Curiosity doesn’t always kill the cat, sometimes it brings confidence. I asked my British friend, ‘is it common for people to lose their curiosity, passion, and desires as they age?’ He responded, LOL, yes. That’s where we are different, he has certainty, whereas I don’t. Being single and living alone affords you freedom of thought, and so it was this weekend, while enveloped indoors to avoid the chilling grip of winter, my thoughts were in a heated argument.
Go to Saratoga and visit the Casino Museum, have a croissant or lobster roll, roam the gallery district, window shop, and get out of this house now.
It’s too cold to walk, I’ve been to the museum, I don’t feel like dining alone again, and the galleries I’ve been to are arts and crafts.
That’s not the reason, is it?
No, I’m not curious.
Just four years ago, I’d pop out of my Santa Fe home and walk up to Canyon Road Friday Night. All the galleries are open and serve appetizers, some live music, some street vendors, and some costumed characters and it was a party. I didn’t mind eating alone because I knew the restaurant owners, bartenders,and regular guests. Sedation of spirit came in the last six months. The first year coming back to my home after a six-year absence was invigorating and new, and unexpectedly in need of serious maintenance and lease management.
In front of El Farol, Canyon Road on a stranger’s beauty mobile. Twice a week for live rockin music and dancing. One of my favorite dance floors because the stage is three feet away.
The second year was getting about town and exploring and then Covid so it was an incomplete year. The third year was a wicked winter and when spring came, the ebullient appreciation of the sun and flowers renewed, and my curiosity temperature was down but not dormant. Circumstances too complicated and gruesome to write, force me to stay here. I’m one of the millions, that live where they don’t choose to live anymore. When the day comes, the freedom to relocate is my curiosity. My next nest is undetermined. My friends, ask me, ‘where are you going to move to?’ This comes up in every third or fourth conversation. And the answer is the same, ‘when I know I’ll tell you.’
Upstate on a clear day.
Poetic justice for a life-long wanderer. Curiosity I call on you to visit my spirit and paddle me out to waters and roads unknown. Give me the confidence to keep my oars afloat; confident, curious, and passionate.
On the road from New Mexico to somewhere… I can’t remember.
He’s digging my grave For the dragon he pays With our nest, now shaved Tumbling into the abyss I visit the comfort robes of the past Monogrammed in stone
The will to relive what’s past comes at night
And must be excluded by daylight.
Of HUMAN BONDAGE
The sky hasn’t decided if it will let clouds overturn the sun, and I haven’t decided if I will pack the stack of books on the floor. No, I don’t feel the drive to lift and organize, my bed is warm and the house is not as warm.
I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love. Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep. I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.
I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.
Remember when you opened the door to your own car and took hold of the steering wheel without any parental supervision.As a teen, my Chevrolet Impala was a haven away from my father. I rolled all the windows down, turned the volume up on the radio, and smoked. My secret joy was hoping the driver next to me would hear the music and notice me. If he was a suitable face I turned around and bobbed my head. Then, just as he looked over at me, I turned away, and looked in the rearview mirror, or sang my heart out to show off brazen behavior, the kind I couldn’t express at home. There was a sense of freedom from examination and explanation. When I drove my spinning Impala that leaped over road bumps in three waves, I was going somewhere alone.
It was the only self-contained space my father wasn’t attached to, and he didn’t like driving with me, because he didn’t like me being in control. That is the sensation that life brings to us in volumes as teens; explosions of discovery. Today I don’t experience that sweat of discovery; my life is deodorized. Remembering the sensations I felt as a teenager, reminds me to intertwine more challenges. If I’m lucky to break through all the percentages of disease, that the late-night commercials warn me of, the edge of my rhythm is asking me to make a commitment; to put the Bo’ Jangles back in my steps. I heard the voice yesterday, almost a whisper, asking me why I exclude long-term commitments: joining groups, classes, associations, serving on committees, planning ahead, and even magazine subscriptions are not worth the trouble because I am always planning on moving.
The answer always comes in the photographs that bring back that moment in time, and the immediate recollection of the internal places I moved from venturing into the unknown. Many years ago, I was in therapy, and in one discussion, this discourse occurred that I considered an awakening then. “I think you jump into unknown places, and situations, to test yourself, and you do that because that is what your father did most of his life.” That is what adolescent behavior is meant for, to learn by experiment, to see how far our strength of character will take us. We each have a different set of alarms and temptations. Why compare what one has to the other? My path is familiar to me, I am a born mistress of unfamiliarity; the quest for discovery keeps me moving.
FORMER HOME IN SANTA FE, NEW MEXICO 2015
As a teenager, I remember the most remarkable configuration of images, that passed by while I was driving, the faces of shopping mothers walking the streets of Beverly Hills and Westwood, the prostitutes positioned along one section of Sunset Boulevard, and their counterpart degenerate gin-soaked soul mates inched up against abandoned buildings, the Ocean Park joggers, and walkers, and picnickers, waving to each other, as they slapped together hard-boiledegg and tuna sandwiches. Like a playroom without walls for Europeans and senior citizens to elope with each other. I didn’t favor one street life over another, they all made sense to me.
Living in the Northeast calls for pragmatic and sensible strides. I’m still learning how to tame my lust for unpreparedness; like going out without an umbrella, leaving delicate brick a brac on the porch, driving with caution for deer, rabbits, and turtles, maintaining a close eye on the water in the basement, and dressing down so I don’t look like I’m from Los Angeles. Every day is experimental in some way. I don’t know how long I’ll be here, maybe that is how I like it.
Writing somberly so if you’re not in a dreary mood, skip reading. Somber writing is akin to writer’s block. It’s not a block really more like a disregard of hallelujah holidays, maybe. Disinterest in shopping, village festivals, parties, writing, dancing, and eating. If I place all the options on a puzzle board, this leads to the center. The vortex of discontent is a punctured life.
A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover. I watch Blacklist or some foreign film in the evening. Most weekdays I’m circulating between finance, selling furnishings online, and writing.
The windows of my home reflect the splendor of nature that plays all day long in the winter. I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. The scenery is accompanied by my collection of records and CDs. Thank you to all my musician friends for the gift of mood enhancement. When I’m sorrowful I listen to Ennio Morricone, when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera, and when I’m a go-go girl, Swing, Salsa or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen and Annie Lenox .
I don’t see any remedy commercials for a fractured heart. By tomorrow the despair could vanish, like the rain that puddled us for the last two weeks.Everything I’ve experienced is good in the beginning. So, to begin the beginning, I’m going to listen to Begin the Beguine.
“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theatre.
I’ve adopted a savant to facilitate making decisions. I don’t want to use the word hate, it’s useless, but this time I will, I hate making decisions. Whether to go out for dinner, or go to one of villages’ festivals, parades, or events, they rake up events during the winter to keep us off drugs. This weekend was a village-wide Friday sale for shopping, the lighted tractor parade, and appetizers at all the shops in town. Sounded pleasurable and I’m proud of the village to induct us into a community of we care about you. I didn’t go, but I did go out for Thanksgiving dinner in a restaurant I’d never been to, festive crowded, and the tempting buffet twinkled like the first time I’d seen decorated food. It’s been five years since I’ve gone out for Thanksgiving so the jubilee of food was a bit musical. I ordered a glass of wine at the bar, the only customer as everyone had reserved tables for grandparents and children and the roar was melodious. My order to go would wait, the celebratory ambiance shattered my loneliness. The bartender, Jovida was like a lightbulb, she kept coming over to me maybe three times asking me polite questions, have you been here before, you must come on the weekends we have live music, while you’re having your wine can I bring you something from the buffet. I wondered if I’d be charged, she noticed my hesitation and said, No charge. So I choose smoked salmon, capers, onion, and horseradish. On m wish list if I’m allowed to eat in heaven, along with Gruyere cheese, tacos, salad, and croissants. The bliss, was a sandwich of bustlingeager activity, laughter, and the children. I remember our family Thanksgiving when my parents were divorced and we went to Nana’s home in San Fernando Valley, through that old tunnel. My mother’s mother is full-flecked Irish so the dinner was grand, and she was a dedicated cooking slave. She made mashed potatoes like I’ve never tasted since, and homemade pies, everything spiced with Nana’s kinship with making the family love her.
I left the restaurant after an hour later with a jubilant bag of turkey, fixings, and pumpkin pie. I found my seat on the bedroom sofa, and watched, ‘ The Train’ with Burt Lancaster. My thoughts were rested, abated for the whole evening, and then the next day, turkey revenge. I could not get out of bed, eat, or think. So I said to myself, it’s okay to do nothing and so I watched a romantic comedy, ‘ Cardboard Husband,’ with Norma Sherer and Robert Taylor, removed three-year-old lipstick and liners, shopped online without buying, saved for later my way of shopping. Then I threw the dice and I got seven. That is where my decisionsare now made. If I don’t get a seven with seven throws, I don’t go out or make a decision. If I get it once- I’m on!It was a perfect day for thanks. I think we should have a Thanksgiving Holiday three or four times a year.
Still flustering over how to save more money, and which expense she should solve; the dental appointment that’s six months overdue, the servicing of her car overdue since June, or elevated reasons to book a trip to San Diego. The urgency to decide sent her into a minor mid-afternoon tizzy and she decided she needed potato chips to solve her physical edginess. She does not use salt in her cooking, and from experimentation over the years realized that salt could elevate her dizzy thinking and lackluster posture. The momentary outdoor freshness stilted her, to stop moving, and breathe deeply like she was in the doctor’s office and they say, ‘ deep breath.’ The street is absent of walkers, workers, delivery trucks, and residents, it’s almost like a graveyard and this does not irritate Greta, she uses the bliss to engulf her creativity, and so she began to write.
PUZZLE OF SOLITUDEwill always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.
I contest what seems endless solitude with my Irish Russian temper; condemning irritants like street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. After the first ice rain and snow, the fever dulled, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world I created. I have to laugh alone so I watch screwball comedies, seek humor in my irregularities; wear a sweater inside out, pour coffee into a wine glass for a cocktail and chuckle up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere-daydreaming. I’ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I haven’t experienced here; and how could I complain when half of Upstate New York is buried in SEVENTY INCHES of snow and no way out? At the end of the day, pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly slumguillion stew while listening to Tony Bennett, Nat King Cole, and swing music. Winter has in the past been a funnel that leads to writing.
Will-powered out of the house on a glory hallelujah day of ballet winds and buttercup sun. I walked along the bike path and observed the cyclists, and joggers, some still masked. Along the way, I smiled at passing strangers, and sometimes even a hello. How reviving to connect with strangers after two years of physical masks. Emotionally optimistic, a rare trajectory of nature and my life within. If nature can survive, why can’t I? What prevents us from launching new growth, mentally emotionally, and financially?
Let me take this day and bless it with hope, miles, and miles of hope and faith that I will land, plant new roots, and bloom.
I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.
The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. I’ve finally accepted that my constant relocating, reinventing, and being restless is not going to be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of Ballston Spa is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets, all the shops, services and restaurants are a patchwork, and all the business owners know each other.
All I can think of is where I should go next. This is wholly a village of ancestral families, with defensible adaptation to the severe climate, simplicity, and uncomplicated lives. My discomfort comes from trying to assimilate.
Many years ago, in the summer of 1987, I was seated in a café in Monaco, truly, and a man that I was traveling with told me, “You have to make a choice.” He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niçoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didn’t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didn’t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it WAS, I did not want to sign, commit, or make final decisions. I wanted it all to be a temporary placement that allows me the freedom to change.
Ihave lost track of my European friend, but if he met me today, he would say, “You have not changed at all.” So that is why I was standing there in the darkness on the porch and laughing like a silly girl because it is true. I have not changed at all.
The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.
Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily engaged. You cannot wake up one day and say, “I ‘m off to become more compassionate, or more practical, or more generous.” These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.
It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life is the same. We and our characters have to make a choice.
I think of the comforts of exhibiting my life on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or an English Castle, but experiences that flake off the skin, the mise en scene that shakes its relevance.
Page 525. Terrified to post this but it is Sunday and I’m brave on Sunday. The book is fiction, first-person, and close third person so you’ll need a jogging suit to read. Based on true events.
Greta let the moment of the village rescue stay with her, like a new pet for as long as she could hold on to its beneficial ointment, away from what she calls her immersion into self. She gives me examples that illustrate her obsession with matching outfits in her closet.
It’s a bedroom she converted into a dressing room. There’s a single bed against one wall, a cabinet where she stores the winter boots, and an eight-drawerFrench nouveau dresser and mirror. She sits on a chair facing the windows so she can watch the trees live through sun, wind, rain, and snow. Across from the chair is the bed. She diligently arranged her summer pastel skinny jeans on the bed, and next to that row she arranged the T-shirts, camisoles, and shorts. It’s quite practical considering Greta as she has admitted to me half a dozen times, that she was born without common sense or practicality. At the base of the bed, she lined up her shoes, the slip-ons, the flats, the pumps stuffed with tissue paper to preserve their shape, and the wedges. After a breach of sanity, she goes into this room and visualizes outfits and color matching like someone might play chess. ‘ It does have a purpose, this way I visualize without wrangling with hangers and you know it just takes too much time when you’re in a closet.
‘”These days I look at them as if they belonged to someone else, I mean the red suede with gold heels that I wore on a New Year’s Eve of gaiety and not since, the black velvet pumps that always make me feel dainty and light. What care I give to all these garments when in the other part of the house, Dodger was descending into a financial coma.”
Greta did not acknowledge the few months before his departure that he was riddled with abject unfulfilling tasks, bills, and construction jobs that no longer fed him purpose and accomplishment. She did not notice that his slacking posture on the front porch, head lowered and staring out without any body movement was a sign, she in fact despised it and walked away. In the last few months, all of this seemed to rise up like a curtain before a play, in a theater and she witnessed his insolence and his silent howl for help.
The irony of her activity is that she doesn’t go to the events that she plans on going to wear the outfits.
Sometimes an interview with a musician goes deeper than a narrative history of recordings, concert calendar, and early training. That happened when I met Jorge Gómez; founder, keyboardist, and musical director of Tiempo Libre, an all-Cuban-born Timba band. We met in a modest hotel room in Santa Fe, New Mexico where he and his six band members were invited to play for the third time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductions, everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.
Jorge and I sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the United States?
“Oh my God! It was my dream; all through childhood in Havana.” “Do you love America now?”
His arms shot straight up, as he rose from his chair.
“Are you kidding? We love America! How can you not? This is the best country in the world. I’ve been all over: Europe, Asia, Mexico, and the Caribbean. You have all the opportunities; you make your own life here, whatever you want.” He shifts his attention to Raul, agreeably excluded.
“You can’t do this in Cuba—right Raul?” Jorge leans forward and I’m struck by the indisputable untainted smile. Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, “I got out because I had friends in New York. They helped me get gigs in the bars, weddings, and then we got into the clubs.” The room is silent except for Jorge’s satin-smooth transitions from one question to the next. That alone is reason enough to meet Jorge for a conversation. “We were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.” “Where did you learn Salsa?”
“From America! Yes. As teenagers, we climb to the roof and we to wait till state-programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Estefan, Michael Jackson, everyone. We listened all night so we’d take the rhythms’ in our heads you know.” “What’s the difference between Cuban Salsa and Latin Salsa?” “Everyone claims this is their Salsa; it’s Latin, Marange, Colombian… it is a blend of many cultures and musical influences. We take from each other. All the instruments I learn come from listening. They teach me everything, and I teach them.”
“Do Americans play Conga different than Cubans?”
“It depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolis…all those places that are so.” He pauses to express it precisely. “Cold” he says, laughing out loud.
“And I’ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.” Jorge breaks to howl out his enthusiasm, surprise, and demonstrate the memory.
“Who do you like to listen to do today?”
“I don’t know the names, but I have a lot of friends, and they call me and say, ‘I have a band, you come and hear me.’ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good. Everybody has a different reaction. My job is to transfer the energy to the person; that’s the idea. Not to play the music for me; I want them to be happy.”
“How do you do that?”
“Sometimes you are sick, and no matter how many pills you take you are still sick. Right?”
I nod and watch his facial expressions twitch in thought.
“Then let’s say I come and say, Wow! You look so good man, you are looking good, and he claps’ his hands and pantomimes the joy he’s transferring. ‘You wanna coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.’ Suddenly, you feel good.” He nods his head. “Trust me.”
Jorge is toe-tapping in place, his arms positioned in a warm world embrace.
“You forget all about the pills. Trust me, that is the kind of energy I give.”
“I suppose you don’t get sick?”
“Never. For sure. Never. I don’t know what this head pain is… how you say, headache? Like friends say I have so many problems, so many headaches, I can’t go out. I say, ‘What! Come on we go to the beach, to the sand. Bring your conga. What are you crazy! Come on!’ So he comes and we play on the beach in Miami.”
Jorge drums on the countertop. “Have a beer, have another.’ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, ‘I had the best day of my life.’ Yea! Be happy! This is youth; this is how you stay young. Life is so big.”
I shake my head, “Not in America; we concentrate on sickness and misery.”
“Yea! You don’t have sickness yet, but you are going to get it.” He ruptures into laughter and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can’t go to sleep at night. All the songs and ideas are in my head and I can’t sleep. I must write it down, and the next morning I feel so good because I didn’t go to sleep. I drink beer because I am too happy-over happy.”
“Where did you learn this happiness?”
“From all the difficult paths I have in my life. Childhood was very difficult; no food, no water, no electricity, and no plumbing. What are you going to do? Party, go outside, dance, play basketball, and baseball. I get my friends and they say my problems are bigger than yours. Bla bla bla.”
I’m laughing now as Jorge continues to articulate his life philosophy. “At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can’t go it alone.”
He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge’s eyes and brows are in motion, as much as his legs arms and hands.
“What you’re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You’re going to see a lot of soul. When Raul plays his trumpet you’re going to turn inside out.”
“What is Timba music?”
“A mixture of jazz, classical, rock, and Cuban music.”
“Sounds like a musical.”
“Yes, Yes! We are in preparing for that.”
Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was dancing below the stage. Two and half hours later I was still dancing, along with half the audience.!!
Looks like an open dragon mouth, in a way it is. Follies House is begging for a brace. The horrors and hahas of owning a 137-year-old home. We’ve had twenty-two years of sustainable wood, but this year is the end of luck. A dear and wise friend once told me this, ” Don’t love what doesn’t love you back.” As a woman of insatiable imagination and impracticability, I do love her. So I spent a few weeks interviewing masonry contractors. The first four said this, ” I wouldn’t park your car under there.” “What? The carport is going to collapse?” “It could.” ” And that costs? ” Fifteen thousand at minimum.” ” What about a temporary fix.” ” Too much liability. Sorry, mam.”
Five interviews later talking to a man whose been in the business thirty years, ” I cannot restore the entire job, is there a temporary fix?” “Well, we could bring in a platform plank to hold it up.” ” How much would that cost?” “Twenty-five hundred tops. You should really let us remove the foundation above it, that’s rotted and sinking. Is there a room above it?” “Yes, a bedroom in my unit. How much would that cost?” ” Between ten thousand and fifteen. We have to get in there and see how much water damage.” ” No, I can’t do that, no impossible.” ” I understand. I’ll do the temporary fix, the house is so gorgeous, and I’ve seen them all.” ” Thank you, I have tenants and have to be responsible for their safety.” ” Would you like to see the bedroom?” ” I’m in a rush.” I smiled a lot and walked up the stairs and opened the front door so he could see. “Wow, this is incredible.” Once he was in the house he was in love and granted me a discount of five hundred dollars. Do you know why? He said he’d love to be a part of her history after he’s gone. Historic homes are leaving our country, replaced by what he called tinderboxes that only last thirty years.