I just came across this post and thought maybe a writer in waiting will read this and keep on truckin!
IN NOVEMBER OF 2005 I reserved a space at the San Francisco Writers Conference. I was nervous and edgy when I boarded the plane. My pitch proposal, pitch suit, and pitch necklace, were tucked inside my suitcase. The pitch convinces an agent or publisher, that you know your subject well enough to feel one hundred percent confident.ย It may sound irrational that a writer could work five years on a book and not know what it is about. As an emerging writer I view my work through a kaleidoscope lens. I see multiple themes, subplots, and messages, and they change with each reading. Then there are loose knots of personal misery, lost versions and rejections ringing in my ears. My pitch has to convince an agent, that at least 5,000 people will buy my book. The pitch suit is the outfit you wear for an interview; only for writers, the guidelines are very loose. Some writers wear their narrative. I brought my tailored, looking successful, pants suit. My pitch necklace is a gold Buddha medallion that my father had designed for my mother. I wear it for good luck and because I know the necklace has survived all the family tragedies. The conference is at the St. Francis Hotel at Union Square.
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It was pouring when I arrived. The staff at the front desk greeted me with musical familiarity. Every time I swished by they called out, โHello, Ms. Smiley.โ I imagined them as a chorus singing my name. I arrived one day early to pace the galleries, cafes, museums and Saks. After the first night, I had to switch rooms. I was directly above the street dumpsters, where for hours the chugging of trash kept me awake. I moved frantically, to scoop everything up and not miss a moment of San Francisco. After switching rooms, I dashed over to the Espresso Bar. It faces the corner of Powell and Sutter. Outside, the streetcars clanged by, passengers dangling from the bars like vines on a tree. In between the tracks, workers both blue and white-collar, and some without any collar at all, jammed the sidewalks on foot, bicycle, moped and skateboard. With phones and iPods attached, eyes alert, they buzzed on the vibe of Saturday, moving like musical notes in a symphony.
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In the cafรฉ an elderly woman wearing a SFWC name tag was seated next to me. I noticed she positioned her book on the corner of her table. She looked overwhelmed and frightened. As I introduced myself she smiled courteously, and said she was a neurotic housewife all her life and didnโt have much to write about, so she wrote about her husbandโs war stories. I told her she should write about the neurotic housewife. Just as I was leaving, she stopped me and thanked me for speaking to her. โThereโs always a guardian angel around.โ Her voice lingered in my thoughts all weekend. At six oโclock that evening, I was gliding around my room dressing for the gala. I reached for my jewelry bag. It was gone. The weekend was ruined! I would never get published, Iโm too wired, too reckless, too distracted. I called the front desk. Heather said she would call me back. Bang, bang, bang, went my shoe against the bed frame. Then the phone rang. โHello, Ms. Smiley. Iโm sending the bellman up with your jewelry.โ I answered the door recoiling with pained joy. The bellman listened attentively. I rushed upstairs to Harry Dentonโs Starlight Room. There I began wine tasting with Maggie, Peg and George; three new comrades in a room of hundreds. I spent the next day among more comrades, writers with unpublished stories, books, and works-in-progress. I listened to panels of writers; agents and editors discussed the fateful downward spin of publishing and upward battle towards reward.ย We sat in our chairs looking overly anxious, taking copious notes, and waiting for answers to our questions. At the end of the panel discussion we all lined up to meet the agents and editors. While we stood in line we met each other. โWhatโs your story about?โ the woman behind me asked. โGrowing up with gangsters,โ I replied. โ Oh well! That will get you an agent.โ โ I hope so.โ
During the conference, I experienced a lucky throw of the dice. I met one of my mentors; Joyce Maynard. Her book, โAt Home in the World,โ is on my beside table. Joyce was published in the New York Times when she was sixteen years old. JD Salinger read the piece and invited her to live with him. Joyceโs story will send you back to reading Nine Stories. As I progressed through the circle holding my pitch stick, the fear and apprehension subsided just a tiny bit. Three agents responded; โsend me your manuscript.โ Naturally when I returned home, my hands were tied to editing. I rushed through, did not employ someone to copy-edit, and then ran about announcing my almost to be signed contract. Three months later I recovered from the rejections and began another rewrite and another until today, when I am on my fifth manuscript. This one feels right because I am not rushing through it expectant of publication; this time I know it will be published.
STILL A MYSTERY WHO SHOT BENJAMIN “BUGSY” SIEGEL .ย ย
ย JUNE 20,1947
Several years ago, I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website and asked for an exclusive interview. He asked about my fatherโs relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, butGeorge persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.
We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.
My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, โI think Bush did it.โ He was not too impressed with the answer; but it saved me from theorizing.
At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my fatherโs best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to โBugsyโ than what the public has been told. The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hillโs brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path. He always said, โYou donโt inherit friends,โ and so I declined to remain friends with family members of his group, because I respected hisorders, even after he died.
I doubt any of his mob friends are still alive today. Many people have claimed they knew my father, but in essence, what they mean is they met at Ciroโs, or had a game of cards, or went to the racetrack. My fatherโs only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.
A man Iโd never heard of called and informed me, โYour Dad and Ben buried a safe deposit box in downtown Los Angeles. You should look for the key, there may be a lot of cash.โ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that. Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have allowed my sister to sell his Patek Philippe diamond and ruby pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my fatherโs life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.ย ย
I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind tinted dark sunglasses. He was quiet and observant. He watched me eat and then handed me a twenty-dollar bill to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. This was a setup, he picked the losing horses, so I’d get the lesson ” Even your old Dad loses at the track, remember that.’ There wasnโt anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting.Lucky for me; I discovered Dad’sย ย gambling didn’t pay off. When he was with Siegel in the forties, controlling the wire service he’d bet up to $50,000 in one day. And lose it on the next gamble. I don’t bet on sports, or gamble in casinos. I do gamble on life, and aim for the outlandish, improbable questionable odds.ย
Photo: Leaving Beverly Hills Police Department day after the murder.
Weaving together events witnessed personally and those gleaned from friends, associates, historians, FOIPA, INS and archives of the Department of Justice, author Luellen Smileyโs memoir is a brief, heartfelt genuine reconstruction of familyโs relationships of the past that neither dwells on nor dramatizes the true image of her father Allen Smiley, his allegiance to Benjamin โBugsyโ Siegel and the criminal world.
Author Luellen Smiley details her childhood and growing up days as a gangsters daughter- elusive as it may be by immersing her readers through intriguing happenings of everyday and events of the bygone years that justify her fathers masked behavior and restrictions for his adored daughter.
Definitelyย โCradle of Crime: A Daughterโs Tributeโย is a straight forward homage to a father and a triumphant tale of a daughter who broke barriers of secrets to reach the hardcore reality through her hardship and research.ย A not-to-be missed 5 star readย โCradle of Crime: A Daughterโs Tributeโย is a book for those who care for family morals and values and are willing to accept poignant twists in one setting. Highly recommended.
A candid and enthralling memoir, CRADLE OF CRIME – A Daughter’s Tribute is the debut release from Luellen Smiley and it proves one of the most gripping and powerful books in its genre. Certainly no mean feat, given the swelling number of similarly themed offerings but Smiley does well to distinguish hers with painstaking research, a broad narrative sweep and intellectual grip to deliver a fascinating and revealing read, for the events it covers.
The storytelling isn’t redemptive with much of the most compelling material in this book being intensely personal but it is a very human story that dispels hype and myth and gives us a telling glimpse of a remarkable life. Weaving together several stories it makes a vivid and notable contribution to the mafia debate which invariably swings between the codes of honor and family values so often portrayed on the silver screen to a brutal criminal organization focused only on the accumulation of wealth. In contrast, Luellen finds a far more equitable balance in her reflections, and it makes for a genuinepage-turner.
Extremely well written, fans of this ever popular genre will find CRADLE OF CRIME – A Daughter’s Tribute a fascinating read and it is recommended without reservation.
Ella blew out tunes like a smoke stack, and her face drew more sweat with each soulful sound. By the second song, the sweat was pouring down her face and into that gorge like cleavage that heaved with each breath.ย I was a child and didnโt understand the emotions that distorted her eyes and mouth. Ella, crowned by a sizzling hot spotlight overhead, transmitted every flaw and feeling on her face.ย ย I hadnโt seen a singer suffer before. I looked up at my mother and started crying.
โ Whatโs wrong sweetheart?โ
โ Iโm afraid sheโs going to die.โ
My mother whispered assurances that Ella was not going to die.ย I kept crying. She then excused us from our table and I followed her into the Powder Room.ย She sat me on a chaise lounge and wiped my tears.ย The expansiveness of the Powder room, compared to the ones today, was like being in someoneโs bedroom. Soft cushioned chairs, a long dressing table speckled with ashtrays, perfumes, and miniature toiletries. We stayed there until Ella finished her show. Mom didnโt show her disappointment, she rarely showed despairing emotions, or caused me to feel ashamed of my behavior. Looking back fifty years later, Iโm reminded of my motherโs selflessness and how a legend can drop down your path, and you donโt even know it.
Again, looking back fifty years later, my succession of travel diaries is dim by comparison to the Vegas memories.ย Swirling amongst the รฉlan of prohibition era abandonment, gangsters were the Rothschilds, the royalty of the scene, and the non-members loved it. Thatโs why the women behaved Roaring Twenties ZaZu Pitts and Louise Brooks emancipated. Everyone was free of their wrappings and responsibilities. They were partying with the men theyโd first met on screen, played by Bogart, Robinson, and Cagney. I remember them now as being childlike. The outsiders may have been living the childhood stolen by WWII and the Depression. Their veiled heroes were gangsters whoโd been breaking the rules since being ripped from their motherโs breast.
Then, one day the in 1963, the Rat Pack landed in Vegas, wearing black Tuxedos and intercepted the publicโs fancy imitations of living vicariously. ย Joey Bishop, Peter Lawford, Sammy Davis, and Frank Sinatra invited Vegas to drink, make love, and gamble. And they did. If you find anyone over seventy in Vegas today, ask them about the Rat Pack, Johnny Roselli, or Jack Entratter, and youโll know Iโm not exaggerating. Vegas was the time of their lives. The drugs were minor, an upper or a downer to sleep, but no one came to Vegas to OD or commit suicide.ย The deaths were in the desert, between the gangstersโ. This was all before Tony Spilotro got wheels on his greed and went speeding into his own death.ย TO BE CONTINUED
BOOKS FOR SALE FROM MY RESEARCH COLLECTION.BASED IN NEW YORK. PREFERRED SALE OF FIVE OR MORE. HARDBACK $14.00 SB $6.00 + MEDIA MAIL. INDIVIDUAL PHOTOS ON REQUEST.
Luellen Smiley โ Some book sections are highlighted but otherwise in good condition.Bugsy Siegel’s book, Mr. Mob & King of the Sunset Strip, sold.
THE BATTLE FOR LAS VEGAS SB – DENNIS GRIFFIN
BUT HE WAS GOOD TO HIS MOTHER – SB R. ROCKAWAY
ย
MOTOR CITY MAFIA SB – SCOTT M. BURSTEIN
THE BOYS FROM NEW JERSEY SB โ ROBERT RUDOLPH
CHICAGO HB- DAVID MAMET
DOUBLE CROSS- HB SAM & CHUCK GIANCANA
GANGSTERS AND GOODFELLAS HB AS TOLD BY GUSS RUSSO
THE STARKER HB โ JACK ZELIG ROSE KEEFE
MOBBED UP HB – JAMES NEFF
BOUND BY HONOR HB – BILL BONNANO
THE PUBLIC ENEMY SB โ HENRY COHEN SCRIPT
NAZIS IN NEWARK SB- WARREN GROVER
THE VALACHI PAPERS PETER MAAS
BLOOD RELATION SB – ERIC KONICSBERG
THE OUTFIT SB โ GUSS RUSSO
TOUGH JEWS โ SB RICH COHEN
THE MAFIA MURDER OF JFK CONTRACT ON AMERICA-HB DAVID SCHEIM
ORGANIZED CRIME HB โ PAUL LINDE
CAPONE HB- JOHN KOLER
LITERARY LAS VEGAS SB -The best writing about Americaโs Finest City MIKE TRONNES
HONOR THY FATHER SB – ( MY DADโS) GAY TELESE
MURDER INC SB BURTON TURKAS โ SID FEDER
THE LAST MAFIAOSO HB – OVID DEMARIS
ALL AMERICAN MAFIOSO SB- THE JOHNNY ROSELLI STORY CHARLES RAPPLEYE & ED BECKER. SIGNED.
PICTORIAL BOOKS
FABULOUS LAS VEGAS HB โ MICHELE FERRARI STEVEN IVES
ORGANIZED CRIME- PLAYBOYS PICTORIAL HISTORY HB RICHARD HANNER
This a refreshing, wonderful story in the fact that I got to see the unfolding of Allen Smiley and Ben Siegelโs story through the eyes of Allen Smileyโs daughter. I got to see the point of view of someone who personally knew Allen Smiley, the other side of him: the family man and her reactions to discovering her fatherโs past, secrets, and how people viewed her father and the Mafia. To my delight, the author also included journals and files relating to the criminal speculations of Ben Siegelโs murder which helped shape the bookโs framework. I felt like a detective myself as I read through the story and found out more and more about her fatherโs other life.
โWhatโs it like knowing your father is a gangster? Did you know when you were a teenager? Did you meet Bugsy Siegel? Did your father kill anyone? You know the Mafia kill people.โย
Childhood 1955-1961
I called him Daddy. His friends called him Al, or Smiley, the Department of Justice tagged him โarmed and dangerousโ and his mother named him Aaron. He was born January 10, 1907, in Kiev Russia, one of three sons born to Ann and Hymen Smehoff
ย ย ย ย ย He had salty sea blue eyes blurred by all the storms heโd seen.ย When I say something funny, his eyes crystallize and flatten like glass. Smoothing out the bad memories.ย Heโs always a different color. Dressed in coordinates matched perfectly as nature.ย My small child’s eyes rest cheerfully on his silk ties, a collage of jewel tones. The silver and blue tie matches the shirt underneath.ย The feel of his fabric is soft like blankets.ย He is very interesting to look at when I am a child and open to all this detail.ย
I cling to his neck in the back seat of his long Cadillac. My mother doesnโt ride with us during the day. She comes along if we are dressed up and going out to dinner. I enjoy the car rides most. He sings songs and his hand flutters about, catching me by surprise behind the ears, and I shriek. Daddyโs laughter echoes inside my ears.
ย ย ย ย We visit friends in Hollywood who own delicatessens, restaurants, and clothing stores. We go to Paramount Studios and I ride around on a pony or get kissed by cowboys in a Western scene.ย We go to Beverly Park almost every day to ride the ponies.ย I am only two years old when Daddy slings me over this big stinky pony, and insists that I go around the ring one more time so he can watch.ย I meet Hoppalong Cassidy and we visit his booth at Pacific Ocean Park.ย When my father was a film producer he worked with Hoppalong on a western film.
Our home in Bel Air was where I lived before I knew how fortunate we were. My room was at the end of a long hallway, and I was afraid to leave the room when it was dark because it seemed such a long distance to my parents. The wallpaper danced around my eyes, a collage of flowers illuminated the black background, and I was wrapped in a blue satin comforter. My room was cluttered with dolls. As a young child, I preferred staying in my room and imagining characters for my dolls.
ย ย ย ย ย My father showed us, and really paraded us around as if we were exceptionally talented.ย ย I never understood why these people fussed over me. I sort of distrusted them, before I understood what that meant. There were exceptions, the ones I knew to be real family people earned my affection.ย I dreaded the routine of being placed in front of a group of men and women who stared at me as I curtsied or mumbled โHello.โย ย George Raft came to all my birthday parties, Nick the Greek showed me card tricks and Swifty Morgan told stories all night.ย Damon Runyon characterized him in his stories as the โLemon Drop Kid.โย I was surrounded by men with FBI files and notorious reputations for being dangerous gangsters. Some of them had been arrested for murder. Others were old-time bootleggers from Cleveland and Detroit.ย I knew them as Uncle Lou,ย Doc, or Uncle Johnny.ย Years later I would discover they were Lou Rhody of the Cleveland Jewish Syndicate in Cleveland, Doc Stacher, the tough New Jersey underboss to Longy Zwillman, (the guy who discovered Jean Harlow in a speakeasyin New Jersey), and Johnny Rosselli, the king of Las Vegas in its heyday.ย I was enchanted by thesemen, they were family friends, and they never followed the rules.
This home was my fatherโs showplace. He bought the house in 1955, and that was a bad year for him. I was two years old.. That was the year that a number of his friends and associates died or were murdered. Like Little Willie Moretti from New Jersey, who was killed by rival gangs, and Tony Canero, who died at the blackjack table of the Stardust Hotel.
Willie had a problem keeping his mouth shut. Frank Costello, the leader of the syndicate group most closely associated withmy father, sent Willie out to California where heโd be safe from harm. Willie was unstable, taking bets on losing horses and talking to people he shouldnโt. Frank asked my father to keep an eye on Willie, to become a confidant. He was told to dress up as a Doctor and pay visits to Willie. My father obliged and Willie took a liking to my father. Willie suggested to Frank that the boys should build this doctor a hospital. Frank told the story to some of the other fellows and they must have had a good laugh. Frank had another idea, giving Allen the job of promoting Willieโs good friend, Frank Sinatra. My father declined the offer. Eventually, Willie returned to New York and was found dead stuffed in the trunk of his car. The second tragedy was the suicide of Louis Rothkopf, โLou Rhodyโ they called him, or โUncle Louie.โ He was one of four bosses of the Jewish Cleveland syndicate, (the Mayfield Road Gang), and one of my fatherโs closest friends. I heard that Louie would cross to the other side of the street if he saw a guy that owed him money. He had a big heart. With his wife Blanche, the Rothkopfโs were respectable business owners in the Chagrin Falls area of Cleveland. When Senator Estes Kefauver launched a federal investigation on organized crime, he exposed and ruthlessly slandered Lou and his partners. Not just as bootleggers, and distillery owners, but murderous syndicate men with ties to the Italian Mafia. By this time, Lou and his partners were operating legitimate business enterprises all over Cleveland. Blanche commit suicide two years before Lou also took his own life. I have been told that my father brought Lou in to save the Desert Inn Hotel in Las Vegas, when the first owner,Wilbur Clark, went busted.
* * * * *
The house in Bel Air brings back the best memories of my childhood, but few visions remain. The front yard was a blanket of pink and white geraniums. They were tended to by our gardener, and though I wished to sit in their path, and smell their fragrance, I was told not to play in the geraniums. The flowers were my first contact with nature. It wasnโt enough to just look at them, I wanted to lay with them and watch their breathing.
Our house was perched at the top center of Thurston Circle, a sort of distant cousin to the discreet upper Bel Air locked behind black iron gates. There was no gate at our entrance, and the neighborhood homes were a mixture of two-story colonial and ranch style. The view of Los Angeles from the living room and my parentโs room was an electric and absorbing scene for a small child who hadnโt known anything beyond her house. At night lights glittered against a black sky, and I could sit by the window and dream of what the lights were all about. Entangled bougainvillea grew wildly behind our house. We picked figs and avocados from trees in the yard. There I learned my first lesson about family values. One day my father showed me a nest of small birds perched on a branch of a spruce tree. He pointed out the mother bird hovering over her babies in the nest, and then he drew my attention to the father bird perched on our television antenna. โYou see, thatโs what the father bird must do, is guard his little family, just like I do.โ I asked a few questions, and he just kept telling me that it was so remarkable how animals take care of their families and I should watch them and learn something.
My parents gave me extravagant toys. I was about four when my father installed a roller coaster in our backyard. He sat me in the cart and I rode up and down the bumpy track, screeching with laughter. My mother was always there, watching from a distance. Daddy was the one that loads me up with surprises and Mommy was the one to feed me, clean me up, and tuck me in at night. I could tell her everything, she listened to me and watched over me. She doesnโt interfere with me when I am playing with my dolls.