JOHNNY ROSELLI – MURDERED?


I met Johnny for the first time at my mother’s funeral. He told she was a saint.

JOHNNY ROSELLI.jpg2
A blue Ford sedan with tinted windows pulled up in front of a bar in Biscayne Bay. The driver Tony, stared out the windshield looking beyond the boundaries made by man. Two of his men, sat in silence in the back seat. They were staring ahead, in the same mental latitude as the driver, with unblinking surgeon eyes. Tony turned off the ignition and leaned back. The only sound came from the flapping of the bar screen door.
“Move,” Tony ordered closing his eyes. Abe and Chuck exited the sedan in one long continuous motion as if they tied together. Tony waited, without changing the position of his right hand on the leather coated steering wheel. He heard the bar door squeak as it opened. He could see Abe and Chuck entering the bar. He did not need to see them physically. This was stored in his memory. The single file procession into the bar, the attachment to the target, and the guarded exit. Tony checked the time on his pocket watch. The minutes went slowly. He lost his concentration, and was tumbling in memories; he filed them in two categories, the ones that belonged to the outfit, and the ones that belonged to him. He slipped back to the sixties, in Las Vegas, when the boys sat poolside at the Desert Inn and bit into olives handed to them by freshly polished show girls in bikinis. Then he saw Johnny, lounging at the pool, his crown of white hair perfectly combed. He was surrounded by showgirls. The dames loved Johnny. He was better than any Hollywood movie star.
Then the door to the passenger side opened. Tony glanced at the blue gabardine slacks, and Gucci loafers. He could smell Johnny, even before he got in the car. His scent was recognizable, as if he’d been born wearing Boucheron.
“For crying out loud boys–I was just getting
an erection. ”
Johnny turned to Tony, the man he met twenty years ago when he was a driver for Santos Trafficante, the Mafia Don in Florida. Johnny slapped his knee and wheezed through his laugher. Tony couldn’t return the glance, or the laughter
“Tony! What’s the long face for, are we going to a funeral?” Tony shook his head from left to right. He gripped the steering wheel, afraid he might put his fist right through the windshield. Johnny nudged his rib.
“Loosen up, you’ll miss the target.” Tony reached into his breast pocket.
“Have a cigar Johnny, fresh from Castro. The same brand you tried to poison him with remember?” Tony’s forced laughter sounded hollow.
“Hell, that wasn’t my idear; you guys are still screwing up the story. That’s your problem, if you’re gonna squeal at least tell it the way it happened.”
“You shouldn’t talk bout squealing Johnny,” Chuck interrupted.
“Shut your trap,” Tony snapped. Johnny did not appear to hear the comments, or if he did chose not to recognize the remarks of the backseat thug.
Johnny took the cigar and fingered it. He twirled it around with two fingers, and then placed it under his nostrils and inhaled deeply.
“Doc says no more–not if I’m gonna live without an oxygen tank tucked into my pocket. How ‘bout that? I even gave up the cigars when I moved down here. I can’t afford them anymore.” His laughter came easy, the way it always did.
“Johnny……I,” Tony stuttered.
“Did you hear the joke about the Italian and the Jew?” Tony nodded yes, but Johnny began telling the joke anyway. Tony turned the ignition on and drove away from town, slowly like they do in a funeral procession. They left the parts of the city ruled by law and order. The white villas shaded by palms, and guarded security gates. They descended into the pit of the buried past, the old rail yards, the site of hollow industrial buildings and warehouses. From there Tony entered an abandoned parking lot inside a junkyard, piled high with tin and steel parts. At one time they were valuable, like Johnny. Those days were gone, the junk piled up, just like dead Mafia Dons.
The sky dimmed in these parts of town, the shadows from the freeway overpass blocked the late crimson sunlight. Johnny was quiet now, sitting calmly with his hands folded together in his lap. His facial muscles relaxed, the jokes were over now. His mind was elsewhere.
“The son of a bitch gave me no choice John! I’m sure dead too if I ….” Tony stammered.
“Stop your babbling, I’m not your priest. I got a few orders for you. I want you to get word to Smiley, before anyone, you hear me. Don’t call his home; he’s got a private service. I’ll give you the number when I’m finished. He’ll know what to tell my sister. He’s a born messenger of bad news. Had to do it too many times.”
“How long you known we was coming?” Tony asked solemnly.
“Just as long as I’ve been taking orders. Tony my boy, I didn’t think I’d go out like Brando in the movie. How long has it been now? …forty-five years. That’s a long life in these shoes. The whole mess is running through my head Tony, as we sit here, it’s like a movie .You want to know the best of it; I mean the one moment worth remembering. The first night I walked into the Mayflower Hotel as a guest of Capone. My first big shindig was a coming out party for Joey Lewis’s big fight. I was so impressed with Ricca back then, I tried to mimic him. Must have looked like a soiled fool. I thought I had a smart suit on until I got to the party, and took a look around. Suddenly I felt like a Pisano clown. I said to myself, I’ll never know this again; never will I feel less than the people around me. Capone treated me good in the beginning, all that money he threw around….. It impressed Rockefeller.”
“Johnny it’s getting late,” Tony interrupted.
“Capone was puffed up that night, shaking hands with Walker and the boys at Tammany Hall. We were all one then, the politicians and the boys. I don’t know how the thing got so screwed up.”
The car came to an abrupt stop, and the back door opened. Chuck got out and stretched his legs. Johnny glanced at him, “See, no respect anymore. I would have diced his fingers off in the old days. Get out of the car Abe; go polish your piece or something,” Johnny ordered, and then continued his story.
“That was the night Tony, the best of everything all night and I didn’t sleep for a day afterward because I was so swollen with myself. It sounds silly now.” Just as Tony tipped his head in memory’s path, Johnny clapped his hands loudly. Tony shuddered as Johnny knew he would.
“Lemme see the equipment,” He ordered tossing the sentiment out of his voice. He turned his steely blue eyes on Tony and waited.
“They loaded me up, like I was going to a massacre. They’re still afraid of you John. Even now I have to say.” Tony rattled; he’d lost the last bit of dry eyed machismo.
“That’s a relief.” Johnny answered.
Tony got out of the car and hopped around the front to open the door for Johnny. He felt queasy in his stomach like the first time he had a hit. He watched Johnny now, knowing it would be some story to tell. First Johnny scanned his surroundings, like the eye of a camera. He could take in distant angles without moving a muscle. He could estimate the distance of things, the entrances, and exits of buildings without appearing to even look in that direction. He closed his eyes for a minute. They all watched, and waited.
“You fellas been here earlier?” Johnny shouted. The three men exchanged a mutual questioning glance. Johnny shook his head in disgust.
“How can you show up at a location without knowing every rock and puddle? Christ! Am I gonna have to shoot myself? Show me the equipment before I scare you off.”
Tony reluctantly unlocked the trunk of the car. Johnny stepped forward, pushing Abe and Chuck out of the way.
“Looks like a lot of machinery for a seventy year old veteran. Whatta they think, someone’s gonna drop down here with back up and take you boys on. What the hell are the knives for?” Abe and Chuck rocked nervously on their heels. Tony hunched over, as if drawing breath from the ground.
“Tony!” Johnny yelled.
“I‘m sick Johnny …. lemme catch my breath.”
“Yea, you do that, while Abe and Chuck sharpen the knives. Go on fellas get your pieces.”
“Johnny, we have orders,” Tony whispered
“From who? I don’t care if you skin me! I want to know who gave the order!”
“It’s not who you think Johnny, I could hardly believe it myself.” Johnny moved closer to Tony, he stroked his back, and whispered, “I promise I won’t tell pal,” he said squeezing Tony’s balls.
“The order came from the White House; they called Santos, and told him to take care of it. Johnny I can’t go through it, I can’t do it.” Then he fell to his knees and clutched Johnny’s leg, sobbing.
“It’s all right Tony, get up and give it to me the way they asked.”
“We’ll clean you out first shot,” Abe interjected. Again Johnny did not acknowledge the comment. He reached out and put his hands on Tony’s shoulders, and looked him in the eye.
“It’s bad, they got cement don’t they?”
“Oh Christ! let me take this all back. I can’t do what they ask. They want us to chop the legs, get you inside a steel drum, and in the water.” Tony suddenly heaved up, and vomited, sobbing at the same time.
“Jesus Christ Tony, you’re disgusting,” Abe shouted. He took a cigarette from his pocket. Johnny turned slowly around and glared at the bridge of his nose. He locked in on the spot, and gradually walked toward him. He reached for Abe’s pistol, a 357 magnum and holding it in Abe’s hand guided the pistol until it was pointing directly into his eyes.
“If you’re in a hurry, go ahead and shoot me now.” Abe turned sideways, regained hold of his pistol and walked away. Johnny leaned against the car, and wiped his brow.
“Let me alone for awhile; take a walk, all of you.” He ordered.
Tony pulled himself up and wiped his mouth. That was the least he could do, give the boss one last moment. He signaled for Abe and Chuck to follow and they headed towards one of the abandoned warehouses. Johnny waited until they were exactly thirty-five feet off. Then he slid into the car, and turned on the ignition. In a whirl of smoky dirt, he spun the car around three times, and flew past the boys, laughing his head off. He didn’t stop laughing until he reached the airport. He left the car, and ran all the way to the reservation desk of Air Italia. Perspiring and short of breath, he said to the pretty young clerk. “One way ticket please;to Palermo,Sicily.” Johnny was going home.
THE END.

Reference: All American Mafioso, the Johnny Roselli Story. By: Ed Becker.

SHEETS OF LIFE AND DEATH


SPREADING THE SHEETS ON THE BED, IN THE SHY MORNING SUNLIGHT,  THE TASTE OF TURKISH COFFEE ON MY TONGUE,  THE CONVERSATIONAL RHYTHM OF NEW MEXICANS  and  SPANIARDS SALTED BY YEARS OF CONFLICT AND CONQUEST  SOUNDING MORE LIKE BIRDS.  I TOOK A CORNER OF THE SHEET AND  SWEPT OUT THE WRINKLES.  MAKE LOVE ON SHEETS, MAKE BABIES, SLEEP.

EVERY ACT OF  LIFE IS CAPABLE OF IMAGINATION AND EDUCATING US.

THERE MUST  BE SOME REWARD FOR THOSE WHO MAKE A GREATER EFFORT

AT BEING AND BECOMING,  ANAIS NIN DIARY 

MY HEAD IS RICH WITH OBSERVATIONS, SCINTILLATIONS AND SENSORY STIMULATION

THE RICHNESS OF THE ATMOSPHERE IN UNTAMED GARDENS,PATHWAYS, TREES, AND THE BABES OF NEW MEXICO.

TAOS, GORGE BRIDGE   TAOS

http://www.mcall.com/entertainment/tv/mc-ian-bell-amc-making-mob–easton-2


http://www.mcall.com/entertainment/tv/mc-ian-bell-amc-making-mob–easton-2

Mother-Lucille Casey
Mother-Lucille Casey

Series one; Making of the Mob miniseries.
The founding fathers of organized crime had more honor and morality in their pinky finger than the government then, or the government now. I don’t expect any followers on this post, except those in my mob family. I studied the subject for eighteen years; read the FBI surveillance reports, and informants memos who portrayed themselves as friends of Dad. The FBI claimed, my father was a pimp and my mother a whore. They also referred to me as Shirley!

THE RATTLER


RUDY & RATTLERS

SOMETIMES I GET MY PRIMITIVE MOOD, which unfortunately gets easier and easier as time goes. I pack my little belt sack with water and a bag if Frito’s (and i love my freakin Fritos) and off to the desert i go, just to see my little friends that scurry around out there in a World that time forgot. One day i was up on the Mesa, before dropping down into the desert and i looked down into this ravine far below me​ and saw a rather sandy looking area with 3 poles sticking up. It was to far to make out exactly what it was, but looked like it needed to be explored. So i climb down this rocky hillside past all those beautiful desert plants and cactus in bloom and follow the waterfall area down as i made my way to those posts.

 
As i rounded a turn, there in front of me were the posts i had seen. All in a row, extremely weathered and about 5 feet tall. One had a metal sign on it from the State saying that proceeding past that point could be hazardous to your health and to not proceed as it was against the law. The next post over, someone had stuck the full headed mask of a gorilla on it, all weathered and cracked with the fake hair a burnt red…..the next post had nothing.
 
You probably already know that nothing inspires me more to proceed that a sign that says, KEEP OUT. Especially one that has the word DANGER on it. That, and the Gorilla mask said, this could be a very exciting hike. So off i go, rounding the posts and alternately climbing down boulders, waterfalls and along sandy washes as i made way down to the desert floor. I came across an oasis with Palm trees and reeds with some water and i kept going. Just a beautiful day.   The wind I could hear as it brushed past the fronds. Continuing on for another mile or so, i came across a small stream that meandered along a beachy type area with sand that spread out for almost 20 feet. In the sand by the stream i could see the little feet prints of the creatures that come for water. It was surreal down in there. No trace of civilization. As I’m walking along, just as i stumble on a rock protruding up from the sand i hear that familiar rattling noise that I’ve heard before.  At that point, i was already loosing my balance and falling over and there was nothing i could do, but put out my arms to brace the impact on the ground. I had no idea where the snake was…..all I knew was that it was way to close and i was just hopping i didn’t land on top of it. So I hit the ground and i don’t hear the rattle anymore and I’m thinking I must have been hearing things. I slowly lift myself up and peek over this small boulder and there it was, right freaking next to me, all coiled up and ready to strike, eye level, but oddly enough, not rattling. So i stand up and we both just checked each other out. Then i made my way back up the wash and waterfalls and back to my car. I was thinking later, that maybe that empty 3rd post had some type of meaning…………………..
 

BALTIMORE NEEDS RAPPER


Dance+HD+Wallpapers+2013_7My abstract idea for Baltimore. Send some (down on violence) rap singers and dancers and turn the crowd  around.

A RATTLER OR A PAL


A full transcendental moon dipped into the black-out mountain evening, has cured me of interior turmoil for the time being. This is part of adventures in livingness what locals call the bu. TO BE CONTINUED
I WALKED ALONG THE BLUFF OF DECKER CANYON  overlooking the Santa Monica mountains and listened to the breeze stream through palm and eucalyptus trees.  Medication from nature loosened the wires in my guarded nervous system.   A new current of suspicion, tension and distrust entered the zone between Madam C. 20150407_133844_resized As a woman who beholds her best gal pals, and runs into the arms of women who send out invitations for friendship, I’m susceptible and gullible to hidden motivations.

After the rain walk, doused in mist and droplets I scurried up the hill to my shack. The room I rented from Madam C smelled musty after the rain.  It is linked to her boudoir by an open patio where we shower.   During the day, our paths cross a dozen times in the kitchen, in the hallway, and in my room.
“ LouLou, are you there? LouLou, let me see what you are wearing, I love those earrings, where did you get them? LouLou we are going to Westlake tonight. There are a lot of very rich men there. Is my hair color okay? Yes you look beautiful. Loulou did you lock the door? Did you close the gate? You left your clothes in the dryer. Where is Lily, (the cat) Will you watch Koui, (her furry partner) for me tonight?   Yes, yes yes.
As I entered my room, rain water was dripping in bold droplets on the rock floor. Madam  stuck her head in to speak.
“Oh my god, what is this? Oh I can’t believe it. Her hands massaged her forehead, and her face twisted into a vaccination of anguish.
“ It’s not that bad, ” I assuredly replied. I meant it too.
“ Oh the money I will have to spend! Juan, (her runaround helper) is called and ordered to come at once.”
“ Look Juan! What are we going to do?”
Juan  mumbled something I can’t recall and we all stared at the rain coming down.
“ You will have to move, you can’t stay there. I will put you in the Artists Studio. It’s more money. That’s all I can do”
“ How much more?”
“ Two hundred.”
“ Eck.”
“Or you can leave?”
I turned away to hide my alarm.
That night I watched over Koui in C’s living room and played with the remote mostly because the screen wasn’t taking effect on my disposition. I felt a bit unwelcome, as if I pulled the rain from the sky.
In the morning, she greeted me courteously, “ Are you ready to move.. Juan  and I moved my suitcases, bedding, photos and twelve pairs  of shoes to the studio. It was lovely, a high-pitched ceiling, aquamarine walls, and private patio with shower, bathroom and kitchen.
“ Well, you like it?”
“ I love it!”
“ Well then show it. You should be happy all the time. Life is not easy, I know my dear.  Adjustments are necessary. You don’t have a mama and papa to look after you. It’s up to you.
“ But C I am happy?”
Later on she sent me a text. She invited her neighbor Andrew to dine with us, “ I am doing this for you. He is a producer, Maybe he can help you.”
I prepared dinner in my new studio, listening to Ray Charles, dancing in a celebratory mood.
“ LouLou, Andrew is here, C breezed into the patio, draped in scarf, and a exotic maxi dress. I waved them in.

Andrew handed me a lemon frosted cake and a bottle of red wine.” We all chatted at once. then C blurted out,  “Why didn’t you use my kitchen?”
I am making dinner and cleaning up. You just sit and enjoy.

Dinner rocked along with intensity;  C and Andrew discussing water rights, neighbors, and her vacation rentals. After dinner Andrew stood up, 6’3” and whispered , ‘ can we go into your area?’ C must have heard, because she spun away.

We drank wine and Andrew unbuttoned his witty humor, on-set  stories, and compliments. I immediately caressed his presence and we ended up at his quarters;  an unruly wedge of land so blackened we could not see anything but the stars.  Behind us was his lodge; a spit and glue log cabin covered in palm frowns.  I found his eccentricity appealing as his smile. He really didn’t give any thought to conventionality.

“ What kind of movies do you make?” I asked.
“ Rotten ones, I mean really bad. The last one I didn’t even see. B sci-fi flicks, reality shows, that I can’t stand to watch, and documentaries.”
“ Documentaries have turned into dramas, I love them.”
“Yea, they’re good. I filmed Sundance and Cannes.  Listen, I’m not a devotee of the business, I don’t kiss ass, and I don’t go to star parties, or read about them. I got fired off a film because I addressed Reese Witherspoon without knowing who she was.”
“What?”
“ Yea, there’s a hierarchy to the business you have to deal with. Are you cold? You’re shivering. Here put my jacket on. “
Andrew walked me down the uneven dirt road with a flashlight and a steady arm. His size in height and bulk denotes power, but it is his effortless mannerisms, laughter and shuffling footsteps that remind me of a comfortable sitting chair.
‘ Do you like museums?”
“Yes!”
“You want to go tomorrow? You been to LCMCA?”
I wasn’t even sure which one he meant but I said yes!
We took off the next morning in my Rover, so I would adjust to driving in Los Angeles again. We stopped at Duke’s for breakfast, sat on the patio under a canopy of bougainvillaea.
“ I  am having a panic attack.”
“ Why?”
“ I’m so happy!” Life was so spectacular at that moment; to lean back and set my heart into the sea, sky, and eat a fish sandwich.
Andrew threw his head back and laughed.
“ Could we make one stop first at Saks. I have some jewelry they have to send out?”
“ Do you know how to get there?” He asked.  Andrew moved from Manhattan four years ago.  “ “Are you kidding? Saks Beverly Hills is my Tiffany’s.”
To be continued

ADVENTURES IN LIVINGNESS -THE BU


In a current of unexpected waves I floated towards the Pacific Ocean, and landed along the anfractuous Santa Monica Mountains. Malibu where exotic fish are silhouettes behind glass aquariums perched on  sand dunes or in swank foreign carriers has bitten my interest to understand how an exotic lives.  malibu-colony1

The salty seaweed smell of the ocean streams through my car, driving down Pacific coast highway on my way to buy groceries. Vintage Market  is new to Malibu, and clerks are giddy about their jobs. They may be aspiring actors or were aspiring actors. I walk in and get a phone call that I’d been waiting for so, I set my cart down on a shelf and took the call. During the half hour call, my eyes were fluttering through the scene: tanned surfers, affluent college students, and diamond rich men and women of age, that don’t check their bank balance. Because of this, expressions are chilled as fine wines, and smiles are polite or radiating. They are a content population of 13,000, median home price is $901,000, and the median income household is $127,000. Here in Malibu every thing looks different from Santa Fe: The staging of ‘was in the business, am in the business, or want to be in the business,’ surfaces and dominates the scenery.

malibu_forbes-11528TThey are beautiful-the young teenagers who surf and paddle are true blondes, the blue eyes scintillating pools of water, young women are saddled onto 6” platforms, and then there are the stand-out power people, who will not acknowledge anyone, and expect everyone to acknowledge them. Tucked in the mountains, are extraordinary artists who live off the grid the way most people prefer to live in Santa Fe.
I am learning slowly and still hiding out at Chantal’s. Where I am living, two miles up from PCH off a dirt road, behind a gate, there are Bohemians, artists, home-office screenwriters, producers, and famous heirs of recognizable movie stars.
In the last two weeks my head feels lighter, and my heart is not aching for the Thinker, or my sunken red room where I dreamt of moving to Malibu. What I began twenty years ago is my primary act of indulgence; completion of my book, “Growing Up with Gangsters.”

In the last hour I walked down the road in the hands of sloping hillsides, horse ranches, and signature homes behind walls as high as the palm trees, built to withstand the typhoons of mankind. In  daylight  swirl of rain and clouds, it was as if I was in Ireland, walking along a road in Kilkenny, and then I roped in my imagination and returned to the mountains here, that will teach me how far to go, how to duck a car, or confront a coyote or a snake.
A full transcendental moon dipped into the black-out mountain evening, and has cured me of interior turmoil for the time being. This is part of adventures in livingness in what locals call the bu. TO BE CONTINUED

WRITING MY WAY HOME.


This is a previous post (2011) that I am re posting for new readers.

MY FAMILY  history was brought to life in an unpublished memoir.   The stories lived on during a long arduous journey of research and trying to get published.   Sometimes I read pages to get close to my parents.  I squeeze in between them like a ghost, hear their voices, and see their expressions.  If I remove the outside world, the hum of the hotel air-condoning , the delivery trucks, and speeding motorcycles,  I can remember swimming in the pool with my mother.  I see her bathing cap strap pulled down across her chin, her red lipstick, and her one-piece strapless bathing suit. I can see her freckles, and her long slender arms backstroking as she swam.scan0013

Early in 1960 my father decided to build a swimming pool in the backyard of our house on Thurston Circle.  I had just completed swimming lessons and asked my father for a pool. Years later he told the story: “My little girl asked for a pool, and I built her one.”   I think he built the pool for my mother.   He was under investigation with the FBI and Department of Justice, and spent most days in court defending himself against a deportation order to Russia.   Subpoenas, arrests, and trials were routine events that tied my parents together against a world of misunderstanding.  After eleven years of nail biting suspense, my mother just wore out.  The pool was built with the intention of removing my mother’s anxiety and sadness.   My father designed the shape of the pool around the original pool at the Garden of Allah, a highly scandalous Hollywood hotel apartment that attracted starlets and gangsters in the early 30’s.  I know this tiny detail from photographs I’ve seen of the Garden pool.   More obscure details surrounding the building of our pool were found reading his FBI files.

MWSnap1562

My father accused the pool contractor of being an informant for the government.  One sunny afternoon he marched him out of the house. I was hiding behind a drape when the confrontation broke out.  I recall the big shouldered contractor running from my father’s threats.  Most likely an FBI agent was parked outside and  followed the man after he scampered out.

The pool was finally completed in mid 1961.   There are photographs of my mother and I in the pool; her smile is radiant and naturally composed.  She and I swam everyday.  My father  loved to swim too, but he was busy with court proceedings and meetings.  Before the year ended my mother filed for divorce, the house burnt down, and I was released from childhood. I don’t regret those events any longer.  They were steps that shaped my character, and what brings me back to the topic of growing up with gangsters.

The best memories of my childhood are in swimming pools and restaurants with gangsters and gamblers.  They were part of the family, and when they were around my father was on very good behavior, and my mother defenseless against their irresistible humor, pranks, and generosity.   She just sort of glided in and out of activities, and helped me ride the vibrations.   She didn’t laugh out of herself like I do, and she rarely yelled.   The older I get, the less I seem to be like her.  Maybe the passage of life experiences determines which parent you will take after. Had I married and had children, maybe I’d be more like her. Since I get into all kinds of tricky situations, and throw the dice, I need my father’s strength more.

Over the years, I have forgotten some of the dead reckoning discoveries I made about our family history.  Still nothing compares to reading about my Aunt Gertie.  She was my father’s sister. Until I read about her in the FBI file, I didn’t know she existed. I haven’t figured out why my father left her out of our life. According to the FBI files she was a remarkably loyal sister. Gertie was the one who confronted the federal agents when they arrived at the family home in Winnipeg, Canada.  She pushed my grandmother out of the interview, and spoke for the family.  The agents showed her a recent photograph of my father.   She told them that her brother left home when he was twelve and they had not seen him since.  She could not verify the identity of the photograph because almost twenty years had passed.  The agents left without any evidence and continued to search for the birthplace of my father. Every time he was arrested, he entered a different birthplace.  He named Chicago, New York, Detroit, and Los Angeles.  His origins were discovered through a letter that his mother had written when he was fifteen and confined to a boys reformatory.  The letter was turned over to the FBI, and that is how they discovered his parents lived in Winnipeg.  The government could not deport my father to Russia without verification from his family. Eventually my father won the battle. He was granted citizenship in 1966, two weeks after my mother died.

Gertie died after my father. I don’t know if they corresponded over the years.  I have learned enough about my father to know he was protecting her from further harassment.  Maybe if my father lived longer they would be coming after me.

SMILEY & SIEGEL


THE SIEGEL SMILEY LEGACYReuniting with Millicent at the Mob Experience.
BY: Luellen Smiley
When I was eleven years old  our home burnt to the ground in the Bel Air fire, and everything we owned fell to ash. Shortly after my mother moved us to an apartment in Brentwood, a mammoth carton arrived and was placed in the center of the living room. My mother cut it open and urged me to look inside. I sat cross-legged on the avocado green carpeting and discovered bundles of garments; Bermuda shorts, blouses, sweaters, and shirts.
I quickly shed my worn trousers and stepped into a new outfit, dancing about as I zipped myself in. My mother watched, and echoed my childish yelps of elation.
“Mommy, who are these from?”
“They’re from your Aunt Millicent.”
“Who is she? I don’t remember her.”
“You were a little girl. She loves you very much.”
Years later, my father, Allen Smiley, called and told me to come over to his apartment in Hollywood.
“Why Dad?”
“Millicent is coming by; I told you she moved here, didn’t I?”
I’d learned Millicent was Benjamin Siegel’s daughter, and Ben was my father’s best friend. Dad was sitting on the same chintz covered sofa the night Ben was murdered.
“You mean Ben Siegel’s daughter?”
“Don’t refer to her that way ever again; do you hear me? She is Aunt Millicent to you.”
When my father answered the door, I watched as they embraced. Millicent had tears in her eyes. She walked over to me, and took my hand. I looked into her swimming pool blue eyes and felt as if I was drowning. She sat on the edge of the sofa and lit a long brown Sherman cigarette. I studied her frosted white nails, the way she crossed her legs at the ankles, her platinum blonde hair, and the way her bangs draped over one eye. What impressed me most was her voice; like a child’s whisper, her tone was delicate as a rose petal.
I spent the rest of that afternoon memorizing her behavior. She emanated composure and a reserve that distanced her from uninvited intrusion.
Over the next few years, Millicent and I were joined through my father’s arrangements, but I was never alone with her. When he died in 1982, she was one of only three friends at his memorial service.
As the years passed, and my tattered address books were replaced with new ones, I lost Millicent’s phone number. I had been researching my father’s life in organized crime, and had gained an understanding of my father’s bond with Ben Siegel. My discoveries were adapted into a memoir and recently into a film script about growing up with gangsters. During this time, I had reconnected with several of Dad’s inner-circle, but Millicent was underground, and now I understood why.
Last year I received an email from Cynthia Duncan, Meyer Lansky’s step-granddaughter. She told me about Jay Bloom, the man behind the Las Vegas Mob Experience, a state of the art museum that will take visitors into the personal histories of Las Vegas gangsters. Cynthia contributed her significant collection of Meyer Lansky memorabilia, and assured me Jay was paying tribute to the historical narrative of these men by using relatives rather than government and media sources. She wanted me to be involved.
Despite my apprehensions about the debasing and one-sided publicity that characteristically surrounds gangster history, I contacted Jay. In his return note, he invited me to participate, and added, “Millicent would like to contact you.”
A month later I was seated in Jay’s office waiting for Millicent. When she walked in, I stood to embrace her, and this time the tears were in my eyes.
Millicent’s voice was unchanged and so was her regal posture. “Our fathers were best friends, attached at the hip. Your Dad was at the house all the time. I’ll never forget when he and my mother met me at the train station to tell us about my father’s… death. Smiley was very good to us. My mother adored him too.”
Jay took me on a tour of the collection warehouse, and the history I’d read about unfolded before my eyes. The preview room was like a family room to me, because some of the men had been my father’s lifelong friends and protectors. I stopped in front of the Ben Siegel display case and saw an object that was very familiar.
“My father has the identical ivory figurine of an Asian woman. I still have it.” So much of their veiled history was exposed; between these two men was a brotherly bond that transcended their passing and was even evident in their shared taste in furnishings.
Jay showed me a layout of the Mob Experience in progress. I turned to him and asked, “Is it too late to include my father? All the rooms are assigned.”
“Millicent and I already spoke about it. She wants your Dad in Ben’s room.”
After I returned home, Millicent and I talked on the phone.
“Your father belongs in my Dad’s room. They’ll just have to make Mickey Cohen’s room smaller.”
“My father hated Mickey,” I said.
“So did mine! When are you coming back? I’ll kill you if you don’t become part of this.”

Reuniting with Millicent at the Mob Experience.
Reuniting with Millicent at the Mob Experience.

 

WORLD VISION


politics+cartoon+power+of+people
WORLD VISION
By Luellen Smiley

I made a list of the horrors, corruption, and confusion that dismantled the ordinary into extraordinary. The notebook is on top of my desk, on top of the entire works-in rewrite documents. All the other tributes to my success or failure are stored mentally; I have to look and hear the world. I am addicted to news alerts, commentaries, panels, and interviews. Along with the experts and analysts I listen to, my own voice and opinions are exploding.
I am not Charlie, Kayla, or Kyle’s wife. I am a writer of interior battles. My writing has never steered towards Politics. It is a freeway I never understood; a freeway my father told me at a young age was not to be trusted. A subject I avoided in college, and a topic that fumbled my thinking during my young adulthood rap sessions.
How faraway those years grow everyday. We chanted peace and love, in our kooky outfits, and our imaginative minds. I was full with Lennon, Dylan and Joni.

How much longer can I remain silent? There is a blockade of conversation about politics; it goes up like a digital wall, as soon as I meet a stranger. I was in La Posada Hotel the night the terrorists captured the Kosher Deli and Coffee House. I went to record by hand, the reactions of people I pick out very impulsively. A sort of lightning rod hits when I go into public and select my conversations. I may meet someone I have to write about.

No one had time to really absorb the truth of this historical moment. We may read, or watch the news, shake our heads, and then tuck our children into bed. I feel that our lives our complicated more with finances than any other single threat. Most of us just want to take a vacation. So what can they expect of us. Do we have a voice? Do we have a fax number to the Administration? Sometimes I dream of one representative in every state of the Union grabbing the microphone, and all digital devices, and shouting out, “Stop the war Republicans and Democrats!  IMAGINE IF WE WERE UNITED… JUST A LITTLE.

WHO WAS MY FATHER?


I began my research WITH WHAT I HAD; one of my father’s books; “The Mark Hellinger Story.” I leafed through the index and there was my father’s name along with Ben Siegel’s. According to the biographer, my father visited Mark at his home the night before he died. Mark had stood up in court for my father and Ben at one of their hearings. He was fond of Ben, like so many people were, that aren’t here to tell their story.
After reading the book I rented, The Roaring Twenties, written by Mark, and from there the connections, relationships, and characters began to leap out from all directions. I
submerged myself in history and photocopied pictures of my father’s movie star friends, George Raft, Eddie Cantor, Clark Gable, and his gangsters friends. I found photographs of the nightclubs he frequented, the Copacabana, El Morocco, and Ciro’s and nightclubs that he referred to in his mysterious conversations. I made a collage of the pictures and posted them above my desk. I played Tommy Dorsey records while I wrote. This microcosm of life that was created, allowed me to listen to the whispers and discover the secrets.
I dug into my father’s history without knowing how deep I had to go, or what shattering evidence would cross my path. In my heart I felt this was crossing a spiritual bridge to my parents. The flip side was a gripping torment, tied to my
prying mind. I needed to break into the files in order to break my silence, and discover my parents, not glamorized stereotypes that fit into the category of Copa dancer and gangster. No matter what I uncovered, I always knew it would be ambiguous, and controversial. I did not expect to find a record of murder, dope peddling, and prostitution. I believed that his crimes were around the race track and in gambling partnerships. Even so, I could never understand the similarities we shared, unless I knew them as people. Though I have not rebelled against authority as my father did, I‘m not a team player, I resist authority, and I don’t like waiting in lines.
I had to reinvent my mother through the subconscious. I skated over thin ice trying to set her truth apart, from what I
had invented, dreamed, or had been told. I listened to Judy Garland’s recordings, and premonitions surfaced, of how my mother loved Judy, how it must have felt to be under the spot lights of MGM, and dancing in ginger bread musicals while her own life was draped with film noir drama.
I studied my mother’s face in all her films, rewinding and stopping the tape, as if she might suddenly return my glance. She had dancing and background shots in the musicals produced by Arthur Freed. I remembered dad talking about Arthur, and how prestigious it was to be in his department.
When I discovered the Museum of Motion Pictures Arts and Sciences in Los Angeles, I went down and filled out a slip of paper with my mother’s name on it and waited for my number to be called. I felt something like a mother discovering her child’s first triumph. They handed me a large perfectly stainless manila envelope, and a pair of latex gloves to handle the file. I had to look through it in front of a clerk.
“That’s my mother,” I proclaimed. He blinked and returned his attention to a memo pad. Inside the envelope were black and while glossy studio photographs, press releases, and studio biographies of my mother. The woman who pressed my clothes, washed my hair, and made my tuna sandwiches. There she was in front of the train, for Meet Me in St. Louis, and a promotional photograph in The Secret Life of Walter Mitty, dated 1947. That was the year Ben was shot. I looked further to find more clues. I needed to know where she was the night Ben was murdered. Maybe she was on location when it happened. Maybe she was in New York at the opening of the film. I could not place her on June 20, the day Ben was murdered. I imagined my father called her and told her the news. The marriage plans were postponed, their engagement suspended. My father had to get out of town.
I spent everyday picking through the myths I’d heard and read. I heard a clear chord of scorn, for exposing family secrets, “It’s nobody’s business what goes on in our family, don’t discuss our family with anyone, Do You Hear Me!” I must have heard that a thousand times.
I began to dig with an iron shovel. I asked every question I wasn’t supposed to ask, and preyed into every sector of their life. I wanted to know about his childhood, where he grew up, and why he left home when he was thirteen years old. Who were my grandparents, and why didn’t he talk about them. How did he meet Ben Siegel and Johnny Roselli, and when did he cross over into the rackets?
I contacted historians, archivists, judges, attorneys, Police Chiefs, FBI agents, authors and reporters across the United States. He always said, “Reporters can destroy your life overnight.” And here I was, uncovering what he had sheltered all his life.

I wrote to the INS in WDC and asked for their assistance. Six months later I received a letter from the INS in Los Angeles. They acknowledged his file, it was classified and they could not locate it. The progress was tediously slow, and the waiting oppressive.
While I waited for the files, I read Damon Runyon, and Raymond Chandler stories and attempted to identify which character personified which gangster. The stories were about the people that came to my birthday parties, Swifty Morgan, Nick the Greek, Frank Costello and Abner Zwillman,(the Boss of the New Jersey syndicate.) The dialect of Runyon and Winchell mimicked the same anecdotes my father used over and over! By understanding Runyon’s characters I began to know my father. At night I watched old gangster movies and that opened another door of familiarity.

I read almost every book in print about the Mafia and ordered out of print books from all over the country. They began to topple on my head from the shelf above the desk. Allen Smiley was in dozens of them. Every author portrayed him differently, he was a Russian Jew, a criminal, Bugsy’s right hand man, a dope peddler, a race track tout, and sometimes the words bled on my arm. To me, he was a benevolent father, a wise counselor and a man who worshipedscan0002 me.
The INS claimed my father was one of the most dangerous criminals in the United States. They said he was Benjamin Siegel’s assistant. They said he was taking over now that Ben was gone.
That day I put the file away, and looked into the window of truth. How much could I bear to hear more?

Mom and Dad second from Left. I don’t know the other people.

MUST TO MOONLIGHT


 

MAXFIELD PARRISH

 

Now that you know I am leaving Santa Fe on an exploration of destination,  there you are again.  Igniting my flashbulbs for the seamless cinema-scope of Santa Fe, you are toggling behind me in the snow, as I plow, sweep and sprinkle salt, you are there when I am in the parade and choosing my characters to congregate, and make a party, and you are there when I wake up in the morning, to draw me out of the down comfort, sheets and pillows that bemoan me leaving, I want to get up and begin the day, because you are there, turning up the music, and opening the laptop to a new page, and the journal to a new entry, and my books that have punished me for not reading them. They are dusty and wrinkled from my sleepy attempts to find the water bottle and drink, and then the spills fall on them.  You are there when I am cleaning the stove and bathroom floors, a reminder to get on the floor and douse the tiles with love,  listen to music while I  vacuum, and end the day with my  shoes off and slouching in a comfy chair.   You are not dormant spirit, you are rising from the labyrinth of an imagined life and one that is moonlight.

MAXFIELD PARRISH