with “Bugsy” Siegel

 

 

Al Smiley

By MARTIN ZEILIG
On the evening of June 20, 1947, less than six months after he opened the Flamingo Hotel-Casino in Las Vegas, Ben “Bugsy” Siegel died in a barrage of bullets through the front windows while sitting on a couch in his Beverly Hills mansion at 810 Linden Drive. Assassinated at the age of 41, Siegel was one of the USA’s most notorious gangsters.
A former Winnipegger, Al Smiley (1907-1984) was with Siegel that evening.
“My dad was seated inches away from Siegel, on the sofa, and took three bullets through the sleeve of his jacket,” said Luellen Smiley, a creative non-fiction writer, award-winning newspaper columnist, and Mob historian who lives in Sante Fe, New Mexico.
She consented to an interview with The Jewish Post & News earlier this winter.
“He was brought in as a suspect. His photograph was in all the newspapers,” said Luellen.
“He was the only nonfamily member who had the guts to go to the funeral.”
So who was Al Smiley?
Born in Kiev, Ukraine in 1907 as Aaron Smehoff, Smiley and his family – father Hyman, mother Anne, sister Gertrude (who became a school teacher and lived in Winnipeg until her death many decades later), brothers Samuel and Benjamin – immigrated to Winnipeg when he was five, said Luellen Smiley, during a recent telephone interview with this reporter from her home in Sante Fe, New Mexico.
“My grandfather was a kosher butcher and delicatessen owner,” she continued, noting that the family home and butcher shop was located at 347 Aberdeen Avenue.
“He maintained an Orthodox household and expected that his eldest son would become a rabbi. But, my father was rebellious and interested in sports, especially hockey.”
This caused conflict between the willful youth and his rigid, religious father.
So, the teenager fled Winnipeg for greener pastures in Detroit, Michigan via Windsor, Ontario in 1923.
He got a job travelling with the Ringling Brothers Circus and ended up in California where he was arrested for a drugstore robbery in San Francisco and sent to Preston Reformatory School in Ione, California, Luellen noted.
“It was there that he met legendary movie director Cecil B. DeMille,” she said.
“He was doing some sort of research for a movie. My father asked him for a job in the movie industry upon his release, and DeMille agreed. He found my dad work in a wardrobe department.
He later became a property man, then a grip, the person in charge of production on a set, and eventually a producer.”
He befriended celebrities like George Raft, Eddie Cantor, Clark Gable, Lauren Bacall, along with such gangster associates as Ben Siegel.
“I’m pretty sure Dad met Ben through George Raft,” Luellen Smiley speculated.
With Siegel’s help he opened a nightclub in L.A. sometime in the late 1930s.
Smiley would later tell his daughter that Siegel was “the best friend I ever had.”
In her soon-to-published memoir, excerpts of which she agreed to let this newspaper print, Luellen Smiley reveals the conflicted feelings she had growing up, and into later life too, about her father:
“Some children are silenced. The pretense is protection against people and events more powerful than them. As the daughter of Allen Smiley, associate and friend to Benjamin ‘Bugsy’ Siegel, I was raised in a family of secrets.
“My father is not a household name like Siegel, partly because he wore a disguise, a veneer of respectability that fooled most. It did not fool the government.
“When I was exposed to the truth by way of a book, I kept the secret, too. I was 13. My parents divorced, and five years later, my mother died. In 1966, I went to live with my father in Hollywood. I was forbidden to talk about our life: ‘Don’t discuss our family business with anyone, and listen very carefully to what I say from now on!’ But one night, he asked me to come into his room and he told me the story of the night Ben was murdered.
“When I was spared death, I made a vow to do everything in my power to reform, so that I could one day marry your mother.
“Ben was the best friend I ever had. You’re going to hear a lot of things about him in your life. Just remember what I am telling you; he’d take a bullet for a friend.
“After my father died, I remained silent, to avoid shame, embarrassment and questions. But 10 years later, in 1994, when I turned 40, I cracked the silence. I read every book in print – and out of print – about the Mafia. Allen Smiley was in dozens. He was a Russian Jew, a criminal, Bugsy’s right-hand man, a dope peddler, pimp, a racetrack tout. I held close the memory of a benevolent father, wise counselor, and a man who worshipped me.
“I made a Freedom of Information Act request and obtained his government files. The Immigration and Naturalization Service claimed he was one of the most dangerous criminals in the country. They said he was Benjamin Siegel’s assistant. They said he was poised to take over the rackets in Los Angeles. He didn’t; he sold out his interest in the Flamingo, and he went to Houston to strike oil. I put the file away, and looked into the window of truth. How much more could I bear to hear?
“He stowed away to America at 16, and was eventually doggedly pursued for never having registered as an alien. He had multiple arrests – including one for bookmaking in 1944, and another for slicing off part of the actor John Hall’s nose in a fracas at Tommy Dorsey’s apartment. He met my mother, Lucille Casey, at the Copacabana nightclub in 1943. She was onstage, dancing for $75 a week, and my father was in the audience, seated with Copa owner and mob boss Frank Costello.
“‘I took one look, and I knew it was her,’ was all he had told me on many occasions.
“On a trip to the Museum of Motion Pictures Arts and Sciences in Los Angeles, I was handed a large perfectly pristine manila envelope, and a pair of latex gloves with which to handle the file. Inside were black and white glossy MGM studio photographs, press releases, and biographies of my mother’s career in film, including roles in ‘The Secret Life of Walter Mitty,’ ‘Ziegfeld Follies of 1946,’ ‘Meet Me in St. Louis’ and ‘Harvey Girls.’ She was written up in the columns, where later my father was identified as a ‘sportsman.’ The woman who pressed my clothes, washed my hair, and made my tuna sandwiches was an actress dancing in Judy Garland musicals, while her own life was draped with film noir drama.
“My father wooed her, and after an MGM producer gave her an audition, he helped arrange for her and her family to move to Beverly Hills, where she had steady film work for five years. He was busy helping Siegel expand the Western Front of the Costello crime family and opening the Flamingo casino in Las Vegas. They were engaged in 1946.
“Still, the blank pages of my mother’s life did not begin to fill in until I met R.J. Gray. He found me through my newspaper column, ‘Smiley’s Dice.’
“One day last year, R.J. sent me a book, ‘Images of America: The Copacabana,’ by Kristin Baggelaar. There was my mother, captioned a ‘Copa-beauty.’ Kristin organized a Copa reunion in New York last September. I went in place of my mother, but all day I felt as if she was seated next to me. I fell asleep that night staring out the hotel window, feeling a part of Manhattan history.
“Now, the silence is over. I don’t hesitate to answer questions about my family. I have photographs of Ben Siegel in my home in Santa Fe, NM, just as my father did. Every few months I get e-mails from distant friends, or people who knew my dad.
“It seems there is no end to the stories surrounding Ben and Al. I am not looking for closure. I’ve become too attached to the story. To me, he was a benevolent father, a wise counselor, and a man who worshipped me.”
Luellen Smiley can be contacted via email: folliesls@aol.com

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