“Today is postcard perfection, even now, with sunlight too harsh to look at, the trees with tongues hanging for water, and the dead plants in the garden. I think of the ocean, the look of the sea from watery suntanned eyes, in Malibu and Santa Monica or Del Mar beach, the splashing of waves around my shoulders as I sink beneath the surface.I’m going home to the flowered gardens and avenues of palm trees of Del Mar to see where and if I belong. I spend the days interviewing movers, making last-minute appointments, separating wardrobes, rummaging through my storage unit, and staring into an unknown future for the first time in thirty-five years without my partner.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
MARKETING & EVENTS STRATEGIST |Turning Creative Ideas Into Profit
PROFESSIONAL SUMMARY
A resourceful communications professional with a proven track record of curating high-profile exhibitions, managing multi-platform media campaigns, and producing award-winning written content. Combines creativity, research acumen, and a strong business sense to translate trends into opportunities for brand growth and audience engagement. Experienced in public relations, event management, content creation, social media, branding, and business development. Known for building collaborative relationships, maintaining integrity, and delivering results with enthusiasm and a clear strategic vision. Blue Ribbon Award for Smiley’s Dice in the 5000-10000 category | California Newspaper Publishing Contest. Retail sales experience selling art and clothing.
KEY SKILLS & AREAS OF EXPERTISE
Special Events Planning | Event Coordination | Marketing Strategy | Community Engagement | Content Writing Copywriting | Social Media Management | Brand Development | Public Relations | Arts & Culture Promotion Creative Campaigns |Expert Leasing Manager / Vacation Rental Owner and Management | Project Management | Vendor Relations | Advertising | Exhibition Planning | Email Marketing | Digital Marketing | Strategic Planning | Team Collaboration
SELECTED ACCOMPLISHMENTS
Curated and managed the exhibition strategy for a gallery,including marketing, public relations, receptions, opening night extravaganzas, advertising, and media planning; exhibitions featured iconic photographers worldwide: The Beatles, The Rolling Stones, Jimi Hendrix, Bob Dylan, The Who, Janis Joplin, and Joni Mitchell.
Awarded the California Newspaper Publishers Association Blue Ribbon Award for excellence in weekly column writing.
Founded and grew Odyssey of Adventures, a globally read blog featured in the New York Post and More Magazine.
PROFESSIONAL EXPERIENCE
The Scott Varley Team Keller Williams – Saratoga Springs, NY 2019 – 2025
Public Relations & Promotions Consultant
Owned accountability for media relations, promotions, event planning, and advertising for a real estate brokerage.
Implemented SVKW communications strategy with guidance from the Director.
Increased brand awareness and ensured consistent branding, voice, and messaging across all digital platforms.
Planned and executed social media campaigns to advance communication and engagement goals.
Identified and leveraged opportunities to raise awareness of SVKW initiatives, partners, and collaborators.
The Gallery Loulou – Santa Fe, NM, & Taos, NM 2006– 2018
Owner/Gallery Manager
Oversaw the development and execution of exhibitions and events related to photography.
Secured exhibitions with world-class rock & roll photographers and established the Southwest’s only gallery of its kind.
Translated vision into executable annual operating plans.
Served as an internal decision-making authority across contributing photographers.
Managed vendor relationships across framing, shipping, and cost analysis for all gallery functions.
Main Street Media – Del Mar, CA 2002 – 2007
Arts & Lifestyle Columnist
Authored a weekly column on arts, cultural events, character interviews, and personal lifestyle on travel and horse racing.
Collaborated with the art department, colleagues, and city-wide councils.
Utilized storytelling skills to cover news, including city council meetings, press conferences, and special events.
Galerie D Art International – Solana Beach, CA 2005 – 2007
Publicist & Marketing Director
Managed all functions relating to external communications and media relations.
Coordinated media interviews for gallery artists and occasionally served as a spokesperson.
Supported division-level PR and media-related programs.
Originated the collaboration between the community theater and gallery to co-produce theater in the gallery.
ADDITIONAL EXPERIENCE: Leasing Manager at Terraces Condominiums | Founder of United Steps Dance Productions | Marketing & Leasing Director at Torrey Pines Science Park
Associate of Arts (A.S.), Art History and Literature |Sonoma State University
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
JOURNAL 12/6/2022ADVENTURES IN LIVINGNESS FALLS ONEXCERPT FROM NEXT BOOK.
A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love; instead of neutralizing, we are inspired; instead of being stagnant, we romance; and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! The vortex of discontent is a punctured life.I spend more time watching sky stage plays, my favorite window tree, sculpted into aberrations of animals and faces than on cognitive thinking.
What I think of at three in the morning spirals into realizations and recognitions, and a time when my mirrors move toward me.The insomnia of separation from a man’s shoulder bowed to my head, tweaks my worries like soft bread. The mind that directs me when driving adventurely maps our journey safely. The voice that encourages and applauds my success rather than swaying with jealousy or preoccupation. How the laughter erupts in a moment of spontaneous passion. The gestures of him shaving, and the modest vanity after I re-wardrobe him. Feeling his eyes in a crowd, undressing or admiring me, for some folly or expression. The humor he finds in my misguided attempts to open bottles and packages with a dull spoon and figure out electronics. How he will pardon and pamper my unwarranted fears of stalkers, nightmares, cancer, and falling down the slippery wooden stairs. The man whose balance evens my wrinkles, lets light into my eyes, and opens my shell with wonder and shelter.
Henry Miller writes in his book, “ Henry Miller on Writing,” “Whoever greatly suffers must be, I suppose, a sublime combination of a sadist and masochist.’I think he’s looking at me.
Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted, and receive a thousand warnings a week to get a flu shot. My doctor has tried persuading me to get a flu shot for three years. I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
FREINDS, FAMILY AND FIREWORKS, Not me. Leave out the friends and family. But not the fireworks. I haven’t been here long enough to make new friends, and the ones I would call are out of town or playing homebase to avoid the traffic. The first day free of mind bending, sneezing, coughing and body thrashing over the last two weeks with bronchitis subsided. I even mentioned to a friend. ‘the best thing about suffering is when it ends.’ The last time I had the flu was 2011.
New York. I couldn’t abate watching the fleet parade along the Hudson or the fly overs above the Statue of Liberty, or pay very close attention to the historical narrative on the sacrifices our founders lived and died for, so we can celebrate today and tomorrow. What a juxtaposition between the insignificance of being sick and taking a bullet. The day of history and visuals had me looking up every founder, and significant document, dates, places and rendering the Saratoga Battlefield visit with Jx years ago.
“Site of the historic 1777 Battles of Saratoga, which represented the first significant victory for the rebels in the American Revolution. Today, the 3,200-acre park is a popular tourism and recreation site and a wildlife conservation area.”
I took myself out to dinner across the street at the Brigantine, folded into a room filled with chatting staff, guest’s conversation, and a panoramic view of the fairgrounds and Del Mar mountain tops. I sat in the center, unusual for me I usually cling to a wall, but this restaurant has become a sanctuary for socializing, or just being solo, either way I’ve never left disappointed.
“ You dropped this outside the bathroom,” a young shaggy blonde hair boy of twelve or thirteen handed it to me.
“Oh! Thank you so much, that is very thoughtful.’’ He shied, dropped his head in that way that makes adults wonder why we became so different, and left.
Then later on, as I was outside on the terrace enjoying the view of the fair, I noticed him and a woman next to me. We started to talk, I think she liked my necklace or my pants or something and I saw the little boy and I said is that your son? She said yes and I told her the story. She introduced me to her husband, the uncle, the children, the other children’s parents. And when she left, she hugged me. That kind of intervention makes the difference for a single person.
EVENING. After watching the DC extravaganza, I walked outdoors, to the corner, the street was back to back traffic, helicopters, neighbors’ standing on sidewalks and on our property, and I looked up at the start of a Del Mar Fairgrounds fireworks show that stopped me short.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Every morning I rise at dawn to sit in the parlor. Here I watch the sunlight illuminate the, “Cat on a Hot Tin Roof” movie board in the hearth, and drink a cup of coffee in silence. I feel at home. These are the most precious moments of the day, the moment of peace before throwing the dice.
I can see out the window to the street, and this morning a handful of eggplant leaves on the tree next door have been autumnized to a transparent sheen of bronzed gold. The silence following summer has descended down over the rooftops of the people that live on East High Avenue. The sky is seared with streaks of white, and bubblegum pink clouds drift just above the rising of the sun. The moment is a peaceful stroke to a summer that has been indeterminate, chancy and without design. We came here with the intention to sell the house, and we leave without any such idea.
In the moments SC awakes, I hear his footsteps on the creaking wood floor. I close the journal and go in the kitchen to make buttermilk pancakes. When we are in Solana Beach, we eat bran muffins, usually in short order, between telephone calls, and conversations about things that it is too early to discuss. These mornings he lingers on the porch and reads the paper, because he has the time. If my body is willing, I will run down to the stream by Kelly Park, and look for the blue heron. Along the way, I pass by the quiet man with the three beagles, and a mother walking with her children to the bus stop. I will pass the funeral parlor and look the other way, and when I see the Federal Express Truck, he will wave because he knows I am the woman that receives mail addressed to Soaring Crow.
The front porches I pass are the opening pages to the home stories of people inside. If there are children, the remains of their toys will be scattered about. If they are elderly, they will leave their gardening shoes by the back door, and if they are a young couple, they will be in the midst of home repairs, a roof that needs fixing or a new coat of paint. I have observed just one campaign poster board in the neighborhood. It seems to have gone out of style to post your politics on your car or in front of your house. In the front yard of one home, a banner is pitched in the ground that reads, “Remember our Troops.” I have not asked, but it is probable they have a son serving in Iraq. The hanging flower planters have been replaced with mums and corn stalks. Some scatter straw on the lawn. I used to giggle at this September tradition, now I am almost giddy about arranging my seasonal display in the yard.
The run back through town takes me by the high school, a brawny brick building that looks like the setting for a chapter from “Catcher in the Rye.” A teacher passes by, dressed in a conservative suit and pumps, and smiles. She looks wholesome as apple pie, and I wonder if I ever looked like that. On chilly mornings, the fireplaces may be smoking, a scent as perfect as my favorite perfume. Our own fireplace is inoperable until we reline the chimney, which explains why the movie poster is in the fireplace.
By 8:00 a.m. the yellow school buses are chugging up the street and the children, gathered at our corner; bob up and down in innocent bursts of energy celebrating the beginning of a new day. I arrive home about this time, and stop to watch the quaintness of the moment. The habitat of these surroundings strips me bare of my Hollywood entertainment, Southern California roots. I am nourished by quaint tradition and scenery, and that is one answer to this mystery I call home.
I eat cider donuts when I want and instead of working out three or four times a week, I take long walks, past the Sunny Side farms to see the young foals and mothers in the corral. I dress in style-less shoes and pants, whenever I feel like it, without fashion consciousness. I do not watch the television and prefer to go to bed early and read Carson McCullers novels. If I wake up in the middle of the night, I can sit on the porch and look at the hands of a storm forming in the sky.
People come to my house without notice, and sometimes just walk in and yell my name. My favorite Broadway hangout knows who I am, what kind of wine I like and that we like to sit on the patio. Sometimes I meet strangers who have heard of the Follies House, and I feel a twinge of acknowledgment.
It does not matter what everyone else calls home, it is simply the feeling of peace, security, and acceptance. That is how you know you are home.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
After spending several summers at Saratoga Race Track, I discovered I loved thoroughbred horseracing. All my life, I’ve been a spectator of the performing arts. I never watch any sports on television, and I only attend baseball games when my father needs a companion. The art of performance is what led me to experience the racetrack as live theatre.
The racetrack is the stage, the jockeys’ are the actors, and the men and women who fill the bleachers, picnic grounds, Turf Club, and private boxes are the audience. The racehorse is the star celebrity.
The admission tickets, like any show, are based on your seating. You can walk through the gates for $3.00, or you can buy a Box for $100,000 a year. The collage of human emotions, drama, suspense, and danger, are key components to good theater.
Gambling personifies the Shakespearean twist of the racetrack. High rollers and drugstore cowboys wager to win. Some men walk out with a grocery cart of recycled cans, some walk out with enough money to buy a racehorse. They leave by the same gate, and the next day, they come back for more. But why, I ask, is thoroughbred racing not considered an all-around American sport? Why don’t jockeys get athletic respect? These two spheres of lightning truth struck me while I trampled through the mud, one rainy August day at Saratoga Racetrack.
I asked around for opinions. The Governor’s bodyguard remarked that it was a good question. He did not think gambling was the reason, because people bet on sports all the time. He thought maybe that it was because as kids we don’t learn to race horses, like baseball and football. “The public is naïve about Jockeys, because they have never raced.” Another answer I heard was that 200,000 fans fill a ballgame on any given day, and that those numbers don’t compare with horseracing.
I’m not a bettor, and I don’t ride very well, but I am a drama whore. I took my notebook to the Jockeys’ room to ask the Jockeys’ what they thought about this irregularity in sports. Jose Santos had a few minutes to spare.
“Jose, do you feel like America thinks of you as an athlete?”
“We don’t get the respect that we should. I think it’s the gambling. This is the greatest racetrack in America, and there is gambling in every sport, but when you come to the track, you see it right there, and people cannot avoid it. Pound for pound, we are more fit than most athletes.”
I asked Jose what he does aside from riding. He jogs three miles every day, and walks for a mile. He reminded me that if he goes down with the horse, his strength is what gets him back up again. Another misconception is that jockeys only ride for 2 minutes. Well, the race is 2 minutes, but they ride every day of the year. They do not take breaks.
“How does the public perceive you?” I asked.
“In Europe they are treated like movie stars, over here the Jockey is just another person, and in sports, the Jockey is low. I wish we had more respect, but we don’t get the publicity.”
This feels like the guts of the truth; our little minds like to align with other like minds. The leaders of the pack go to football and baseball, and the media follows behind.
Jose remarked that the only time he felt real enthusiasm and support was when he won the Triple Crown. Otherwise, they get a little column in the paper with the results. “The Racing Form is 100 pages, and nothing is written about us.”
“What if there was a Jockey Magazine?”
“Well, that would be great, then the companies would be interested, and we’d get sponsors. When I go out to the park and run, I wear Nikes.” He chuckled, and I lowered my head in shame. My bet is that this can, should, and will change.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A passage from Anais Nin’s diary says, “Be careful not to enter the world with any need to seduce, charm, conquer what you do not want, only for the sake of approval. This is what causes the frozen moment before people and cuts all naturalness and trust. The real wonders of life lie in the depths. Exploring the depths for truth is the real wonder which the child and the artist know: magic and power lie in truth.”
From my journal. Wecannot unlock our mysteries when surrounded by extroverted behavior. Over the years, the intensity of seeking solitude increased; shy in conversation, I turned to writing when I didn’t dare speak. I’m waiting for some release and joy so I can change course and find a studio (In an undisclosed location for personal reasons). It is not happening. Life feels like a package I cannot unwrap.
That was only two hours ago, and instead of ruminating on impatience, my pattern transformed. I took a walk in a wind that blew the orange leaves in a choreographed dance, and watched.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
YES, I AM LEAVING. SIX YEARS LATER. I THOUGHT IT WOULD BE 1 YEAR, BUT WHAT WE PLAN GOES INTO THE CIRCUMSTANCE BLENDER, AND I, MAYBE YOU, COME OUT SHREDDED, UNTIL WE LEARN HOW TO REMIX OUR CONDIMENTS FOR THE FUTURE. The year the village adopted my slogan, Village of Friends
OLYMPUS DIGITAL CAMERA
Six years ago, this week, I left my studio on Devon Ave, a shrink-wrapped space that forged me outdoors. I landed in Ballston Spa, NY, to save my home from foreclosure. I felt a contrast within and without. The without were the winters. I’d not lived here since 2003, youthful adaptation overwhelmed the bitterness of winter. The within, my mind, heart, and spirit went through a seasonal transformation. Winters, the snowplowing season when I am on duty to ensure tenants and nieghbors can walk on my sidewalk(owners are reponsible in the village) without breaking a leg and then suing me. Writing is the dominant activity, between, cooking, checking the sump pumps, talking on the phone with friends three thousand miles away, and managing tenants. Once I learned the house was two months behind on the mortgage, turmoil, the servicers bounced me around with false information, misconduct and refused the full balance when I offered. Covid postponed the payments for a year, and so did the New York financial agency. I filed the complaint against PHH, and they pressured PPH to abort the foreclosure for another year. Almost all my income went to restoring the house, replacing mechanical parts, painting, and repairs.
One day in February of 2020, a man knocked on my door and handed me the foreclosure documents. So began six years of legal research, interviewing attorneys, and defending myself against the predator, who sought to destroy my life, every angle of it. I can’t name this person; I’m in writing witness protection. Seriously.
It’s Christmas day, and the lobby of the hotel is empty. I think there are seven guests, and most of the cheerful staff are off. The sun broke through, so I’ll wander around the property. It’s 28 degrees, I adapted physically but not emotionally.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
She closed the shutters to his wanting eyes and alchemized from a cocoon to a butterfly beneath a circle of friends in tune. She removed the photos, gifts, and letters and put them in a box to reminisce later. Talking out loud, “She takes just like a woman,” but she will not break like a little girl. “No more hours fanning the past; on this day, my view spans.” She sat peacefully by the fire into the night and let her broken wing sing as she watched the wood turn to gold.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Aside from her legal phantazmorphia, the house has critical repairs, so she is meeting with contractors, plumbers, electricians, and masonry companies to tend to one thing after another. As she reflects on all these repairs and sees her savings account drop by fifty percent, her demeanor is not as she expected; she feels a sense of reward for taking responsibility for the house and hertenants.
“ I decided to eliminate debt by consolidating outstanding balances into one low-interest payment; I didn’t use the air-conditioner, buy favorite foods, go to my favorite tavern, or purchase anything that didn’t get categorized as home repair. I even quibbled with my Physician about an in-person visit and asked for a Telemed visit.”‘
‘No, there would be no frivolous spending. This new style of surviving she called Anorexic Finance. When she relayed this to me, I high-fived her because I’ve never been in that position and thought it was commendable.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’D LIKE TO RIDE A CLAIRVOYANT CIRCUIT INTO THE MINDS OF SINGLES OVER THE AGE OF SEVENTY.
I’ve often wondered why advertisements, the media, and politicians don’t address the single segment of society. We don’t hear the beginning of a statement, whether it is legislative, political, social, or cultural. Singles around the country are not traveling, purchasing more products, refusing to get vaccinated, and are unemployed…etc. We are a minority class; I found statistics on The UnmarriedAmerican.org website. More searching led me to the American Association for Single People website.
There are 106 million unmarried adults in the United States. Singles constitute more than 44% of the adult population in the nation.
About 44% of the nation’s workforce are unmarried employees
The Census Bureau estimates that about 10% of adults will never marry.
I’m not going to make a huge leap into this as my thoughts are more about adventures in singleness.
This conversation is from a close friend, married for twenty-some years.
“You are so lucky you have no idea. If I were single, I’d move somewhere where life is simple, maybe Greece.”
“You don’t know about the loneliness, the awkwardness of holidays, the fear when you get sick and have no one to care for you, so many things really.
“I can think better when I’m alone.”
I told her I understood. That is the crucifix of making my pen my mate rather than a three-dimensional man( Temporary singleness). Some of my interactions go like this; going out to dinner,“Are you alone?” She or he leads you to the most obscure table. Then she or he removes the second table setting and suddenly aloneness is visible. An hour later another customer asks if they can use the spare chair. That’s when I ask for the check and leave.
Taking a road trip and feeling vulnerable when I’m pumping the gasoline and a stranger is gawking at me and I’m in the middle of nowhere. It is usually truck drivers and I immediately think of Thelma and Louise.
Dressing for an event that I’ve never been to on my own. In my closet, I lay out three different outfits. Then I have a wary of decisions on which shoes, flats or heels. When I’m all dressed and ready to go self-consciousness billows up and I change the outfit. It’s a ridiculously amusing routine.
Taking myself out for a cocktail just to get out of the hotel has numerous consequences. I end up sitting next to couples who are having a roaring twenties time of it, and the only single man or woman at the bar is fixated on their phone. Instead, the woman next to me strikes up a conversation about her boyfriend.
The other side of these dismal forecasts is; I have no arguments at home(just interior dialogue), I can eat whenever I choose, watch what I elect on television, keep the bedroom light on, adjust the thermostat to my body temperature, and make all the decisions myself, the most infuriating and worthwhile to building courage and self-reliance.
One of the lines in The Godfather struck me as an authentic gangster testimonial: “Women and children can afford to be careless, men cannot.” As a teenager one of the repetitive reminders my father said angrily was, “Watch what you’re doing!” This was the most relevant and truthful observation he made of me. Admittedly, I am easily distracted, careless, and ignore risk.
Without someone to look after my carelessness (I’ve been on my own now for six years), one three-month friendship ended strangely. When he asked me if I had been boosted, I said I hadn’t. He punished me, citing his father, who lives hours away, and he rarely visits. I had Covid, vaccinated twice, that wasn’t enough, so he vaccinated me out. Now, living in hotels I find men talking to me, but the substance is absent, trivia or weather. I have inducted my interests, literature, art, philosophy, culture, travel, and those subjects return, a glazed stare most times, or they are married. I am not in a rush, I’ve learned that scaredness comes when I’m ready… guess I’m not ready yet!
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
LUELLEN SMILEY ADVENTURERS IN LIVINGNESS 