My possessions in Saratoga Springs now appear as decorations   from a former celebration, like side dishes of over 20 years of mixing and matching prints, drapes, sofas, chairs, tables, vases. Artwork China. Now they’ve been removed from my experimental minimalistic living.  A former lifecycle that began twenty-five years  ago, and are boxed up in a big pod storage. And I refuse to meet them in the present. Friends ask me, ‘when are you bringing your furniture here?   I can’t answer in words, it must crystallize like it has this past week, when I missed my wardrobe and art hangings. Within the admired art, clothes, and sixty-two boxes, (I looked at my inventory) are a haunting of memories tied in see thru knots of Dodger, my x. As a confirmed denial of goodbyes, in any relationship, this one has to be nurtured with precision, and that means, no reminders.

The stark white walls and Amazon assembled furnishing are stationed without emotion, memory or love. Functional, practical and unfamiliar.  Ive created a new palette., like my first studio in Los Angeles in 1976. Then the others, studios over the years. Small, compact, easy to maneuver and clean.   Internally, the walls and shelves are cluttered with decisions. The edits on my book from the publisher. When will I find employment? How to engage in new friendships, clubs, gyms, meetups.  

Singleness in a city, that was once my home for twenty years, evolved through generations, adding new policies, laws, regulations, real estate development, customs, and an impressionable celebration of the arts and culture. It has no resemblance to the San Diego I met in 1983, except for the ocean and the bordering cliffs and seawalls.  That is where a continuous rolling of memory waves sears my view, and I see my youthfully delight in San Diego. I’ve always been impressed with  people who truly live in the present,  can’t figure that one out, maybe I’m just a past time girl.