WRITING FOR TRUTH LIKE DRILLING FOR OIL


A momentary connection occurred to me last night after watching, โ€œThere Will Be Bloodโ€ about drilling for oil. The oil derrick is the outline, or the notes scribbled in a journal. Then the pipes are set in place, like words in a sentence, then paragraphs. Our characters come into view some muscular and brazen like the drillers, welders, rig workers and mud loggers.  Once those elements are configured in the oil field or in sensory perception the story begins. The paragraphs build into pages and the pages build a story.

The writer  digs for substance for soulful spiritual contemplation and he builds on it. Sometimes it comes like a gush of oil. Other times it bubbles at the surface and goes nowhere. When the bubbles recede, we move on to another location internally and externally and we begin to dig for a new well story.

These ruminations came to me after watching the film, especially poignant to me as my father at the age of fifty left a life of gambling and mafia assorted activities and learned to be an oil producer. He was introduced to Howard Hughes through Meyer Lansky and Frank Costello and Howard introduced Dad to a wildcatter in Houston named Lenoir Josey. My mother and father moved to Houston from Los Angeles in 1949 and into the Shamrock Hotel, that being the hotel used in the film Giant, and Edna Ferber’s book, about Glenn McCarthy, played brilliantly by James Dean. He built the Shamrock, and it opened on St Patrick’s Day 1949 (the pool was so large you could water ski across) Glenn became close friends with my father. I met him once in Los Angeles at a lunch with Dad. He was broken, by his loss of fortune. and friends. I recall a face withered by disappointments. 

 Josey as my father referred to him took my father under his wing and tutored him in the business of oil engineering and oil production It was a gamble and my father a life long gambler on everything loved being in the oil business. I didnโ€™t intend to wave my fatherโ€™s story into this but intentions in writing as many things in life surprise us.

If J. Edgar Hoover hadn’t refused my fatherโ€™s request to reside in Houston to continue the oil business I would have been born in Texas. My father was forced to move back to Los Angeles and as Hoover predicted he went back to gambling. During his time with Josey, he amassed twelve oil leases in states across the Southwest and Midwest and when he died that part of his life was handed down to his children in royalty leasehold interests. That was when oil was $17 a barrel. But Josey had passed and his son no longer honored the handshake agreement between his father and mine and forced us to sell our leasehold interests for a shameful amount.

To be continued

At 98, iconic photographer Jerry Schatzberg proves cool never ages at Lower East Side gallery opening | amNewYork


My pal since 2007 when I asked him to exhibit in my gallery. He advises, humors, and inspires me on every phone call. Today he is still exhibiting his photographs worldwide.Photographer and filmmaker Jerry Schatzberg, almost 99 years old, looks back at Edie Sedgwick in a new show at the Ki Smith Gallery.

Photo by Bob Krasner

Daughter of mob boss reveals insight into infamous unsolved murder


https://www.google.com/amp/s/www.dailymail.com/crime-desk/article-15678303/amp/allen-smiley-bugsy-siegel-mob-murder-unsolved-daughter.html

THE NEW YORK DAILY NEWS INTERVIEW PUBLISHED TODAY. ELIOT FORCE HAS THE FORCE AND FINESSE TO WRITE A TRUE ACCOUNT OF AN INTERVIEW. THANK YOU ELIOT!!

A FEW PHOTOS FROM GALLERY LOULOU


ED CARAEFF PHOTOGRAPHER- He came out for the opening, a really nice guy. We played Hendrix every day for 6 months.

PHILIP TOWNSEND AT HIS EXHIBITION IN SANTA FE, NM. A PRINCE OF A MAN. WE SOLD ALL HIS STONES, BUT 4 THAT I KEPT.

JIM MARSHALL-Only he could get Dylan to smile. Jim, the legend rocked the gallery, the most eccentric man I ever met.

JIM MARSHALL.

BARON WOLMAN. The man who ignited Gallery Loulou with his introductions and faith in my passion.

LEFT TO RIGHT. MAN, unknown, my pal Blair Sabol, Jim Marshall, Ali McGraw. I get chills looking at this adventure. OPENING NIGHT IN TAOS, NM.2007

JERRY SCHATZBERG, ICONIC PHOTOGRAPHER AND FILM MAKER WHO DID MORE THAN PUSH THE ENVELOPE. HE PUNCHED IT. I JUST SPOKE WITH HIM, 99 YEARS OLD, CLEVER, HUMOROUS, ALL THERE. He exhibited in the gallery and we became confidants.

AND OF COURSE FAYE. WHOM HE ADORED AND TOOK HER TO HIS CAMERA.

Just watched a few years ago. Some Favorite films: Bread & Tulips, Angel Face, Head in the Clouds, Late Marriage, Water for Elephantโ€™s, Sarahโ€™s Key, Pierrot Le Fou, No Where in Africa, The Lives of Others, Gangster, A Love Story, The Counterfeiters, Senso, Croupier, II Grido, The Wide Blue Road, Deja Vu, The Whistle Blower, The Young Adult, John Rabe.


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Our nest is something we build to give us permission to express, unravel, rant, improvise, and dream.  Sometimes we return to our little nest and add a bit more bloom because the dinner was great, and the party lasted longer than we thought, and someone smiled at you in a glorious way, and then you saw a rainbow.

Some things happened last week; that liquefied into an opinion I inhabited. Iย directed this opinion with outdated information, and second-hand narratives by film scribes. I believed whatย Iโ€™dย always believed; actors arenโ€™t like you and me.ย I was wrong! Some actors are like you and me. They have open hearts and inquisitive minds, they drink beer and dress without designer labels, they like to hang out and not talk about the movie business, they have interests beyond their IMDb star rating, and they answer questions if you ask them. Unless we infiltrate what we criticize, weโ€™re adding to the hypocrisy of theย human condition.

NEW YEAR 2026 RESOLUTIONS: See more, feel more, love more, think more, create more, laugh more, and MOVE MORE


DEATH AND LIBERATION COLLIDE


                              

It was her widespread, unrestrained, and contagious smile that I see when I think of her. Her expressive hand gestures seemed like separate limbs from her straight, head-held-high posture. Frankness, unpreparedness, and ebullience made her the embodiment of who I wish I were. 

I was on the phone with a friend when the news alert filled the screen, and a photo of her signature smile. 

โ€œ Oh my God!โ€

โ€œWhat?โ€ he asked.

In a voice trembling with shock, I replied, โ€œDiane Keaton died.โ€

โ€œ Whoa, how old was she?โ€

โ€œ Seventy-nine. She was the only contemporary actress I related to. I watched Baby Boom last week, so Keaton. It was like watching me if I had the same experiences. โ€œ

โ€œ She  was great in  The Godfather, not a lot of people would agree with that, but thatโ€™s my opinion.โ€

โ€œ I never thought of that. I watch it once a year. She was in an interview years ago, and the host asked,โ€ Why didnโ€™t you ever get married?โ€

With her arms opening like a double door, she exclaimed, โ€œ No one ever asked me!โ€

Her last post on Instagram is worth reading.โ€  

And in the same weekend, I think of this. We canโ€™t feel another personโ€™s sickness, or what itโ€™s like to sing if we donโ€™t sing, or fly like a pilot unless we’ve been one. We cannot imagine what it is like to be a hostage of Hamas.

I wandered about yesterday, in the gym, the veranda, and the lobby, and later, had appetizers in the restaurant. Two flat screens, football, the rest couples except the man next to me. I couldnโ€™t help but notice that he was three inches from me at the bar. A shrimp cocktail showed up, he ate voraciously, then a steak and a large flat potato sort of tortilla, a side of vegetables, and he ate enthusiastically, then a lobster plate, with more vegetables, and he ate, and then dessert. I left before it arrived, so I wouldnโ€™t swipe it from him.ย 

I wanted to say to someone, “The hostages are coming home!” ย I didnโ€™t. Diane Keaton would have! She lived with squamous cell cancer or many years. That explains the hats and turtlenecks.

THE EDGE OF MADNESS


There’s nothing better than ending a day of minutia moving madness than The Razor’s Edge. It always calms me down.

FILM NOIR MESSENGER


Photo by u041au0430u0440u0438u043du0430 u041au0430u0440u0436u0430u0432u0438u043du0430 on Pexels.com

I watch film noir with an admitted addiction. The grainy black and white stillness, the music scores, the cinematography satisfies more than current cinema . The message comes through, live gracious, selfless, forgiving, brave, and passionate? As I feel these thoughts streaming along, the one that stabs like a knife is passion. That visceral sensibility has driven me throughout my life: about men, mystery, adventure, accomplishment, art, music, dancing, unfamiliar places and faces, and cafรฉ society rendezvous. A temporary grasp of glee. And when it ends, it goes like this.ย ย 

Unprepared, who knows where
The leaves will fall
They donโ€™t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread on our minds ย 

Uncertainly
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I donโ€™t know if I can see ahead

My steps, like pebbles, follow the rush in the river
On the edge of the quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch,

To land a launch.

SWIMMING WITH GANGSTERS


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Ella blew out tunes like a smoke stack, and her face drew more sweat with each soulful sound. By the second song, the sweat was pouring down her face and into that gorge like cleavage that heaved with each breath.ย  I was a child and didnโ€™t understand the emotions that distorted her eyes and mouth. Ella, crowned by a sizzling hot spotlight overhead, transmitted every flaw and feeling on her face.ย  ย I hadnโ€™t seen a singer suffer before. I looked up at my mother and started crying.

โ€œ Whatโ€™s wrong sweetheart?โ€

โ€œ Iโ€™m afraid sheโ€™s going to die.โ€

My mother whispered assurances that Ella was not going to die.ย  I kept crying. She then excused us from our table and I followed her into the Powder Room.ย  She sat me on a chaise lounge and wiped my tears.ย  The expansiveness of the Powder room, compared to the ones today, was like being in someoneโ€™s bedroom. Soft cushioned chairs, a long dressing table speckled with ashtrays, perfumes, and miniature toiletries. We stayed there until Ella finished her show. Mom didnโ€™t show her disappointment, she rarely showed despairing emotions, or caused me to feel ashamed of my behavior. Looking back fifty years later, Iโ€™m reminded of my motherโ€™s selflessness and how a legend can drop down your path, and you donโ€™t even know it.

Again, looking back fifty years later, my succession of travel diaries is dim by comparison to the Vegas memories.ย  Swirling amongst the รฉlan of prohibition era abandonment, gangsters were the Rothschilds, the royalty of the scene, and the non-members loved it. Thatโ€™s why the women behaved Roaring Twenties ZaZu Pitts and Louise Brooks emancipated. Everyone was free of their wrappings an0287_0019(small) ENTRATTER & SINATRAd responsibilities. They were partying with the men theyโ€™d first met on screen, played by Bogart, Robinson, and Cagney. I remember them now as being childlike. The outsiders may have been living the childhood stolen by WWII and the Depression. Their veiled heroes were gangsters whoโ€™d been breaking the rules since being ripped from their motherโ€™s breast.

Then, one day the in 1963, the Rat Pack landed in Vegas, wearing black Tuxedos and intercepted the publicโ€™s fancy imitations of living vicariously. ย Joey Bishop, Peter Lawford, Sammy Davis, and Frank Sinatra invited Vegas to drink, make love, and gamble. And they did. If you find anyone over seventy in Vegas today, ask them about the Rat Pack, Johnny Roselli, or Jack Entratter, and youโ€™ll know Iโ€™m not exaggerating. Vegas was the time of their lives. The drugs were minor, an upper or a downer to sleep, but no one came to Vegas to OD or commit suicide.ย  The deaths were in the desert, between the gangstersโ€™. This was all before Tony Spilotro got wheels on his greed and went speeding into his own death.ย  TO BE CONTINUEDAT THE COPA ROOM

AT THE COPA ROOM

LONERS, SOLO, RECLUSIVE, still human.


Thanksgiving seeps into a day of light and dark, like a trajectory of blissful silence transitioning to watching the Macyโ€™s Parade, then dancing around my bedroom to old-school hip-hop. ย Internally feeling more adept than last year, the solitude and absence of friends didnโ€™t snake rattle me, ย it was more like a day of moving effortlessly between desires without contemplation or sorrow. As the year ends, the comparison of achievements and digressions seemed to evoke a visceral epiphany. Iโ€™ve always preferred less chaos and crowds to intimate gatherings, and being alone. Looking in the internal mirror, the reflection released a liberation of abasement, it is who I am, and if refusal of this characteristic triumphs, I will never feel self-affirmation.

Without that, life is an interior war.

I snapped this off a film, I cannot recall which one.

THE ART OF LOVE


Nicholas Ray
Nicholas Ray (Photo credit: www_ukberri_net)

Portrait of Martha Graham and Bertram Ross (19...
Portrait of Martha Graham and Bertram Ross (1961 June 27) (Photo credit: Wikipedia)

THIS WEEK LANDS ON poets, writers, musicians, photographers, directors, visual artists, composers, choreographers, actors and the untitled and unrecognized that squeeze in between. Kipling, Salinger ( my all-time favorite) The Rolling Stones,ย  Mozart, Chopin, Opera, Salsa, Beatles, Stieglitz,ย  Nicholas Ray,ย  Kandinsky, Johnny Mercer, Martha Graham Balanchine, and James Dean. I left out about seventy-five of my favorites.

Composition VI (1913) (Photo credit: Wikipedia)They were all lovers before they were artists.

OUR ARTISTS IN HEART travel mentally and physically through life with all the windows open; awaiting a sight, sound, or feeling that draws them to their art. The feelings are what count on our life ledger.ย  I have to thank Billy, my first love at fifteen. He was an artist of music, Gothic charcoal sketches, comic humor, and life. He opened my window to the arts.

That life ledger is always in the red because an appetite of feelings, and emotions eventually depreciates the spirit. Some of us rise above, and the flow of printed green paper comforts that spirit, but emotions continue to dominate all the success.

I have to write this in short sequence, as I am moving between a rigid reckoning of a forever ending TO ONE MY LOVES.

To be continued later.