COVID-CHANGED US


IN THESE TIMES OF DISTANCE, DEATH, DISCOURSE, AND ISOLATION what can I write of value? All month this puzzle chased my thoughts; nudged me like a pesky fly. At different intervals during the solemnness, my journal returned parched sketchy paragraphs, and books did not deliver the inspiration I craved. Listening to Beethoven as I gaze out the window at the blowing branches on a spring gray and white day, I feel a singleness I’ve never known. Maybe you feel the same, and it is you I am writing to because I know you are there. Singleness in quarantine is more incarcerating than it is for married, partnered, family people. Though they have to acclimatize to spacial hardship as everyone at home is at the same intersection without privacy, and that slogan I remember from college, ‘I need my space man,” resonates. One friend said to me on the phone, “I yelled at my kids today, I’ve never done that before. We’re bumping into each other. I think I’m losing my mind.”

US SINGLES  are accustomed to solitude, especially if you are an artist. How we howl for isolation to create, and now we have it. The time is here, to skip down the most bizarre roads and create COVID-Art. A few weeks ago, Governor Cuomo delivered his press conference and said, “I have something to show you.” A sliding door opened and a collage that appeared twelve feet in height displayed a tapestry of masks. He told us they came from all over the world. He was so touched by the gesture. Imagine a new solo dance performing an abstraction of the virus, or a poem, a song, and for sure a dozen or more writers and screenwriters are tapping at the speed of light to capture the pandemic in art form.

https://www.theartnewspaper.com/analysis/art-pandemic

I’M GOING DOWNTOWN now to pick up a cobb salad from Sunset Grill, my stable for drinks and great food. The sky is in turmoil, as the clouds interchange across the sun, and she appears to be breaking through at one moment and the next she has revealed her radiance. I dress for the weather with a hat and coat and begin my three-block walk to downtown. When it begins to rain, I am smiling as I’ve always loved walking in the rain. As masked villagers pass, I’m struck by the absence of smiles, or good afternoon which you get a lot in a village of five-thousand. Some younger couples cross the street when they see me, and heads are mostly lowered to the ground. A new silence emerges as cell phones are tucked into pockets and passing voices are inaudible.
I HAVEN’T HAD FACE TO FACE  conversation for several days and I feel a sprinting joy in anticipation of a conversation with Eric or Brian who own the café. They’ve installed a take out window, and as I approach I see Brian, and he ducks down to greet me.
Hey Loulou, how are you?
“ At this moment I am so happy to see you!
He swings down a bit lower to pop his head through the window
“ So am I. We miss you.”
“ I feel the same. How are you doing with all this.” He is smiling, and he’s always a bit jumpy like he needs to go for a jog or a bike ride.
“We had to let the staff go,” now his smile turns to a gripping inner pain. My kid is washing dishes and we’re still here, but you’re the first customer today.”
“Will you reopen when we’re off the pause button?
“ With twenty-five percent capacity, I don’t know. The numbers don’t work out so well. I mean we’ll still do curbside.”
Suddenly he turns about-face and joins me on the sidewalk touting my cobb salad. Brian must need a conversation as much I do. We chatted about the virus, our change of behavior, and this pent-up craving for closeness.
“ I can’t even go on a date anymore with someone! How can you meet anyone today?” He gestures with his arms to emphasize his frustration.
“Yeah, you’ll have to take their temperature before you sit six feet away.” We laughed, maybe for the first time in days.

AS I WALK BACK HOME  my thoughts are traveling along the pathway of restaurants, I frequented in San Diego, Los Angeles, Taos, Santa Fe, and now here. I see the owners and waiters’ faces, remember the food and a visual kaleidoscope of the festive times we shared. You know that saying, the good ol’ days, now I am on the other side of that at least for the foreseeable future.
For me the adaptation is more than frustration. Last year I did not take advantage of the racetrack, or the concerts at SPAC, or the exhilarating nightlife along Broadway on a Saturday night in Saratoga Springs. I trembled in silence abashed by the consequences of my mistakes. If we un-pause this summer I promise you I will not be clasping the remote waiting for the next film.

AS I APPROACH  my house, I notice the neighbor in her driveway. We clashed in the most vicious ways the summer Rudy and I moved into the house. One time I think the police were brought in to settle the argument. It was because she placed a close circuit camera on her roof to track our renovation. She was retired and her husband was always fiddling in the shed. We gave her a purpose. She looked my way timidly. I smiled at her. This is the first time we’ve been this close since I moved here two years ago. She smiled back.
“Are you happy to be back?” she said in a quiet sort of empathetic tone.
“It’s taking time to adjust. I haven’t lived here in so long.”
“I know. Well, not much has changed except for a few new restaurants. Do you plan on staying?”
“I don’t know the answer yet. We had the house up for sale…”
“ I noticed the sign.” She said expectant of more information
“ I can’t maintain a hundred and twenty-seven-year-old house on my own. You know, Rudy’s gone.” She nodded her head.
“Well, I don’t know how much longer I’ll be here either. I’m eighty years old now.” She dropped her head to the ground.
“Lorraine you don’t look like it at all.”
We continued on about my new tenants, her dog, and how much work it takes to maintain a painted lady historic home. I couldn’t believe how sweet her voice was, I’d actually never heard her speak except one time shouting at me. Give up grievances and trivia because the person you once disliked may be very different now.

 

SELF PORTRAIT

VOTING HAS BEGUN ON TALEFLICK.


 

IT’S HERE. “CRADLE OF CRIME-A Daughter’s Tribute” is LIVE in the TaleFlick Discovery contest.

 

Hi Readers:

Voting has begun on Taleflick for this week’s winner. It ends on Friday at 4:pm. CRADLE OF CRIME- A Daughter’s Tribute is on

Page 8. There you will see a voting button. Let’s win!

Head over to the TaleFlick Discovery page, where https://taleflick.com/pages/discovery all visitors to the site will be allowed to vote (once) ON CRADLE OF CRIME- A Daughter’s Tribute

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LOOKING FOR VOTES


 

 

 

Dear Luellen,

Thank you very much for allowing “CRADLE OF CRIME-A Daughter’s Tribute” to participate in a TaleFlick Discovery contest. Your date has been set!

It will be a special week on TaleFlick Discovery: an all-women’s week, to commemorate International Women’s Day.

“CRADLE OF CRIME-A Daughter’s Tribute” will be part of next week’s contest that starts:

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Participation is 100% free.

DYLAN’S TOUCH


The irony.  When I first heard “Like A Rolling Stone” as a teenager, the lyrics saddened me every time I played it or it came on the radio. Then this song became my destiny.

“Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn’t you?
People call say ‘beware doll, you’re bound to fall’
You thought they were all kidding you
You used to laugh about
Everybody that was hanging out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging your next meal
How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone
Ahh you’ve gone to the finest schools, alright Miss Lonely
But you know you only used to get juiced in it
Nobody’s ever taught you how to live out on the street
And now you’re gonna have to get used to it
You say you never compromise
With the mystery tramp, but now you realize
He’s not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?
How does it feel, how does it feel?
To be on your own, with no direction home
A complete unknown, like a rolling stone
Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you
You never understood that it ain’t no good
You shouldn’t let other people get your kicks for you
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain’t it hard when you discovered that
He really wasn’t where it’s at
After he took from you everything he could steal
How does it feel, how does it feel?
To have on your own, with no direction home
Like a complete unknown, like a rolling stone
Ahh princess on a steeple and all the pretty people
They’re all drinking, thinking that they’ve got it made
Exchanging all precious gifts
But you better take your diamond ring, you better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him he calls you, you can’t refuse
When you ain’t got nothing, you got nothing to lose
You’re invisible now, you’ve got no secrets to conceal
How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone.”
Songwriters: Bob Dylan
© Downtown Music Publishing, AUDIAM, INC
Photograph credit Jim Marshall

FATHER GANGSTERS


I am thinking about some of Dad’s answers to questions. You learn more by listening than telling. I remember if a friend or associate made some business proposition, Dad would answer, ‘I’ve been thinking along those same lines myself, and have a few ideas.’ Now, sometimes, he didn’t know but that gave him a shot into the game. The opponent would then tell Dad everything. The reason I say this is he said that to me. Not in those words, but the same move. Gangster’s do as much strategizing as politicians, maybe more. Coming out of court LA Times Photo. He loved sunglasses, and so do I.

HOPSCOTCHING THE TRUTH TWO


Three days later: The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I?
It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year “Huckleberry Friend” song. I don’t know how anyone else adapts to this. I’m kinda staring out the window, like a cat staring at an unreachable mouse. When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic.  Photo Credit Philip Townsend. ” London in the Swinging Sixties.”

HOPSCOTCHING THE TRUTH


WHEN YOU TOUCH THE TRUTH: by thought, word of mouth, friend, or by a dream, however, it comes, and completely unexpectedly it is, the blessing is it came.  hopscotch-bristol-1050x700   When it is closure, to events and persons in those events, and if you examine your part, what you played, was it original or falsified, was it genuine, and was it worth it. Asking myself these questions, as  I bounced over to the Social Club to test my sociability.  I do resist introductions, loners are like that, tonight I was in a celebratory mood, and I wanted to be  like an octopus, my arms hanging out, ready to catch. t.     

Three days later:  The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I? 

It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year Huckleberry Friend trust.  I don’t know how anyone else adapts to this.  I’m kinda staring out the window, like a cat staring at an unreachable mouse.  When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic.

AN EMOTIONAL ATTITUDE


 

Earlier today, I stopped into bring Blossom a gift, recently renamed from Christine as she reminds me of a flower. Her curly braided brown hair, pink lipstick, birch brown eyes, and flowing printed dress, just formed that image of a bouquet. She was leaning on the glass display of her boutique, (Amazing Finds, in the village of Ballston Spa) eyes wide and bonded to the glass
window.

 

( Downtown Ballston Spa, settled in 1771)
An instant greeting of, “How’d it go? You look happy. Was it painful?’
My bandaged nose, from surgery last week to remove cancer concerned her, as her flowery eyes turned into studied binoculars. Our conversation drifted into a dialogue about attitude. In the eight months, I’ve lived here and stopped to chat, like four times a week, Blossom has not once displayed melancholy or agitation. Instead, she draws me out of my moody anxiousness (I’m that way. Too emotional) and into laughter and joviality.
” You’re always so positive. How do you do it?” I asked.
” Here’s what I do, I will tell you. Every morning I wake up and write down whatever comes to mind– don’t even think about it, just listen to your thoughts. Write down five thoughts, then go back and cross off the negative ones.”
” Interesting. I journal.”
” That’s different– this works. I wake up grateful, no matter what shit is going on in my life.”
” I’m not that way. I’m too emotional about what happens in my life.”
” Why?”
” Wish I knew, I guess I’m a reactionary. I wish you knew me when I was really happy, content with my life.”
” Forget the past, you gotta let that go. You have it inside you now. I see it, even though you have a lot of obstacles, I know you’re a good person, and you got legs!
” Wish I had your breasts!
“Hah-hah! Listen I want you to do what I said, wake up with what you have and not what you don’t have. Love the purse too by the way.” We hugged and I trotted off, a bit of a dance to my step and a smile on my face. She touched my emotional gear, gave it a push, and into the night. Instead of arguing with myself that I should go out and meet people, mingle, laugh, my evening was music and film, emotions like floating musical notes until midnight.
Three days later, Dorian strikes and my head turned outward, the images on television seemed staged, the aerial footage presented an island of trash floating in dump water. How do they rebuild those miles of destruction? The emotions we have monitored from the comfort of our homes or wherever you happen to be are as one. News anchors drop bashing in the tidepool of politics, and sordid revolting details about Jeffrey Epstein, or the latest protest. I imagine every one of you is horrified, maybe slightly in shock to grasp the velocity of Mother Nature. Floridians are locked up like school children. My friends in Miami cling to one another, as the warnings are now so intensified, the fear detonated functioning life. I’ve never lived through a hurricane; a few tornadoes and my nerves were wiggling from those events. Life, when we come together in emotions is the hope that we can do it when we are not threatened.
Sitting on the porch of Follies House in the wooded hillsides of Saratoga County, NY sealed in verdant shades, tickled by a tap of breeze, only enough to cause the slightest of tones, much like what I am listening to Little Girl Blue by Oscar Petersen. Anais wrote extensively about jazz writing when she lived in New York and frequented all the jazz clubs. So, with my emotions, the music, the serenity of East High Street on a Saturday, white butterflies and cotton ball clouds granulate into daydreaming, and neutrality.

OLYMPUS DIGITAL CAMERA

I tried Blossom’s idea and surprised to find that the negatives are not life-threatening, painful, or disastrous in any way. The positives are it is September in New York, my windows are newly cleaned, so I can see the leaves sprout into golden shades, nothing broke in the house this week, and my refrigerator is full. The essentials of livingness, a partner to warn me from misadventures, a working laptop and printer,  friends phone call and texts, oh, and money for perfume and lipstick.

Yesterday I stopped in to see Blossom.  ” Pick something out, I love your present.  … here try this shawl. It looks like you.”

 

WEST TO EAST-PART TWO


THE LAWN MOWERS.

I READ THAT GRASS GROWS AN INCH A WEEK IN THE NORTHEAST  and so the neighbors mow once a week. Then they edge, weed wack, then they blow. Some are more finicky than others,  I can see them from my bedroom window.  Some wear expressions of an artist, intensely serious and meticulous, others mow in business suits on motorized stand-up mowers, and some mow with a visible resentment, an overly redundant but necessary chore in the Northeast.

I don’t mow, I hired a couple, Matt and Jessica.  Matt mows with his legs wide apart, no gloves or sunglasses, no earplugs, and Jessica blows. She wears the blower mechanism on her back, her long tanned naturally sculpted arms maneuvering as if she was vacuuming the living room rug. I wait until they have almost finished to greet them on the porch.

” Life sucks,” Matt calls out to me with the motor still running.

” Yes, it does. What’s happened?”

” My daughter got into a car accident on prom night, seven thousand dollars later. He wipes his forehead of sweat.”

” Is she alright?”

“Another driver crashed into them. How’s it look, nice right?”

” Excellent.”

I invited them into the house, for a look at the furnishings I’m selling.”

” Wow, you love music and vinyl!  I do too. Is that Mick Jagger in the photograph?”

I took that on to ruminate about my former Santa Fe Gallery of the music photography of the sixties, the Rolling Stones, Hendrix, Beatles, and as soon as my boasting sounded halfway boring, I shut up. I really don’t think my past is important to anyone but me unless they are photographers. I used to sneer at people who only talked about what they used to do. How life revisits you at sixty-something when the bragging projects have ceased.

” You own the house?”

” Half owner?”

” Where’s your other half?”

” Missing in action. It’s all up to me now.”

” That sucks. Listen, if you ever need advice about the Northeast, call me– I know everyone.  You lived in Santa Fe right?”

” Yes, eleven years.”

” I hear it’s beautiful.”

” Well, it is, and it was, but I’m here now.”

” You going back? I mean why the hell stay here?”

” Maybe? I just don’t know.”  Jessica tilted her head as women do when they see a falling sister.

” Okay, I like you, you’re a nice lady. We’re friends now.”

” Are we good enough friends that I postdate the check for three days?”

” Hell yes! I don’t need the money. Don’t even worry.”  I walked into the music room and picked up a double album of Janis, still in the cover.

” You like Janis?”

They both said oh my God I love her.  I gave them the album.  That’s what friends do, reciprocate.

Matt and Jessica come every two or three weeks because I love grass. The wind blows it, the curve of it when it bends, just like I love long hair.  One time I greeted them in my interview outfit, you know, buttons and high heels. Matt said something like, “Lose the scarf and fit in, or they will charge you double.”

If I knew how to manage the Northeast weather, sensibility and had a big family, I’d adopt a cat and get a New York drivers license.

 

OLYMPUS DIGITAL CAMERA
2003 The Village Adopted my Slogan.

 

 

 

 

 

WEST LOS ANGELES TO EAST SARATOGA SPRINGS NY


A metallic sky is blowing the cotton ball clouds with the force of a lawn blower, a collage of sunflower leaves brush beauty in the windows of my home, and the act of observation becomes my pastime, here in the Northeast.


The Village of Ballston Spa.

When I used to sit on the stoop in front of my Westwood studio, it was the dogwalkers and gardeners, visitors and residents that my eyes laid on, with a backdrop of high rise two million dollar condominiums, with concrete terraces, usually vacant, that formed the view and from that, thoughts randomly trapped, wish I owned that, wish I had that car, wish I had that man. It is amusing, how one’s view can determine one’s thoughts.
West Los Angeles.

On the street where I live now, homes are two hundred years old, or newly built to imitate the Victorian era. The automobile is sturdy, practical, and unwaxed. The way of this wonderment brings simplicity into my life. No need to dress up and fit in, it’s the opposite here, dress down to fit in, or like me, a combination. You are not watched, observed, questioned or complimented, because, well I don’t know the answer, not yet. This is the day after a storm. Half of a tree collapsed in my front yard.

 

The Polar Freeze had to arrive with me, and the test was not so much about the snow outdoors, it was how to stay warm indoors without running up my gas bill to five hundred a month. Luckily, I found my Irish wool sweater in the basement, that is so large I can wear three sweaters under it, then the leggings, knee-high woolen socks, hats, and gloves even indoors. My activity was limited to bringing the furniture from the attic, basement and unloading the UBox from Los Angeles. Boxes of books and china, photographs, records, and bric a brack from so much antiquing. Three months later the house was staged. I was left with a fractured elbow, but the scenery indoors plays a critical part in your emotional health, because it is too cold to play outdoors.

_MG_6266.jpg

 

Most of my conversations came in Nomads, where I’d have a Cortado and some eggs, and talk with the owners who were also my tenants. I begged myself to interview them properly with a recorder, but I never did. They astounded my fictional idea of a millennial, not being general but based on what I observed in Los Angeles. In LA they don’t talk to adults unless you have a common bond; a tattoo or a protest sign. Nick and Alex have the play stations, all the tech knowledge of a Microsoft department, but, instead, they talked about literature, foreign films, and psychology. These are my subjects so if we began the conversation at eleven am, we finished at noon, minus the interruption of a customer. Many times, I’d ask for an explanation, and they’d answer without snickering or amusement. I recall one time I asked, ” Don’t you get tired of hearing adults say, you’ll understand when you get older (they are both nineteen years old) and Nick answered within a second, ‘No, because I know a lot they don’t. ‘Don’t forget I used the internet when I was five years old.’

The customers, mostly local residents, come solo or in large groups, families with toddlers, mothers and daughters, uncles, and nephews, everyone here that I met has a huge amount of family, which caused me some hesitation when asked, ‘you have family here, don’t you?’ After that question dozens of times, I thought maybe I should make one up. I’m not and never have been a believable liar.

The volume of their voices is another adjustment, not in a bad way, just a curiosity, they do not contain their vocal strength. Maybe it is a part of the heritage, just the New York way of conversing, but it is self-effacing genuine. I never detected a play on pretense or arrogance. Imagine how refreshing, like a gulp of spring water from a waterfall, after the playacting that overrides conversation in Los Angeles. To be continued.

Saratoga Spa Park.

 

 

 

 

 

 

THE DAY BENJAMIN SIEGEL DIED.


I was writing a lengthy portrayal of Ben Siegel one day and it occurred to me that he had become a major character in my life. He played a role that someone else should have; a noted author, journalist, or poet. Ben Siegel changed my history because I had to learn to love him. Learning to love him, meant erasing everything I had read or heard. It is said he was a ruthless killer, a savage, violent, and he loved to kill. I turned to look at a photograph of my mother in my room. I was told that she loved Ben and I believe that is true from a very credible family member.  

Where once I believed my mother was naïve and uninformed about Ben; now I know this wasn’t the case. She knew. I‘ve read the news articles of the day, the FBI  files, columns, and I’ve spoken to people who were there. My mother traveled by train to New York with my father, Ben, and Esta, his wife, and the FBI were in the next compartment! The night of the murder Esta gave my father all the jewelry Ben was wearing. Ben and Dad were like brothers. Today marks the seventy-second year since he was murdered. Do you know, at least three times a week, someone writes about Ben. Today it was the reopening of the Formosa Cafe in Hollywood where Dad and Ben parlayed the day’s bets and business. If I could have met one man it would be Benjamin Siegel.  Dad in Court.  

AN ADOLESCENT ADULT


Remember when you opened the door to your own car and took hold of the steering wheel without any parental supervision.

As a teen, my Chevrolet Impala was a haven away from my father. I rolled all the windows down, turned the volume up on the radio, and smoked. My secret joy was hoping the driver next to me would hear the music and notice me. If he was a suitable face I turned around and bobbed my head. Then, just as he looked over at me, I turned away, and looked in the rearview mirror, or sang my heart out to show off brazen behavior, the kind I couldn’t express at home.
There was a sense of freedom from examination and explanation. When I drove my spinning Impala that leaped over road bumps in three waves, I was going somewhere alone.
 It was the only self-contained space my father wasn’t attached to, and he didn’t like driving with me, because he didn’t like me being in control. That is the sensation that life brings to us in volumes as teens; explosions of discovery. Today I don’t experience that sweat of discovery; my life is deodorized.

Remembering the sensations I felt as a teenager, reminds me to intertwine more challenges, sports, mental and academic thought into emotional adventures. If I’m lucky to break through all the percentages of disease, that the late night commercials warn me off, the edge of my rhythm is asking me to make a commitment; to put the Bo’ Jangles back in my steps. I heard the voice yesterday, almost a whisper, asking me why I exclude long term commitments: joining groups, classes, associations, serving on committees, planning ahead, even magazine subscriptions are not worth the trouble because I am always planning on moving.

 

 

The answer always comes in the photographs that bring back that moment in time, and the immediate recollection of the internal places I moved from venturing into the unknown.
Many years ago, I was in therapy, and in one discussion, this discourse occurred that I considered an awakening then.
“I think you jump into unknown places, and situations, to test yourself, and you do that because that is what your father did most of his life.”
That is what adolescent behavior is meant for, to learn by experiment, to see how far our strength of character will take us.  We each have a different set of alarms and temptations. Why compare what one has to the other? My path is familiar to me, I am a born mistress of unfamiliarity; the quest for discovery keeps me moving.

 

 

As a teenager, I remember the most remarkable configuration of images, that passed by while I was driving, the faces of shopping mothers walking the streets of Beverly Hills and Westwood, the prostitutes positioned along one section of Sunset Boulevard, and their counterpart degenerate gin-soaked soul mates inched up against abandoned buildings, the Ocean Park joggers, and walkers, and picnickers, waving to each other, as they slapped together hard boiled egg and tuna sandwiches. Like a playroom without walls for Europeans’ and senior citizens to elope with each other. I didn’t favor one street life over another, they all made sense to me.

Living in the Northeast calls your pragmatic and sensible strings. I’m still learning how to tame my lust for unpreparedness; like going out without an umbrella, leaving delicate brick a brac on the porch, driving with caution for deer, rabbits, and turtles, maintaining a close eye on water in the basement,and dressing down so I don’t look like I’m from Los Angeles.  Every day is experimental in some way.  I don’t know how long I’ll be here, maybe that is how I like it. With every intention on writing about living in a village of five thousand, surrounded by forests and fields, my pen of expression is a bit too wobbly to publish. I’ve had this post up for editing all week, and it’s not a new one. Most of it was published in 2011. Is that cheating?     

   

THE FOLLIES HOUSE