PUZZLE OF SOLITUDE FOUR


 

I wrote this short piece by hand in April.

It is snowing today; the first time since February. A collage of scenery rearranges the birth of spring as a brisk snow flurry sweeps through Santa Fe.  Across the street, inside the hotel families are dining, or comparing observations with other guests, drinking apple cider and being in vacation. I see them unload suitcases, and several tote bags, a lot of luggage seems necessary for tourists these days. Teenagers are multi-texting; unaware of the flawless blue sky or architecture. I am looking for artists who’ve come to capture the light, or heal  city bruises with the language of the Indian world. The coterie of artists drawn to Santa Fe are now a minority; and on the horizon are  tour buses, family reunions, and corporate retreats.

I am standing in the center of the garden, studying the entanglement of spindly branches, clinging to the brick wall. The wall looks like an abstraction of a Kandinsky painting.My sense is that I should not pester myself about unfinished desk business-but to just turn off the motor and observe my fortune. To watch clouds so deeply, and see the shapes turn from a penis to a whale, (analyze that) has always been an act of love. Some people stare at rocks, or flowers, or rain; for me it is the clouds.
The sky has just been ticked off by the sun and she is spreading like butter over my face and legs.

Costume design and realization for ‘Seeing’ by Kandinsky. A contemporary dance interpretation.


Hanging on to home for a lot of us has become a business; a renting out rooms, and converting to a vacation rental to avoid foreclosure. I can sit inside the Movie Theater (a converted garage) and launch into a montage of memories. The Michael Jackson tribute party after he died, when friends came and we danced to his videos; and the Jimi Hendrix live DVD night that mixed jubilation, remembrance, and a lot of laughing as I expelling all I knew about Jimi to a man of twenty-seven. We always showed a film coinciding with a new exhibition of photography. Guests lingered past midnight and I had to turn off the lights to demonstrate closure. Couples in the theater necking, young adults roaring with inflammable laughter upon each opportunity, and hungry men and women waltzing around each other for a bite of passion. Gallery receptions were packed back then; a staggering amount of partying and dancing collided on Canyon Road to live music and open bars.
Hanging on to memories in corners of the house. I’ll take them with me. It will be a leap of courage to untangle myself from this home.wassily kandinsky art artist
I can almost hear the birds wind as they fly over me; my eyes close to listen. The lullaby is a bath of nature and would not have occurred unless I was alone. I want to reach through writing,  to the subject of misfits and loners, outcasts and unrecognized that are too ripe to touch, to sensitive and unyielding; annoyed with the outside world. Like me.

Contemporary PaintingKandinsky-my tree

 

 

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OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-


OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA

 

CATCH THE ART IN SANTA FE PART ONE


 

Portrait of Eugenia Huici (Eugenia Errázuriz)
Portrait of Eugenia Huici (Eugenia Errázuriz) (Photo credit: Wikipedia)

CATCH THE ART WAVE OF SANTA FE    

Living in Santa Fe is a fertile landscape of more than sage, lavender, mud and ancient dwellings. It is where art branches out in new directions of livingness.

Along the path of adventures in the arts, I attended “AT HOME WITH FASHION, presented by ShowHouse Santa Fe in collaboration with Artgraze; a league of interior designers, artists, and galleries to embellish our homes with, “the art of living with art.” They patterned classic and chic Fashion Design on Interiors selected by ShowHouse Santa Fe founders, David Naylor and Jennifer Ashton. The Santa Fe Interior Designers set up shop in a quintessential Santa Fe home and opened the doors to the public to eat, drink, dance, get lost, or be discovered.  Along the interior paths of the home, artists, designers, home buyers, and sponsors conversed while behind the scenes; funds were dispersed from a generous monarchy to support the Community Foundation of Dollars4Schools. The designers worked for eight weeks, to transform a modest décor, into a stage setting of flamboyance, élan, and their secret design techniques. The designers; Jennifer Ashton, Jackie Butler, Gloria Devan, Pam Duncan, Emily Henry, Edy Keeler, David Naylor Annie O’Carroll, Lisa Samuels, Paul Rochford and Michael Violante. They schlepped all the furnishings, and accessories, including wardrobe accents, and art work to the home and coutured the house as if it was a model.  The epervescese of this lively group spread outdoors, onto a glittering garden patio designed by Catherine Clemens where the best Barbeque chicken I ever tasted permeated the painted postcard silhouette of sunset on the mesa.  Who was there?  A man in yellow rubber suit, fashion models, filmmakers, photographers, art collectors, and Antique Activists. In the crowd I noticed a distinctive gathering of men and women stylists bearing: squash necklaces, Concha belts, O’Keefing hair styles, and jewelry to stop traffic at Paseo Peralta and Cerrillos Road. The 4747 square foot Las Campanas Estate is listed with Ashley Margetson of Sotheby International Real Estate.

 

 

 

REARRANGING AND REMEMBERING


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September is the month to rearrange; wardrobes, patio furnishings, and thermostats. Heaters go upstairs, fans go downstairs, down blankets are released from plastic zip lock bags, and coverlets are removed. We seal the windows with weather stripping and my list notebook follows me everywhere.  If you live in the seasons then you understand that the menial work goes deeper as our bodies prepare for winter’s residency.
The interior change, what Anais Nin refers to as; ‘our emotional landscape,’ wakes to a chime of awareness. Now that I’ve completed all those mindless tasks, I’m ready to listen to the chime and renew the organism of emotion. On this brilliant film shooting day in September shadows of light, glaring light, brush the feathers of my wild birds as they tap dance from tree branch to feeder. Between the leaves that drop like confetti from the trees, the New Mexican sunlight feels like ten thousand flashlights in your face.
Summers postcard days flash on and off  as I write; Natives dancing at the Plaza in the wildness of fiesta to Latin and Mexican music, while Anglos freestyle a sort of slow rock and roll hippie dance.  I meet strangers and we exchange our exaggerated cheer and humor, during festivals, fiesta parades, and the burning of Zozobra.  These yearly events chisel the face of Santa Fe into a collage of New Mexico colors; magenta, orange, lime, and yellow surface on paper Mache flowers, streamers, and costumes.
     The phantasmagoria of my summer thumped one night in July during a Monsoon thunderstorm. My summer vacation rental guests were in the main house and I was in my casita sitting at the desk writing, with the door open. It was pouring rain, the kind of shower that explodes from the rain gutters like a tub faucet and those huge blue and white La Posada Hotel umbrellas seemed  race up the street unattended.  When the skirmish between warm air and thunderstorm collided, lightning seared the charcoal clouds and thunder bombed me out of my swivel chair.
      How rigid my body felt;  like hardened cement, but the phone rang and released me from this state of shock.
     “ LouLou, I think we have some issues in your house.”
I rushed over in my kimono (a writing uniform) and found the three of them stiff as statues. Young headlight deer eyes, all piercing me at once. 
     “ We saw sparks, and all the electricity is out. I think the lightning hit your house. ” 
     I didn’t’t know what to say; suddenly I was responsible for this rarity of nature’s behavior.  They clung to their cell phones, and watched as I feigned authority and calm by checking the blackened outlets. The electronics were silenced, appliances deadened, circuit breaker inoperable. I called my friend, White Zen, who doesn’t fluster easily.
      “I have to get help now. Right now! What should I do?”
     “I’ll call my electrician. He’s really good. Are you all right?”
     “No, not at all right.”
     “You want me to come over?”
     “No, but thanks anyway.”
     A few moments later, she called back.
  “ I pulled Phil out of Smiths Grocery. He’s on his way, she said with humor, enough to release a molecule of laughter from me.
     “ I can’t believe this. Do you know the chances of being hit by lightning?”
     “ No, but don’t take it personally.”
The funny thing is, I did. Other house disasters; like the time the plumbing backed up, or the historic windows wouldn’t’close didn’t’t have any comparison to this cataclysm.  Then my next door neighbor, the Architect, and professor of all topics informed me, “ Oh you’re in bad shape; you’re going to have to rewire the whole house.”
     Phil arrived within ten minutes, and I greeted him with a hug, more for support of someone’s appearance with tools than anything.While my quests and I tried to answer his questions, all of us at once, he went down to the basement, as we followed behind. Phil replaced something in the circuit breaker, and the lights came back on.  I clapped my hands but they didn’t’t join in;  they went back to texting.
     Then he tried the TV and stereo. The stereo is fried he said, but the television is okay.
     “What about our Wi Fi connection?” I asked.
     “The surge protector fried too. You have to call your provider. Good luck on that.  I’ll come back tomorrow, after you get PNM (City Electric) out here to check which panel.”
     “Which panel what?” I said.
He went into a Wikipedia explanation about the two hundred and fortyhouse voltage, and who is responsible for the outage. I followed Phil  outside after failing to soft stroke my tenants.  What made it even worse is they are musicians with the Santa Fe Opera and live sensitive structured lives.  One gal remained board stiff and and unblinking, the young man offered all of his technical support but his hands were trembling. The leader of the pack, who greets life with radiant optimism, was busy eating crackers in rapid succession.  I felt the responsibility of a mother, and so I assured them of my competence. Then I  slipped into jeans and T-Shirt, almost falling over as I raced across the street to La Posada and gulped a Martini. While I was still trembling, staff and guests gathered around me.
     The concierge said, “The lightning hit your house; I saw it from the window! Are you all right?”
     “ On no, a bar guest remarked and rubbed my back, ‘Oh Loulou, something always happens when you have guests, a waitress commented, and another broke out in a euphoric smile and said, Wow LouLou! What was it like?”
    “Ahhh. It’s not a humor story Ed; it’s a disaster!”
The electrical company showed up late that night, and poked little metal toothpicks into a box outdoors; a box I didn’t’t know existed.
     “Sorry Mam. Our panel is working fine. You’ll have to get the electrician to make further repairs. Wow! That lightning sure hit hard. Have a nice night. ” Ha Ha, I said and stumbled into my room. No Internet, no television and no music.  I slept with a pillow over my head.
     The next day Phil returned to trouble shoot everything.  My television and the house stereo blew out, so did the surge protector to our modem, and the electronic gate was broken. The guests couldn’t get their cars out of the driveway.  We pried the gate open, and they backed out in jerky anxious motion.
          A week later, in between substantial attempts to behave normally, all of us were still irritable, prone to trip, biting nails, and voices wavering over the tenseness that clipped our tongues.   It was never the same after that; our simpatico shared residency turned into staged friendliness.
     That’s the thing about lightning, it gets inside of you, and you are involuntarily rearranged.  My emotional landscape is naturally in a state of alarm. I startle easily, imagine voices, and see too much in the dark.
Too be continued.   
 


QUE SERA SERA


ADVENTURES IN LIVINGNESS

is going from my 2500 square foot five-bedroom home with a garage movie theater, private garden and roomy front porch  into a 265 square foot bedroom without a kitchen.  It’s not permanent, but there is no end date either.

The big house we converted into a Vacation Rental as a means of income, and so I had to move out a month and two weeks ago.  My room, I coined the Wild West Room, is brick red. I covered the walls with yellow and red original movie posters, and furnished it with a slot machine, two tables, two lamps, a TV with western saddle draped over it, a double bed, and a four drawer plastic dresser. The closet is tiny; so I only brought my best summer clothes; twenty hangers is all.

Waking up to have coffee on my petite patio laced with roses and a canopy of vines, settles my nerves after the mini coffee maker falls off the edge of the sink, and other accidental maneuvers. Living in a doll house requires tremendous gentleness, one swift wrong move, and things start tumbling.

My refrigerator has inspired a new diet. I call it the mini-frig diet. I can fit one bottle of wine, one 8oz bottled smoothie, one juice, my Aloe Vera, cream, three condiments: green chili, horseradish mayonnaise, Red Chili Jelly,  a small tub of washed lettuce or spinach, two cheeses, tortillas, olives, tomatoes, smoked salmon or chicken strips and that’s it.

The only catch is that it is in arms length of the bed, and within four feet of anywhere in the room.  Snacking is just part of the atmosphere.My own unimportant theory on eating, is I eat less poison if there is a bowl of chocolate covered nuts, gummy bears, and chips in the house.

I prefer to eat on dishes then paper, so I wash them in the bathroom sink, but I wash the delicate wine glass when I’m showering.  All my meals, usually one a day, are outdoors on the patio, under the new Overstock.com umbrella that works perfectly.  I’ve had a great experience with them on a return as well.

My house faces a busy street in Santa Fe, NM. The street connects upper Eastside to the downtown Plaza, and across the street is the La Posada Resort and Spa.  I can walk to the gym, and pool, survey the clientèle, drink wine in the bar, and talk to the staff at the front desk.  I’m there everyday; and as ying goes with a yang, I tolerate their side of the street being the loading zone. There are pick-ups, and drop-offs, and a lot of racket that I bear with my earplugs.

It’s in the high nineties, and we’re in a stable between three burning fires. The heat clings to me, like a saran-wrap;  it’s also sort of Chaplinesque.  I keep changing; to go on the patio.  I can’t go in a slip, so I change a lot. Then there’s the marvelous terrifically considerate and talented guests in my house. They are three principal musicians’, with the Santa Fe Opera this season.  When I water I hear them practicing.   0627131541a

My shrunken life has forced me out more, eliminated hours of cleaning, shaved time off dressing, rearranging furniture, over-achieving unimportant tasks, watching the birds in their nest, and feeling complacent.

That is the most important of all; I realize it is time to bolster up, make sacrifices, and use this little room as the place to write my way out of here.  I see myself in Portugal, or some place I still haven’t discovered.  This miniature living reminds me of the first studio I rented in Los Angeles.  You can’t imagine what progress came from that disappointing address, at the corner of Little Santa Monica and Westwood Boulevard. ‘ Que sera sera.’

REVERSE THE SPENDING.


Big spenders, rich or poor, are learning like me, that spending more than you have, like the US Government, follows you until your legs break over the debt line. I used to spend everything, before the check even arrived. Now, I am stimulated by resisting my fav delicacies, the extra beauty clutter, the wrapped $6.00 soaps, luxury bath salts and body creams, and the RLauren sales. I love to walk into a shop and leave with the one essential item. As I’ve moved into a 300 square foot no-kitchen casita and rented out the house, there’s no room for new stuff. I live with art, music, a few books, and a bulky 32″ television. There is a mini frig that suits two bottles, three condiments, pre-washed lettuce, and sliced cold cuts. Love the condensible lifestyle–so far.

THE LEGEND LADY OF PALACE AVE


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The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, ‘Oh I had an Aunt named Lucero, and we called her LouLou.’ She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. ‘You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.’

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

 

GALLERY LOULOU PHOTO, FILM, MUSIC SALON- VACATION RENTAL


SANTA FE, NM.  VACATION HOME, GALLERY, AND MOVIE THEATER.

Gallery LouLou is a nationally recognized  Historic Home. It was upgraded to allow for preservation to mix with modernism. The house is across the street from La Posada Resort and Spa, and is two stories with 2500 square feet. We are one and a  half blocks  from Downtown Plaza.  visit our website at http://www.vrbo.com/345671206DSCN4229 110912113454aba9IMG_0499DSC02353 - Copy - Copy

•         The house is sandwiched between two outdoor living porches, one with BBQ overlooking the private garden. Daydream and smell the lavender.

•    The garage is a renovated  theater.. An overhead projector allows you to show DVD’s, plus turntable and 6 track CD player to create your own multimedia performance. Heated and furnished.

•    The house is all hardwood floors, with French doors in the main living area connecting to the front porch.

•    The kitchen is accessible to the porch and BBQ for dining Al fresco.

•    There are FOUR unique private bedrooms and two baths.

•    Two porches:  One in front with garden of roses, and back yard garden is lush with herbs, pear and apple tree, roses, lavender, cherry blossom, and a string of lights for a really romantic night.

GALLERY LOULOU IS A PHOTOGRAPHY GALLERY AND HOME. OUR ICONIC ROCK & ROLL PHOTOGRAPHS BY JIM MARSHALL, BARON WOLMAN AND PHILIP TOWNSEND ARE FEATURTED THROUGHOUT THE HOME,  AND ARE OFFERED TO GUESTS AT A DISCOUNT OF 15%.

We are two blocks from Canyon Road, which leads to art galleries, restaurants, and HIKERS AND BIKERS wilderness, Santa Fe Ski Valley and the Sangre de Christo Mountains.

Turkish Linens + Coverlets.

Three Queen Perfect Sleepers, one King Perfect Sleeper.

It’s fanciful, but unpretentious.

Writing Desk

Two televisions upstairs. Flat screen 52”

Indoor and outdoor music system.

Pantry.

Washer Dryer in basement.

Large eat-in, two sink, and island kitchen with pantry.

Jacuzzi Tub

Three outdoor dining areas.

Wi-Fi- purified water, and wood burning fireplace.

YOU’LL LOVE IT.

IN THE GARDEN


Two months ago I bought a crate of flowers to plant. After setting the plant to rest, I had a vivid recollection of Nana; my Mother’s mother.
Nana was a petite woman, with long graying hair she pinned into a perfect French twist, a cute Irish nose, and a giggling smile. When I was growing up she lived with her second husband, we called Poppop, in a spacious California ranch house in Sherman Oaks, also known as San Fernando Valley. We visited her weekly, staying over one or two nights. Nana was always waiting for us to arrive. She greeted us at the door, she had something cooking, fresh candy in crystal dishes, and in the morning, she fried bacon and the aroma woke me and got me running downstairs. She scrambled eggs with lots of butter, and served it with Irish soda bread. It never occurred to me that these weekly trips were the cultural mix-up of my Russian Irish heritage. This was Nana’s only opportunity to spoon-feed us our Irish roots. At home with father, bacon and butter were prohibited, and bread came in the form of a bagel. The food was only one part of the adventure. Nana’s home was filled with antiques, family treasures, and her garden was a masterful collection of east and west coast varieties.
After Nana had all her errands and household chores finished, she changed into slacks, flat shoes, and a straw hat and went outside to the garden. I would follow Nana while my Mother remained indoors; most likely talking on the phone with some degree of privacy. In the garden, Nana would trim, cut, and arrange her flowers. I kneeled down beside her and watched, while she talked. Nana had the gift of gab, and her thoughts poured out without my interruption. Between sentences, she would insert a self-effacing joke, regarding her silly hat, or her short legs. Her hands were swollen from arthritis, and she rubbed them from time to time, but she did not complain. As I planted my garden, these visions of Nana remained and grew more studied and complete. I had a memory of being assigned a school project to plant something in the garden. By this time, my Mother had moved us to an apartment and we didn’t have our own garden. I went to Nana’s and she helped me plant some variety of flowers I cannot recall. Each week I’d return to see how my plant was doing. Some time after the assignment ended and we were walking in the yard, I looked to see how my plant was surviving. It had been replaced. I asked Nana what happened.
“Oh honey I hope you won’t be mad at me, but the little flower died, so I planted a new one. It’s my fault; I didn’t look after it properly.”
Nana taught me the things my mother didn’t have the time to teach; like cooking, cutting flowers and arranging them, making coffee, and setting the table. She made all these chores enjoyable, and I loved to follow her around the house and watch her change the beds, and prop up pillows, and fold the guest towels. It never occurred to me until now, that I adopted her domesticity; the sublime gratification of adorning a home for the comfort of family and friends.
The plants did not blossom, the jasmine, roses, and other varieties all wilted and turned brown, but the parties, soirees, dinners and moments of solitude are bloosoming.

THE MYSTERY OF HOME


Every morning I rise at dawn to sit in the parlor. Here I watch the sunlight illuminate the, “Cat on a Hot Tin Roof” movie board in the hearth, and drink a cup of coffee in silence. I feel at home. These are the most precious moments of the day, the moment of peace before throwing the dice.

I can see out the window to the street, and this morning a handful of eggplant leaves on the tree next door have been autumnized to a transparent sheen of bronzed gold. The silence following summer has descended down over the rooftops of the people that live on East High Avenue. The sky is seared with streaks of white, and bubblegum pink clouds drift just above the rising of the sun. The moment is a peaceful stroke to a summer that has been indeterminate, chancy and without design. We came here with the intention to sell the house, and we leave without any such idea.

In the moments SC awakes, I hear his footsteps on the creaking wood floor. I close the journal and go in the kitchen to make buttermilk pancakes. When we are in Solana Beach, we eat bran muffins, usually in short order, between telephone calls, and conversations about things that it is too early to discuss. These mornings he lingers on the porch and reads the paper, because he has the time. If my body is willing, I will run down to the stream by Kelly Park, and look for the blue heron. Along the way, I pass by the quiet man with the three beagles, and a mother walking with her children to the bus stop. I will pass the funeral parlor and look the other way, and when I see the Federal Express Truck, he will wave because he knows I am the woman that receives mail addressed to Soaring Crow.

The front porches I pass are the opening pages to the home stories of people inside. If there are children, the remains of their toys will be scattered about. If they are elderly, they will leave their gardening shoes by the back door, and if they are a young couple, they will be in the midst of home repairs, a roof that needs fixing or a new coat of paint. I have observed just one campaign poster board in the neighborhood. It seems to have gone out of style to post your politics on your car or in front of your house. In the front yard of one home, a banner is pitched in the ground that reads, “Remember our Troops.” I have not asked, but it is probable they have a son serving in Iraq. The hanging flower planters have been replaced with mums and corn stalks. Some scatter straw on the lawn. I used to giggle at this September tradition, now I am almost giddy about arranging my seasonal display in the yard.

The run back through town takes me by the high school, a brawny brick building that looks like the setting for a chapter from “Catcher in the Rye.” A teacher passes by, dressed in a conservative suit and pumps, and smiles. She looks wholesome as apple pie, and I wonder if I ever looked like that. On chilly mornings, the fireplaces may be smoking, a scent as perfect as my favorite perfume. Our own fireplace is inoperable until we reline the chimney, which explains why the movie poster is in the fireplace.

By 8:00 a.m. the yellow school buses are chugging up the street and the children, gathered at our corner; bob up and down in innocent bursts of energy celebrating the beginning of a new day. I arrive home about this time, and stop to watch the quaintness of the moment. The habitat of these surroundings strips me bare of my Hollywood entertainment, Southern California roots. I am nourished by quaint tradition and scenery, and that is one answer to this mystery I call home.

I eat cider donuts when I want and instead of working out three or four times a week, I take long walks, past the Sunny Side farms to see the young foals and mothers in the corral. I dress in style-less shoes and pants, whenever I feel like it, without fashion consciousness. I do not watch the television and prefer to go to bed early and read Carson McCullers novels. If I wake up in the middle of the night, I can sit on the porch and look at the hands of a storm forming in the sky.

People come to my house without notice, and sometimes just walk in and yell my name. My favorite Broadway hangout knows who I am, what kind of wine I like and that we like to sit on the patio. Sometimes I meet strangers who have heard of the Follies House, and I feel a twinge of acknowledgment.

It does not matter what everyone else calls home, it is simply the feeling of peace, security, and acceptance. That is how you know you are home.