WHO WAS MY FATHER?


I began my research WITH WHAT I HAD; one of my father’s books; “The Mark Hellinger Story.” I leafed through the index and there was my father’s name along with Ben Siegel’s. According to the biographer, my father visited Mark at his home the night before he died. Mark had stood up in court for my father and Ben at one of their hearings. He was fond of Ben, like so many people were, that aren’t here to tell their story.
After reading the book I rented, The Roaring Twenties, written by Mark, and from there the connections, relationships, and characters began to leap out from all directions. I
submerged myself in history and photocopied pictures of my father’s movie star friends, George Raft, Eddie Cantor, Clark Gable, and his gangsters friends. I found photographs of the nightclubs he frequented, the Copacabana, El Morocco, and Ciro’s and nightclubs that he referred to in his mysterious conversations. I made a collage of the pictures and posted them above my desk. I played Tommy Dorsey records while I wrote. This microcosm of life that was created, allowed me to listen to the whispers and discover the secrets.
I dug into my father’s history without knowing how deep I had to go, or what shattering evidence would cross my path. In my heart I felt this was crossing a spiritual bridge to my parents. The flip side was a gripping torment, tied to my
prying mind. I needed to break into the files in order to break my silence, and discover my parents, not glamorized stereotypes that fit into the category of Copa dancer and gangster. No matter what I uncovered, I always knew it would be ambiguous, and controversial. I did not expect to find a record of murder, dope peddling, and prostitution. I believed that his crimes were around the race track and in gambling partnerships. Even so, I could never understand the similarities we shared, unless I knew them as people. Though I have not rebelled against authority as my father did, I‘m not a team player, I resist authority, and I don’t like waiting in lines.
I had to reinvent my mother through the subconscious. I skated over thin ice trying to set her truth apart, from what I
had invented, dreamed, or had been told. I listened to Judy Garland’s recordings, and premonitions surfaced, of how my mother loved Judy, how it must have felt to be under the spot lights of MGM, and dancing in ginger bread musicals while her own life was draped with film noir drama.
I studied my mother’s face in all her films, rewinding and stopping the tape, as if she might suddenly return my glance. She had dancing and background shots in the musicals produced by Arthur Freed. I remembered dad talking about Arthur, and how prestigious it was to be in his department.
When I discovered the Museum of Motion Pictures Arts and Sciences in Los Angeles, I went down and filled out a slip of paper with my mother’s name on it and waited for my number to be called. I felt something like a mother discovering her child’s first triumph. They handed me a large perfectly stainless manila envelope, and a pair of latex gloves to handle the file. I had to look through it in front of a clerk.
“That’s my mother,” I proclaimed. He blinked and returned his attention to a memo pad. Inside the envelope were black and while glossy studio photographs, press releases, and studio biographies of my mother. The woman who pressed my clothes, washed my hair, and made my tuna sandwiches. There she was in front of the train, for Meet Me in St. Louis, and a promotional photograph in The Secret Life of Walter Mitty, dated 1947. That was the year Ben was shot. I looked further to find more clues. I needed to know where she was the night Ben was murdered. Maybe she was on location when it happened. Maybe she was in New York at the opening of the film. I could not place her on June 20, the day Ben was murdered. I imagined my father called her and told her the news. The marriage plans were postponed, their engagement suspended. My father had to get out of town.
I spent everyday picking through the myths I’d heard and read. I heard a clear chord of scorn, for exposing family secrets, “It’s nobody’s business what goes on in our family, don’t discuss our family with anyone, Do You Hear Me!” I must have heard that a thousand times.
I began to dig with an iron shovel. I asked every question I wasn’t supposed to ask, and preyed into every sector of their life. I wanted to know about his childhood, where he grew up, and why he left home when he was thirteen years old. Who were my grandparents, and why didn’t he talk about them. How did he meet Ben Siegel and Johnny Roselli, and when did he cross over into the rackets?
I contacted historians, archivists, judges, attorneys, Police Chiefs, FBI agents, authors and reporters across the United States. He always said, “Reporters can destroy your life overnight.” And here I was, uncovering what he had sheltered all his life.

I wrote to the INS in WDC and asked for their assistance. Six months later I received a letter from the INS in Los Angeles. They acknowledged his file, it was classified and they could not locate it. The progress was tediously slow, and the waiting oppressive.
While I waited for the files, I read Damon Runyon, and Raymond Chandler stories and attempted to identify which character personified which gangster. The stories were about the people that came to my birthday parties, Swifty Morgan, Nick the Greek, Frank Costello and Abner Zwillman,(the Boss of the New Jersey syndicate.) The dialect of Runyon and Winchell mimicked the same anecdotes my father used over and over! By understanding Runyon’s characters I began to know my father. At night I watched old gangster movies and that opened another door of familiarity.

I read almost every book in print about the Mafia and ordered out of print books from all over the country. They began to topple on my head from the shelf above the desk. Allen Smiley was in dozens of them. Every author portrayed him differently, he was a Russian Jew, a criminal, Bugsy’s right hand man, a dope peddler, a race track tout, and sometimes the words bled on my arm. To me, he was a benevolent father, a wise counselor and a man who worshipedscan0002 me.
The INS claimed my father was one of the most dangerous criminals in the United States. They said he was Benjamin Siegel’s assistant. They said he was taking over now that Ben was gone.
That day I put the file away, and looked into the window of truth. How much could I bear to hear more?

Mom and Dad second from Left. I don’t know the other people.

MUST TO MOONLIGHT


 

MAXFIELD PARRISH

 

Now that you know I am leaving Santa Fe on an exploration of destination,  there you are again.  Igniting my flashbulbs for the seamless cinema-scope of Santa Fe, you are toggling behind me in the snow, as I plow, sweep and sprinkle salt, you are there when I am in the parade and choosing my characters to congregate, and make a party, and you are there when I wake up in the morning, to draw me out of the down comfort, sheets and pillows that bemoan me leaving, I want to get up and begin the day, because you are there, turning up the music, and opening the laptop to a new page, and the journal to a new entry, and my books that have punished me for not reading them. They are dusty and wrinkled from my sleepy attempts to find the water bottle and drink, and then the spills fall on them.  You are there when I am cleaning the stove and bathroom floors, a reminder to get on the floor and douse the tiles with love,  listen to music while I  vacuum, and end the day with my  shoes off and slouching in a comfy chair.   You are not dormant spirit, you are rising from the labyrinth of an imagined life and one that is moonlight.

MAXFIELD PARRISH

DROPPING OF THE THINKER


It’s been a month since I’ve seen the Thinker.   The time was spent luxuriating in thought and activity.   They became days of resurrecting my business, writing, and staying at home, where my fantasia of comfort welcomes me.  Above my bed, I hung an umbrella. A vintage peach faded Parasol. One day, while I was searching for a place to store my ribbons, I looked up and watched the light sprinkle through the Parasol.  So that is where I stored the ribbons. When I am in bed during an afternoon nap,  I see abstractions of figures:  dancers, faces,  gods, and gorillas.  The Thinker noticed the abstraction. I think he said, ” Wow, this is incredible. Do you see the legs? And there is the face.”  He took everything in and profited  from imagination.  He had a thousand virtues, that regrettably did not serve him.  dsc01740.jpgI don’t know why.  You know I want answers, that is why I write.

THE THINKER & THE PUPPET


After I  published this last story,  I spoke with White Zen, my palgal in Santa Fe.  She said the last paragraph of the story made her cry.  Juxtaposed between the writers Zen of exporting such feeling, and the sadness we both shared. White Zen had a Thinker too. I guess there are more of them than I knew.

Having had six true loves in my life, who impregnated me with knowledge generosity, and loyalty is what made me so unprepared for the Thinker.  He does resemble Macedonio;  the first man to peel off the woman in me. They both have charisma, mystery, and good dark looks,  Macedonio is dead now, and the memories of him still glisten;  like the day in Golden Gate Park under the cherry blossom tree.

What I miss most, is the giggling, dancing, folly-maker that the Thinker pulled out of me as If I were a puppet. He called me Puppet because that’s how he saw me.  I’ve got to get my Jojo by tomorrow. I love Thanksgiving as a day with admissions of selfishness and greed. I need to be washed away into thanks that I am here with a mouthful full of food, and a napkin.

LAST SWIM WITH THE THINKER


I love to swim; water has been my home since I was born.  I wrote the Thinker stories in  the water because I  know the water. It was an experimental impulse to write as I did.    I know when you break the surface;  reality is  indifferent.  Breaking barriers, in water, in love, in business,  is all the same.   I have to work up a mental sweat to write, to create a dinner, a concept.  Nothing is meaninglessness to me.  I want everything to matter.

After the Thinker left, I have had two weeks of suck time to reflect the alchemy of our relationship. I believe in examination of relationships. It is the key to understanding who we are, who we don’t want to be, who we wish to be.  I have ironed out the swimming with the Thinker. It is a bridge to my courage,  to know it is time to leave Santa Fe. If you have ever lived here, you know it is not  ‘ the land of enchantment’ , rather the land of entrapment.  I don’t know who coined the phrase; but it is as true as Los Angeles being the land 20140528_194204of movie stars.  You may not become a movie star, any more than you may  leave Santa Fe.   I chose the challenge of living here.   I discovered  the conflict of leaving,  and living it now as I write.  I know I came to Santa Fe to discover the underbelly. That is what the Thinker gave to me.

PART TWO OF ADVENTURES IN LIVINGNESS


 

On shore the land felt liquefied and unfamiliar without the sensual spark swimming along side me.  The leaves glistened above my head, like golden gems you’d wear on a necklace. The Santa Fe river sang its song over rocks, branches and brush, while white butterflies and birds fluttered an awakening.  I passed cafes, watched couples and families luxuriating in the sunlight, Canyon road art hawkers snapped photos, gallery owners chatted on the courtyards.

20141021_150953_resizedThe stage of comfort as picturesque as a postcard.  I was outside the activity.  I rushed home, passing people who walked as if lost, and shoes stuck in tar.  Thoughts trotted like ponies all going in different directions. No path had an answer, or a reason, or an understanding of our endearment. 

The Thinker swims close by. Sometimes I feel him soaring past me, glancing for a moment, then he’s gone. The house is quiet, doors and shades closed. My nakedness is wrapped in blankets and the aroma of pumpkin spice from a candle.  My stage is empty, no audience of  any sort. These are  the moments when examination of behavior, discipline, and self-honesty rise above  the solitude.  A woman of lovers rather than husbands, beckons my heart to open to the odyssey of  love.

I appreciate all the new followers from the THE THINKER story. Thank you for

your comments and hope you return for more. 

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THE LEGEND LADY OF PALACE AVE


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The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, ‘Oh I had an Aunt named Lucero, and we called her LouLou.’ She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. ‘You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.’

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.