Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
Excerpt from Gaslighting Greta : JUNE 10, 2017. Santa Fe, NM
⭐
Rating: 1 out of 5.
The sun seemed to say,” Ok, it’s summer, let’s go outdoors.’ I listened. With my badass worker’s gloves, I lifted that rod iron antique chaise with a broken wheel to my patio. Then I washed the cushion with bleach and soap and let it dry. A few hours later I looked outside, the once feral cat that refused my invite for a year is now
curled up in my writing chair, we are listening to Opera.
Tiny drops of beauty I am beginning to see again. Carrying hatred is like wearing a coat of repellent against the world. Its aroma may be masked by Chanel but I am certain the whiff of my malcontent is apparent. All the advice and counseling from lawyers, legal-aid, and foreclosure specialists feels bloated. I’m switching from outside counsel to instinct. I’m learning to be more like Rockette. God must have sent him, he is indifferent to the diesel engines, steel ramps crashing on the pavement, racing cars, construction, and my irascible moods. His cat habitat is to sleep during the day, eat tiny meals every few hours, cry every few hours and wait for me to cry back. Around midnight he goes out hunting, returns at three in the morning, and I have to feed him. Then I’m awake so I’m drinking coffee and watching movies. It’s taken three weeks for me to gracefully and tenderly allow him to cry and wake me up. Without him is unbearable. We all need to take care of someone.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’m sitting in a squeaky clean room, sanitized by professionals, feeling self- consciously un-scrubbed. Rooms like this are serious; medical sitting rooms, where surgeons come in after you’ve met all the cheerful and optimistic staff members.
Just a few days before, on a pillow size slice of beach, Rudy and I crouched up on two boulders. “It’s better up here; I don’t want to sit a foot away from a couple kissing.” He was right; we had mezzanine seats, and were at least twenty feet from the sleep over party down below. It reminded me of a fold out beach photo; guys and dolls on their stomachs, leaving their bronzed backs to glow in the sunshine. The girls legs dangled in the air, rising up and down with each giggle.
“You don’t look happy.” I said after watching the corners of Rudy’s mouth tighten and drop. He stared out to the ocean for a long two minutes.
“ I get nothing from a beach swarming with people. I go for the closeness to nature, the silence beyond the roar of the ocean. When we were at Kelly’s there wasn’t anyone else but us. ” (Kelly’s Cove, San Francisco)
I thought about it, and how the crowd was entertaining me, and how I’d dismissed the bold and demanding essence of the oceans power.
“You’re right, it’s different. I don’t ever remember Del Mar so crowded on the 4th of July. I was here in 1986, with Hannah Head, and a crowd. It was overcast, and we ended up at one of the crowd’s house in Encinitas, in a hot tub. I still have the photo.”
“ Where was I?”
“ Remember? You didn’t like her. Or we’d broken up, I can’t remember.”
“ Why don’t you go in the ocean?” He asked.
“ I don’t want to go in if you can’t”
“ No way! I want you to enjoy yourself. I’ve not been in the water in three years, but I’d go today, except I have to wait another week. The stitches look all healed. See the scars. ” He raised his shirt, and pointed, “I look like Carlito; ‘ no big deal, in and out, boom boom.’ The scars were still purplish red from a hernia operation then an appendectomy, and then cancer in one month. That’s why he was on the boulder; wearing a cowboy hat and cowboy boots.
“I must look like a Hillbilly from West Virginia.”
“You look like Clint Eastwood! All right, I’m going in.”
My skin was warm and damp and I walked through the aisles of legs, blankets, chairs, toys, and cabanas to the water’s edge. Prissily sensitive to anything cold,
I layered my body down slowly under water, and got lost riding waves. Everyone had a boogey board or surfboard; and one kid swiped me as he passed. Rudy was right, not the same, but under water the thrill was not gone. Beneath the surface, I surrounded to the sea as if he was a lover.
Maybe it was that night we ate outdoors on the terrace and watched the sunset slip like an eye lid. We didn’t talk too much about the medical meeting, or what was said, in such long-winded sentences with words out of medical journals. They were preparing us for the next surgery. Rudy wanted to talk about old times; in Del Mar, and old times in Taos, and New York, and all the other places we’ve experienced together. One day we went up to San Juan Cap to browse the antiques stores. Rudy spends hours picking through shop collections. He walks slow as molasses while I am aisles ahead, and miss all the good stuff. That’s one of collisions we have adapted to. I go fast, and he goes slow, I turn right and he turns left. I say, ‘did you get the for rent sign?’ And he says we have one, and we discover we’re talking about different properties.
We didn’t see anyone we knew when we were in Del Mar, except those same Starbuck sippers, now with less formality and an air of comfort in retirement.
“Wonder what happened to Blondie?”
“Which one?” I answered.
Afterwards, while we were waiting for the talking pedestrian traffic light to shout out; WAIT, WAIT, WAIT, Rudy started imitating it really loud. The family behind us joined in and the kids got wild in the middle of the street.
“Remember when Whitey threw the keys to his new Jag to you and said take a ride?”
“Yea, that was the first day we met him.” Rudy said.
“No it wasn’t.”
“Yes it was, or maybe the second day, but it was right in the beginning.”
“David empowered our breakfast café salon. He looked like God’s disciple; a crown of pearl white hair and teeth to match, bronzed skin and he wore white gaberdine pants. We were all intrigued because he was so at peace.
“ Let’s ask David out to dinner.” Rudy said.
” Yes, lets. But I wonder if he is tied to the Mafia like an informant. I’m writing all these posts about my Dad and he’s so mysterious, like James Bond.”
” You’re crazy, you know that.”
I wasn’t before.”
“Before what?”
“I became writer.”
Rudy leaped into his encouragement serum, knowing I’m at the end of the tight rope, and also knowing I won’t look for a safety net. One time I threw out a few boxes of manuscripts and he rescued them from the dumpster. In another home, he picked up pages I’d let drift out the window and taped them back together. We’ve lived in at least a dozen homes, casitas, or apartments since we met.
This morning back in Santa Fe, NM I walked through the Plaza, still waking up from last night’s festivities, and summer preparation is everywhere. Big storewide sales, street vendors, hobos, dogs on leashes, old men searching for a memory, and crews setting up the sound stage in the Plaza. All of us are thrown out of our homes to either collect or spend money. Beyond the money, there’s the circumstance of meeting someone you haven’t seen lately, or a movie in production, or a blazingly poetic sunset.
The air is perfumed with grilled chilies and sizzling greasy meat from push carts, bringing flies and children, like they do in Spain or Mexico. I walked into a Jewerlry shop and asked about a Navajo cross on a string of pearls. The saleswoman was a girl, with a laughing smile, and birch-brown eyes. She told me the cross can work for anyone, and that they pray four times a day, once in each direction. I thought it wouldn’t hurt to start the same practice, because who can remember to pray but the tribes.
Then she told me a secret. “All the pueblos are preparing for the big dances, and they are secretly praying for rain.”
“ Really? You mean all this rain we have had…
She tilted her head to one side and smiled. “ You can come in anytime and I’ll tell you stories.”
https://odysseyofadventures.com/2026/09/22/adventures-unknown/I walked out, with that singular enraptured sense of climbing off my boulder, and into the waiting discovery. Late at night I sat outdoors listening to the song of the crickets and thought how a hundred years ago this house was here. This was Ed Barker’s home and his relatives come by often to tell me stories. He was a very prominent wildlife and game protector, and the first Commissioner of the New Mexico Department of Game and Fish. It was Ed who suggested the little black bear cub who was caught in the 1950 Capitan Gap Fire, a wildfire that burned 17, 0000 acres in the Capitan Mountains of New Mexico, become the mascot for fire safety. One moment you’re safe, the next you’re not; but you can’t live on a boulder, anymore than a cub should live in a Zoo. To be continued.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’m breaking and entering the past. I wrote this 4/26/2016 and didn’t publish it. I’m sweeping out documents to ease reviewing my folders and documents.
It is five in the morning on a Sunday in Santa Fe, New Mexico. This is the time when silence is my symphony. The Aspen tree leaves on the other side of the street are turning the shade of pumpkin. It may be a very early fall. I prefer to write in the morning, very early before even the farolitos’ lights go out across the street. When I write at night self-reckoning secrets seem to seep out like drops of water from a faulty faucet. At three in the morning, there is an old heartbreaking movie on the television, and a draft of solitude in my room and in my soul. These moviesalways make me feel better. They allow me to cry; as I shift my melancholy to the heroine of the movie: Betty Davis, Norma Shearer, or Susan Hayward.
I look over the rooftops through the living room window. Are there writers and artists stalking the rooms in the middle of winter night? Stationed beside the heater or kiva, in thick wool socks and heavy robes? Are they drinking tea to settle their thoughts or coffee to stir them up? I imagine there is another woman far away from the plains of the Southwest, in Russia, Europe or Asia who is also at a desk and writing down all that she cannot say during the day. It would be magical to know another writer awake at the same exact moment, is thinking something similar, something you save for yourself.
One woman is thinking of a different man than the one she faces each morning. Another woman is thinking how she could never survive without the one she has. I am thinking of the continuing discovery of self. Our needs change; with season, age, and exposure to contrasting, confrontational and complex situations.
I met several women this past week, well-heeled international travelers, on the road with enterprising spirit. They’ve lived abroad, met an assortment of celebrities, and made enough money to finance their leisure sprees. For a moment I imagined myself, with a large Prada tote bag, sitting in first class of Jet Blue keying in appointments with my Blackberry. Then the image evaporated. It’s like the daydream of another person, not who I am, My voyage would be an expeditionary life of someone like travel guru Bruce Chatwin.
There are moments of regret. The most pressing is that I refuse to settle down. This home is temporary. I know the feeling; it has been part of my baggage most of my life. I cannot trade it in for a new brand, its mine, and it gives me enormous drama, change, and adventure. It infuriates my friends; who continually must erase and insert new numbers and new zip codes next to my name.
The secret of what’s ahead in the journey. Wouldn’t you like to peek into ten years from now and see where you landed? There is still a dot of danger to my passions. Not the danger that comes with racing cars or extreme sports. My danger is in the incurable obsession to combine all the things I love in one package, place them all in close proximity, and live happy bold and free.
I’d have a mid-century black bottomed swimming pool and not far from the patio a grove of avocado trees. The tree house studio would be my private writing room. On the branches of the tree, wild colorful birds would flutter, and I’d watch them with joy. In the main house I’d have a library with a thousand, and one books, an outdoor dining table with plenty of dinner parties for twelve, a basement filled with rare wine, and an assortment of animals. There would be a little village in walking distance with a fresh produce market, a bakery, a jazz club, and a French bistro. After reading this a day later the house I described is similar to my family home, the one that burned down in the Bel Air fire. Realization! I’m still looking for home.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
IT’S UNLIKE ANY OTHER CITY I’VE EXPERIENCED. Named the city different, it is also the city difficult. She ( I see Santa Fe in the feminine gender) has to be treated gently. Her weather patterns resemble a menopausal woman,her stature demands respect, and she can be congenial and patient.
You can walk this city as if it were a neighborhood. If you do that consistently you’ll meet people, and get to know them. Unless you’re like me, a standoffish fast walker dazed by the outdoors.
If you’re dazed and illusional you can master this city very well, as the drowsy pace and cordiality allow freakish freedom. I ‘ve seen the liberating soul of Santa Fe, teenagers racing down the middle of a commercial street one foot on the skateboard, bad-ass bikers talking with bad-ass cops, women with parrots on their shoulder, dogs in baby carriages, cats in a bag, and women on horseback galloping up Palace Avenue.
At night you’ll see raging midnight ramblers dancing on the sidewalk, and all of this is appealing to an LA transplant. I have driven in my robe, danced in the street and broken the heels on most of my shoes because of the pot-holes. They are always working on a street, but never the sidewalks. I ‘ve been bounced out of the locals night-howl El Farol for accidently pushing a dancer, who knew the manager, who came running after me and took down my license plate.
So many of us are loners, the serious kind, that have to be riggedout of our nests. Luckily I live on a commercial street and have no choice but to be commercially friendly. After nine years, my seasonal behavior is obvious: sprite in summer, blissful in fall, giddy in spring, and withdrawan in winter. I’ve learned patience,understanding, and adopted a mixture of cultural traditions. I’m close to fifty percent certain I’ll miss Santa Fe terribly when I do leave.
Has living in Santa Fe given me more than I’ve given back? Yes, it has and that’s why when I’m asked what’s it like living in Santa Fe, I try to reveal the blessings here and not the beef.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
White Wolf introduced himself to me when he worked Valet at La Posada Resort. He was the kool one with enough style and manners to attract attention. I learned he also provided private airport transportation and luxury limo service. A trip to Albany, New York was on my schedule, so I asked White Wolf if he’d drive me to the Albuquerque Airport. When I told him my flight left at 6:30 AM, he didn’t flinch, ‘I’ll be at your house at 4:00 AM with Starbucks-what’s your drink?’
He showed up, loaded the car, asked me to select my own music, and off we went. I felt like I was riding with James Bond; smooth shifts, minor breaks, all the time engaging me in conversation. The combination relieved my pre-boarding stress and woke me up. From then on, I chose White Wolf’sairport service. When he picked me up from Albuquerque, he had Fiji water, Travel & Leisure Magazine, chewing gum, and he played Vic Damone. ‘Chill, sit back, tell me all about the trip.’
At my kitchen counter, on a twenty-below morning, White Wolf leaned back against a bar stool too petite for a swarthy 6’ 4” man. His Johnson & Johnson silky blond hair is swept back, and I want to touch it, but we don’t play with physical affections. White Wolf’s forty, looks thirty, and thinks like he served an attitude and values apprenticeship under a wise guru. He’s on a break; from plowing snow at Albertsons, the Yoga Center, and private homes. This is before he reports for work at Geronimo Restaurant, where he not only parks the cars, but walks the ladies indoors, keeps the Zapata’s outdoors, and directs traffic on Canyon Road until midnight. He’s wearing a sheet white Polo turtleneck and black slacks, his day look, and I’m about to serve pesto, prosciutto and feta cheese frittata for late breakfast.
White Wolf is sipping a sixteen-once Chai and unwinding his broad shoulders in a circular motion as he considers current consciousness of Santa Fe.
“It’s a different kind of materialism. You really want it but you can’t have it. The most simple things; a toaster, a new phone, pinion wood–cause we’re cold–it’s so cold! The guy in front of the Homeless Shelter was near frozen when I drove by to drop off a bundle of clothes. Why is it so cold? Even the valet has to wear BMW beanies. These are some funny times.”
“What’s so funny about not having money?” I smirked.
White Wolf breaks into a full-body laughing recess. His sailor-blue eyes are just slightly turned up when he laughs. This transmits his effortless, humorous pitch on life.
“It’s different,” I said. ” I mean everything feels unfamiliar.”
“Yeah, it’s okay to feel,” White Wolf said. “Things are rattling around. That’s why the Gorge Bridge felt so stable the day I drove up to Taos. I think it’s the most stable thing in my life right now! Hah.”
I had placed the frittata in front of White Wolf, but he hadn’t touched it yet. Even when he’s starved; he lets the food sit there and cool off. I’ve never seen a man not eat when food is placed in front of him. I was already biting into the frittata; relishing a real meal.
I found a momentary silent inlet and asked him if the food was cool enough. White Wolf looked down, touched it with his index finger, and then his appetite fired off. After a few pensive moments, as if he were saying grace, he took a proper bite. He takes the food seriously, intensely. He’ll make a remarkable husband for some woman. He talks a lot about marriage, and the songs he’ll sing to his bride’s mother the day of the wedding. He confides in me uninhibitedly, as if we were two teenagers, cutting class. I feel youthful when he’s in the house; the absence of masks, emotional camouflage, and exaggeration is how I remember adolescence.
“What’d you say Wednesday was–on your new schedule?” he asked.
“Wednesday… I forgot since you showed up. I know! It’s Gallery LouLou marketing.”
“We have to give out two cards a week. I want you to pass out two every day.”
I nodded my head, ” I will, 2013 is just not the year to buy art in a vacation rental during the winter.”
“Geronimo has been slow, no A-list celebrity types, no mothers and daughters; cause the daughters don’t want to come here anymore.”
“Neither do single men, I interrupted. And if they do, they’re from Los Alamos. Can you see me with a scientist or an engineer? I’d make them crazy.”
“Listen–someone asks you out for an Ecco latte, don’t be a bitch. Just do it! You reverse sweat it. If he’s a jerk, Deebo him.” Deebo is the guy who shows up late, and should have been on time. His quip is unabashed, and he handles himself like Sean Penn; smoking and all smiles while he reverses blame.
“Can we change the subject?” I said.
“No! I want to know why you’re not even trying to hook up?”
“Because I’m convinced the man I want isn’t in Santa Fe. The ones I’ve met are looking for a caretaker, a fly-fishing partner, or a biker. Look, there are two types of men: one loves a woman because she’s not a man, and the other one seeks a mother who he can bash around.”
“I want to rat those guys out–like the ones that pinch and don’t tip. Give a name to that.”
“ Listen to this; the newly coined slogan for New Mexico is Truth.” I said.
“ Truth. About what?”
“ Exactly! What truth are they referring to? How bout’ the naked truth? Picture a Native American woman out in the arroyo in a leather crop top, her black hair elevated in strands by the wind, dust on her cheekbones. New Mexico is naked, isn’t it?” I asked.
“It’s isolated. If you can afford to come to Santa Fe and not blow your brains out, or go broke, you deserve to be here. Right?” He is smiling. Even the painful truths, are reformed as tests of endurance rather than complaints. He developed his own poetic rap dialogue that I suppose comes from growing up in two cultures: one in the hood, and the other in the wealthiest homes in Santa Fe.
“ Then it’s a good place for you. Like your friend that takes her poodle to Hospice. I really respect her for that. That’s what she’s doing with Santa Fe.” He said.
“What do you do with Santa Fe?” I asked.
“I’m the union organizer for luxury limo drivers. Like, iron your shirt and shine your shoes, have CD’s in the car, and water. You know–like this is New Mexico but we can spell Burberry. On the weekends I’m the ladies traffic controller!”
“ What is that?”
“At the clubs. Some of the guys are okay, all suited up, hoping for a dance, but some are like, I’ll buy you acocktail if I can follow you home. Someone has to protect them. Ladies can’t drive home cause they’ve cocktailed all night, or they can’t find their car keys, or they want to impress their friends with the Viking chauffeur. It’s chill; they’re good girls during the day.”
The morning turned into afternoon, and I was cleaning dishes, and watching the birds from the kitchen window. Every hour or so I stop responding to White Wolf, and let him talk. I can feel the rush of his life; how he sprints from limo driver, to Geronimo valet, then to Albuquerque, the gym, and his family. People who live intensely engaged in a variety of relationships; stir their surroundings like a human wind. Every time White Wolf leaves, I’m bouncing through the living room and dancing.
When I tuned into the conversation he was recounting his day in ardent animation. His laughter echoes, almost like he’s singing a song, and it lasts a long time.
“I don’t mind giving back to our greedy city tax roll. I feed the meters at the Lensic; that quarter made a difference. Huh?”… more laughter and he repeats, ‘we’re down to quarters.’
“Those meter guys were writing tickets like, here take that, and then on to the next car. Don’t bother coming back to Santa Fe, and it’s the weekend! That’s the barometer of my city—-hurry hurry write that ticket. Once it’s done it’s done.” Suddenly he stands, positioning his legs a few feet apart, he leans over, picks up his keys, and his phone.
“Come on let’s go for a quick creep.”
“A what?”
“Cruise the plaza, get you outdoors, come on it’ll make you feel better.”
“I’m not dressed for outdoors..”
“Put on a pair of low brow boots, and a jacket. Not fashioning this afternoon. You won’t even get out of the car. Come on.”
I listened because White Wolf is definitive in decisions. He doesn’t waver back and forth or want to argue. I rushed upstairs, zipped up my boots and grabbed a down jacket. He was standing by the window.
“We have twenty-minutes.” He said pointing to his watch.
We hopped into his silver VW GTI and he told me to pick a CD. I shuffled through the stack, while he backed out. Just then I noticed a car pull out across Palace Avenue.
“Wolf! Watch out!”
“I got it.” He leaned back, shot eyeball calmness to me and asked what CD I wanted to hear. He didn’t scold me for my alarm and doubt. After that I knew my caution was unnecessary. You learn a lot about a man by his driving. It’s a graph of his responsiveness, confidence, and how he handles sudden movement. White Wolf cruised over the icy asphalt and into the empty Plaza, all white and brown like a two envelopes sitting side by side. He was now slouching back, one hand on the wheel, messing with something in the open compartment, and driving 15 mph. There weren’t a lot of cars, but I had the feeling White Wolf didn’t care if there was someone behind us. We drove past Santa Fe Dry Goods, and he stopped, “Empty– that’s sad. No one buying fuzzy boots or hats.”
He drove by every shop and looked in, as if he was monitoring shopping trends. His eyes swept the streets, the alleyways, and I mimicked him, because I knew this was for me. We went slow as a couple of tired horses, so the eyes could bring in the unknown: a homeless man on a corner, the Indian woman selling jewelry, the Mideastern jewelers smoking cigarettes, and a few locals trotting back to work from a break. I looked up to the sky and found a patch of blue, and pointed it out to White Wolf,” and he turned to me and said, “I’m happy you noticed.”
“It’s two o’clock already,” I said.
“How’d it get to be two o’clock?” White Wolf kept the engine at crawl speed all the way back to the house. “You have to go to Santa Fe Spa–at least go see people! And go after six.” I nodded my head as I got out of the car, went inside, turned on the Rolling Stones, and danced.
Gallery Hendrix film concert in the garage for his exhibition.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.
Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, ‘Oh I had an Aunt named Lucero, and we called her LouLou.’ She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. ‘You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.’
I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The long list is what you started as a youth or maybe later. It represents one of those adventures you must do before you die. The list you started without even knowing you were making plans for your future. This list does not have to be in writing, keyed in a smartphone, or posted in Outlook. The long list is about shocking the sensibilities: habits, norms, routines, and coming back unharmed. It is an exceptional journey, and we visualize it while waiting for a flight at the airport, waiting in line for a new driver’s license, or the light turning green. All of the things that we monitor in our lives, like the need to have a cavity filled, updating your platform, passwords, or checking the coolant level, are multiplying, and that short list is so long that we rarely have time to consider the long list. If at random I selected ten long list entries they’d read like this: Safari, Lombardi Italy, Greece, a cruise on the Cunard, a gallery of my own, a husband, a dog and cat, and a place that is quiet, like a ranch. The short list, fix the broken window in my bedroom, fix the roof and ceiling in the guest room, get the three non-working electrcial outlets fixed, the dishwasher, garbage disposal, stage the attic and basement cleaned out, and relocating to a place I’ve not named. The short list is a big obstacle in the way of the long list.
By the time we get to the long list, we may be crippled by fear, turned into a sofa shouting grumpy cynic, or worse than all the above, we may have forgotten what we desired.
Waiting too long to start an adventure on the long list is what happened to me two weeks ago. I waited twenty years. The journal entry was written in 1986 after visiting Santa Fe, New Mexico, for the first time. It was the weekend of the Burning of Zozobra. I read about it in the visitor guide and saw pictures of the paper Mache statue standing thirty feet tall. The mystical ritual of the burning of Zozobra is intended to wash away all our grief and sorrow that builds up each year, and so they call him Old Man Gloom. I missed the event that first time, and I made the following dozen visits for business and pleasure. Some years, I was within days of seeing Zozobra, but I left because someone was expecting me, or I ran out of money. After twenty years, Zozobra became a symbolic representation of what I must control.
This September of 2006, nothing would stop me from seeing Zozobra. Dodger and I drove down from Taos to Santa Fe late on the afternoon of September 8, and checked into the La Fonda Hotel. This is where I stayed on my first visit to Santa Fe. The anchor of the Plaza and all that happens outside eventually flows inside and settles beneath the cathedral viega ceilings of the hotel lobby. As we arrived on Fiesta weekend, the traditional celebration culminated in a juxtaposition of historical events, cultural exhibitions, parades, handshaking, hugging and margarita’s tipping from arms air born. La Fonda opened its doors to the entire population of New Mexico. .
You can sit on an old Spanish colonial leather chair , sip a tangy margarita and watch the fiesta kick off right in the lobby. The procession of costumed soldiers replicating the Spanish conquistadors marched through the lobby while Dodger and I were checking in. From here, I wandered over to the Concierge Desk and shouted, over the roaring and singing, about dinner reservations. Nancy, the concierge, made reservations, handed me maps and numbers, and turned us loose. That first night we stood under an umbrella in a downpour and watched the Opening Ceremonies in the Plaza, and later hopped in a Pedi cab to Ristra, where we dined on appetizers at the bar and I watched the activity with my notebook stare. I love being inside a strange room full of people, to me it is like starting a new book. I make up stories about the people, or if I am feeling brave, invade someone’s privacy to find what they are about. The diners were too removed, so we left and returned to the Plaza. In a few hours, I would be descending the far side of town to meet Zozobra. Twenty years had passed, and the moment was finally here. I was wearing my new cowboy boots and seated on the Palace Patio, looking into the sheets of rain that soaked all the out-door booths.
“ Are you ready to trek in the rain little mama?”
“ Yes, finally, trust me this time, you will love it. Do you have your earplugs?” Dodger has tinnitus and is implacable about loud noise.
“ Yep. Hope it’s better than trekking in the rain to see Funny Cide race.”
“ You hated it didn’t you?
“ I hated carrying that thirty-pound tote with all your junk.”
We walked about a half-mile in the rain, Dodger moved in stern choreographed steps to avoid the mud. “Damn, these are brand new boots. I’m going back to the hotel and change”
“ Cowboy boots are supposed to be worn looking. You can go to Lucchese tomorrow and have them polished.”
“ No, I just paid five hundred dollars woman, f I’ll bring you another pair in your closet.”
“ We won’t get the same place and you’ll never find me, I wander. So, just suck it up tough rugged warrior of earth, land and sea?”
“ Oh, all right, but I’m not happy.”
“ Look, there’s Zozobra!” Dodger stood in stillness, eyes wide as marbles.
My head was soaked cause I’d forgotten the umbrella and Dodger harmonized a lot of cuss words as we reached the front gates. Gangs and families, children, old timers in costume, scurried to reach the event’s standing front row. As we trudged through the rain, I noticed a crescent of anticipation that united everyone on the path. When we reached the arena, we looked down at the muddy slope as teenagers, mothers and strollers, slid down the hill to the front gates. I envied their loyalty to Zozobra. I was within a hundred feet of the stage, I could not remove myself from the unified adulation for Zozobra. As a ritual to burning the curses of life, people bring letters, photos, rejected elements of a personal tragedy and place them in the circle before the fire light. The crowd had expanded into a gyrating crush of participants, swaying back and forth, cheering the appearance of Zozobra, as he rocked back and forth in flames of fire. A convergence of strange mystical wailing, and an encore of audience howls ignite the lighting of firecrackers that set Zozobra in flames.
What I saw was the burning to the ground and the howls from the musicians that accompanied his death. That happens if you let the long list precede the short one. Dodger stopped grumbling when we returned to the hotel and exclaimed to guests, “We saw Zozobra!”
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
It is the Kentucky Derby and Cinco De Mayo weekend at La Posada. Kristen from the hotel said I should go; it would be fun. She’s a feisty young woman with clear, penetrating blue eyes and silky brown hair. Youth dances in her expressions; other times, it wilts from being locked down to an indoor job. She’s an adventurer who camps out in Belize and South America. Now, she’s talking about Antigua.
I walked out to the courtyard to see what was going on. The tables weren’t set up yet, but the Donkey stood idly and annoyed at the other end of the yard. I don’t know why they bring him, maybe for the kids. In the bar, a few guests were watching the Derby. The elan of race anticipation is shining like a light. I ordered a Mint Julep, and the guys were all watching as Dude whipped it up with finesse.
“ How is it?” Dude asked without needing any approval.
“ Magical. Who are you betting on? Greta asked.
“I want a Titty Tut, something nasty.”
“ Oh, stop that. You do it too much.” She replied.
“ Not nearly enough! Okay, here’s my horse—Promises Fulfilled. Oh yes, that’s mine.”
“ Everything you say is a metaphor for sex.”
“ You bet it is.” Who’s your pick?”
“ My prick is Justify.”
“Hah, see, now you get it.”
I sipped my drink and wandered around the lobby, stopping to greet Jackie, Monserrat, and Danielle. They don’t know what their smiles and caring comments do for me. I must tell them more often.
“ I don’t know what I’d do without all of you.”To be continued.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
SILHOUETTE of a Taos night out in 2006. It begins with the sunset—a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; they silence me, keeping me from turning on the television or answering the phone.
The sunset has settled into my routine. I watch it from the roof garden over our Adobe Home and Gallery every night. In the midst of dressing to attend an art auction at the Millicent Rogers Museum, the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase and cross over the ménage of piles shoved in a corner to allow SC to paint, I think, “This is going to be my home. I’m still here” Adventures in Livingness
In the courtyard where new flagstone has been laid, and a mud ditch blocks the exit, Rudy hitches me on his back and carries me out the side entrance through Tony Abeyta’s yard. Tony’s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican dunes. This is how the evening begins. Out in the parking lot, we circle around once and stop in Robert’s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace and says, have fun.
At times like this, I can forget the faces and routines I lived in Solana Beach and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car, ensuring my shoes don’t fill with gravel.
There is very little street light along the desert road, and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather-clad bikers, and abandoned pets is of no comfort or value. Boundaries and civilities between people are vague, and sometimes, conversations elope into poetry.
At the Millicent Rogers Museum, the director, Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.Each room is an envelope of Native American jewelry, ceramics, paintings, weaving, textiles, and metalwork sealed with Millicent Rogers’s ethereal presence. By coming to Taos and bridging her New York chic with southwestern individuality, she set global trends in fashion, art, and living. he museum collection includes some of her designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. Although she could have chosen anywhere in the world to live, she settled in the unaltered, surreal lunar beauty of Taos.
I wandered through the tightly packed rooms, alternately viewing the guest’s attire and jewelry. The woven wraps, belts, and hats worn by men and women form a collage of individual expression. Almost everyone seems to attract attention by the texture and color of his or her attire. It is a festive traditional look, with southwestern accessories paired with jeans or silk dresses. If you come to Taos, look for a belt buckle, one piece of Native American jewelry, and one piece of art.
When the auction was announced, I admired the same etching as the woman next to me. She remarked that the artist was also the teacher of one of her children. I learned that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.
“So am I,” she answered.
Rather than talk about her work, she began talking about her daughter, who is also a writer.
“I’m so lucky–all my children and grandchildren are creative and artistic.”
It was obvious that her life was a garden of earthly delights and that she had raised many roses. When the auction began, she vanished, and I quickly viewed the art before returning to the two etchings. They were both sold.
As I was walking out, I bumped into Ellen. She was clutching the etchings.
“So, you bought them,” I said.
“Oh, yes, I had to have them.”
She left me with a beaming smile and a closing remark I often hear: “Welcome to Taos.”
I love hearing that so much I don’t want to stop saying, I just moved here. After the auction, we stopped in Marco’s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, who were visiting from Santa Fe.
The dim, glowing melon adobe walls of the bistro, Marco hugging everyone, Joan’s melodious, high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast-rolling film. The conversation and laughter surfed breathlessly from one person to another.
Joan remarked, “My fifteen minutes. This is the best for me. The first time you meet someone, you’re both talking without effort. It’s so perfect.”
We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friend’s house. Philip agreed to drive to Santa Fe the next day, and we took Tylenol before bed.
Not every night out in Taos is like Joan’s fifteen minutes, but chances are you will have something to write home about. The beginning of Gallery LouLou Taos, NM
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I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The Beatles and the Maharishi 1967 –Philip Townsend
“The Beatles and Maharishi at the Meditation Centre, Abbotsbury Road, Kensington. After this meeting, they went to the Hilton Hotel, Park Lane, where Maharishi gave a lecture. These shots for Beatle purists were taken before they went to Wales or India. The shot of all the fabs, partners and road crew is interesting as it is one of the few with the whole lot in one snap.
The photographs are exclusive as I was the only photographer there. I had been asked by the holy man’s Public Relations agent to take them but they failed to pay, me therefore I own the copyrights.”
What I love is every Beatle has a distinctive expressionat the meeting. Note John contrasted with Paul.
Gallery Loulou 2008
Philip arrived from London late in the evening. We met him at La Posada Resort Hotel. He did not stop smiling and chuckling in spite of his lost luggage, and a twelve-hour flight. His photographs had arrived and were already placed when we invited him into the gallery. Again, a resonating joyous outburst, ” Oh, it’s lovely, marvelous, just marvelous.” He was tall, lanky, and at seventy-something majestically youthful. We spent hours together over the next week. He loved when I made him a cup of Tea, the bumpy New Mexico road trips we planned, and the dinners. The slightest bit of congeniality towards him was returned with a pat or a hug and kiss. Opening night was a sensational tribute to a prince of a man.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
THE MEMORIES are fading, like images floating through a mist, not just of Dodger but the life pre-break-up, a carousal of my favorite places; swimming, hiking, running, new restaurants, gallery openings, shopping, concerts, clubs, dancing in the street and our porch parties, but I cannot remember the state of grateful, emerging in the vortex of sensations, stimulation, surprise.
Do we ever return to that kind of forever spectrum, as if it will never end, and then it does, and we cannot go back. It’s not too late to feel grateful, fortunate, and lucky to have lived so many acts of my choice.
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5Carolyn Gootgeld-Levine, Erika Marie Schwalbach and 3 others
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Curiosity doesn’t always kill the cat, sometimes it brings confidence. I asked my British friend, ‘is it common for people to lose their curiosity, passion, and desires as they age?’ He responded, LOL, yes. That’s where we are different, he has certainty, whereas I don’t. Being single and living alone affords you freedom of thought, and so it was this weekend, while enveloped indoors to avoid the chilling grip of winter, my thoughts were in a heated argument.
Go to Saratoga and visit the Casino Museum, have a croissant or lobster roll, roam the gallery district, window shop, and get out of this house now.
It’s too cold to walk, I’ve been to the museum, I don’t feel like dining alone again, and the galleries I’ve been to are arts and crafts.
That’s not the reason, is it?
No, I’m not curious.
Just four years ago, I’d pop out of my Santa Fe home and walk up to Canyon Road Friday Night. All the galleries are open and serve appetizers, some live music, some street vendors, and some costumed characters and it was a party. I didn’t mind eating alone because I knew the restaurant owners, bartenders,and regular guests. Sedation of spirit came in the last six months. The first year coming back to my home after a six-year absence was invigorating and new, and unexpectedly in need of serious maintenance and lease management.
In front of El Farol, Canyon Road on a stranger’s beauty mobile. Twice a week for live rockin music and dancing. One of my favorite dance floors because the stage is three feet away.
The second year was getting about town and exploring and then Covid so it was an incomplete year. The third year was a wicked winter and when spring came, the ebullient appreciation of the sun and flowers renewed, and my curiosity temperature was down but not dormant. Circumstances too complicated and gruesome to write, force me to stay here. I’m one of the millions, that live where they don’t choose to live anymore. When the day comes, the freedom to relocate is my curiosity. My next nest is undetermined. My friends, ask me, ‘where are you going to move to?’ This comes up in every third or fourth conversation. And the answer is the same, ‘when I know I’ll tell you.’
Upstate on a clear day.
Poetic justice for a life-long wanderer. Curiosity I call on you to visit my spirit and paddle me out to waters and roads unknown. Give me the confidence to keep my oars afloat; confident, curious, and passionate.
On the road from New Mexico to somewhere… I can’t remember.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
