THE ART OF LOVE


Nicholas Ray
Nicholas Ray (Photo credit: www_ukberri_net)
Portrait of Martha Graham and Bertram Ross (19...
Portrait of Martha Graham and Bertram Ross (1961 June 27) (Photo credit: Wikipedia)

THIS WEEK LANDS ON poets, writers, musicians, photographers, directors, visual artists, composers, choreographers, actors and the untitled and unrecognized that squeeze in between. Kipling, Salinger ( my all-time favorite) The Rolling Stones,ย  Mozart, Chopin, Opera, Salsa, Beatles, Stieglitz,ย  Nicholas Ray,ย  Kandinsky, Johnny Mercer, Martha Graham Balanchine, and James Dean. I left out about seventy-five of my favorites.

Composition VI (1913) (Photo credit: Wikipedia)They were all lovers before they were artists.

OUR ARTISTS IN HEART travel mentally and physically through life with all the windows open; awaiting a sight, sound, or feeling that draws them to their art. The feelings are what count on our life ledger.ย  I have to thank Billy, my first love at fifteen. He was an artist of music, Gothic charcoal sketches, comic humor, and life. He opened my window to the arts.

That life ledger is always in the red because an appetite of feelings, and emotions eventually depreciates the spirit. Some of us rise above, and the flow of printed green paper comforts that spirit, but emotions continue to dominate all the success.

I have to write this in short sequence, as I am moving between a rigid reckoning of a forever ending TO ONE MY LOVES.

To be continued later.

DICK SPAS-NEWLY RELEASED- THE SOUTHWEST, ITS LAND AND PEOPLE


https://www.collectedworksbookstore.com/events-1/dick-spas-the-southwest-its-land-and-its-people.

Taos, NM 2006. We opened ( Rudy) our first Photography Gallery, I noticed a postcard at the shop next door, it was Peter Fonda and Dennis Hopper from a clip of Easy Rider. I asked for his phone number, and we met.

Dick was elated when I asked him to show me his works, he was not represented in any gallery. Once I opened his portfolio, it was decided I would exhibit him. He is the essence of humility, gratefulness, and dedication. He also has a harmonious way of speaking andโ€ฆ

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WHO IS DADDY? From an unpublished manuscript in 2009


โ€œWhatโ€™s it like knowing your father is a gangster? Did you know when you were a teenager? Did you meet Bugsy Siegel? Did your father kill anyone? You know the Mafia kill people.โ€ย 

               Childhood  1955-1961 

      I called him Daddy. His friends called him Al, or Smiley, the Department of Justice tagged him โ€œarmed and dangerousโ€ and his mother named him Aaron. He was born January 10, 1907, in Kiev Russia, one of three sons born to Ann and Hymen Smehoff

ย ย ย ย  ย He had salty sea blue eyes blurred by all the storms heโ€™d seen.ย  When I say something funny, his eyes crystallize and flatten like glass. Smoothing out the bad memories.ย  Heโ€™s always a different color. Dressed in coordinates matched perfectly as nature.ย  My small child’s eyes rest cheerfully on his silk ties, a collage of jewel tones. The silver and blue tie matches the shirt underneath.ย  The feel of his fabric is soft like blankets.ย  He is very interesting to look at when I am a child and open to all this detail.ย 

     I cling to his neck in the back seat of his long Cadillac. My mother doesnโ€™t ride with us during the day.  She comes along if we are dressed up and going out to dinner.  I enjoy the car rides most.  He sings songs and his hand flutters about, catching me by surprise behind the ears, and  I shriek.  Daddyโ€™s laughter echoes inside my ears.

ย ย ย ย  We visit friends in Hollywood who own delicatessens, restaurants, and clothing stores. We go to Paramount Studios and I ride around on a pony or get kissed by cowboys in a Western scene.ย  We go to Beverly Park almost every day to ride the ponies.ย  I am only two years old when Daddy slings me over this big stinky pony, and insists that I go around the ring one more time so he can watch.ย  I meet Hoppalong Cassidy and we visit his booth at Pacific Ocean Park.ย  When my father was a film producer he worked with Hoppalong on a western film.

     Our home in Bel Air was where I lived before I knew how fortunate we were.  My room was at the end of a long hallway, and I was afraid to leave the room when it was dark because it seemed such a long distance to my parents. The wallpaper danced around my eyes, a collage of flowers illuminated the black background, and I was wrapped in a blue satin comforter.  My room was cluttered with dolls.  As a young child, I preferred staying in my room and imagining characters for my dolls. 

ย ย ย ย  ย My father showed us, and really paraded us around as if we were exceptionally talented.ย ย  I never understood why these people fussed over me. I sort of distrusted them, before I understood what that meant. There were exceptions, the ones I knew to be real family people earned my affection.ย  I dreaded the routine of being placed in front of a group of men and women who stared at me as I curtsied or mumbled โ€œHello.โ€ย ย  George Raft came to all my birthday parties, Nick the Greek showed me card tricks and Swifty Morgan told stories all night.ย  Damon Runyon characterized him in his stories as the โ€œLemon Drop Kid.โ€ย  I was surrounded by men with FBI files and notorious reputations for being dangerous gangsters. Some of them had been arrested for murder. Others were old-time bootleggers from Cleveland and Detroit.ย  I knew them as Uncle Lou,ย  Doc, or Uncle Johnny.ย  Years later I would discover they were Lou Rhody of the Cleveland Jewish Syndicate in Cleveland, Doc Stacher, the tough New Jersey underboss to Longy Zwillman, (the guy who discovered Jean Harlow in a speakeasy in New Jersey), and Johnny Rosselli, the king of Las Vegas in its heyday.ย  I was enchanted by these men, they were family friends, and they never followed the rules.

      This home was my fatherโ€™s showplace.  He bought the house in 1955, and that was a bad year for him. I was two years old.. That was the year that a number of his friends and associates died or were murdered.  Like Little Willie Moretti from New Jersey, who was killed by rival gangs, and Tony Canero, who died at the blackjack table of the Stardust Hotel. 

     Willie had a problem keeping his mouth shut.  Frank Costello, the leader of the syndicate group most closely associated with my father, sent Willie out to California where heโ€™d be safe from harm. Willie was unstable, taking bets on losing horses and talking to people he shouldnโ€™t. Frank asked my father to keep an eye on Willie, to become a confidant.  He was told to dress up as a Doctor and pay visits to Willie.  My father obliged and Willie took a liking to my father.  Willie suggested to Frank that the boys should build this doctor a hospital.  Frank told the story to some of the other fellows and they must have had a good laugh.  Frank had another idea,  giving Allen the job of promoting Willieโ€™s good friend, Frank Sinatra.  My father declined the offer.  Eventually, Willie returned to New York and was found dead stuffed in the trunk of his car. The second tragedy was the suicide of Louis  Rothkopf, โ€œLou Rhodyโ€ they called him, or โ€œUncle Louie.โ€  He was one of four bosses of the Jewish Cleveland syndicate, (the Mayfield Road Gang), and one of my fatherโ€™s closest friends. I heard that Louie would cross to the other side of the street if he saw a guy that owed him money. He had a big heart. With his wife Blanche, the Rothkopfโ€™s were respectable business owners in the Chagrin Falls area of Cleveland.  When Senator Estes Kefauver launched a federal investigation on organized crime, he exposed and ruthlessly slandered Lou and his partners.  Not just as bootleggers, and distillery owners, but murderous syndicate men with ties to the Italian Mafia. By this time, Lou and his partners were operating legitimate business enterprises all over Cleveland. Blanche commit suicide two years before Lou also took his own life.  I have been told that my father brought Lou in to save the Desert Inn Hotel in Las Vegas, when the first owner,Wilbur Clark, went busted.    

                     * * * * *

      The house in Bel Air brings back the best memories of my childhood, but few visions remain. The front yard was a blanket of pink and white geraniums.  They were tended to by our gardener, and though I wished to sit in their path, and smell their fragrance, I was told not to play in the geraniums. The flowers were my first contact with nature. It wasnโ€™t enough to just look at them, I wanted to lay with them and watch their breathing.

      Our house was perched at the top center of Thurston Circle, a sort of distant cousin to the discreet upper Bel Air locked behind black iron gates. There was no gate at our entrance, and the neighborhood homes were a mixture of two-story colonial and ranch style. The view of Los Angeles from the living room and my parentโ€™s room was an electric and absorbing scene for a small child who hadnโ€™t known anything beyond her house. At night lights glittered against a black sky, and I could sit by the window and dream of what the lights were all about.  Entangled bougainvillea grew wildly behind our house. We picked figs and avocados from trees in the yard. There I learned my first lesson about family values. One day my father showed me a nest of small birds perched on a branch of a spruce tree.  He pointed out the mother bird hovering over her babies in the nest, and then he drew my attention to the father bird perched on our television antenna. โ€œYou see, thatโ€™s what the father bird must do, is guard his little family, just like I do.โ€  I asked a few questions, and he just kept telling me that it was so remarkable how animals take care of their families and I should watch them and learn something.

   My parents gave me extravagant toys. I was about four when my father installed a roller coaster in our backyard. He sat me in the cart and I rode up and down the bumpy track, screeching with laughter.  My mother was always there, watching from a distance. Daddy was the one that loads me up with surprises and Mommy was the one to feed me, clean me up, and tuck me in at night. I could tell her everything, she listened to me and watched over me. She doesnโ€™t interfere with me when I am playing with my dolls.

TO BE CONTINUED

RAINY DAY REMEMBRANCE


Published in The Saratogian April 1, 2001

With last names like Smiley and Funk, you know thereโ€™s bound to be something creative going on in the imaginations of this Ballston Spa duo. The couple, both natives of San Diego, Calif., purchased a house at 63 East High St. last May. Luellen Smiley and Rudy Funk have turned a once-ramshackle 1860โ€™s structure, now known as The Follies House, into three furnished apartments oozing with zany charm. Smileyโ€™s brochure touts the place as a โ€œplayful vacation residence designed to inspire.โ€ On the wide front porch, a sign offers visitors โ€œFree Records,โ€ paying homage to one apartmentโ€™s main decorative inspiration: classic stage musicals. Called the Broadway suite, its walls are adorned with record covers, programs, ballet slippers and even a dance costume. There are dice on the end tables, a life-sized poster of Humphrey Bogart, colorful paper parasols and peacock feathers. For tenants who bring their own films, thereโ€™s a projector screen and, tucked into an alcove, a working Victrola. Vintage Broadway memorabilia is everywhere. Then thereโ€™s the nearly ceiling-height replica of a bass guitar. โ€œThis was actually a costume someone wore,โ€ said Smiley, pointing out the head and arm holes. โ€œThese are the kinds of things we like, the really unusual and unheard of.โ€ Growing up in California, Smiley aspired to be a dancer and maintained an interest in the arts.

THE FOLLIES HOUSE

In recent years, she became keen on the idea of renovating and decorating an older home, although the village of Ballston Spa was not first on her list. โ€œWhen we first came here, I wanted to be in Saratoga, and when I drove through Ballston Spa I said, โ€˜Iโ€™d never want to live here,โ€โ€˜ Smiley said. โ€œBut then we rented here, and I didnโ€™t want to go back on the road. We loved this street. We think this village is really starting to happen.โ€ The couple went to work feverishly last spring to ready the apartments in time for the track season. While not a bed and breakfast, the apartments are designed for temporary tenants โ€” people new to the area or vacationers. Smileyโ€™s off-season rates are $800 a month for the Broadway Suite and $700 for the Boomers Pad. The one-bedroom Boomers Pad is designed with vintage โ€™50s and โ€™60s furniture. Smiley said she and Funk combed area antique shops, including those in the village, for many of the offbeat pieces, including the vinyl records and oversized pink sofa. The houseโ€™s history mirrors the eclectic style the couple has brought to the home. โ€œIt was built by a man actually named Dr. Doolittle as a wedding present for his daughter,โ€ Smiley said. โ€œYou can see the little touches everywhere. There are butterflies and sun rays carved into the woodworking and doorknobs. Itโ€™s a love house. It was built with love.โ€ Smiley said she and Funk have combed files at Brookside History Center looking for old photographs of the house in order to decide what color to repaint the facade. โ€œThe exterior of the house is next on our list, and while we havenโ€™t located any photographs, weโ€™re thinking pastels,โ€ Smiley said. โ€œInside, we used a lot of pistachio and pink.โ€ While Funk commutes to and from California for business purposes, the pair weathered their first winter this year, relying on the kindness of neighbors for jobs like snow-blowing. โ€œWeโ€™ve never seen winters like this,โ€ Smiley said. โ€œIโ€™m from the other side of the world. But this is a very supportive community. Thatโ€™s one of the things we love about the village.โ€

Smiley has immersed herself in the closely-knit community, joining the Ballston Spa Business & Professional Association, the local chamber of commerce, and helping promote an upcoming Art Walk. The Follies House recently was given a beautification award for significant improvements during the past year. In her brochure for potential tenants, Smiley points out area highlights including the Saratoga Performing Arts Center and destinations within the village, such as the museums, the glassworks studio, Art Ink., and the new gallery and loft spaces on Low Street. Smiley said she also recommends people take a stroll along East High Street, a historic district known for its Victorian homes. โ€œIโ€™ve seen little villages, big villages โ€” but what I see here is the most beautiful village,โ€ Smiley said. โ€œThe potential is here. Thereโ€™s a sense of magic here and the transformation will happen. Iโ€™m certain of that.โ€

Author

Cari Scribner

ON THE SOLO STREET OF DREAMS


ON THE SOLO STREET OF DREAMS


I am not afraid to write the truth, to stare and embrace the reflection. It appeared last night; a thought manifested in an abstract way; a torch of light, a rainbow, an open door that symbolized a guide to contentment, and peace of mind, it felt reachable if only I evaporated into the sensibility, allowing change, a complete transformation from this encampment of isolation and fear of making the wrong decision.

Drizzle Thoughts


The embryo of thought. Sometimes it is negligible, as is life.  I am the puzzle maker and every time I try to carve the right size square, I fall off the board and have more material to write about. The puzzle is so vast that it covers our lifetime and the pieces are the choices, and non-choices that fit into themes.  My life, is like a melody, a Gershwin tune. As a dancer and prancer at heart, my feet are my hands, and my hands are my heart. Drizzling rain is relative to thoughts on a Saturday; a few thoughts for my book, assembling the bedroom fan, calling friends, a walk with my umbrella to live in rain, answering emails, and those hypnotic Film Noir Classics on Utube. When world news disables self-absorbency, it’s a relief, I hold hands with whatever keeps me alive.

BENJAMIN “BUGSY” SIEGEL AND ME.


BY: Luellen Smiley

When I was eight years old, our home burnt to the ground in the Bel Air, CA fire, and everything we owned fell to ash. Shortly after my mother moved us to an apartment in Brentwood, a mammoth carton arrived and was placed in the center of the living room. My mother cut it open and urged me to look inside. I sat cross-legged on the avocado green carpeting and discovered a heap of brand-new Bermuda shorts, matching tops, and dresses.

I quickly shed my worn trousers and stepped into a new outfit, dancing about as I zipped myself in. My mother watched, and echoed my childish yelps of elation. I learned they were from my Aunt Millicent and that she lived in New York, and Iโ€™d met her when I was a child.

Close to ten years later, my father called and ordered me to his apartment. He said that Millicent was coming over. I knew by now that Millicent was Benjamin Siegelโ€™s daughter, and Ben was my fatherโ€™s best friend. He was sitting on the same chintz covered sofa the night Ben was murdered and witnessed Benโ€™s eyes bleeding down his face.

When my father answered the door, I watched as they embraced. Millicent had tears in her eyes. She walked over to me, and took my hand. I looked into her swimming pool blue eyes and felt as if I was drowning. She sat on the edge of the sofa and lit a  brown Sherman cigarette. I studied her frosted white nails, the way she crossed her legs at the ankles, her platinum blonde hair, and the way her bangs draped over one eye. What impressed me most was her voice; like a childโ€™s whisper, her tone was delicate as a rose petal.

I spent the rest of that afternoon memorizing her behavior. She emanated composure and a reserve that distanced her from uninvited intrusion. Over the next few years, Millicent and I were joined through my fatherโ€™s arrangements, but I was never alone with her. When he died in 1982, she was one of three friends at his memorial service, just as my dad was the only friend at Ben Siegelโ€™s funeral.  

As the years passed, and my tattered address books were replaced with new ones, I lost Millicentโ€™s phone number. When I began researching my fatherโ€™s life in organized crime in 1996, I gained an understanding of my fatherโ€™s bond with Ben Siegel. I reconnected with several of Dadโ€™s inner-circle, but Millicent was underground, and now I understood why.  

Last year I received an email from Cynthia Duncan, Meyer Lanskyโ€™s step-granddaughter. She told me about the Las Vegas Mob Experience, a state-of-the-art museum in the Tropicana Hotel, that will take visitors into the personal histories of Las Vegas gangsters. Despite my apprehensions about the debasing and one-sided publicity that characteristically surrounds gangster history, I called the museum and was told, โ€œMillicent would like to contact you.โ€   

A month later, I was waiting for Millicent in the Mob Experience offices in Las Vegas. When she walked in, I stood to embrace her, and this time the tears were in my eyes. Millicentโ€™s voice and regal posture was unchanged, โ€œOur fathers were best friends, practically attached at the hip. Your Dad was at the house all the time. Iโ€™ll never forget when he met me at the train station to tell us about my fatherโ€™sโ€ฆ death. Smiley was very good to us. My mother adored him, too.โ€

Mob Experience March 27 2011 Photos By Denise Truscello

The Mob Experience Preview Center was like a family room to me, because some of the men featured had been my fatherโ€™s lifelong friends and protectors. I stopped in front of the Ben Siegel display case and saw an object that was very familiar. My father had the identical ivory figurine of an Asian woman. I still have it. So much of their veiled history was exposed. Between these two men was a brotherly bond that transcended their passing, and was even evident in their shared taste in furnishings.

After I returned home, Millicent and I talked on the phone.

โ€œYour father belongs in my Dadโ€™s room. Theyโ€™ll just have to make Mickey Cohenโ€™s room smaller.โ€

โ€œMy father hated Mickeyโ€, I said.

โ€œSo did mine! When are you coming back? Iโ€™ll kill you if you donโ€™t become part of thisโ€. 

I dropped into random reflections; the adventures of Ben and my father, gleaned from books, newspapers, FBI surveillance files, films, documentaries, and conversations with people who knew them both. I dreamily visualized these two men, striding along the streets of Beverly Hills when it was a two-story brick village, without islands of garish lighted palm trees, paparazzi, and limousines.  They might stop at Al Perryโ€™s Beverly Hills Athletic Club for a steam and work-out, and then take a drive in Benโ€™s convertible to Santa Anita Race Track. At the track, theyโ€™d sit in the Turf Club, immersed in the perfume and red lipstick glamour that Lana Turner, Betty Grable, and Rita Hayworth epitomized. They, and my mother, became the characters I had to write about. 

On balmy summer nights, Ben, and Al drove along Sunset Boulevard, stopped in for a few rounds at Ciroโ€™s or the Mocambo, and then played cards at Dadโ€™s apartment at the Sunset Plaza. George Raft was there, too, along with a funny little Runyonesque character by the name of Champ Segal, and Swifty Morgan, with a pocket size fortune of tricks and dice. The FBI were parked in a sedan across the street, watching. Maybe they had an informant planted in the building, like they did when I lived with my father at the Doheny Towers. I know Dad watched Benโ€™s back, not just because Ben moved so quickly, and in so many directions, but because he was studying him, like an actor studies his character, aspiring to absorb Benโ€™s magnetic mannerism.      

Early the next morning, I opened the shutters of our Havana-hip suite at the Tropicana and looked out at the misty peppermint pink sunrise and flashing multimedia billboards. My eyes sank into the stimulation, like being thrown into a food processor of human temptation. If Ben had lived to build his Monaco-chic hotels and casinos, Iโ€™m sure he would have done it differently. Heโ€™d been to the French Riviera, and experienced European รฉlan. More importantly, Ben was different, but not in the way youโ€™ve been asked to believe by reporters and law enforcement. Ben was noble, and his violent temper, cost him his reputation. His loyalty to his partners, and his family was intact. What the press wrote about Ben was handed to them by Hoover, two-faced columnists, and informants. He was more than handsome, generous, and fearless; he was an icon, with the finesse for embellishing strangers with importance, facilitating dreams, and taking a fighting stand against Anti-Semitism. 

 Newspaper reporters from that era like Mark Hellinger and Damon Runyon knew how to write about Ben, and they are the sources I used to draw my own Ben Siegel portrait.Itโ€™s easier to read books than go out and interview the relatives, rabbis, and community where they lived.

My dad came into the life by way of a friendship with Ben. He wasnโ€™t physically violent: he could holler loud and intimidate guys, but his real asset was that bullet-proof friendship.

As our jet roared upward, I crunched against a pocket-size window, and studied the paper-thin rows of glass and marble hotels of Las Vegas, the sprawling monopoly of gated communities, each one sandwiched between a slice of palm trees, sprawling to the base of the muddy mountains. Ben, Meyer, and a few others like Billy Wilkerson, Johnny Roselli, Moe Dalitz, and Allen Smiley, peeked beyond the dusty sand dunes, and in the mirage, they saw an oasis. The pioneers of Vegas were not committing any crimes when they financed the building of the first hotels. They were businessman carving out a legitimate future. More importantly, they were demonstrating to the Jewish community that it could be done. You could rattle respect like a Rockefeller or a Kennedy.

When I arrived home, an unfamiliar upright pride and surety about myself surfaced. It is ironic that what my father shielded from me is where I needed to be: among people who understand my family history, and accept it.

Itโ€™s been seventy-five years since Ben and Al sat by side, figuring out the next bet. Now, their possessions will share the same room. And from those collections, stories will emerge, and new information, and more questions, and this time their daughters will be there, in the open, to speak in reverence of Siegel and Smiley.  

Everything in my path leads me to understanding the men that turned to crime so that they could sit in first class and order Dom Perignon. If my father left a ten-year career in film making with Cecil B DeMille to join Ben Siegel, then Benโ€™s story has yet to be written.

Today, I look at my fatherโ€™s collection and see  It tells the story of a remarkable lifeโ€ฆ the precious artifacts of a life onthe edge: photos that document an album from his unnamed sweetheart during his twenties; James Metcalf poems clipped from newspapers; wedding photos; Flamingo party photos; his phone book filled with names like H. L.Hunt, Eddie Cantor, and O.J. Simpson; heartfelt letters to Meyer Lansky and others; and FBI memos that describe my father as a pimp, a murderer, an extortionist and a Russian Jew.

Ironically, the journey to discover my fatherโ€™s story ends in Las Vegas; for my dad, who wasย blacklisted from Vegas, that is poetic justice.

THANK YOU FOR READING. IF YOU LIKE THIS PLEASE LET ME KNOW.

HONESTY-REMEMBER


Except from a work in progress.

Greta dressed in pink jeans, a pink striped polo shirt, and low-heeled pumps. As she opened the door she thought, and said out loud one step to go. She flipped down the top of her car to ride visible, a sort of rehearsal to adjust to the main street on a Saturday afternoon. Storm clouds churned and after checking the weather channel, rain coming in one hour, Greta closed the convertible and went back indoors. Not truly disappointed as sheโ€™d stayed up till three am watching the Shooter series on Netflix and woke at eight.

(I use the name Greta in my manuscript because of this, my father repeatedly scolded me when I said, I want to be alone, he replied, ‘Who do you think you are Greta Garbo?’)

Journal June 10th.

The street was quiet except for the barking dogs so I sat down to write, and let the paper stare back blankly. I switched over to Facebook and viewed my feed, the Rolling Stones, Italy Travel, Artnews, Creative Non-Fiction, Emily Luxton Travels, and Jazz photography. Voyeurism, the normalcy of our culture, to watch life from a screen, I’m guilty because I’m at heart a loner, a drifter that moves on the outskirts of socialization. When discourse and confrontation knock at my door, I go dormant to the world outside. My mask is not convincing, So, I bear up, like today, and take nature as my friend; a patch of blue, gray skies, the sun tea cup surprise, the birds and chipmunks on my lawn, and the occasional passersby who are living in their world. At seventy only two lines matter: I’m proud of you, and you could have done better. HONESTY.

PHILIP TOWNSEND REMEMBERED


The Beatles and the Maharishiย ย  1967Philip Townsend

The Beatles and Maharishi at the Meditation Centre, Abbotsbury Road, Kensington. After this meeting, they went to the Hilton Hotel, Park Lane, where Maharishi gave a lecture.ย  These shots for Beatle purists were taken before they went to Wales or India.ย  The shot of all the fabs, partners and road crew is interesting as it is one of the few with the whole lot in one snap.

The photographs are exclusive as I was the only photographer there. I had been asked by the holy manโ€™s Public Relations agent to take them but they failed to pay, me therefore I own the copyrights.

What I love is every Beatle has a distinctive expression at the meeting. Note John contrasted with Paul.

Gallery Loulou 2008

Philip arrived from London late in the evening. We met him at La Posada Resort Hotel. He did not stop smiling and chuckling in spite of his lost luggage, and a twelve-hour flight. His photographs had arrived and were already placed when we invited him into the gallery. Again, a resonating joyous outburst, ” Oh, it’s lovely, marvelous, just marvelous.” He was tall, lanky, and at seventy-something majestically youthful. We spent hours together over the next week. He loved when I made him a cup of Tea, the bumpy New Mexico road trips we planned, and the dinners. The slightest bit of congeniality towards him was returned with a pat or a hug and kiss. Opening night was a sensational tribute to a prince of a man.

What

POP-UP FRIDAY FOLLIES


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