The Term ‘Stream of Consciousness’ and the Forgotten Modernist


The Term ‘Stream of Consciousness’ and the Forgotten Modernist.

PUZZLE OF SOLITUDE FOUR


 

I wrote this short piece by hand in April.

It is snowing today; the first time since February. A collage of scenery rearranges the birth of spring as a brisk snow flurry sweeps through Santa Fe.  Across the street, inside the hotel families are dining, or comparing observations with other guests, drinking apple cider and being in vacation. I see them unload suitcases, and several tote bags, a lot of luggage seems necessary for tourists these days. Teenagers are multi-texting; unaware of the flawless blue sky or architecture. I am looking for artists who’ve come to capture the light, or heal  city bruises with the language of the Indian world. The coterie of artists drawn to Santa Fe are now a minority; and on the horizon are  tour buses, family reunions, and corporate retreats.

I am standing in the center of the garden, studying the entanglement of spindly branches, clinging to the brick wall. The wall looks like an abstraction of a Kandinsky painting.My sense is that I should not pester myself about unfinished desk business-but to just turn off the motor and observe my fortune. To watch clouds so deeply, and see the shapes turn from a penis to a whale, (analyze that) has always been an act of love. Some people stare at rocks, or flowers, or rain; for me it is the clouds.
The sky has just been ticked off by the sun and she is spreading like butter over my face and legs.

Costume design and realization for ‘Seeing’ by Kandinsky. A contemporary dance interpretation.


Hanging on to home for a lot of us has become a business; a renting out rooms, and converting to a vacation rental to avoid foreclosure. I can sit inside the Movie Theater (a converted garage) and launch into a montage of memories. The Michael Jackson tribute party after he died, when friends came and we danced to his videos; and the Jimi Hendrix live DVD night that mixed jubilation, remembrance, and a lot of laughing as I expelling all I knew about Jimi to a man of twenty-seven. We always showed a film coinciding with a new exhibition of photography. Guests lingered past midnight and I had to turn off the lights to demonstrate closure. Couples in the theater necking, young adults roaring with inflammable laughter upon each opportunity, and hungry men and women waltzing around each other for a bite of passion. Gallery receptions were packed back then; a staggering amount of partying and dancing collided on Canyon Road to live music and open bars.
Hanging on to memories in corners of the house. I’ll take them with me. It will be a leap of courage to untangle myself from this home.wassily kandinsky art artist
I can almost hear the birds wind as they fly over me; my eyes close to listen. The lullaby is a bath of nature and would not have occurred unless I was alone. I want to reach through writing,  to the subject of misfits and loners, outcasts and unrecognized that are too ripe to touch, to sensitive and unyielding; annoyed with the outside world. Like me.

Contemporary PaintingKandinsky-my tree

 

 

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BREACH OF SILENCE


Screenplay based on a true story.
By: Luellen Smiley
LOGLINE:

Luellen (Lily) is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and business partner. Smiley, seated next to Bugsy the night of his murder, marked by historians and the media  as the set-up man. Lily rips herself from comfort and innocence into confronting her father’s nefarious criminal life. When she breaks the mafia code of silence ten years after her father’s death; she faces an unexpected opponent.

Does this procure your interest? ALLEN SMILEY IN COURT

ALLEN SMILEY IN COURT

If so tell me.

Thank you readers!

 

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Local business in brief, May 6, 2014 – The Santa Fe New Mexican: Business


Local business in brief, May 6, 2014 – The Santa Fe New Mexican: Business.

THE GIFT OF GIVING


this is a test to see if the format is working

LouLou's avatarADVENTURERS IN SINGLE LIVINGNESS

A LOT OF I HAVE THIS AND I HAVE THAT. I’M GOING THERE, AND I KNOW THIS.
AND I JUST LISTENED. A CONVERSATION THAT MOVED AT
OLYMPIC SPEED WITHOUT ANY REVERENCE.

IT WASN’T MY GENERATION.  I UNFURNISHED MY LIFE. FIRST I GAVE AWAY THE UNWORN, THE UNUSED, UNWANTED, THE
BROKEN, AND UNREPAIRABLE, ANTIQUES, AND PC PROGRAMS,
STEREOS, TABLES, CHAIRS AND CLOCKS.THEN IT WAS MY  DRESSING ROOM COLLECTION: JEANS AND JACKETS, SUNGLASSES, AND SHOES, PURSES AND GLOVES, BELTS AND HATS. I  DON’T WANT TO SEE WHO I WAS; I WANT TO SEE WHO I AM NOW.
I LOVE TO GIVEAWAY – TO LOSE WEIGHT =ImageI LOVE TO SEE THE SMILES WHEN I OFFER A GIFT.

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THE GIFT OF GIVING


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A LOT OF I HAVE THIS AND I HAVE THAT. I’M GOING THERE, AND I KNOW THIS.
AND I JUST LISTENED. A CONVERSATION THAT MOVED AT
OLYMPIC SPEED WITHOUT ANY REVERENCE.

IT WASN’T MY GENERATION.  I UNFURNISHED MY LIFE. FIRST I GAVE AWAY THE UNWORN, THE UNUSED, UNWANTED, THE
BROKEN, AND UNREPAIRABLE, ANTIQUES, AND PC PROGRAMS,
STEREOS, TABLES, CHAIRS AND CLOCKS.THEN IT WAS MY  DRESSING ROOM COLLECTION: JEANS AND JACKETS, SUNGLASSES, AND SHOES, PURSES AND GLOVES, BELTS AND HATS. I  DON’T WANT TO SEE WHO I WAS; I WANT TO SEE WHO I AM NOW.
I LOVE TO GIVEAWAY – TO LOSE WEIGHT =ImageI LOVE TO SEE THE SMILES WHEN I OFFER A GIFT.

A LADY LIKE AUDREY


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The throw of the dice this week lands on new adventures in selfless livingness.
There is assurance that most of all, above the tasks, aspirations, dreams and commitments; we are dead beats without love. The feeling has to pass through our veins and arteries, as often as possible, from one suitor or another. You can love a moon in a black sky, as much as a man or woman. I believe the feeling it gives us is medicinal. It gives us something no other prescription can. That is why when sickness comes, all the love pours out from friends and family.
This comes at a time when a beautiful woman who is more saintly and then anyone I’ve met, except my mother, is suffering. You wouldn’t recognize the heaviness she is carrying; she remains light and sprite. Her doe birch brown eyes flatter her high forehead, and her silky mane of brown hair that moves like a Clairol commercial, do not interfere with her life. She devotes much of her time to the Good Samaritan manifesto. She regularly offers her time to the various shelters, serves food, and provides loving comfort to the sick with her registered lap poodle. She told me that the residents of the hospice all wait for her to show up.
“It’s amazing; they are all standing there waiting for me to come in. No one visits them. Can you imagine living like that??”
“No.
“You should come with me sometime; it’ll give you a whole new perspective.”
I agreed; and thought about what she said. We all have our way of disposing of selfish acts. Some pray, some donate money, and what I’ve found that works for me is to spread my kookiness and follies without prejudgment. If someone looks sour and glib; that’s the person who needs me. It is a branch of love that will keep on blooming.

 

GALLERY LOULOU VACATION & EVENT MANOR- IN SANTA FE, NM. ROCKS & ROLLS


SALON

OPEN LIVING AREA WITH ACCESS TO FRONT PORCH. TWO SOFAS, FIREPLACE AND CHANDELIERS

THE PUZZLE OF SOLITUDE Part One


Adventures in Livingness

The people who pass my window aren’t snapped into wool and leather collars any longer. Now their heads raise to the sun; but their movement is sluggishly unfamiliar with spring steps. Soon they’ll be jogging and eying the world through sunglasses instead of face-warmers. Street scenery is similar to my garden; fresh green stems courageously pop up while the rose bushes remain embryos.  20140410_183024[1]
Today I read for two hours; the longest stretch since last year. I had to stay in bed with a tray of coffee and closed curtains. I was restored to the first readings of Anais, when people still talked about her being a lesbian; when in fact she was not expressing that kind of love at all. Only the love as deep as two women want to go. Belonging to her group of artists and bohemian so appealed to me then as a teenager-I manifested that camaraderie by finding love in artists and misfits, malcontents, with rare wisdom and foresight. Men that chose not to belong because they had their own opinions.
The farolitos reflect diamonds of light when the sun is out. I can look out the window by my desk all day to catch surprises. The exchanges with staff at the hotel in a hand swipe and face to face muses on hotel complaints. A man in khaki’s and hiking boots taking studied photos of my house, and the same woman, who talks incessant baby talk to her dog as he pranced ahead.
My emotional tail is wagging; curled up in my desk chair I feel almost as if I was born in this chair. It’s cushioned me through a cyclone of adventures in livingness.
This piece of writing was handwritten on a tablet back in late January. I’ve made some minor additions and deletions. The editor I use before submitting to a publisher asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in final editing. My control over my writing is identical to my control over how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t even think of applying proven methods; I make up new ones.
Back to this plateau of solitude. Love what you have and especially yourself; with all your flaws. Integrity is more critical; be proud  not just for yourself, but because someone out there needs you.

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EVERY GENERATION IS TO TURN TURN TURN AND


are destined to change the generation before. I only know from the fifties. When I grew up, socializing in fours and hundreds was part of life. Gatherings from my generation was Woodstock, concerts in the park without violence, impromptu jams and performance The millijoules want an audience in numbers dice-logo.gif ONLINE=money. It is the WAY THEY HAVE BEEN BROUGHT UP.

10 Great Quotations from Doris Lessing


10 Great Quotations from Doris Lessing.

 

One of author teachers before I knew I wanted to write.

PUZZLE OF SOLITUDE PART TWO


PUZZLE OF SOLITUDE PART TWO.