LUELLEN SMILEY ADVENTURERS IN LIVINGNESS

Where Gaps of Expression are Liberated

ABOUT

Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.

That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.

Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.

Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.

Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.

Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.

Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.

LIVING WITH TWO MEN PART TWO OF MICE AND MAYHEM


 
The scent and scenery of August on Palace Avenue is a perfume of Plaza push–carts selling burritos and beef skewers, afternoon thunderstorms splashing the soot and dust from weekend fiestas,low riders spinning and smoking up Palace Avenue, and the  blasting booty bump bass in tempo with the wheels as they rise and fall to the concrete, the motorcyclists on four wheels, with jet black hair flapping the wind, like long tongues, and the bicycle riders, glazed eyes, and head-phones, detached, and daringthe driver to predict their next turn, sometimes women, in street shoes, and hats, gliding by, smiling independently, and then the two grumpy men. Five days a week they walk to and from work past my house.  One wears a chef’s coat and never raises his eyes from the sidewalk, and The Walrus, whose mustache and face, are griddlded into an expressionless tolerance for all things that happen. 
I left the porch, went inside, where I felt the absence of John and Rudy.
John was in Los Angeles at a screenwriting meeting; a triumph for a guy whose waited more than ten years to get an assignment. I imagined him in a trendy restaurant, seated at a table, one foot tapping the floor,and his right hand clutching the corner of the tablecloth his own peculiar fetish to feed the nerves during suspenseful situations. He‘d be dressed in the outfit I picked out, but the shirt would be loosely tucked because that’s his style.  Rudy was on his way back to Santa Fe, and eagerly waiting to take out his new Bird, a gal he met at our Baron Wolman book signing. 
 
Absence of their conversations, frivolity, dancing, feasting together, two men who share nothing in common except me, sort of like Jules & Jim, only Rudy and I have been like brother and sister, since 2003. He was the only man I ever trusted before John, and thattook many years, but once he went into the vault of truth and loyalty, I trusted him as I did my mother.
 
Then after so many days, my bounce and blush started shedding. It was as if someone tied me to an anchor and I dragged my litheness from room to room trying to fight it, with chores, writing, and then all the structure started crumbling, and I left the lights on all night, and didn’t empty the trash, or go out on the front porch to wave at the La Posada crew.  I didn’t leave the middle bedroom, the one with the big screen, and I snuggled the silence with old movies,and half read books, and Gummy Bears.  I was a heap, unlike the temporarily tide pools we fall in and out of constantly, this was a tidal wave.

The window facing west is an aquarium of pine and cotton trees, and between them, there is JD’s Tree Tee Pee, left over from Fiesta week, but he’s too busy working on his winter addition, to bother with it.  I can see the 2nd floor of La Posada, Julia’s room, the daughter that killed herself in the bedroom, and is widely known as the Ghost of La Posada.  I’ve listened in on these stories, and staff members see her. New Mexico storytelling is checkered with ghost stories. I saw the light as it transcends the hours of the day, and found the most beautiful time was four in the afternoon. The sunlight turned the light peach walls to pomegranate, and I felt like I was inside the fruit. If we stop, we see everything so clearly.

I was waiting for Saturday, when Rudy would drive up in the white van, filled with tools and purchases he’d made over the last three years.  He was officially coming home to stay. He’d completed the New Mexico Contractors License Exam and was going to start renovating adobe homes and gardens and spend his days in the place he loved as much as San Francisco.

It might have been a Carole Lombard movie, that got me untangled from the
Gummy bears and Kleenex, and I went out to dinner Friday night with the gal who introduced the Bird to Rudy.  Sipping wine with faces I like, and food that nourishes brought back a flash of light to me, and I was animatedlike an old person right before they die. You ever see that? 
    
Rudy’s room was tided: new soap, washed towels, the closet rearranged so he was able to unpack all his belongings. I was sure there would be a new rattlesnake head. 
     “I have a present for you.” he said on arrival.
 He brought out an Emporio Armani garment bag, his only brand of clothing, and out came a pair of black silk balloon pants. 
” Thought they’d be good for the Cuban Carnival party.”
I fancied them, hugged him, and then he scampered in a hundred directions, as he does, and I returned to myself. Rudy was home. To be continued.
 

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