DON’T READ THE NEWS OR WATCH IT ON TELEVISION


[contact-form subject='[SMILEY%26#039;S DICE’][contact-field label="Name" type="name" required="1"/][contact-field label="Email" type="email" required="1"/][contact-field label="Website" type="url"/][contact-field label="Comment" type="textarea" required="1"/][/contact-form] I’m a creative nonfiction short story writer, and a  columnist on arts and lifestyle. I have never said one word about politics; I am not a debater, academic, or political science major.

As a writer I read the newspapers; Wall Street Journal, USA Today, Los Angeles Times, New York Times, and the Santa Fe New Mexico papers, where I live.  I watch all the news stations. I quit MSNBC, cause Chris Mathews made me hyperventilate.  I think Charles Krauthammer is the most knowledgeable and sustainable journalist of our time.

Do to an act of nature, lightening, I lost Cable for a month. This was when Syria broke. No one talked about it here, and I felt the communities disillusionment. When my service was repaired, I turned on the news.  I felt more insulted than the time a young boy told me my legs were hairy.  Who did you think you are kidding? You want us to watch both sides fisting each other like a street gang!  Please someone tell them, the Press, chill out a bit and stop turning the news into a talk show.  You talk to us as we were mutes.  The Government has evolved as false as who we see in the mirror.  If you are plain you see beautiful, if you are beautiful you see plain.  I see you government, and I am ashamed.

I haven’t read the papers since June. This Thursday I went to the bank to make a deposit to cover my negative, and I looked at the newspapers on the customer coffee table.Image, My eyes shut after two headlines. How much more can we take? I really have lost track of priorities.

Should I get a job because my writing remains unrecognized. I need a retirement guidance counselor. I don’t like the title of financial advisor; they sound too rigid. Should I respond to the dreadful vacillation of American Policy. How much more debating can they do? It’s like when I worked in corporate real estate.  The meetings I attended and had to present were progress reports on whether I was an effective employee. I don’t know how I lasted as long as I did; my act was good, and I impressed some of the boys, but communication was too formal to bring out honesty. Maybe that’s what has evaporated in our

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Thank you for your response. ✨

government, or am I seeing it differently because I’ve aged into it slowly. I think it started when the cool shit act came about. Some artists have it,  Musicians, yea they got it, gangsta’s got it, but they always had it. Those of us who feigned cool acts, became feigned. Rambling now. Got to sweep fall leaves and

start editing 350 columns.

I’m listing to Nessun Dorma, and oil treating my hair. I was thinking how much I detest all this multitasking. I can now handle five projects at once; write, sweep mop the floor, water plants, contemplate resolutions to my finances, all the while feeling my nerves tighten, and even though I stretch four times a day; this crushing operatic play in life is overstrung.  I watch those Sandals vacation commercials and practically cry because how many of us haven’t had a vacation in years, or a chance to

play a round or golf or read More Magazine all the way through?

REARRANGING AND REMEMBERING


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September is the month to rearrange; wardrobes, patio furnishings, and thermostats. Heaters go upstairs, fans go downstairs, down blankets are released from plastic zip lock bags, and coverlets are removed. We seal the windows with weather stripping and my list notebook follows me everywhere.  If you live in the seasons then you understand that the menial work goes deeper as our bodies prepare for winter’s residency.
The interior change, what Anais Nin refers to as; ‘our emotional landscape,’ wakes to a chime of awareness. Now that I’ve completed all those mindless tasks, I’m ready to listen to the chime and renew the organism of emotion. On this brilliant film shooting day in September shadows of light, glaring light, brush the feathers of my wild birds as they tap dance from tree branch to feeder. Between the leaves that drop like confetti from the trees, the New Mexican sunlight feels like ten thousand flashlights in your face.
Summers postcard days flash on and off  as I write; Natives dancing at the Plaza in the wildness of fiesta to Latin and Mexican music, while Anglos freestyle a sort of slow rock and roll hippie dance.  I meet strangers and we exchange our exaggerated cheer and humor, during festivals, fiesta parades, and the burning of Zozobra.  These yearly events chisel the face of Santa Fe into a collage of New Mexico colors; magenta, orange, lime, and yellow surface on paper Mache flowers, streamers, and costumes.
     The phantasmagoria of my summer thumped one night in July during a Monsoon thunderstorm. My summer vacation rental guests were in the main house and I was in my casita sitting at the desk writing, with the door open. It was pouring rain, the kind of shower that explodes from the rain gutters like a tub faucet and those huge blue and white La Posada Hotel umbrellas seemed  race up the street unattended.  When the skirmish between warm air and thunderstorm collided, lightning seared the charcoal clouds and thunder bombed me out of my swivel chair.
      How rigid my body felt;  like hardened cement, but the phone rang and released me from this state of shock.
     “ LouLou, I think we have some issues in your house.”
I rushed over in my kimono (a writing uniform) and found the three of them stiff as statues. Young headlight deer eyes, all piercing me at once. 
     “ We saw sparks, and all the electricity is out. I think the lightning hit your house. ” 
     I didn’t’t know what to say; suddenly I was responsible for this rarity of nature’s behavior.  They clung to their cell phones, and watched as I feigned authority and calm by checking the blackened outlets. The electronics were silenced, appliances deadened, circuit breaker inoperable. I called my friend, White Zen, who doesn’t fluster easily.
      “I have to get help now. Right now! What should I do?”
     “I’ll call my electrician. He’s really good. Are you all right?”
     “No, not at all right.”
     “You want me to come over?”
     “No, but thanks anyway.”
     A few moments later, she called back.
  “ I pulled Phil out of Smiths Grocery. He’s on his way, she said with humor, enough to release a molecule of laughter from me.
     “ I can’t believe this. Do you know the chances of being hit by lightning?”
     “ No, but don’t take it personally.”
The funny thing is, I did. Other house disasters; like the time the plumbing backed up, or the historic windows wouldn’t’close didn’t’t have any comparison to this cataclysm.  Then my next door neighbor, the Architect, and professor of all topics informed me, “ Oh you’re in bad shape; you’re going to have to rewire the whole house.”
     Phil arrived within ten minutes, and I greeted him with a hug, more for support of someone’s appearance with tools than anything.While my quests and I tried to answer his questions, all of us at once, he went down to the basement, as we followed behind. Phil replaced something in the circuit breaker, and the lights came back on.  I clapped my hands but they didn’t’t join in;  they went back to texting.
     Then he tried the TV and stereo. The stereo is fried he said, but the television is okay.
     “What about our Wi Fi connection?” I asked.
     “The surge protector fried too. You have to call your provider. Good luck on that.  I’ll come back tomorrow, after you get PNM (City Electric) out here to check which panel.”
     “Which panel what?” I said.
He went into a Wikipedia explanation about the two hundred and fortyhouse voltage, and who is responsible for the outage. I followed Phil  outside after failing to soft stroke my tenants.  What made it even worse is they are musicians with the Santa Fe Opera and live sensitive structured lives.  One gal remained board stiff and and unblinking, the young man offered all of his technical support but his hands were trembling. The leader of the pack, who greets life with radiant optimism, was busy eating crackers in rapid succession.  I felt the responsibility of a mother, and so I assured them of my competence. Then I  slipped into jeans and T-Shirt, almost falling over as I raced across the street to La Posada and gulped a Martini. While I was still trembling, staff and guests gathered around me.
     The concierge said, “The lightning hit your house; I saw it from the window! Are you all right?”
     “ On no, a bar guest remarked and rubbed my back, ‘Oh Loulou, something always happens when you have guests, a waitress commented, and another broke out in a euphoric smile and said, Wow LouLou! What was it like?”
    “Ahhh. It’s not a humor story Ed; it’s a disaster!”
The electrical company showed up late that night, and poked little metal toothpicks into a box outdoors; a box I didn’t’t know existed.
     “Sorry Mam. Our panel is working fine. You’ll have to get the electrician to make further repairs. Wow! That lightning sure hit hard. Have a nice night. ” Ha Ha, I said and stumbled into my room. No Internet, no television and no music.  I slept with a pillow over my head.
     The next day Phil returned to trouble shoot everything.  My television and the house stereo blew out, so did the surge protector to our modem, and the electronic gate was broken. The guests couldn’t get their cars out of the driveway.  We pried the gate open, and they backed out in jerky anxious motion.
          A week later, in between substantial attempts to behave normally, all of us were still irritable, prone to trip, biting nails, and voices wavering over the tenseness that clipped our tongues.   It was never the same after that; our simpatico shared residency turned into staged friendliness.
     That’s the thing about lightning, it gets inside of you, and you are involuntarily rearranged.  My emotional landscape is naturally in a state of alarm. I startle easily, imagine voices, and see too much in the dark.
Too be continued.   
 


MUSIC and DANCE INSTEAD OF PILLS


mq1tTIEMPO LIBREADVENTURES IN LIVINGNESS – CUBAN STYLE

SOMETIMES AN INTERVIEW WITH A MUSICIAN GOES DEEPER than a narrative history of recordings, concert calendar and early training. That happened when I met Jorge Gomez; founder, keyboardist and musical director of Tiempo Libre, an all Cuban born Timba band.

We met in a modest hotel room in Santa Fe, New Mexico where he and his six band members were invited to play for the second time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductions’ everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul, propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.

Jorge and I sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the United States?

“Oh my God! It was my dream; all through childhood in Havana.”

“Do you love America now?”

His arms shot straight up, as he rose from his chair.

“Are you kidding? We love America! How can you not? This is the best country in the world. I’ve been all over: Europe, Asia, Mexico, and Caribbean. You have all the opportunities; you make your own life here, whatever you want.”  He shifts his attention to Raul, agreeably excluded.

“You can’t do this in Cuba—right Raul?” Jorge leans forward and I’m struck by the indisputable untainted smile.  Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, “I got out because I had friends in New York.  They helped me get gigs in the bars, weddings, and then we got into the clubs.”  The room is silent except for Jorge’s satin smooth transitions from one question to the next. That alone is reason enough to meet Jorge for conversation.

“We were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.”

“Where did you learn Salsa?”

“From America! Yes. As teenagers we climb to the roof and we to wait till state programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Esteban, Michael Jackson, everyone. We listened all night so we’d take the rhythms’ in our heads you know.”

“What’s the difference between Cuban Salsa and Latin Salsa?”

“Everyone claims this is their Salsa; it’s Latin, Marenge, Colombian… it is a blend of many cultures and musical influence. We take from each other. All the instruments I learn come from listening. They teach me everything; and I teach them.”

“Do Americans play Conga different than Cubans?”

“It depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolis…all those places that are so.” He pauses to express it precisely. Cold he says, laughing out loud.

“And I’ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.” Jorge breaks to howl out his enthusiasm and surprise, and demonstrate the memory.

“Who do you like to listen to do today?”

“I don’t know the names, but I have a lot of friends, and they call me and say, ‘I have a band, you come and hear me.’ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good.  Everybody have a different reaction. My job is to transfer the energy to the person; that’s the idea. Not to play the music for me; I want them to be happy.”

“ How do you do that?”

“ Sometimes you are sick, and no matter how many pills you take you are still sick. Right?”

I nod and watch his facial expressions twitch in thought.

“Then let’s say I come and say, Wow! You look so good man, you are looking good, and he claps’ his hands and pantomimes the joy he’s transferring. ‘You wanna a coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.’ Suddenly, you feel good.” He nods his head. “Trust me.”

Jorge is toe tapping in place, his arms positioned in a warm world embrace.

“You forget all about the pills. Trust me, that is the kind of energy I give.”

“I suppose you don’t get sick?”

“Never. For sure. Never. I don’t know what this head pain is… how you say, headache? Like friends say I have so many problems, so many headaches, I can’t go out. I say, ‘What! Come on we go the beach, to the sand. Bring your conga. What are you crazy! Come on!’ So he comes and we play on the beach in Miami.”

Jorge drums on the counter top. “Have a beer, have another.’ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, ‘I had the best day of my life.’ Yea! Be happy! This is youth; this is how you stay young. Life is so big.”

I shake my head, “Not in America; we concentrate on sickness and misery.”

“Yea! You don’t have sickness yet, but you are going to get it.” He ruptures into laughter, and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can’t go to sleep at night. All the songs and ideas in my head and I can’t sleep. I must write it down, and the next morning I feel so good, because I didn’t go to sleep. I drink beer because I am too happy-over happy.”

“Where did you learn this happiness?”

“From all the difficult paths I have in my life. Childhood was very difficult;no food, no water, no electricity, no plumbing. What you going to do? Party, go outside, dance, play basketball, baseball. I get my friends and they say, my problems’ are bigger than yours. Bla bla bla.”

I’m laughing now as Jorge continues to articulate his life philosophy.

“ At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can’t go it alone.”

He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge’s eye and brows are in motion, as much as his legs arms and hands.

“ What you’re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You’re going to see a lot of soul. When Raul plays his trumpet you’re going to turn inside out.”

“What is Timba music?”

“A mixture of jazz, classical, rock, and Cuban music.”

“Sounds like a musical.”

“Yes, Yes! We are in preparing for that.”

Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was below the stage. Two and half hours later I was still dancing, along with half the audience. That’s entertainment! http://www.tiempolibremusic.com

The three-time Grammy nominated band will perform Thu, Sep 26, 2013 at a Special Event at the Arts Garage in support of AVDA, Inc. Arts Garage in Delray Beach, Florida.

QUE SERA SERA


ADVENTURES IN LIVINGNESS

is going from my 2500 square foot five-bedroom home with a garage movie theater, private garden and roomy front porch  into a 265 square foot bedroom without a kitchen.  It’s not permanent, but there is no end date either.

The big house we converted into a Vacation Rental as a means of income, and so I had to move out a month and two weeks ago.  My room, I coined the Wild West Room, is brick red. I covered the walls with yellow and red original movie posters, and furnished it with a slot machine, two tables, two lamps, a TV with western saddle draped over it, a double bed, and a four drawer plastic dresser. The closet is tiny; so I only brought my best summer clothes; twenty hangers is all.

Waking up to have coffee on my petite patio laced with roses and a canopy of vines, settles my nerves after the mini coffee maker falls off the edge of the sink, and other accidental maneuvers. Living in a doll house requires tremendous gentleness, one swift wrong move, and things start tumbling.

My refrigerator has inspired a new diet. I call it the mini-frig diet. I can fit one bottle of wine, one 8oz bottled smoothie, one juice, my Aloe Vera, cream, three condiments: green chili, horseradish mayonnaise, Red Chili Jelly,  a small tub of washed lettuce or spinach, two cheeses, tortillas, olives, tomatoes, smoked salmon or chicken strips and that’s it.

The only catch is that it is in arms length of the bed, and within four feet of anywhere in the room.  Snacking is just part of the atmosphere.My own unimportant theory on eating, is I eat less poison if there is a bowl of chocolate covered nuts, gummy bears, and chips in the house.

I prefer to eat on dishes then paper, so I wash them in the bathroom sink, but I wash the delicate wine glass when I’m showering.  All my meals, usually one a day, are outdoors on the patio, under the new Overstock.com umbrella that works perfectly.  I’ve had a great experience with them on a return as well.

My house faces a busy street in Santa Fe, NM. The street connects upper Eastside to the downtown Plaza, and across the street is the La Posada Resort and Spa.  I can walk to the gym, and pool, survey the clientèle, drink wine in the bar, and talk to the staff at the front desk.  I’m there everyday; and as ying goes with a yang, I tolerate their side of the street being the loading zone. There are pick-ups, and drop-offs, and a lot of racket that I bear with my earplugs.

It’s in the high nineties, and we’re in a stable between three burning fires. The heat clings to me, like a saran-wrap;  it’s also sort of Chaplinesque.  I keep changing; to go on the patio.  I can’t go in a slip, so I change a lot. Then there’s the marvelous terrifically considerate and talented guests in my house. They are three principal musicians’, with the Santa Fe Opera this season.  When I water I hear them practicing.   0627131541a

My shrunken life has forced me out more, eliminated hours of cleaning, shaved time off dressing, rearranging furniture, over-achieving unimportant tasks, watching the birds in their nest, and feeling complacent.

That is the most important of all; I realize it is time to bolster up, make sacrifices, and use this little room as the place to write my way out of here.  I see myself in Portugal, or some place I still haven’t discovered.  This miniature living reminds me of the first studio I rented in Los Angeles.  You can’t imagine what progress came from that disappointing address, at the corner of Little Santa Monica and Westwood Boulevard. ‘ Que sera sera.’

ONE DAY AT A TIME


Reader View: Random chats make life sweeter

 

 

 

Posted: Saturday, June 8, 2013 10:00 pm

 

 

One day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing: One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows and the moving clouds. I walked by a little adobe that once was a dump site for empty bottles, cartons, worn-out furniture and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy, blanket-like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas and the Abeytas, all families she knew, all with streets named after them.

Estelle asked me my name, and then took my hand in her weathered unyielding grip, “Oh, I had an Aunt named Lucero, and we called her LouLou.” She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. “You know how many houses they bought? Five! Then they fixed them up and sold them.”

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a Southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

Luellen “LouLou” Smiley is a creative nonfiction writer and award-winning newspaper columnist.

 

 

 

 

 

)


 

when THEY Leave


Cropped screenshot of James Cagney from the tr...
Cropped screenshot of James Cagney from the trailer for the film Love Me or Leave Me (Photo credit: Wikipedia)

I do remember what they gave me. THE MEN always bring something you didn’t have before. LOVE THEM

WHY WRITE


Dad used to say, the only thing I have to show for my life, is you.

Just cause I write doesn’t mean that I have something to say,

that isn’t already known. I write for everyone that feels something different, and no one wants to listen.  exm-n-11192-0192ma27374324-0001.jpgIt’s my life.

Dad in Beverly Hills Court. On a charge for not registering as a criminal. He moved to Bel Air.

 

 

 

MIDDLE CLASS, MIDDLE-AGE MAP TO WHERE??


I rolled the dice this morning; got seven. This always lifts me UN-proportionately to

the triumph.   What is a seven going to do? Nothing. The dice don’t do it;  what happens Is

I believe it’s a lucky day;  like the wind won’t knock down my outdoor writing arrangement,

and I’ll be able to write for hours, and not be interrupted by registered letters, construction noise coming

from the new Drury Hotel,  or tenant complaints.

What  we all treasure and wish we could stack up in a treasure chest is piles of peace from whatever our lives do to make us nervous, edgy, and cuffed. Or we stop the behavior which I think is more difficult.

If you’re a middle class, middle-aged person who expected  to be retired in Costa Rica by now with a book and a bottle, then you have to rearrange the internal map. 0414131321

I ‘ll never retire from writing; I hope one day I can live in my home again.

THE LEGEND LADY OF PALACE AVE


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The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, ‘Oh I had an Aunt named Lucero, and we called her LouLou.’ She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. ‘You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.’

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

 

IF


If I don’t forget where I’m relocating all my clothes, books, tapes, CD’s, DVD’s,  files and shoes, for summer vacation guests, If Rudy doesn’t get pulled over for driving without a license, If the tenant at Follies House doesn’t break his lease,  If the tenants that moved into the Taos house from San Francisco to build a dream,0402131206don’t lose faith, and If the Lexipro keeps working,

 I can listen to the musical score from Man and a Woman,  tap dance around the house, with the sunlight, the birds, the grass turning green with life, and I’m happy.

PAIN OR PLEASANTRY- SHOVELING SNOW IN SANTA FE


WRITING BY HAND at my tiny Eurasian desk facing the window to the west; framed by time and familiarity into the branches of JD’s pine tree, today ward-robed in bacon colored leaves.   The black silky toned crows are still basking like prowesses on the branches, and waiting for the crumbs that fall out of the garbage cans at the hotel across the street. My bird family has already eaten through a full day’s feeding, and is fleecing each other to first place at the table. The silky drape of the winter sky sometimes adorned with lacy clouds is blue as sea and has shaken the clouds all night. N08041215581.jpgO SNOW. I am selfishly opposed to snow because  I don’t happen to get snow shoveling without gut-wrenching lower back pain.  How do you shovel snow?

I’m wearing one cotton camisole, one shapeless thermo  turtle neck, a down vest, and when I go outside I wear a down jacket. I’m so bundled up it feels like my limbs are bound in masking tape.  My teeth look whiter and my hair is flat instead of frizzy. Snow changes everything.   From my desk, I write, without thoughts predefined, just a drain of emotional threads from my heart, listening to Zap Mama as she takes me to the wild, naked, warm region of Africa.

This year isn’t like last year. The absentee man, fussing with the fireplace, making me afternoon espresso, kissing me when I cook, hugging me when I pull a folly, has excused himself from my adventures in livingess.  It is not at all like last year. Long time friend Rudy is in San Diego and so I am not interpreting the division of attention, between two men laughing at the kitchen table, and eating my blueberry pancakes, as they did last year.

I had the song of Judy Garland’s rainbow in my heart.  It was a time I will never forget, or regret, because I was satisfied for several years. Unabridged ecstasy poured out of body, and spread over my attitude, abundant spirit, mood, facial expressions, and my dreams were filled with amusement instead of nightmares.  I wander into unfamiliar snowy woods unsteady, juxtaposed between, acceptance and self anger for being so so… whatever it is that I pump into myself.  If I was judged by my adventures and not my accomplishments I would be a contender.

Growing up with gangsters teaches you to live with risk, to invite challenge, and  not complain if you loose. It’s wrong but it’s right.   Nothing is worthless; not one moment should be wasted because there is always that window of escape. Our minds are there to take us away. I’m escaping now, Zap Mama Pandora station on the headset, and writing. This is taking the moment out of frustration and into pleasantry.

My steps inward reply with emotional break-troughs, mundane tasks accomplished, solo ventures, match.com dates (another story) and a comedic sideshow as I wrestle with sealed boxes, make repairs, and toggle in my patent leather too stylish boots to actually be called snow shoes.   In these moments, I assure myself that evolving is never ending, and we do not ever know what to expect from ourselves.   If I write down the pleasantries surrounding my life, the blessings rise up and give me a softened comfort.  The sweet peace may vanish the next day, or be intercepted by the news, a wreck in the street, an unexpected phone call. The crossroads of everyday life comes and goes. Between all of these uncontrollable incidents we are writing stories that some day will be told in conversation, or written in journals and books. The essence of our changing lives is universal. Why am I doing this now, why am I feeling this now? Etc.

Remember your pleasantries, and bring them closer.   A few of my snow cold freezing feet remedies:  Kneipps Herbal Lavender Bath: Do not apply to the face!

Ralph Lauren Candles: I paid too much, but the scent is like having a man around the house.

Homeland.  Sunday nights Showtime. Clare Danes has replaced my empty strong female lead on television. I mean, this is one to Watch! ( season ended. Vegas on Tuesday’s is the other one to watch)

My friend Loren visits three times a  week at least: Snow means, silence, and hermitizing, so I  can’t wait to open the door to Luxury Limo Loren, and make him brunch.  We harmonize for hours;  on tones of fretful fear, wicked secrets, sex,  laughter, Santa Fe, immigration, buy American, and the crust of survival that is stale and must be reheated.

Treats: Snicker bars, Vodka and snacks that I can nibble on while indoors more than I’d like to be.

Bar Bells: For those combative moments on hold with Comcast, SWA or Verizon.

Books: Time for Virginia Wolf and Jack London.

Movies- Zorba the Greek, Auntie Mame, U-Turn, Breakfast at Tiffany’s, and Once Upon a Time in America.

I AM PACKED FOR THE BEACH, JUST IN CASE.

ROAMING TO THE UNKNOWN


When I look beyond the quarry of my own chains and tough rowing as a writer, to that glorious painting that transforms every day, as if the sky was a Puccini scarf; of fuchsia, tangerine and turquoise, my soul is nourished.

Santa Fe is star power, and can shower your life with photographic moments on the half-hour. Like any city, village, or town you have some culture to conform to, or else you won’t be taken seriously.
In Los Angeles, I learned you have to be able to put on slapstick phoniness to get a conversation going with a stranger. Here in Santa Fe, amongst us Anglos, the advantages come if you are believably bohemian, liberal, quietly subsidized comfortably retired and artistic.

I don’t score well, and my direction is following Lawrence Durrell, Spirit of the Place, and living where you would never expect to live. I wish I could control my impractical, impulsive and annoying spirit of adventure. I think about cities of high rises and Jewish deli’s, at least five movie theaters built in the early 30’s, and neighborhoods of discovery. I just can’t give up the comfort of cocooning with humanity.

I long for the city, just as when I was thirty, all I ever talked about was SANTA FE. I lead a confusing life.

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