THE PUZZLE OF SOLITUDE Part One


Adventures in Livingness

The people who pass my window aren’t snapped into wool and leather collars any longer. Now their heads raise to the sun; but their movement is sluggishly unfamiliar with spring steps. Soon they’ll be jogging and eying the world through sunglasses instead of face-warmers. Street scenery is similar to my garden; fresh green stems courageously pop up while the rose bushes remain embryos.  20140410_183024[1]
Today I read for two hours; the longest stretch since last year. I had to stay in bed with a tray of coffee and closed curtains. I was restored to the first readings of Anais, when people still talked about her being a lesbian; when in fact she was not expressing that kind of love at all. Only the love as deep as two women want to go. Belonging to her group of artists and bohemian so appealed to me then as a teenager-I manifested that camaraderie by finding love in artists and misfits, malcontents, with rare wisdom and foresight. Men that chose not to belong because they had their own opinions.
The farolitos reflect diamonds of light when the sun is out. I can look out the window by my desk all day to catch surprises. The exchanges with staff at the hotel in a hand swipe and face to face muses on hotel complaints. A man in khaki’s and hiking boots taking studied photos of my house, and the same woman, who talks incessant baby talk to her dog as he pranced ahead.
My emotional tail is wagging; curled up in my desk chair I feel almost as if I was born in this chair. It’s cushioned me through a cyclone of adventures in livingness.
This piece of writing was handwritten on a tablet back in late January. I’ve made some minor additions and deletions. The editor I use before submitting to a publisher asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in final editing. My control over my writing is identical to my control over how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t even think of applying proven methods; I make up new ones.
Back to this plateau of solitude. Love what you have and especially yourself; with all your flaws. Integrity is more critical; be proud  not just for yourself, but because someone out there needs you.

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EVERY GENERATION IS TO TURN TURN TURN AND


are destined to change the generation before. I only know from the fifties. When I grew up, socializing in fours and hundreds was part of life. Gatherings from my generation was Woodstock, concerts in the park without violence, impromptu jams and performance The millijoules want an audience in numbers dice-logo.gif ONLINE=money. It is the WAY THEY HAVE BEEN BROUGHT UP.

PUZZLE OF SOLITUDE PART TWO


PUZZLE OF SOLITUDE PART TWO.

PUZZLE OF SOLITUDE PART TWO


DSC01598THE PUZZLE OF SOLITUDE will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

December and January. I fought what seemed endless solitude with my Irish Russian temper; bashing and short-tempered with customer service, world news, and mindless tasks. Then in February, it seemed that the fire dulled, and consciousness triumphed. It was a long wait; sometimes I have convinced my basement of survival would sink. It did not. There was an adventure that I did not know was happening until now, three months later.
I learned how to make friends with myself, and find the frolic and follies in the world that I created. I had to laugh alone and so I watched screwball comedies and recognized the humor of my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling up and down the staircase, because I kept forgetting where I left my phone. My head was elsewhere-daydreaming.
I learned how to repair house calamities; screw and unscrew doors and windows, seal up cracks, and paint. I rejuvenated every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! ‘I needed to see a transformation, and at the time, my direction was to convert this house into the museum of cool. Then I would get a swell of vacation rental bookings from Trip advisor, VRBO, and Homeaway, and drive west, north, and south; lifting up the curtain on a new and more exhilarating act.
A surprise from the weather channel, we were basking in the sunlight in March. The winter was milder than I had ever experienced here; and how could I complain when half of the USA was sliding, sinking, or snowbound without a way out. The ease of adaptation was preserved by the horrific scenes in the Midwest and East. In the kitchen; my heart simmered while stirring my weekly slumguillion gumbo, stew, and casseroles, chopping away while listening to Tony Bennett, Nat King Cole, and Frank Sinatra.
Winter has in the past been a funnel that leads to writing. Not this winter; my last column was in November. The activity of pushing forward became important, and the results were compelling. If I was not able to write it was because the material was not dry. TOO

LET A MAN BE A MAN LET A WOMAN BE A WOMAN


Bob and Baez
Bob and Baez

Dress for them, cook for them, touch for them, and give them a chance to love you.


London
London (Photo credit: @Doug88888)

 

Snowflakes, and charcoal sketched clouds soufflé the sky. 

 

 

 

“Darling! Please shovel the front porch,” I say to no one as my hand lazily grips
the handle, carelessly moving the shovel.

 

  • I watch the street. There are suits
    and skirts straddling terrorist chic back packs, and tiny children dressed in
    wool coats with tied hats prance behind Mums, on their Saturday shop day.

 

  • SOME musicians are playing on
    one corner on the other side of the street is the Symphony Hall, squared between a paste
    up pattern of colorful ancient theaters, opening doors to restaurant windows  lit with
    candles, perfumed air, and smoky pubs pack and push blokes and chicks.
  • I
    am in London.
  • In my home; in Santa Fe, New
    Mexico a muscle of winter has squeezed the
    noise of street life.
  • I chose between ribbons and bows sipping and sliding down Palace Avenue,
    to eat Chocolate pumpkin cream in zippered toes, on the rug, next to the
    fireplace.

    Huggin and kissin the Prancers and Dancers of my gang

    ITS HOLIDAY SEASON SO  SWING, SING, ROCK, WAVE,
    SMILE, GIVE

  • BAKE, READ, CREATE,
  • KISS CHRISTMAS.

 

SURREALISM OR MOVEMENT


           I‘ve been stalked by a sensation and image of Loulou, scrambled up in whistles blowing, each one commanding me in a different direction. The annoyance of conflicting orders robs me of my Aladdin ( magic moments), DICE LOGO

sURREALISM 2
sURREALISM 2 (Photo credit: Nesster)

 AS I CLEAR OUT THE FEAR OF NEW FEELINGS .  I feel like time is  belted with interior stop lights, instructions, and preparation for a new passage to go through.  What happens is subtle, but when so much time is placed in introspection,  life looses it’s Aladdin. It is time to polish my gold lamp and follow an  unknown light. Do you know what I mean?

THE PUZZLE OF SOLITUDE


The oaks and  elm trees are almost naked;  butterscotch leaves are face down, like half eaten lollipops. Lurching in the east; a mass of thick charcoal clouds without any wind to push them towards us.  This outdoor stillness and the hum of my refrigerator are subtle signals of the approaching hand of winter. The silence is like a cooking pot cover that secures my spirit into acceptance.  Listening to classical piano concerto’s, blue grass on Saturday, the blues on Sunday and rock & roll on Friday. Musicians are my guests, as much as the wild birds that pluck  from my feeders.

Sometimes, solitude feels like a draft and no matter how many sweaters I  put on, the seclusion tugs at my bones. There are a lot of us soloists that reside in Santa Fe. We are not questioned or scolded for our behavior, we are left alone!  If I am drawn into an empty canvass of what seems my destiny, I draw the opposite silhouette.  I am the light against the dark.   The green light in my head  reminds me that I have my teeth, my long legs, and some passion for almost everything that God and man created.  I just can’t decide which passion to follow. Should I do a  museum, gallery, lecture, drive to Taos, go to a concert, dance at El Farol, take Flamenco lessons, engage strangers in conversation, watch old movies, read more of the stacks of books on my bedside table. Should I interview the straggly teenagers in the park or hit up the high rollers? Should I write, submit or edit:  clean the laundry room, make a thick chili stew, iron my clothes or pick up leaves. Living unstructured is a discipline that threads easily some days, and when it doesn’t, I have to control my passion for daydreaming.

My daydreams: to inhale ocean air, to bogey board, to hike, ride horses, go to Lincoln Center, the wine county, Prague, Sicily, and Russia. My passion to be around little children at Christmas and stare at their patent leather shoes, and to eat pumpkin pie for breakfast, to converse on philosophy, the arts, social trends, and the interior life.  My passion for impulsive trips on the road to Kentucky and Tennessee, anywhere I’ve never been; I will go.  The obstacle I place in front of me; I don’t want to travel alone. I’m plain afraid. I’m afraid to fly more than two hours, my sense of direction is worse than anyone I’ve ever met, and I pack too many clothes to carry, and end up with a raw neck and numb arm.

Once in Annecy, France, I walked for hours trying to find my hotel. I circled the squareOld part of Annecy (France)

twelve times. I’d not eaten a meal in several days because my coin satchel was half full . In a moment, I just fainted and swooped down to the ground. A Frenchman was kneeling beside me when I opened my eyes. We sat on a little iron bench, and he offered to take me to dinner.  He was so kind, he kept bringing food to my hotel because he said I didn’t know how to travel.

The train of clouds are still in the east; fluffy white cream and silvery puffs of pastry. They too cannot decide whether to cry; or remain strong and commanding.

Dating is one passion I never had.   Even when it was as organic as sharing a cup of coffee or taking a walk after dinner. Dating now is about business and getting connected. It’s selfish sex with a price. I hear men and women tell me these stories and my response  freezes.  ‘Oh yea, she wanted $250.00 for a few hours; without sex.’  For  a woman she is expected to be complete; with independence and like total clarity about who she is and what she wants. ‘He  told me I had too much baggage; who doesn’t over fifty?’  I think we are always in an  evolution of  personal understanding of our experiences.  You can’t put people into cross word puzzles and expect them to stay there.

Now, hours later the clouds cried, and their tears pranced in a slight wind. I curled into my favorite club chair and watched a 1937 screw-ball comedy, ” We’re Rich Again.”  Like my Dad used to say;’ You’re whole life can change overnight.’  My bed is warm. My friends are loyal. I allow myself to write everyday.

OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-


OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA

 

CATCH THE ART IN SANTA FE PART ONE


 

Portrait of Eugenia Huici (Eugenia Errázuriz)
Portrait of Eugenia Huici (Eugenia Errázuriz) (Photo credit: Wikipedia)

CATCH THE ART WAVE OF SANTA FE    

Living in Santa Fe is a fertile landscape of more than sage, lavender, mud and ancient dwellings. It is where art branches out in new directions of livingness.

Along the path of adventures in the arts, I attended “AT HOME WITH FASHION, presented by ShowHouse Santa Fe in collaboration with Artgraze; a league of interior designers, artists, and galleries to embellish our homes with, “the art of living with art.” They patterned classic and chic Fashion Design on Interiors selected by ShowHouse Santa Fe founders, David Naylor and Jennifer Ashton. The Santa Fe Interior Designers set up shop in a quintessential Santa Fe home and opened the doors to the public to eat, drink, dance, get lost, or be discovered.  Along the interior paths of the home, artists, designers, home buyers, and sponsors conversed while behind the scenes; funds were dispersed from a generous monarchy to support the Community Foundation of Dollars4Schools. The designers worked for eight weeks, to transform a modest décor, into a stage setting of flamboyance, élan, and their secret design techniques. The designers; Jennifer Ashton, Jackie Butler, Gloria Devan, Pam Duncan, Emily Henry, Edy Keeler, David Naylor Annie O’Carroll, Lisa Samuels, Paul Rochford and Michael Violante. They schlepped all the furnishings, and accessories, including wardrobe accents, and art work to the home and coutured the house as if it was a model.  The epervescese of this lively group spread outdoors, onto a glittering garden patio designed by Catherine Clemens where the best Barbeque chicken I ever tasted permeated the painted postcard silhouette of sunset on the mesa.  Who was there?  A man in yellow rubber suit, fashion models, filmmakers, photographers, art collectors, and Antique Activists. In the crowd I noticed a distinctive gathering of men and women stylists bearing: squash necklaces, Concha belts, O’Keefing hair styles, and jewelry to stop traffic at Paseo Peralta and Cerrillos Road. The 4747 square foot Las Campanas Estate is listed with Ashley Margetson of Sotheby International Real Estate.

 

 

 

SHEPARD & DARK


Ralphie I served 1966–78
Ralphie I served 1966–78 (Photo credit: Wikipedia)

THE SCREEN IN SANTA FE scheduled three showings of this Docudrama.

Huh? Sam ol boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralphie.

I figured the theater would be packed so I brought earplugs.  I take my films too seriously, and refuse to be interrupted with slurping and munching.  Into the first scene; my concentration was so acute I would have protested if anyone said a word.  Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty.   Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark.  The dialog between the two men and the dramatization of their feelings about the  collected letters they exchanged over a forty-year period is something beyond a reality show.

It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed.  The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.

Yes, there is a dusting of emotions  on Jessica Lange.

I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to question my limits on adventuring. Several lines I recall in particular, to paraphrase Sam;

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer  you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.  

That kind of admission for a floundering but dedicated writer will last me a while.  On documentaries; they don’t get enough attention. I hope this film tears that fence down and let’s the HONEST-REAL-BULLS come through.

DEADBEATS IF WE DON’T HAVE…


dsc01192.jpgThere is assurance that most of all, above the tasks, aspirations, dreams and commitments; we are dead beats without love. The feeling has to pass through our veins and arteries, as often as possible, from one suitor or another. You can love a moon in a black sky, as much as man in black suit. I believe the feeling it gives us is medicinal. It gives us something no other prescription can. That is why when sickness comes, all the love pours out from friends and family.