BOOM BOOM BOOM I’m DEAD


READING FROM DAD’S FBI FILE SOMETIMES BRINGS LAUGHTER.

TO: DIRECTOR, FBI  STRICTLY CONFIDENTIAL- ALLEN SMILEY:  WHITE SLAVE TRAFFIC, RACKETEERING, CRIME SURVEY LOS ANGELES, FALSELY CLAIMING CITIZENSHIP, PERJURY

TA-1 – (Means FBI agent one- There were twelve of them working the case.)

On February 25, 1948 Mickey Cohen invited Smiley and his girlfriend, Lucille Casey ( Mom) to the Cohen home for dinner. The invitation was accepted, and it is noted that this is one of the few times Smiley has visited the Cohen residence since the killing of Bugsy. During the Christmas holidays, Smiley refused to attend a dinner at Cohen’s stating he could not be seen with Cohen due to his own legal difficulties. On February 26, Smiley contacted ——-and stated he had been betting on Cohen’s stinking horses. Smiley expressed the idea that “it is going to blow up there any day.” Referring to Cohen’s place.”  During the course of the conversation between Smiley and —- it was interesting to note that Smiley did not care to discuss any matters and at one time stated, “ Listen: if this room is miked, boom! boom! boom! And I’m dead. The attitude of Smiley toward the Bureau is reflected on page two of the attached letter. Smiley stated “This country ought to be at war, with the FBI, the Gestapo, that Hoover, who indicted me for picking my nose, with all those other elements here threatening to overthrow the government and this and that.”  With reference to his arrest by three Agents, in a somewhat braggadocio manner Smiley informed one of his guests that “ I would be glad to strip to the waist and take each one of those three guys on, one at a time, even if it killed me.”  He continued that in his opinion the FBI were a bunch of idiots and that he wished someone would drop an atom bomb on this country and he would take his chances on getting out alive just to get rid of the FBI.

That’s my Dad.

Excerpt from soon to be finished book, Smiley’s Dice


THE SNOW SEDATED the choppy feeling in my stomach, the conjecture of  discovering why my father was wired with anxiety. His whole life was a chase scene: arrest him, convict him, send him to Russia, and never pull the tap from his apartment, or the FBI guys from his tail.

Me,  Diane Friedman and Cindy Frisch.

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Now there is a wash over my interpretation of his obsessive, protective, paranoia, distrust, and interrogation of my friends. I wonder if those gals I grew up with knew about Dad from their parents’. I relied heavily on the open arms of my friend’s families. They’re remembered more than my teachers: The Blair’s, Bourne’s, Both Friedman’s, Frisch’s, Hoffman’s, Pindler’s, Saunders, Schwadel’s,  Taubman’s, and the Tefkin’s.  Hope I didn’t leave anyone out.  I left out the Berman’s and the Crosby’s.

PARIS WILL NOT PERISH


I watched coverage today in Paris from an online British station. It is important to me. More important than writing or dressing or going out. The journalists were sympathetic, the interviews soulful, the images–silencing. I don’t believe prayers are enough. President Hollande declared war.

Last night I watched a French film, Lola, before I heard the news. This was a film of Paris as golden and grainy as autumn. I thought I must go to Paris. Today I still must go to Paris.  BN-LG537_1114FR_J_20151114151709

JOHNNY ROSELLI – MURDERED?


I met Johnny for the first time at my mother’s funeral. He told she was a saint.

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A blue Ford sedan with tinted windows pulled up in front of a bar in Biscayne Bay. The driver Tony, stared out the windshield looking beyond the boundaries made by man. Two of his men, sat in silence in the back seat. They were staring ahead, in the same mental latitude as the driver, with unblinking surgeon eyes. Tony turned off the ignition and leaned back. The only sound came from the flapping of the bar screen door.
“Move,” Tony ordered closing his eyes. Abe and Chuck exited the sedan in one long continuous motion as if they tied together. Tony waited, without changing the position of his right hand on the leather coated steering wheel. He heard the bar door squeak as it opened. He could see Abe and Chuck entering the bar. He did not need to see them physically. This was stored in his memory. The single file procession into the bar, the attachment to the target, and the guarded exit. Tony checked the time on his pocket watch. The minutes went slowly. He lost his concentration, and was tumbling in memories; he filed them in two categories, the ones that belonged to the outfit, and the ones that belonged to him. He slipped back to the sixties, in Las Vegas, when the boys sat poolside at the Desert Inn and bit into olives handed to them by freshly polished show girls in bikinis. Then he saw Johnny, lounging at the pool, his crown of white hair perfectly combed. He was surrounded by showgirls. The dames loved Johnny. He was better than any Hollywood movie star.
Then the door to the passenger side opened. Tony glanced at the blue gabardine slacks, and Gucci loafers. He could smell Johnny, even before he got in the car. His scent was recognizable, as if he’d been born wearing Boucheron.
“For crying out loud boys–I was just getting
an erection. ”
Johnny turned to Tony, the man he met twenty years ago when he was a driver for Santos Trafficante, the Mafia Don in Florida. Johnny slapped his knee and wheezed through his laugher. Tony couldn’t return the glance, or the laughter
“Tony! What’s the long face for, are we going to a funeral?” Tony shook his head from left to right. He gripped the steering wheel, afraid he might put his fist right through the windshield. Johnny nudged his rib.
“Loosen up, you’ll miss the target.” Tony reached into his breast pocket.
“Have a cigar Johnny, fresh from Castro. The same brand you tried to poison him with remember?” Tony’s forced laughter sounded hollow.
“Hell, that wasn’t my idear; you guys are still screwing up the story. That’s your problem, if you’re gonna squeal at least tell it the way it happened.”
“You shouldn’t talk bout squealing Johnny,” Chuck interrupted.
“Shut your trap,” Tony snapped. Johnny did not appear to hear the comments, or if he did chose not to recognize the remarks of the backseat thug.
Johnny took the cigar and fingered it. He twirled it around with two fingers, and then placed it under his nostrils and inhaled deeply.
“Doc says no more–not if I’m gonna live without an oxygen tank tucked into my pocket. How ‘bout that? I even gave up the cigars when I moved down here. I can’t afford them anymore.” His laughter came easy, the way it always did.
“Johnny……I,” Tony stuttered.
“Did you hear the joke about the Italian and the Jew?” Tony nodded yes, but Johnny began telling the joke anyway. Tony turned the ignition on and drove away from town, slowly like they do in a funeral procession. They left the parts of the city ruled by law and order. The white villas shaded by palms, and guarded security gates. They descended into the pit of the buried past, the old rail yards, the site of hollow industrial buildings and warehouses. From there Tony entered an abandoned parking lot inside a junkyard, piled high with tin and steel parts. At one time they were valuable, like Johnny. Those days were gone, the junk piled up, just like dead Mafia Dons.
The sky dimmed in these parts of town, the shadows from the freeway overpass blocked the late crimson sunlight. Johnny was quiet now, sitting calmly with his hands folded together in his lap. His facial muscles relaxed, the jokes were over now. His mind was elsewhere.
“The son of a bitch gave me no choice John! I’m sure dead too if I ….” Tony stammered.
“Stop your babbling, I’m not your priest. I got a few orders for you. I want you to get word to Smiley, before anyone, you hear me. Don’t call his home; he’s got a private service. I’ll give you the number when I’m finished. He’ll know what to tell my sister. He’s a born messenger of bad news. Had to do it too many times.”
“How long you known we was coming?” Tony asked solemnly.
“Just as long as I’ve been taking orders. Tony my boy, I didn’t think I’d go out like Brando in the movie. How long has it been now? …forty-five years. That’s a long life in these shoes. The whole mess is running through my head Tony, as we sit here, it’s like a movie .You want to know the best of it; I mean the one moment worth remembering. The first night I walked into the Mayflower Hotel as a guest of Capone. My first big shindig was a coming out party for Joey Lewis’s big fight. I was so impressed with Ricca back then, I tried to mimic him. Must have looked like a soiled fool. I thought I had a smart suit on until I got to the party, and took a look around. Suddenly I felt like a Pisano clown. I said to myself, I’ll never know this again; never will I feel less than the people around me. Capone treated me good in the beginning, all that money he threw around….. It impressed Rockefeller.”
“Johnny it’s getting late,” Tony interrupted.
“Capone was puffed up that night, shaking hands with Walker and the boys at Tammany Hall. We were all one then, the politicians and the boys. I don’t know how the thing got so screwed up.”
The car came to an abrupt stop, and the back door opened. Chuck got out and stretched his legs. Johnny glanced at him, “See, no respect anymore. I would have diced his fingers off in the old days. Get out of the car Abe; go polish your piece or something,” Johnny ordered, and then continued his story.
“That was the night Tony, the best of everything all night and I didn’t sleep for a day afterward because I was so swollen with myself. It sounds silly now.” Just as Tony tipped his head in memory’s path, Johnny clapped his hands loudly. Tony shuddered as Johnny knew he would.
“Lemme see the equipment,” He ordered tossing the sentiment out of his voice. He turned his steely blue eyes on Tony and waited.
“They loaded me up, like I was going to a massacre. They’re still afraid of you John. Even now I have to say.” Tony rattled; he’d lost the last bit of dry eyed machismo.
“That’s a relief.” Johnny answered.
Tony got out of the car and hopped around the front to open the door for Johnny. He felt queasy in his stomach like the first time he had a hit. He watched Johnny now, knowing it would be some story to tell. First Johnny scanned his surroundings, like the eye of a camera. He could take in distant angles without moving a muscle. He could estimate the distance of things, the entrances, and exits of buildings without appearing to even look in that direction. He closed his eyes for a minute. They all watched, and waited.
“You fellas been here earlier?” Johnny shouted. The three men exchanged a mutual questioning glance. Johnny shook his head in disgust.
“How can you show up at a location without knowing every rock and puddle? Christ! Am I gonna have to shoot myself? Show me the equipment before I scare you off.”
Tony reluctantly unlocked the trunk of the car. Johnny stepped forward, pushing Abe and Chuck out of the way.
“Looks like a lot of machinery for a seventy year old veteran. Whatta they think, someone’s gonna drop down here with back up and take you boys on. What the hell are the knives for?” Abe and Chuck rocked nervously on their heels. Tony hunched over, as if drawing breath from the ground.
“Tony!” Johnny yelled.
“I‘m sick Johnny …. lemme catch my breath.”
“Yea, you do that, while Abe and Chuck sharpen the knives. Go on fellas get your pieces.”
“Johnny, we have orders,” Tony whispered
“From who? I don’t care if you skin me! I want to know who gave the order!”
“It’s not who you think Johnny, I could hardly believe it myself.” Johnny moved closer to Tony, he stroked his back, and whispered, “I promise I won’t tell pal,” he said squeezing Tony’s balls.
“The order came from the White House; they called Santos, and told him to take care of it. Johnny I can’t go through it, I can’t do it.” Then he fell to his knees and clutched Johnny’s leg, sobbing.
“It’s all right Tony, get up and give it to me the way they asked.”
“We’ll clean you out first shot,” Abe interjected. Again Johnny did not acknowledge the comment. He reached out and put his hands on Tony’s shoulders, and looked him in the eye.
“It’s bad, they got cement don’t they?”
“Oh Christ! let me take this all back. I can’t do what they ask. They want us to chop the legs, get you inside a steel drum, and in the water.” Tony suddenly heaved up, and vomited, sobbing at the same time.
“Jesus Christ Tony, you’re disgusting,” Abe shouted. He took a cigarette from his pocket. Johnny turned slowly around and glared at the bridge of his nose. He locked in on the spot, and gradually walked toward him. He reached for Abe’s pistol, a 357 magnum and holding it in Abe’s hand guided the pistol until it was pointing directly into his eyes.
“If you’re in a hurry, go ahead and shoot me now.” Abe turned sideways, regained hold of his pistol and walked away. Johnny leaned against the car, and wiped his brow.
“Let me alone for awhile; take a walk, all of you.” He ordered.
Tony pulled himself up and wiped his mouth. That was the least he could do, give the boss one last moment. He signaled for Abe and Chuck to follow and they headed towards one of the abandoned warehouses. Johnny waited until they were exactly thirty-five feet off. Then he slid into the car, and turned on the ignition. In a whirl of smoky dirt, he spun the car around three times, and flew past the boys, laughing his head off. He didn’t stop laughing until he reached the airport. He left the car, and ran all the way to the reservation desk of Air Italia. Perspiring and short of breath, he said to the pretty young clerk. “One way ticket please;to Palermo,Sicily.” Johnny was going home.
THE END.

Reference: All American Mafioso, the Johnny Roselli Story. By: Ed Becker.

http://www.mcall.com/entertainment/tv/mc-ian-bell-amc-making-mob–easton-2


http://www.mcall.com/entertainment/tv/mc-ian-bell-amc-making-mob–easton-2

Mother-Lucille Casey
Mother-Lucille Casey

Series one; Making of the Mob miniseries.
The founding fathers of organized crime had more honor and morality in their pinky finger than the government then, or the government now. I don’t expect any followers on this post, except those in my mob family. I studied the subject for eighteen years; read the FBI surveillance reports, and informants memos who portrayed themselves as friends of Dad. The FBI claimed, my father was a pimp and my mother a whore. They also referred to me as Shirley!

WRITING MY WAY HOME.


This is a previous post (2011) that I am re posting for new readers.

MY FAMILY  history was brought to life in an unpublished memoir.   The stories lived on during a long arduous journey of research and trying to get published.   Sometimes I read pages to get close to my parents.  I squeeze in between them like a ghost, hear their voices, and see their expressions.  If I remove the outside world, the hum of the hotel air-condoning , the delivery trucks, and speeding motorcycles,  I can remember swimming in the pool with my mother.  I see her bathing cap strap pulled down across her chin, her red lipstick, and her one-piece strapless bathing suit. I can see her freckles, and her long slender arms backstroking as she swam.scan0013

Early in 1960 my father decided to build a swimming pool in the backyard of our house on Thurston Circle.  I had just completed swimming lessons and asked my father for a pool. Years later he told the story: “My little girl asked for a pool, and I built her one.”   I think he built the pool for my mother.   He was under investigation with the FBI and Department of Justice, and spent most days in court defending himself against a deportation order to Russia.   Subpoenas, arrests, and trials were routine events that tied my parents together against a world of misunderstanding.  After eleven years of nail biting suspense, my mother just wore out.  The pool was built with the intention of removing my mother’s anxiety and sadness.   My father designed the shape of the pool around the original pool at the Garden of Allah, a highly scandalous Hollywood hotel apartment that attracted starlets and gangsters in the early 30’s.  I know this tiny detail from photographs I’ve seen of the Garden pool.   More obscure details surrounding the building of our pool were found reading his FBI files.

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My father accused the pool contractor of being an informant for the government.  One sunny afternoon he marched him out of the house. I was hiding behind a drape when the confrontation broke out.  I recall the big shouldered contractor running from my father’s threats.  Most likely an FBI agent was parked outside and  followed the man after he scampered out.

The pool was finally completed in mid 1961.   There are photographs of my mother and I in the pool; her smile is radiant and naturally composed.  She and I swam everyday.  My father  loved to swim too, but he was busy with court proceedings and meetings.  Before the year ended my mother filed for divorce, the house burnt down, and I was released from childhood. I don’t regret those events any longer.  They were steps that shaped my character, and what brings me back to the topic of growing up with gangsters.

The best memories of my childhood are in swimming pools and restaurants with gangsters and gamblers.  They were part of the family, and when they were around my father was on very good behavior, and my mother defenseless against their irresistible humor, pranks, and generosity.   She just sort of glided in and out of activities, and helped me ride the vibrations.   She didn’t laugh out of herself like I do, and she rarely yelled.   The older I get, the less I seem to be like her.  Maybe the passage of life experiences determines which parent you will take after. Had I married and had children, maybe I’d be more like her. Since I get into all kinds of tricky situations, and throw the dice, I need my father’s strength more.

Over the years, I have forgotten some of the dead reckoning discoveries I made about our family history.  Still nothing compares to reading about my Aunt Gertie.  She was my father’s sister. Until I read about her in the FBI file, I didn’t know she existed. I haven’t figured out why my father left her out of our life. According to the FBI files she was a remarkably loyal sister. Gertie was the one who confronted the federal agents when they arrived at the family home in Winnipeg, Canada.  She pushed my grandmother out of the interview, and spoke for the family.  The agents showed her a recent photograph of my father.   She told them that her brother left home when he was twelve and they had not seen him since.  She could not verify the identity of the photograph because almost twenty years had passed.  The agents left without any evidence and continued to search for the birthplace of my father. Every time he was arrested, he entered a different birthplace.  He named Chicago, New York, Detroit, and Los Angeles.  His origins were discovered through a letter that his mother had written when he was fifteen and confined to a boys reformatory.  The letter was turned over to the FBI, and that is how they discovered his parents lived in Winnipeg.  The government could not deport my father to Russia without verification from his family. Eventually my father won the battle. He was granted citizenship in 1966, two weeks after my mother died.

Gertie died after my father. I don’t know if they corresponded over the years.  I have learned enough about my father to know he was protecting her from further harassment.  Maybe if my father lived longer they would be coming after me.

SMILEY & SIEGEL


THE SIEGEL SMILEY LEGACYReuniting with Millicent at the Mob Experience.
BY: Luellen Smiley
When I was eleven years old  our home burnt to the ground in the Bel Air fire, and everything we owned fell to ash. Shortly after my mother moved us to an apartment in Brentwood, a mammoth carton arrived and was placed in the center of the living room. My mother cut it open and urged me to look inside. I sat cross-legged on the avocado green carpeting and discovered bundles of garments; Bermuda shorts, blouses, sweaters, and shirts.
I quickly shed my worn trousers and stepped into a new outfit, dancing about as I zipped myself in. My mother watched, and echoed my childish yelps of elation.
“Mommy, who are these from?”
“They’re from your Aunt Millicent.”
“Who is she? I don’t remember her.”
“You were a little girl. She loves you very much.”
Years later, my father, Allen Smiley, called and told me to come over to his apartment in Hollywood.
“Why Dad?”
“Millicent is coming by; I told you she moved here, didn’t I?”
I’d learned Millicent was Benjamin Siegel’s daughter, and Ben was my father’s best friend. Dad was sitting on the same chintz covered sofa the night Ben was murdered.
“You mean Ben Siegel’s daughter?”
“Don’t refer to her that way ever again; do you hear me? She is Aunt Millicent to you.”
When my father answered the door, I watched as they embraced. Millicent had tears in her eyes. She walked over to me, and took my hand. I looked into her swimming pool blue eyes and felt as if I was drowning. She sat on the edge of the sofa and lit a long brown Sherman cigarette. I studied her frosted white nails, the way she crossed her legs at the ankles, her platinum blonde hair, and the way her bangs draped over one eye. What impressed me most was her voice; like a child’s whisper, her tone was delicate as a rose petal.
I spent the rest of that afternoon memorizing her behavior. She emanated composure and a reserve that distanced her from uninvited intrusion.
Over the next few years, Millicent and I were joined through my father’s arrangements, but I was never alone with her. When he died in 1982, she was one of only three friends at his memorial service.
As the years passed, and my tattered address books were replaced with new ones, I lost Millicent’s phone number. I had been researching my father’s life in organized crime, and had gained an understanding of my father’s bond with Ben Siegel. My discoveries were adapted into a memoir and recently into a film script about growing up with gangsters. During this time, I had reconnected with several of Dad’s inner-circle, but Millicent was underground, and now I understood why.
Last year I received an email from Cynthia Duncan, Meyer Lansky’s step-granddaughter. She told me about Jay Bloom, the man behind the Las Vegas Mob Experience, a state of the art museum that will take visitors into the personal histories of Las Vegas gangsters. Cynthia contributed her significant collection of Meyer Lansky memorabilia, and assured me Jay was paying tribute to the historical narrative of these men by using relatives rather than government and media sources. She wanted me to be involved.
Despite my apprehensions about the debasing and one-sided publicity that characteristically surrounds gangster history, I contacted Jay. In his return note, he invited me to participate, and added, “Millicent would like to contact you.”
A month later I was seated in Jay’s office waiting for Millicent. When she walked in, I stood to embrace her, and this time the tears were in my eyes.
Millicent’s voice was unchanged and so was her regal posture. “Our fathers were best friends, attached at the hip. Your Dad was at the house all the time. I’ll never forget when he and my mother met me at the train station to tell us about my father’s… death. Smiley was very good to us. My mother adored him too.”
Jay took me on a tour of the collection warehouse, and the history I’d read about unfolded before my eyes. The preview room was like a family room to me, because some of the men had been my father’s lifelong friends and protectors. I stopped in front of the Ben Siegel display case and saw an object that was very familiar.
“My father has the identical ivory figurine of an Asian woman. I still have it.” So much of their veiled history was exposed; between these two men was a brotherly bond that transcended their passing and was even evident in their shared taste in furnishings.
Jay showed me a layout of the Mob Experience in progress. I turned to him and asked, “Is it too late to include my father? All the rooms are assigned.”
“Millicent and I already spoke about it. She wants your Dad in Ben’s room.”
After I returned home, Millicent and I talked on the phone.
“Your father belongs in my Dad’s room. They’ll just have to make Mickey Cohen’s room smaller.”
“My father hated Mickey,” I said.
“So did mine! When are you coming back? I’ll kill you if you don’t become part of this.”

Reuniting with Millicent at the Mob Experience.
Reuniting with Millicent at the Mob Experience.

 

WHO WAS MY FATHER?


I began my research WITH WHAT I HAD; one of my father’s books; “The Mark Hellinger Story.” I leafed through the index and there was my father’s name along with Ben Siegel’s. According to the biographer, my father visited Mark at his home the night before he died. Mark had stood up in court for my father and Ben at one of their hearings. He was fond of Ben, like so many people were, that aren’t here to tell their story.
After reading the book I rented, The Roaring Twenties, written by Mark, and from there the connections, relationships, and characters began to leap out from all directions. I
submerged myself in history and photocopied pictures of my father’s movie star friends, George Raft, Eddie Cantor, Clark Gable, and his gangsters friends. I found photographs of the nightclubs he frequented, the Copacabana, El Morocco, and Ciro’s and nightclubs that he referred to in his mysterious conversations. I made a collage of the pictures and posted them above my desk. I played Tommy Dorsey records while I wrote. This microcosm of life that was created, allowed me to listen to the whispers and discover the secrets.
I dug into my father’s history without knowing how deep I had to go, or what shattering evidence would cross my path. In my heart I felt this was crossing a spiritual bridge to my parents. The flip side was a gripping torment, tied to my
prying mind. I needed to break into the files in order to break my silence, and discover my parents, not glamorized stereotypes that fit into the category of Copa dancer and gangster. No matter what I uncovered, I always knew it would be ambiguous, and controversial. I did not expect to find a record of murder, dope peddling, and prostitution. I believed that his crimes were around the race track and in gambling partnerships. Even so, I could never understand the similarities we shared, unless I knew them as people. Though I have not rebelled against authority as my father did, I‘m not a team player, I resist authority, and I don’t like waiting in lines.
I had to reinvent my mother through the subconscious. I skated over thin ice trying to set her truth apart, from what I
had invented, dreamed, or had been told. I listened to Judy Garland’s recordings, and premonitions surfaced, of how my mother loved Judy, how it must have felt to be under the spot lights of MGM, and dancing in ginger bread musicals while her own life was draped with film noir drama.
I studied my mother’s face in all her films, rewinding and stopping the tape, as if she might suddenly return my glance. She had dancing and background shots in the musicals produced by Arthur Freed. I remembered dad talking about Arthur, and how prestigious it was to be in his department.
When I discovered the Museum of Motion Pictures Arts and Sciences in Los Angeles, I went down and filled out a slip of paper with my mother’s name on it and waited for my number to be called. I felt something like a mother discovering her child’s first triumph. They handed me a large perfectly stainless manila envelope, and a pair of latex gloves to handle the file. I had to look through it in front of a clerk.
“That’s my mother,” I proclaimed. He blinked and returned his attention to a memo pad. Inside the envelope were black and while glossy studio photographs, press releases, and studio biographies of my mother. The woman who pressed my clothes, washed my hair, and made my tuna sandwiches. There she was in front of the train, for Meet Me in St. Louis, and a promotional photograph in The Secret Life of Walter Mitty, dated 1947. That was the year Ben was shot. I looked further to find more clues. I needed to know where she was the night Ben was murdered. Maybe she was on location when it happened. Maybe she was in New York at the opening of the film. I could not place her on June 20, the day Ben was murdered. I imagined my father called her and told her the news. The marriage plans were postponed, their engagement suspended. My father had to get out of town.
I spent everyday picking through the myths I’d heard and read. I heard a clear chord of scorn, for exposing family secrets, “It’s nobody’s business what goes on in our family, don’t discuss our family with anyone, Do You Hear Me!” I must have heard that a thousand times.
I began to dig with an iron shovel. I asked every question I wasn’t supposed to ask, and preyed into every sector of their life. I wanted to know about his childhood, where he grew up, and why he left home when he was thirteen years old. Who were my grandparents, and why didn’t he talk about them. How did he meet Ben Siegel and Johnny Roselli, and when did he cross over into the rackets?
I contacted historians, archivists, judges, attorneys, Police Chiefs, FBI agents, authors and reporters across the United States. He always said, “Reporters can destroy your life overnight.” And here I was, uncovering what he had sheltered all his life.

I wrote to the INS in WDC and asked for their assistance. Six months later I received a letter from the INS in Los Angeles. They acknowledged his file, it was classified and they could not locate it. The progress was tediously slow, and the waiting oppressive.
While I waited for the files, I read Damon Runyon, and Raymond Chandler stories and attempted to identify which character personified which gangster. The stories were about the people that came to my birthday parties, Swifty Morgan, Nick the Greek, Frank Costello and Abner Zwillman,(the Boss of the New Jersey syndicate.) The dialect of Runyon and Winchell mimicked the same anecdotes my father used over and over! By understanding Runyon’s characters I began to know my father. At night I watched old gangster movies and that opened another door of familiarity.

I read almost every book in print about the Mafia and ordered out of print books from all over the country. They began to topple on my head from the shelf above the desk. Allen Smiley was in dozens of them. Every author portrayed him differently, he was a Russian Jew, a criminal, Bugsy’s right hand man, a dope peddler, a race track tout, and sometimes the words bled on my arm. To me, he was a benevolent father, a wise counselor and a man who worshipedscan0002 me.
The INS claimed my father was one of the most dangerous criminals in the United States. They said he was Benjamin Siegel’s assistant. They said he was taking over now that Ben was gone.
That day I put the file away, and looked into the window of truth. How much could I bear to hear more?

Mom and Dad second from Left. I don’t know the other people.

STILL A MYSTERY WHO MURDERED BENJAMIN ” BUGSY” SIEGEL


July 23, 2004

Still A Mystery…Who Shot Benjamin Siegel.
Several months ago I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website, and asked for an exclusive interview. He asked about my father’s relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, but George persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.
We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.
My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, “I think Bush did it.” He was not too impressed with the answer; but it saved me from theorizing.
At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my father’s best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to “Bugsy” than what the public has been told.
The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hill’s brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path.
He always said, “You don’t inherit friends,” and so I declined to remain friends with family members of his group, because I respected his orders, even after he died. I don’t know if any of his mob friends are still alive today. Many people claim they knew my father, but in essence, what they mean is they met at Ciro’s, or had a game of cards, or went to the racetrack. My father’s only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.
A man I’d never heard of called and informed me, ‘ your Dad and Ben buried a safe deposit box in downtown Los Angeles. ‘You should look for the key, there may be a lot of cash.’ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that.
Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have sold his Patek Philippe pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my father’s life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.
I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind dark glasses. He was quiet and observant. He watched me eat, and then handed me a C note to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. ‘Now you know even your Dad loses at the track.’ There wasn’t anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting. Lucky for me;get-attachment.aspxDAD AFTER MURDER I throw the dice on a different game. Photo: Leaving Beverly Hills Police Department day after the murder.

BREACH OF SILENCE


Screenplay based on a true story.
By: Luellen Smiley
LOGLINE:

Luellen (Lily) is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and business partner. Smiley, seated next to Bugsy the night of his murder, marked by historians and the media  as the set-up man. Lily rips herself from comfort and innocence into confronting her father’s nefarious criminal life. When she breaks the mafia code of silence ten years after her father’s death; she faces an unexpected opponent.

Does this procure your interest? ALLEN SMILEY IN COURT

ALLEN SMILEY IN COURT

If so tell me.

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TNT’s ‘Mob City’ is smart, stylish — and short


TNT’s ‘Mob City’ is smart, stylish — and short.

REVERSE THE ORDER


There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpected and replace whatever we were holding on to dearly. The sensations leading up to my theme, reverse the order, peeked through the quagmire of disillusionment, frustration and mud heavy quibbling in my head. Reverse the order, blew into the quibbling, and straightened my piles of projects. Writing,editing, not believing in my word, leasing the house, getting into a relationship, deferred maintenance on myself and property I own, and sweeping leaves etc.
“ Stop writing as a means of self-gratification and start submitting what you have written. Leave the leaves to fall.

AUTUMN AWESOME SANTA FE, NM
AUTUMN AWESOME SANTA FE, NM