MUSIC and DANCE INSTEAD OF PILLS


mq1tTIEMPO LIBREADVENTURES IN LIVINGNESS – CUBAN STYLE

SOMETIMES AN INTERVIEW WITH A MUSICIAN GOES DEEPER than a narrative history of recordings, concert calendar and early training. That happened when I met Jorge Gomez; founder, keyboardist and musical director of Tiempo Libre, an all Cuban born Timba band.

We met in a modest hotel room in Santa Fe, New Mexico where he and his six band members were invited to play for the second time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductions’ everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul, propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.

Jorge and I sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the United States?

“Oh my God! It was my dream; all through childhood in Havana.”

“Do you love America now?”

His arms shot straight up, as he rose from his chair.

“Are you kidding? We love America! How can you not? This is the best country in the world. I’ve been all over: Europe, Asia, Mexico, and Caribbean. You have all the opportunities; you make your own life here, whatever you want.”  He shifts his attention to Raul, agreeably excluded.

“You can’t do this in Cuba—right Raul?” Jorge leans forward and I’m struck by the indisputable untainted smile.  Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, “I got out because I had friends in New York.  They helped me get gigs in the bars, weddings, and then we got into the clubs.”  The room is silent except for Jorge’s satin smooth transitions from one question to the next. That alone is reason enough to meet Jorge for conversation.

“We were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.”

“Where did you learn Salsa?”

“From America! Yes. As teenagers we climb to the roof and we to wait till state programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Esteban, Michael Jackson, everyone. We listened all night so we’d take the rhythms’ in our heads you know.”

“What’s the difference between Cuban Salsa and Latin Salsa?”

“Everyone claims this is their Salsa; it’s Latin, Marenge, Colombian… it is a blend of many cultures and musical influence. We take from each other. All the instruments I learn come from listening. They teach me everything; and I teach them.”

“Do Americans play Conga different than Cubans?”

“It depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolis…all those places that are so.” He pauses to express it precisely. Cold he says, laughing out loud.

“And I’ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.” Jorge breaks to howl out his enthusiasm and surprise, and demonstrate the memory.

“Who do you like to listen to do today?”

“I don’t know the names, but I have a lot of friends, and they call me and say, ‘I have a band, you come and hear me.’ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good.  Everybody have a different reaction. My job is to transfer the energy to the person; that’s the idea. Not to play the music for me; I want them to be happy.”

“ How do you do that?”

“ Sometimes you are sick, and no matter how many pills you take you are still sick. Right?”

I nod and watch his facial expressions twitch in thought.

“Then let’s say I come and say, Wow! You look so good man, you are looking good, and he claps’ his hands and pantomimes the joy he’s transferring. ‘You wanna a coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.’ Suddenly, you feel good.” He nods his head. “Trust me.”

Jorge is toe tapping in place, his arms positioned in a warm world embrace.

“You forget all about the pills. Trust me, that is the kind of energy I give.”

“I suppose you don’t get sick?”

“Never. For sure. Never. I don’t know what this head pain is… how you say, headache? Like friends say I have so many problems, so many headaches, I can’t go out. I say, ‘What! Come on we go the beach, to the sand. Bring your conga. What are you crazy! Come on!’ So he comes and we play on the beach in Miami.”

Jorge drums on the counter top. “Have a beer, have another.’ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, ‘I had the best day of my life.’ Yea! Be happy! This is youth; this is how you stay young. Life is so big.”

I shake my head, “Not in America; we concentrate on sickness and misery.”

“Yea! You don’t have sickness yet, but you are going to get it.” He ruptures into laughter, and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can’t go to sleep at night. All the songs and ideas in my head and I can’t sleep. I must write it down, and the next morning I feel so good, because I didn’t go to sleep. I drink beer because I am too happy-over happy.”

“Where did you learn this happiness?”

“From all the difficult paths I have in my life. Childhood was very difficult;no food, no water, no electricity, no plumbing. What you going to do? Party, go outside, dance, play basketball, baseball. I get my friends and they say, my problems’ are bigger than yours. Bla bla bla.”

I’m laughing now as Jorge continues to articulate his life philosophy.

“ At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can’t go it alone.”

He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge’s eye and brows are in motion, as much as his legs arms and hands.

“ What you’re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You’re going to see a lot of soul. When Raul plays his trumpet you’re going to turn inside out.”

“What is Timba music?”

“A mixture of jazz, classical, rock, and Cuban music.”

“Sounds like a musical.”

“Yes, Yes! We are in preparing for that.”

Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was below the stage. Two and half hours later I was still dancing, along with half the audience. That’s entertainment! http://www.tiempolibremusic.com

The three-time Grammy nominated band will perform Thu, Sep 26, 2013 at a Special Event at the Arts Garage in support of AVDA, Inc. Arts Garage in Delray Beach, Florida.

MEETING MEYER LANSKY


I was 26 years old when the company I worked for sent me to Miami to investigate, The Carriage House, a residential property assigned to my management portfolio. One of the partners discovered the rents hadn’t been raised in five years and blew his top. My mission was to evaluate how much we could raise the rents. My father said as long as I was in Miami, I should meet his good friend Guy.

“I haven’t seen the little guy in a long time. It’s safe now. Teddy and Meyer want to see you.”

“Have they met me before?”

“You were too young to remember.”

“Meyer’s retired now right?”

“What do you mean by that?”

“Nothing. You said it was safe, I just wondered if he was still working.”

“Sweetheart, don’t try and outsmart your old dad, and by all means, don’t embarrass me and try and out smart Meyer. He’s a mind reader. You’ll fall on your face. Just be yourself, and listen, you’ll never meet another man like him.”

The Carriage House on Collins Avenue was miserably neglected. The paint peeling, the carpet frayed, and the glass windows smudged with dirt. The lobby was a centerfold of action; women dressed in Tahitian bathing wraps and high-heeled sandals, and men in melon and lime colored suits converged on the sagging sofas.   There was a distinctive smell of chicken soup as great numbers of retired Jewish men and women shuffled through the lobby carrying big beach bags, and transistor radios.

Dinner was prearranged through Dad and Meyer. All I had to was stand in front of the Carriage House at seven o clock. At precisely seven a vintage four-door gray Mercedes pulled up in front. Neither one of the passengers moved. As I moved to open the back door, Teddy reached out and grasped my hand.

“Oh my God! Look Meyer, she is exactly like her mother!”

Meyer turned around once, and grinned. His face was a historical map: the lines were carved like mountain roads, and the curve of his nose twisted like a sharp curve, but his eyes– unmistakable eyes that hooked you to his.

“Oh darling I’m so thrilled to see you. Meyer isn’t she just exactly like Lucille?” Teddy peered through twinkling brown eyes, radiating warmth and eagerness. She had a rapacious smile, petite frame, with lovely blonde hair pulled back at the nape of the neck. My father called her Tiger because he said she was untamable.

“No. She looks like Allen,” Meyer protested.

“Oh Meyer, she’s her mother’s image, she would be so proud of you, wouldn’t she Meyer…”

“Teddy will you please shut up so Luellen can speak.” Meyer never turned around. He studied me through the rear window. They continued to argue about whom I looked like. They hoped I took after my mother because she was a saint. Meyer drove tentatively, hitting the brakes every few feet, while Teddy chided him about his driving.

When we arrived at the restaurant, Meyer turned around and   faced me directly for the first time. He just stood there and examined me without speaking. Though his face was creased with deep permanent lines, when he smiled they all melted together, and he looked almost youthful.

“So tell me, is your father still as sensitive as he used to be?”  I didn’t know how to answer Meyer.  I had never thought of my father as sensitive.“Well, he yells a lot.” I answered. Meyer chuckled and nodded his head in agreement. Teddy took my hand and we went inside the restaurant. It was like meeting family. They made so much fuss over me, I felt remiss in not visiting sooner. They wanted to know everything about my life. Meyer sat very still; Teddy was kinetic and consumed with the turmoil of emotions.

“So, he yells a lot does he?” Meyer continued once Teddy stopped talking.

“Yes, in fact his friends call him the “Warden.” They both burst out laughing. They were sharing a private history   beyond my understanding. Meyer was methodical in everything he did; his mannerisms, the direction of conversation, and ordering food. Teddy sat beside me intermittently squeezing my hand and dabbing her eyes with a Kleenex. She immediately wanted to talk about my mother. She could not even mention her name without a tear.

“Your mother was ravishing, and I don’t mean her looks, though she was prettier than any movie star, she was beautiful on the inside. She had a quality of kindness and sincerity every one adored.” Meyer’s eyes bonded to mine, and I felt him almost whispering to me. He was examining my character, what I was really thinking, if I was hiding conflict, what was in my heart, and if I could be trusted.

“We loved Lucille, everyone did,” Meyer interjected sadly. He changed the subject and spoke about my father in the very same praiseworthy fashion my father talked about Meyer. I did not sit there thinking, this is the Meyer who collaborated with Frank Costello, Lucky Luciano, and Ben Siegel to operate organized crime in America. I did not think of him as any sort of criminal, mobster, or organized crime boss. My interest was in what he knew about my father and mother.  After a glass of wine it was my turn to ask a question.

“When did you meet my mother?”

“I can’t remember,” he answered. “A long time ago.” Meyer skirted over my question just as my father did.

“How do you like your job?” he asked.

“I love it.” His eyes narrowed and darkened as I spoke. He encouraged the discussion and yet I felt he was displeased with my answers. I wanted to impress Meyer Lansky, because I wanted to make my father proud.

“What exactly are doing on this trip?” he asked.

“I’m reviewing the rents of the Carriage House, and looking over the condition of the property.” I answered. Teddy smiled supportively but Meyer suddenly went silent.

“I have a number of friends who live at the Carriage House.” Meyer looked into my eyes.

“You do?” I replied dumbly.

“Yes I do—and they live on social security every month–fixed income. Are you going to raise their rents?” he asked. I blushed red as the tablecloth.

“NO NO! I can exclude them somehow,” I said in haste. Teddy pressed at Meyer’s side with her delicate hands.

“No, you cannot do that. I just wanted you to know is all,” he said in finality.

It was just like my father, that crescendo of stupidity that follows a mob trap.  Teddy interjected something to break the seriousness, and we returned to lighter conversation. I could think of nothing else than the inconvenience of my job at that moment.

“I lived at the Carriage House before we moved to the Imperial.”

“ It needs a lot of work.” I said.

“ Your people haven’t made any improvements.”

I thought he hated me. Teddy kept close and sort of held me up while he pulled me down.

 

Later that night I allowed myself to recall the stories I heard and read over the years, shaved by years of denial. I shuddered to think how Meyer felt about my raising the rents on his friends. Guys he played poker with once a week, while Teddy sliced corn beef sandwiches. I wanted to bury my head in the Miami sand. My father’s words reclaimed my denial.

“This is what life is about, making decisions that you can face years later.”

I called my father the next day and he said, “ Don’t call me from the hotel and hung up.”

I knew not everyone who assumes the veneer of affluence has money. Not even Meyer Lansky who reporters allege was worth  millions. My father facilitated a wealthy lifestyle, but he lived month to month. Meyer may have had a million one day, maybe he had it a year, but eventually the bankroll is gambled on some long shot dream.  That is what they do with money. If these men invested their money wisely, they would be richer than the government. The next time I called Meyer and Teddy to have dinner, Meyer was gratuitously polite,

“We don’t want to interfere with your job.” I sensed a twitch of sarcasm; just enough to let me know that he was on to me.

We exchanged more than an exaggeration of emotions the second night. I could not extort any specific information from either one of them. Meyer was interested in discussing my job again.

“Are your people going to convert the Carriage House to condominiums?” Meyer caught me off guard again. I knew he and my father had talked. My company specialized in condo-conversion.

“I haven’t heard that. Why do you ask?” I said.

“I want to protect my friends,” he answered. A ripple of a smile passed over his lips.

“I’ll tell my father right away if I hear anything Meyer. And about the rents; I m not recommending an increase on any units, until we refurbish the place. It needs a lot of work.” Teddy took hold of my hand.

“That’s very thoughtful,” she said.

“Don’t let me interfere with your job,” Meyer emphasized.

“I hope I can interfere on your account.” He nodded acknowledging our little understanding. I got a glimpse of the Meyer that negotiated peace treaties between different factions of the underworld, with Cuban emissaries, Army Generals, and the Israeli government. Meyer emulated power, without any gestures or expression. It came from inside. At the end of the evening I dove for the check like I’d seen my father do a thousand times.

“What are you doing?” he asked.

“Meyer, my father will kill me if I don’t pick up this check.” I said in jest. Meyer chuckled, captured my focus, and snapped the check right out of my hand.

I could see how difficult it would be to cross this man. Part of America’s history was sitting with me that night. He was a man that could extract the truth from a thousand lies and no one would know. When I met Meyer I’d heard stories about “Murder Inc,” and his friendship with Lucky Luciano, Benjamin Siegel and Frank Costello.

When I returned to Los Angeles my father made me sit for hours and recount every detail of the meeting.  He assured me Meyer was not disapproving of me or my job, but, he would be grateful if I didn’t raise the rents.

“My daughter had to go up against Meyer. What a story.” My father laughed uproariously.