OPEN THE DOOR!


 

The world we are living is not familiar; everyday it erupts with an inconceivable corruption, acts of violence, and viciousness against humanity. It’s not the Italian roast coffee that wakes me up, it’s world news.  I feel less and less a part of humanity and more like a wild creature chewing on an old bone.  My outlook on social clubs, synagogue and church congregations, membership clubs, group classes, and let’s meet up organizing makes a lot of sense now. Especially if you don’t have children or a life mate. The temptation to retreat into a decorous  world of fantasy is irresistible.  Experience taught me that losing it, giving up, hugging the pillow with film noir on the screen will revive me. It may take two days or more, the freedom to indulge in the absurdity, tragedy, and comedy of life is available to me.  I am fortunate that all those years studying real estate, listening and proving myself by placing money in the bosses pocket, trickled into my life.  For my Gen-X and Millennium pals I say this; buy a duplex somewhere you may want to live that is not crowded yet!

It’s a great big wide wide world if you leave the doors open. I’m feeling  really happy and if I CAN DO IT SO CAN YOU. 

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Santa Fe today

Santa Fe today, Friday the 13th. Listening to soundtrack of Man & a Woman, my lyrics, my movie. The end is what I imagine mine. The day was blowing cottonwood  and white wisteria  in a blow glow of dance.  There is a certainty about my movements, different than yesterday. I declare this day of summer, sandals,pedicure, trying on my bathing suit, making a palette change, and putting on the ritz. The gloss and bronze, and maybe even going outdoors.  Shopping and going to the Lowriders Day in Santa Fe.

 

 

 

 

 

 

 

 

 

 

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FLOOR IT


If we experience disappointment our inner oars, the ones that carry us over the tidal waves, must be accessible, we must pick them up and bash the waves.  If you are at a red light in life-like me, get a tune-up and then floor it!

 

ISADORA DUNCAN
ISADORA DUNCAN

MOVING WITH MILES


Listening to Miles I imagine my pen moving on paper in straight lines and indentations. The beak of the pen breaks out of its shell and abstractions of thought spill. Without prior meditation, feelings form the thoughts. Emotion versus reasoning. Miles musical pen is all emotion. That’s Jazz music!

GALLERY LOULOU 8 2012K 001

 

YOU’LL FEEL BETTER IF YOU TALK ABOUT IT


The throw of the dice this week lands on Adventures in Livingness.  The last time I wrote a column about life beyond the book was the Malibu series.  I’m still tainted by the U-Turn out of Malibu, but as Dad always said, ‘If you fall off the horse you get back on!’  That’s what this book is all about;  just how impressionable we are as children.

 My pals who have commented after reading this material in six different memoirs are immensely important to this writer. Word press followers, you are recognized with every comment!  Pals, Baron, Blair, and Stone who took my hand into the offices of agents and editors thank you for believing in my dice!

Santa Fe. NM 3/26/2016

A photographic day for capturing the stillness of light on the rose  20160311_112156[1]buds. Winter was a lot of writing, editing, and films. I must have seen a hundred this winter. All easy paved paths to escape.  The one I’d recommend is Divided We Fall; a Polish film set during the occupation of Poland. The Director managed to weave suffering and horror with extraordinary hope and brotherhood. If you like mystery-crime dramas,  Nine Queens, an Argentinian film that rattles the roots of a cheaters.

A FEW DAYS LATER

Today is sprayed gray and white cloud cover, and tiny drops of wet snow. I call the climate of Santa Fe, a woman with PMS.  I’m listening to Nat King Cole and withering under a  hang-over after a sensational evening with Brother Marc, (the son I wanted) White Zen, his Mother, and Rudy. I’ve watched Marc grow up. Over the last seven years he’s transformed from a shy, confused young adult, into a man of the mountain; wilderness is his passion.  He drives those big snow plow machines and grooms the mountains in Steamboat Springs, Colorado. He works at night and when he takes a break he  looks at the stars.  Six-foot thin muscle, shoulder  brown curls, and eyes  shaped like two row boats filled with blue water.  He’s not only handsome, his instincts, original expression, and amusing bellowing deep voice tie this lad up in someone you love. He’s an original. You never get the question or answer you expect;  he pulls wisdom from his head and heart as easily as folding a napkin. One two three–a brand of thinking shoots out and I just look at him bewildered. Marc is a twenty-nine year old frontiersman and  has been since he was knee high on a San Francisco skateboard. The Revenant!

Easter brings people together and I’ve sensed a developing  surge to be in a group. Distanced friends come closer, family is the bread and butter of vacation, I see so many of them at La Posada, and couples are cooperating.  No one needs to hug a pillow when they go to sleep  is my motto.

My rise above familiar surroundings and comfort began the day Brussels was terror stricken and  all Belgians  became one. I checked on Twitter that day, and was touched so deeply when I read the dozens of tweets offering shelter, food, and clothes for those in need. If I were a lifestyle journalist I’d go there and write about the emotional and physical patterns that will change over time. Imagine the consciousness’ of those personally affected after experiencing a bomb exploding beside them. I’ve asked a few people how they feel about terrorism. Some are inflamed and others refuse to discuss the matter as it elicits political commentary.   Terrorism has infiltrated the shuffle of disappointment and raised the inner riot in my head to world events. The importance of conversation so we don’t feel alone is vibrating. I don’t mean in text and twitter. It is too instant to embrace.   What happened to,

         ‘You’ll feel better if you talk about it’ psychology?

 After a few weeks of submitting the book and reading rejection emails,  I realized I wasn’t as prepared as I thought.  Not taking rejections personally is like a handshake after you’ve been swindled.  I moused over to JK Rowlings and read a few rejection letters she posted after submitting a manuscript under the name of Richard Galbraith. One of the letters suggested she join a writers workshop!   Anonymous writers like actors, musicians, artists, and photographers  are caught in the storm of celebritism.  If you are unrecognized the  brick and mortar you have to break  through is an Olympian challenge.

I was writing a lengthy portrayal of Ben Siegel one day and it occurred to me that he had become a major character in my life.  He played a role that someone else should have; a noted author, or journalist, or poet.  Ben Siegel changed my history because I had to learn to love him.  Learning to love him meant erasing everything I had read or heard. It is said he was a ruthless killer, a savage, violent, and that he loved to kill. I turned to look at a photograph of my mother.  I was told that she loved Ben too. Where once I believed my mother was naïve and uninformed, I know this wasn’t the case. She knew from the beginning. Mom fit into this strangely singular and controversial group of people. I see her in the full frame of who she was. (she is on the right in MGM Ziegfeld Follies 1946)get-attachment.aspx  I like her this way because it raised my self esteem; my rebelliousness came from both parents.

While writing about Dad I questioned my prolonged interest in his choices, behavior, and his secrecy. I asked Uncle Myron who shared the same history.   Myron reaffirmed that my father was a true to the code gangster. No one ever got him to talk about what he knew or had seen.

Children feel the repression of truth as clearly as they do the pain of bruise.  The more you hide or bandage the more they seek and peek. At my root is the inclination to question the world around me, and to mend the breaks in life that molded my identity.

Along the way of the first chapter, I discovered that people like to know how it works; how we write in a state of solitude and selfishness.  A story or any work of art lives in the artist and God. Miracles do happen!

HONK IF YOU WANT TO READ MORE


 

SMILEY’S DICE
Growing Up with Gangsters
By: Luellen Smiley

Synopsis
The memoir is written in the Creative Nonfiction genre and is ninety-two thousand words.
Writing my way home began as a compass to my secretive and dishonorable family history. This is the story of a woman whose survival was wedged between shameless love and immobilizing fear of her father.
After my almost perfect mother, Lucille Casey, an MGM musical actress died, Dad gained custody of me. I was thirteen years old. What followed was a nail-biting tumultuous father daughter relationship between Allen Smiley, a Hollywood gangster, and his teenage daughter, that I’ve named Lily.
As Benjamin “Bugsy” Siegel’s best friend and business partner from 1937 until his death in 1947, Dad acclaimed Ben Siegel. He was seated next to him the night Ben was murdered. The fatal outcome was speculation of his involvement fed by the FBI to the media, death threats from Mob associates, and vicious harassment from the Immigration and Naturalization Service.
I’ve learned by this time Dad had amassed a weighty criminal record, was under indictment for false claim of citizenship, perjury, and an order of deportation. After demonstrating to the Mob he wasn’t going to seek immunity offered by the government; they honored and protected his life. Their methods are described in transcripts from the FBI files; amusing, violent,and illegal. Dad served the organization until his death in 1982.
Faced with an identity meltdown ten years after Dad died I implored his friends, associates, attorney, historians, FOIPA, Immigration and Naturalization Agency, and Archives of the Department of Justice, to build the branches of my family tree. Along this irreversible journey I suffered disgrace, rage, and Dad’s ghostly disapproval as I delved into the files and discovered the family secrets.
Simultaneous with the reading is a dissection of my reactions to his criminal activities, gambling addiction, attempt at reformation, and hatred for the government. The vendetta the government placed on him for not informing earned my mother’s silent devotion. In the end they won. She divorced him.
I could be mute about the subject, or expose what I know because I’ve made the family history mine.
Incorporated within stories of discovery are government surveillance records, newspaper articles, court testimony, and criminal activities that defamed his reputation and our family.

As the discoveries occur the reader is taken inside the transformation of my identity. Once liberated from Dad’s paranormal disapproval of my investigation, I break my silence and begin writing columns about growing up with gangsters. This opened the doors to unknown relatives, mob friends, and an identity that suits me well.
A startling yet an inspirational look inside the struggle of a gangster’s daughter to understand her father’s allegiance to the Mob.

Excerpt from Smiley’s Dice.
I don’t know how much more of this I can process. I don’t feel Dad’s disapproval as strongly; this expository involving my mother is deepening my resentment for the government. This is just one binder of two-hundred pages, and I have fifty binders. I’ll rearrange my dresser drawers or hand-wash sweaters for awhile. It’s too early to have a glass of wine! Two days have passed, as my resistance to more reading of these FBI files was due to a suspended state of melancholia.
April 13th- FBI file

“Smiley received a call from —— and told Smiley that he was thinking of going into business with —–who is making twelve thousand a month putting on stag shows. Smiley told him not to get into the business. —told Smiley that he had attended a ball game and noticed that George Raft was there. Raft is now sporting a mustache and his cheeks are all sunken in, making him look like a drowned rat. Smiley did not like this comment.”
“____ asked Smiley how his case was coming along, and Smiley replied,” They are going to ship me to Singapore”
After the forgoing call was made, the conversation continued concerning _______ between Smiley, paramour of Jack Dragna, and Lucille Casey. While Casey was getting ready to go out to dinner, this unidentified woman, became very cozy with Smiley, according to the informant, and stated,
“ Take my advice and don’t talk on the telephone. You can sit right here and they can listen to you from over that hill. I know this because we have been on the other side all the time.” Smiley replied he had an idea of that and she remarked that Smiley was a good guy, and she thought she should warn him.”
Signed R.B. Hood
Special Agent in Charge.

 

THERE IS NO SUCH THING AS THE MAFIA


Dear Readers: Some of you followers may recognize this segment from previous versions.

 

It was the first time I could read the inscription.
To Smiley, from your pal, Ben. !Bh4GdiwBmk~$(KGrHqYH-C4EsMLP8z9dBLLYjivCm!~~_12It was the same man in the “Green Felt Jungle.” The photograph placed next to it was of Harry Truman with a similar inscription dated 1963. The disparity of Benjamin “Bugsy” Siegel alongside Harry Truman wouldn’t mean anything to me for another thirty years.

I opened the top drawer of his dresser, thinking I might find a gun. It was fastidiously organized with compartment trays for rolls of coins, a jewelry tray of diamond cuff-links, rings, and watches, and another tray of newspaper clippings. The next drawer was stacked with neatly folded shirts in tissue paper. Under that was a drawer with a lock on it.
“What are you doing in my bedroom?” I slammed the drawer muted by Dad’s abrupt appearance. He pulled a key from his pocket and locked the drawers. His hands shook, and the veins in his neck inflamed.
“HOW DARE YOU GO INTO MY THINGS? What is it you’re looking for? Speak up! What are you looking for?”
“I was looking for pictures?” I stammered.
“What kind of pictures?”
“Photographs of…Mommy.”
“You’re lying to me! Don’t think you can fool me, you can’t. You want to see photographs have a look at this one.” Then he pointed to the picture of Ben Siegel. He reminded me of a snarling wolf about to rip my head off. I looked down at the ground and held my breath.
“Now you listen to me and don’t forget this for the rest of your life. This is Benjamin Siegel! He was my dearest and closest friend. You’re going to hear a lot of lies and hearsay about him. They call him “Bugsy,” but don’t let me ever catch you using that term.  He was our friend! The best friend I ever had.”
“What else do you want to know? Let’s discuss it right now! ”
“Daddy, what is the Mafia?”
He stared at me clenching and unclenching his fists; his eyes smoldering with rage.
“Who have you been talking to?”
“I  heard it at school.”
“There is no such thing as, “THE MAFIA”! Don’t let me ever catch you using that term again! Have I made myself clear?”
“Yes.”
I stepped back to the wall and he took me by the shoulders shaking me in tempo with his threats. I was frozen solid. His anger was his weapon and he scared me to death.
“Say it–there’s no such thing as the Mafia! I repeated it, and started to cry. He raised his arms as if he was going to hit me, then he implored.
“I’m not going to hit you! I’ve never laid a finger on you! If I ever catch you prying into my things, or discussing what goes on in our home, I’ll throw you out on the street.  Now go to your room and think about what I’ve just said.”
Later that night confined to my bedroom, I took out the diary my mother had given me. This was when the diary became my best friend. I shoved it in my bureau drawer and covered it with lingerie. At thirteen my diary was safer than asking questions.  The era of secrecy began.

A PITCH FOR PUBLICATION


IN NOVEMBER OF 2005 I reserved a space at the San Francisco Writers Conference. I was nervous and edgy when I boarded the plane. My pitch proposal, pitch suit, and pitch necklace, were tucked inside my suitcase. The pitch convinces an agent or publisher, that you know your subject well enough to feel one hundred percent confident.  It may sound irrational that a writer could work five years on a book and not know what it is about. As an emerging writer I view my work through a kaleidoscope lens. I see multiple themes, subplots, and messages, and they change with each reading. Then there are loose knots of personal misery, lost versions and rejections ringing in my ears. My pitch has to convince an agent, that at least 5,000 people will buy my book. The pitch suit is the outfit you wear for an interview; only for writers, the guidelines are very loose. Some writers wear their narrative. I brought my tailored, looking successful, pants suit. My pitch necklace is a gold Buddha medallion that my father had designed for my mother. I wear it for good luck and because I know the necklace has survived all the family tragedies. The conference is at the St. Francis Hotel at Union Square. From experience, I have learned that choosing a conference because of its alluring location is meaningless; I never pay attention to past experience.

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It was pouring when I arrived. The staff at the front desk greeted me with musical familiarity. Every time I swished by they called out, “Hello, Ms. Smiley.” I imagined them as a chorus singing my name. I arrived one day early to pace the galleries, cafes, museums and Saks. After the first night, I had to switch rooms. I was directly above the street dumpsters, where for hours the chugging of trash kept me awake. I moved frantically, to scoop everything up and not miss a moment of San Francisco. After switching rooms, I dashed over to the Espresso Bar. It faces the corner of Powell and Sutter. Outside, the streetcars clanged by, passengers dangling from the bars like vines on a tree. In between the tracks, workers both blue and white-collar, and some without any collar at all, jammed the sidewalks on foot, bicycle, moped and skateboard. With phones and iPods attached, eyes alert, they buzzed on the vibe of Saturday, moving like musical notes in a symphony.

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In the café an elderly woman wearing a SFWC name tag was seated next to me. I noticed she positioned her book on the corner of her table. She looked overwhelmed and frightened. As I introduced myself she smiled courteously, and said she was a neurotic housewife all her life and didn’t have much to write about, so she wrote about her husband’s war stories. I told her she should write about the neurotic housewife. Just as I was leaving, she stopped me and thanked me for speaking to her. “There’s always a guardian angel around.” Her voice lingered in my thoughts all weekend.
At six o’clock that evening, I was gliding around my room dressing for the gala. I reached for my jewelry bag. It was gone. The weekend was ruined! I would never get published, I’m too wired, too reckless, too distracted. I called the front desk. Heather said she would call me back. Bang, bang, bang, went my shoe against the bed frame. Then the phone rang.
“Hello, Ms. Smiley. I’m sending the bellman up with your jewelry.”
I answered the door recoiling with pained joy. The bellman listened attentively. I rushed upstairs to Harry Denton’s Starlight Room. There I began wine tasting with Maggie, Peg and George; three new comrades in a room of hundreds.
I spent the next day among more comrades, writers with unpublished stories, books, and works-in-progress. I listened to panels of writers; agents and editors discussed the fateful downward spin of publishing and upward battle towards reward.  We sat in our chairs looking overly anxious, taking copious notes, and waiting for answers to our questions. At the end of the panel discussion we all lined up to meet the agents and editors. While we stood in line we met each other.
“What’s your story about?” the woman behind me asked.
“Growing up with gangsters,” I replied.
“ Oh well! That will get you an agent.”
“ I hope so.”

During the conference, I experienced a lucky throw of the dice. I met one of my mentors; Joyce Maynard. Her book, “At Home in the World,” is on my beside table. Joyce was published in the New York Times when she was sixteen years old. JD Salinger read the piece and invited her to live with him. Joyce’s story will send you back to reading Nine Stories.
As I progressed through the circle holding my pitch stick, the fear and apprehension subsided just a tiny bit. Three agents responded; ‘send me your manuscript.’ Naturally when I returned home, my hands were tied to editing. I rushed through, did not employ someone to copy-edit, and then ran about announcing my almost to be signed contract. Three months later I recovered from the rejections and began another rewrite and another until today, when I am on my fifth manuscript. This one feels right because I am not rushing through it expectant of publication; this time I know it will be published.

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EXCERPT FROM BOOK- SMILEY’S DICE


In the summer of 1994, infuriated from a broken affair, another job displacement, and skimpy funds to support me, I found myself in Beverly Hills, walking along with half-hearted interest in seeking employment.

I stopped in the shops Dad frequented; Geary’s, Schwab’s, and Nate ‘n  Al Delicatessen  seeking a root to hang onto.
Beverly Hills has the most powerful effect on me. As soon as I hit Beverly Drive I want to shop, need to shop, must shop! A rise of envy turns into jealously and my attention to wealth fades as Rodney Dangerfield crosses the street, his face contorted by some agitation.  I walked past Jack Taylor’s Men’s Haberdashery and hesitated a moment. I had not seen Jack in ten years. The last time was 1982, at my father’s memorial service. Jack was the only friend Dad trusted outside of the Mob.

JACK TAYLOR SUIT

“Hi Jack, I was in the neighborhood, I wanted to say hello?”
“Jesus Christ! What a surprise,” he said rushing over to kiss me.
“Come in and sit down. My God, where have you been-what have you been doing?” Jack’s attention toward me was exacting and unavoidable.
“I’m in transition right now. I’ve changed careers-well, several times. I was in real estate in San Diego for a long time.”
“I knew you were in real estate, your Dad told me. What are you doing now?” Are you married?”
“No, not married. I’m living here now, and looking for a job.”
“What kind of job?”
“Well, something where I can use my skills in marketing and…”
“Why not come work for me?” he said leaning closer.
“Here, in the store?”
“Yeah, why not? You’ll be great.” he beamed.
“But I’ve never sold men’s clothes before.”
“So what! I’ll teach you. I need someone–my girl just left. I want to get out and play golf. I’ve spent my whole life in this goddamn business. Forty years for Christ’s sake. I’m tired, you know, I’m not a young man anymore,” he said without sentiment.
I hope he’s not doing this because he feels sorry for me, was what I was thinking. I heard my Dad’s voice, and he said, ‘Be grateful he offered you a job! You’ll be in the centerfold of high rollers.’ Dad still managed to interface my life in admonishment and disapproval. He was not just in my head. He was in command of my choices. His disapproval was still the beam I ducked from. Sometimes I felt his presence; like you do when a cat enters a room silent as snow.
The next day I called Jack and told him I could start the following Monday. Jack is a legend in Beverly hills; he cut cloth for the Rat Pack, Jackie Gleason, Tony Martin, Cary Grant President Truman and Allen Smiley.

JACK TAYLOR ADVA custom suit starts at three-thousand dollars. I stood by the front windows folding the finest cotton shirts, cashmere sweaters, and ties. Jack jogged back and forth, from the tailor shop to the retail shop, to the telephone, juggling all their demands with explosive keenness and a lot of cussing. This was a stage I wasn’t prepared for; the illustrious display of wealth on the street. I’d forgotten people still have their own drivers, and valets open the shop doors, and limousines double park in the middle of the street. It just dazzled me into a sort of trance.
“Lily! You’re standing there like a lick of honey in a hive of rich bees. Want me to introduce you to one of them?”
“I’m not ready.”
“For crying out loud! What are you waiting for? Stop looking out the window for Christ’s Sake. Get them to look at you!” Jack escorted me to the women’s collection and yanked out a suit.
“Try this on. You’re a six right?”
“Yes, how’d you know?”
“Whatta’ you think I do in this shop? Weigh turkeys.”

The best time of the day was four o’clock in the afternoon. Jack fixed himself a high ball, turned up the volume on a Frank Sinatra CD, and took off his mask. He poured me a drink, placed a bowl of mixed nuts on the coffee table and stretched out on the leather sofa.

We both wanted to talk about Dad.
“I watched a documentary on Ben Siegel; they alluded that dad had something to do with Ben’s murder.” I said.
“You’re lucky your father will never hear you say that.  Dad spent a lifetime in fear that they’d take him out too. He tried to stay away from the business, he wasn’t even allowed back in Vegas after one incident. You know about the Ryan business?”
“No. What was that?”
“Forget it.” He stood up and filled his glass again.
“Your father had a temper, but he was a rose petal compared to Siegel. Anyway, Dad couldn’t leave this goddamn town; he was afraid they wouldn’t let him come back.”
“But he got his citizenship in 1966. Why couldn’t he leave after that?”
“It was you— he was afraid something might happen. These other guys like Meyer and Costello–they were afraid of nothing.”
“I met Meyer.” I said.
“Yeah, so you know.”
“I don’t know. Meyer was very gentle.”
“You’re Al Smiley’s daughter! That’s different. He wasn’t always so gentle.” Jack shook his head, private thoughts stirred.
“Your Dad tried to stay low, but he couldn’t walk away from the thing,” he said shaking his head.
“What thing?” I persisted.
“For Christ’s sake, what are we talking about? You know, the Mafia.”
“My father wasn’t in the Mafia!”
“Sweetheart I’m just telling you what I know. Maybe I’m wrong.”
“But he couldn’t have been. I mean my mother wouldn’t have married him.” Jack threw his arms up in frustration.
“He was Siegel’s partner, and then Roselli’s right arm! When Johnny was murdered your father changed.” Jack shook his head regrettably and continued.
“How did he change?” I asked.
Just then the door swung open and a distinguished man in a suit and overcoat walked in.

LIGHTS ON SANTA FE


 

A NATIVE AMERICAN  LIGHT SHOW.

YOU CAN BECOME WHO YOU DREAMED OF, DO WHAT YOU DREAMED OF IN SANTA FE , because Santa  Feans do not care.

I heard this slogan a lot when I first moved here seven years ago.  My understanding was vague, unrealized, and I didn’t think much about it until  this winter.   I began to  approach strangers,  walk across the street to the spa in a robe,  or  leave my pajama top under my sweater because I like the texture of it.
I’ve  given  up the diving board of scrutiny and plunge into the dreamy, stony,  outdated, simplistic extravagance, and unrealistic vibe of Santa Fe.

I keep dreaming, and preparing,  with a face blotched red by cold, that THE LIGHTS, SHADOWS,  MOON AND CHARACTERS ARE MY BROADWAY FOR NOW.   NOT FOREVER. EVERYTHING CAN BE TEMPORARY IF WE TAKE ADVENTURES IN LIVINGNESS.

ANAIS NIN ON PARIS


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THE DIARY OF ANAIS NIN VOLUME SIX 1955-1966

“All of Paris is caressable, La ville caresse, la ville caressante, with its outer life all grace and wit, at heart a mystic lover, a philosopher, a man of taste.  In its ancient decor, it is always youthful because its source of life is inner, and always renewed. The past is so vivid that it fills the streets. It is full. the magic of its unity and harmony of colors and textures and styles. When there were contrasts, they were contrasts between medieval somberness and modern gaiety.  “

THE ART OF CONVERSATION – FRANCE VS THE USA


SANTA FE, NM.

LAST NIGHT  AT LA POSADA,  the hotel across the street from where I live,  I cushioned myself  fireside to read the newspaper.  The circle of conversation across from me was loud enough to hear and so I listened.

” The rental rates of vacation rentals has skyrocketed. We have a vacation rental in Colorado and it is always occupied.  You know you can make a lot of money, it is very hard work.”  It has taken many years to listen objectively rather than critically. I’m not underlining the narrative as much as why would they discuss finance in the midst of terrorist mayhem.

I sat there for at least forty-five minutes and the conversation thread did not waver from personal income.   I’ve approached the subject of terrorism with friends and acquaintances since Friday the 13th. Only one couple who’ve just relocated here engaged. The gentleman was born in Belgium and he was eager to share his European opinions.

Over the last few days I’ve been watching Sky News.  http://news.sky.com/watch-live. This is an international online station. The journalists report news, they do not debate, criticize, or condemn those they interview.  During the program the scenes in Paris, London, and around the world capture the public’s activity, conversations, triumphs and tragedy.  What this illustrates is that  conversation  in many US arenas must pass the political censorship exam.

I understand political discussions strike fiery bantering and this may cause a rouse and attract attention, and that is  unacceptable in respectful society. Not so in France!  For me, this truly illuminates the difference between our cultures.  They are educated in the art of conversation, and in love with expression.

When I lived in Malibu last summer, most of the guests of the owner were Parisians.  This artistic and  talented group talked without pause from dusk to dark, drank bottles of wine and smoked,  a mise- en- scene from the French salons of the thirties.   They raised their voices, shouted, laughed in unison, teased and taunted without restraint.  At the end of the evening cheeks are kissed, hands held, and appetites satisfied.

Discussion with the Queen of Conversation

Harriet Dautel Funk. San Diego Opera 2006

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