FILM NOIR MESSENGER


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I watch film noir with an admitted addiction. The grainy black and white stillness, the music scores, the cinematography satisfies more than current cinema . The message comes through, live gracious, selfless, forgiving, brave, and passionate? As I feel these thoughts streaming along, the one that stabs like a knife is passion. That visceral sensibility has driven me throughout my life: about men, mystery, adventure, accomplishment, art, music, dancing, unfamiliar places and faces, and café society rendezvous. A temporary grasp of glee. And when it ends, it goes like this.  

Unprepared, who knows where
The leaves will fall
They don’t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread on our minds  

Uncertainly
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I don’t know if I can see ahead

My steps, like pebbles, follow the rush in the river
On the edge of the quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch,

To land a launch.

MOODY BLUES TUESDAY


           MATISSE

Writing somberly is parallel to writer’s block. It’s not a block, really, more like a resistance to engaging feelings.  If I place all the options on a puzzle board, this leads to the center. A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions, and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! I watch Blacklist or some foreign film in the evening. Most weekdays, I’m circulating between finance, selling furnishings online, shoveling snow, and researching acronyms because the news uses them so often.

The vortex of discontent is a punctured life. The windows of my home reflect the splendor of nature that plays all day long in the winter.  I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. My collection of records and CDs accompanies the scenery. When I’m sorrowful, I listen to Ennio Morricone; when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera. When I’m a go-go girl, Swing, Salsa, or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen, and Annie Lenox. 

      I don’t see any remedy commercials for a fractured heart. By tomorrow, the despair could vanish, like the rain that puddled us for the last two weeks. Everything I’ve experienced is good in the beginning. So, to begin, I will listen to Begin the Beguine. 

“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theater.  

    Henry miller writes in his book, “ Henry Miller on Writing” “Whoever greatly suffers must be, I suppose a sublime combination of a sadist and masochist.’  I suppose that a few of my friends have aligned me as such, and now that I write this, as in all writing, answers blink at you, and then the soul receives them like a wafer of wonder. Perhaps I am, but where that evolved and manifested, I have no time to think about it because the sun is out. I must sit in my newly designed sunroom, a small book library alcove that receives the sun at noon.  When I returned with my phone to snap a photograph, the sun disappeared like a footprint in the sky. Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted and receive a thousand weekly warnings to get a flu shot. My doctor has tried persuading me to get a flu shot for three years.  I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question. 

WRITING WITH NATURE


In one of my books on writing, I read that most writers face the demon in the middle of the novel. The beginning is a gallop, and the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.    

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year.  I’ve finally accepted that my constant relocation, reinventing, and restlessness will not be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I stood out on the porch observing the peacefulness. The scenery of this street is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets; all the shops, services, and restaurants are a patchwork, and all the business owners know each other.  

I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender.  If you are an artist, the limit is not the sky; it’s everywhere. Nature’s artistry is a full-time exhibition in the Northeast. The view now is of tumbling clouds rolling over; they move slowly, like dough, across the road, while squirrels dart about.  Outdoors is where we see the best of life.

Bookviral


Our review……

A candid and enthralling memoir, CRADLE OF CRIME – A Daughter’s Tribute is the debut release from Luellen Smiley and it proves one of the most gripping and powerful books in its genre. Certainly no mean feat, given the swelling number of similarly themed offerings but Smiley does well to distinguish hers with painstaking research, a broad narrative sweep and intellectual grip to deliver a fascinating and revealing read, for the events it covers.

The storytelling isn’t redemptive with much of the most compelling material in this book being intensely personal but it is a very human story that dispels hype and myth and gives us a telling glimpse of a remarkable life. Weaving together several stories it makes a vivid and notable contribution to the mafia debate which invariably swings between the codes of honor and family values so often portrayed on the silver screen to a brutal criminal organization focused only on the accumulation of wealth. In contrast, Luellen finds a far more equitable balance in her reflections, and it makes for a genuine page-turner.

Extremely well written, fans of this ever popular genre will find CRADLE OF CRIME – A Daughter’s Tribute a fascinating read and it is recommended without reservation.

http://www.bookviral.com/cradle-of-crime-a…/4594052167

A BookViral review of CRADLE OF CRIME-A Daughter’s Tribute by Luellen Smiley

EGO WORK OUT AT EQUINOX. 2018


    I walked into Century City Club Equinox, almost inserting myself into the spotless transparent glass door. Three young women at the counter, beaming youth in front of black walls that seem to suck me in. 

“I’m here for the tour.”   A suited man in a large, rather luxurious office greets me with so much reserve and robotic gestures that I feel like running out.   I was led through a scintillating voluminous space, enveloped in floor-to-ceiling glass, streamed with sunlight and views of Westwood.   The members,  women attired in matching voluptuous outfits and personal trainers, lean as lions tossing funny equipment to the client, fastidious housekeepers, sterilizing and vacuuming in trendy uniforms. It was as if  I were watching a film production. 

The treadmill cycle area was a bit crowded, and not one person didn’t have a headset on, staring at the screen of choice.  The bathrooms were hotel accessorized, and even pumps were filled with Kiehl products. There was a steam room, make-up area, showers, all the necessities, and a few women were blowing their hair, all beautiful. 

More rooms, a snack bar, shopping, pulsating music, and a closer look at the guests.

“ This is as upscale as you can get; you’ll love it, and you’ll meet important people, I’m sure.”

I listened to his closing argument and watched the bodies bend like pretzels as personal trainers raised and stretched their heads, arms, and legs.  Bodies bounced, climbed ropes, did flips, and hung upside down, like a circus act. After the close, a condescending smirk, that I read as, join, or go hang out with the losers at 24-hour fitness. 

 He handed me the contract, and I read it over.  The cost was more than I’ve ever spent. The way I looked at it was a place to work out and meet new people, although my instinct was that these were not my people.  I signed and walked out feeling dizzy again.  I stopped in a shoe store to look at what women were wearing.   The salesgirl kept complimenting me, and showing me shoes that she loved, and before I knew it, she sold me what I didn’t come in to buy, high-top lace-up pink workout sneakers.  Leaving the Century City Satellite, beyond the construction and traffic, I raced home to recuperate. What’s happened to me after living in a village in New Mexico, is that too much stimulation is now exasperating.

I walked to Equinox for my first workout, hopped on the treadmill with weights, and tried to look perfectly comfortable, but I wasn’t.  The vibe and everything about this ballroom of a gym seemed rehearsed. Maybe I’m too observant, trying too hard to fit in. I noticed so much in that hour. The workout is also a sort of performance, just a shade of competition between men and their weights, women straddling rubber balls, yoga mats, bench presses, and only a handful look like they need it. Men and women occupy the treadmill room; without expressions, they seem to live inside themselves.
There is no conversation; it feels more like a convent. There is no hi, hey, or smile. I asked a trainer, “It’s not very social here. Why is that?”
“ These are the highest paid executives, lawyers, agents, actors, and they don’t come in to socialize–they are only here to do the work-out.”
Great move, Greta. I’m paying three hundred a month to be invisible.

THE POWER OF TRUTH


I was walking the streets, and the descriptive details had since evaporated. I mentally pluck myself out of this moment and open the shades to thought and memory, where all writers meet on some psychic level, the place of imagination and creation, an abnormality of reality.

A passage from Anais Nin’s diary says, “Be careful not to enter the world with any need to seduce, charm, conquer what you do not want, only for the sake of approval. This is what causes the frozen moment before people and cuts all naturalness and trust. The real wonders of life lie in the depths. Exploring the depths for truth is the real wonder which the child and the artist know: magic and power lie in truth.”

CHANGE IS COMING


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Some of us are not rushing to wave the I made it flag. Some favor holding back until the other elements of our character life are solid;  our fear, pettiness, falsity, greed, so many steps to climb. I have to trust in the pattern of our lives; the invisible thread that taunts us, teases us, and even torments us. I am discovering the shame and greed, the absolute indifference to my security, and finances.

Gravity has dropped, and so has my sense of structure, health, and self-discipline. Making a bed was too tedious, and grocery shopping was needless because I didn’t care about food; I like tuna sandwiches with avocado and bananas for breakfast. The comfort comes from writing, cloud watching, and phone calls with friends.   

The loss of direction and ambiguity lurking in the future is a place any person can find themselves in, especially those sensitive and artistic, without a map, familiar signs, and a plan. You have to ride it all the way to a new horizon.

It is a day later; the sky is unchanged, and the cloud cover is still nailed to the sky.  In random conversations, I have heard of people’s hardships, sacrifices, and compromises.  I tell myself not to be too sentimental , but it’s a useless force, I am sentiment. Don’t open those links to real estate values, how much money you need to retire. Open the link to redesign my interior life using new colors, textures, and backgrounds.

FRIENDS AND FONDNESS OF THE PAST


  I ‘m thinking about Loren, one of the most original characters in my life. He developed a vernacular unlike anyone I’ve met. It came from growing up in the hood of Santa Fe, New Mexico. Later exclusive Wilshire Boulevard in Westwood, and then returning to Santa Fe. Joined the upper class clientele as a chauffeur. His vernacular was impressive as it collated honesty, and a wit sharp as a razors edge. Loren visits three times a week at least. Snow means silence and hermitizing. I  can’t wait to open the door to Luxury Limo Loren and make him brunch.  We harmonize for hours; on tones of fretful fear, wicked secrets, confessions and laughter. The delicious crust of survival and our similarities.

If I write down the pleasantries surrounding my life, the blessings rise up and give me a softened comfort.  The sweet peace may vanish the next day, or be intercepted by the news, a wreck in the street, an unexpected phone call. The crossroads of everyday life comes and goes. Between all of these uncontrollable incidents we are writing stories that some day will be told in conversation, or written in journals and books. The essence of our changing lives is universal.


The subject pierced me yesterday morning and came from Anais Nin, a passage in her diary. 
“Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934.

   Today, the first in several months that the atmosphere is ripe with thought, and has brought me back to the writing of the moment. The delivery trucks have not opened their doors, and dropped their ramps, the garbage trucks have already passed, and the traffic is so slight as it is Sunday.

Spring is brushing nature with a varnish of subdued sunshine.  I sit at my desk and listen. I hear some cheerful shouting on the sidewalk, a horn breaks the sanctuary, and then a sparrow lands on the terrace, and we watch each other.  I breathe deep, close my eyes, and feel my oatmeal breakfast thumping in my belly.

The stream of consciousness is threaded into the deeper blanket of anxiousness. I am in the circle of chaos that seeps into everyday activities. Tempers are flaring, rousing combative street encounters. Business owners and employees are jumping ship everywhere. People are relocating, selling possessions, or using succulent lips and breasts to lure men for financial support. We are all edgy.

WINTER’S SERMON ON SOLITUDE


SOLITUDE will always be a puzzle because our lives, solo or mated, are mystified by either too much or not enough solitude.

 I contest what seems endless solitude with my Irish Russian temper, condemning irritants like: street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. The fever dulled after the first ice, rain, and snow, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life. In the best of times and the tedious. I have to find the frolic and follies in the world that I created. I have to laugh alone so I watch screwball comedies, seek humor of my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere daydreaming.
I’ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I haven’t experienced here; and how can I complain when half of Upstate New York is buried in ten feet of snow. The end of the day pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly gumbo, stew, or casserole while listening to Tony Bennett, Nat King Cole, and swing music.
Winter is a funnel that strips the trees and branches and lets us see through the forest and ourselves.

TRUTH OR TALE


WHY DO WE LIE?

When do we begin to lie about our lives:, feelings, fears, and mistakes? I ask this because of simple observation, knowing when someone is not telling me their truth. I remain silent; it’s not my way to ask why you lie to me?  It’s like a social-cultural mask. I’ve always sought to know the truth. Why should we shield our traumas and hardships more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, watch films, go to the theater, and go to dance performances. I cannot comment on sports because I’m not a spectator, although I love basketball.

We, and I mean this in only a visceral sense, do not believe politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts and choices. That is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

POP-UP POEM


He pushed her on a swing, so high she touched the sky, viewed the world through his eyes, lived for a time without lies, then as mystically as he appeared, he let go of the swing, and she fell on her wing, broken but with the will to begin again. A broken heart hasn’t stopped her from loving him.

For ten days, just thinking of her spoken words, how they made their way to his ears and returned the sounds she so wanted to hear. When he stopped contacting her, she wiped her tears as some people find love at the core of their fears.