FATHER’S DAY AFTER HIS DEATH

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Overlapping Father’s Day is a mirage of life experiences tucked into memory prescriptions you take on a stormy day. A relic of my history rises and reminds me of the fear I once broke through.

It was 1983, and I was poised on a terrace overlooking the Pacific Ocean in Venice Beach. It was March, the month my father died, and I stared at the horizon at dusk, imagining my freedom taking flight. Where would I go? Without his presence in Los Angeles, and my sister, who had already moved to New York, I was terribly alone. The replacement came in summer flings, with men who had crossed my path; a photographer, a New Jersey computer technician with a brassy voice and Joe Pesci humor, and every few days, Kenny, a former boyfriend, dropped by to smoke his pipe of philosophy and blow long-winded ideas on where I should move.

“I really want to move to Canada,” I said.

“For what? To go ice-skating?” He said between puffs.

“I have family in Vancouver.”

“What family? You’re an orphan now.”

“I am not. I have cousins in Vancouver. My father’s nephews.”

“Oh, yeah. When was the last time you saw them?”

“When I was twelve.”

“Terrific! That’s a solid-ass plan. So what will you do in Canada?”

“Get a job in real estate.”

“Lue! Wake up. You can’t get work in Canada unless you’re a citizen. Forget that idea. You’re better off staying here; look where you are: Santa Monica, the beach at your feet. Are you crazy?”

“I don’t belong here any longer.”

“You don’t belong to anywhere; what you need is to stop trying to be a big shot like your father.”

“I am not!”

“When was the last time you left the country? When you were eighteen? Go to Rio, you’ll have the time of your life, or Italy, or Greece–it doesn’t matter. Just take the chance and see how you land on your feet. You’re a dreamer; it’s about time you made one of your dreams come true.”

In the next few weeks, I met with Larry, my boss, who was liquidating his real estate portfolio to retire at 45. Larry wasn’t just an investment visionary; he was passionate about social, political, medical, scientific, and human interests. He was a genius.

“You can stay here another year–I’ll find something for you to do, but you’ll be bored,” Larry told me.

“Larry, I don’t know where to go.” I wiped a tear. He ignored it.

“You have to get out of LA. You’ll never meet anyone here. You think you’ll be introduced to someone riding up and down the elevator in Century City. I’ve spent a lot of time in Del Mar and Rancho Santa Fe. They’re nice people. You have a chance there; go down, spend a few days, and tell me what you think. I’ll help you. Now, stop crying. “

I drove down in Dad’s black El Dorado, and parked at Del Mar Beach right next to the lifeguard station at the Poseidon Restaurant. I opened my suitcase, took out a bathing suit, and went into the beach bathroom. The tile was wet and smelled of seaweed and salt. I walked barefoot down to the beach. It was early spring, and the sand was unmarked. A few surfers jogged past me, blonde and bronzed like the Beach Boys. I followed them down to the seashore. In every direction, there was this untouched canvas of light and color; even the beach houses retained their natural sandy simplicity.

After I swam in the ocean, I went back to the bathroom, changed into dry clothes, and walked into town. A man with a beard rode past me on a horse and waved. I picked up a Reader and read the rental advertisements on the patio of Carlos and Charlie’s, the corner café. A roommate advertisement caught my eye: “Roommate Wanted to Share large two-bedroom overlooking Torrey Pines Reserve.” I called, and a man who went by the name of Smokey answered the phone. He invited me to come by for a look. His voice was predominantly ranch-friendly, so I took a drive over. It did occur to me on the drive that I was taking that chance Ken was blowing in my ear, and I was listening to Larry, who told me that people in San Diego were different.

“Hi, I’m Smokey. Come in—would you like something to drink? Too early for cocktails, unless you want one.”

“No thanks. How long have you lived here?”

His eyes were animal-alert, his face tanned, and his hair cut short but made to look long. His smile was unfiltered with hidden motives, and he was bull-legged.

”I moved from Pittsburgh; I’ll never go back except to see my folks. This is paradise. Don’t you think? I’ve lived here for two years. I rent out one room, because I hate full-time work. I’m more entrepreneurial. You don’t have to worry about my motives. I have a girlfriend, and I’m in love with her. She doesn’t stay here. I go to her house. You’ll have your space, and if you need a friend, I’m here. Come out on the balcony.”

I followed Smokey, and we stood on the terrace overlooking the lagoon and marshlands of the reserve. To the west, the ocean and the stump of Torrey Pines Mountain.

“Wait till sunset; you’ll never want to leave. Come look at your room. I can help you move if you want.”

The room was downstairs, his upstairs, and a stairway of trust in between.

“I’ll take it. When can I move in?”

“Whenever you wish.”

STILL A MYSTERY WHO MURDERED BENJAMIN ” BUGSY” SIEGEL

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STILL A MYSTERY WHO SHOT BENJAMIN “BUGSY” SIEGEL .

JUNE 20,1947

Several years ago, I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website and asked for an exclusive interview. He asked about my father’s relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, but George persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.

We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.

My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, “I think Bush did it.” He was not too impressed with the answer; but it saved me from theorizing.

At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my father’s best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to “Bugsy” than what the public has been told. The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hill’s brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path. He always said, “You don’t inherit friends,” and so I declined to remain friends with family members of his group, because I respected his orders, even after he died.

I doubt any of his mob friends are still alive today. Many people have claimed they knew my father, but in essence, what they mean is they met at Ciro’s, or had a game of cards, or went to the racetrack. My father’s only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.

A man I’d never heard of called and informed me, ‘Your Dad and Ben buried a safe deposit box in downtown Los Angeles. You should look for the key, there may be a lot of cash.’ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that.
Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have allowed my sister to sell his Patek Philippe diamond and ruby pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my father’s life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.

I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind tinted dark sunglasses. He was quiet and observant. He watched me eat and then handed me a twenty-dollar bill to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. This was a setup, he picked the losing horses, so I’d get the lesson ” Even your old Dad loses at the track, remember that.’ There wasn’t anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting. Lucky for me; I discovered Dad’s gambling didn’t pay off. When he was with Siegel in the forties, controlling the wire service he’d bet up to $50,000 in one day. And lose it on the next gamble. I don’t bet on sports, or gamble in casinos. I do gamble on life, and aim for the outlandish, improbable questionable odds.

Photo: Leaving Beverly Hills Police Department day after the murder.

WRITING FOR TRUTH LIKE DRILLING FOR OIL

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A momentary connection occurred to me last night after watching, “There Will Be Blood” about drilling for oil. The oil derrick is the outline, or the notes scribbled in a journal. Then the pipes are set in place, like words in a sentence, then paragraphs. Our characters come into view some muscular and brazen like the drillers, welders, rig workers and mud loggers. Once those elements are configured in the oil field or in sensory perception the story begins. The paragraphs build into pages and the pages build a story.

The writer digs for substance for soulful spiritual contemplation and he builds on it. Sometimes it comes like a gush of oil. Other times it bubbles at the surface and goes nowhere. When the bubbles recede, we move on to another location internally and externally and we begin to dig for a new well story.

These ruminations came to me after watching the film, especially poignant to me as my father at the age of fifty left a life of gambling and mafia assorted activities and learned to be an oil producer. He was introduced to Howard Hughes through Meyer Lansky and Frank Costello and Howard introduced Dad to a wildcatter in Houston named Lenoir Josey. My mother and father moved to Houston from Los Angeles in 1949 and into the Shamrock Hotel, that being the hotel used in the film Giant, and Edna Ferber’s book, about Glenn McCarthy, played brilliantly by James Dean. He built the Shamrock, and it opened on St Patrick’s Day 1949 (the pool was so large you could water ski across) Glenn became close friends with my father. I met him once in Los Angeles at a lunch with Dad. He was broken, by his loss of fortune. and friends. I recall a face withered by disappointments.

Josey as my father referred to him took my father under his wing and tutored him in the business of oil engineering and oil production It was a gamble and my father a life long gambler on everything loved being in the oil business. I didn’t intend to wave my father’s story into this but intentions in writing as many things in life surprise us.

If J. Edgar Hoover hadn’t refused my father’s request to reside in Houston to continue the oil business I would have been born in Texas. My father was forced to move back to Los Angeles and as Hoover predicted he went back to gambling. During his time with Josey, he amassed twelve oil leases in states across the Southwest and Midwest and when he died that part of his life was handed down to his children in royalty leasehold interests. That was when oil was $17 a barrel. But Josey had passed and his son no longer honored the handshake agreement between his father and mine and forced us to sell our leasehold interests for a shameful amount.

To be continued

LIVING AS A LONER.MINIMAL MAYHEM LIFESTYLE-OCEAN, SKY, SUNLIGHT WONDER.

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FEEL, THINK, AND REACT. Tumbling through all the transitory advice forces me to examine more closely whom to believe. I’ve never been a leader, nor a follower, I walk in between, trying to pave a pathway to peace of mind. Maybe that is unattainable as I am in a cultural, political, medical, financial, and socially reimagined world. It reminds me of being a teenager when life was questionable, and confusion was like a stinging bee we couldn’t swap away. So, in my senior year in high school I started writing in a notepad. Gradually, almost supernaturally I withdrew from my gang, and spent the weekends in a Cafe with adults, or in the library. The loner label pleated my pants.

Loners were portrayed in film, books, and art as mysterious, untouchable icons. They even became romanticized as people of superior cerebral awareness. I’ve met and gained friendships with several over the last few decades. It may be that loners have thin skin, they absorb the ethereal and reality, so in many situations the absorption is too weighty and the loner cuts loose before the party is over, cancels at the last minute, and doesn’t answer the phone. Talking, engaging, evaporating into another person feels herculean for me sometimes.

Does isolation relate to the intensification of rancorous physical assaults in streets and shops, which is my pestering pursuit today. Are all these perpetrators unloving, and live amongst the unloved? People are shot because their hamburger wasn’t properly served on time, or they have a different opinion. I was living in Los Angeles in 2018, and one day driving down Pico Blvd I noticed a sign, “Walk in Anger Management.” Maybe we need to convert a few drive-thru food diners to Anger Management centers. It sounds amusing. If I was financially able, I’d open one in every major city.

WHAT HAS HAPPENED TO THIS CULTURE is unimaginable for a woman who grew up in the Love and Peace generation, or even into the eighties and nineties. We didn’t shoot one another, maybe a fist fight, or a shouting match, but not murder in cold blood. Could this macabre movement be abated by friends who love you more when you are gentle and kind? It cannot be that simple, or could it? When I used to rage about some occurrence that tattered me personally, Dodger would come to me and say,

‘Greta put your guns down,’ that always made me laugh, and then we’d talk out what triggered my fury.

THE COMFORT OF EXHIBITING life on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony, a writer doesn’t need a Tuscan Villa or an English Castle, but experiences that flake off the skin and shake out relevance. What I’ve rediscovered is that without a lot of stuff to organize, the mind is free to think, more time to create and effect essential decisions. Narcissism is sacrificed and replaced with more visceral makeup. Minimalist living has erased my past, and that is as transforming as day to night.

PUZZLE OF SOLITUDE will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world that I created. I have to laugh alone, so I watch screwball comedies, seek humor in my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling when I keep forgetting where I left my phone. Laughing at myself is a funnel that leads to writing.

At 98, iconic photographer Jerry Schatzberg proves cool never ages at Lower East Side gallery opening | amNewYork

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My pal since 2007 when I asked him to exhibit in my gallery. He advises, humors, and inspires me on every phone call. Today he is still exhibiting his photographs worldwide.Photographer and filmmaker Jerry Schatzberg, almost 99 years old, looks back at Edie Sedgwick in a new show at the Ki Smith Gallery.

Photo by Bob Krasner

MINIMAL MAYHEM LIFESTYLE PART TWO-

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The first gallery opening I attended. Smashing art by Hunt Slonem, photography by Tim Hardy. Conversation, champagne, and what we all need, social engagement. Unlike a concert, or theater performance where you are seated next to someone you know, art galleries are a sensory of interaction with the artwork, the guests, and the elan of the space. Madison gallery was a warehouse, exposed twenty-foot ceilings, enormity of space, and minimalism in furnishings. It feels like an indoor park.

Once a gallery lover, then a gallery owner, and now seeking a job in a gallery. I joined the mailing list of a dozen galleries, realizing resumes are sifted through by AI and not the owner.

My love of photography began at a museum observing the work of Edward Weston. I used this line when selling my photography in Santa Fe” Photography are stories on the wall., not just the photo, the photographer. Of course you can say the same about a painter, but for me, catching a moment in time, that will never be repeated is poetic.

One guest that visited my gallery said this to me, ” Photography isn’t art.” He was famous, not as an artist but the son of John Huston. I cannot recall his explanation, but I have heard this statement several times and that is why there are so few photography galleries. I’d open one again when the if’s are removed.

One of my favorites by Jim Marshall. Jim caught Bob in a private moment, and let him publish it. An early concert, 1963, with already famous Joan Baez. Fuzziness is my fault.

Daughter of mob boss reveals insight into infamous unsolved murder

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https://www.google.com/amp/s/www.dailymail.com/crime-desk/article-15678303/amp/allen-smiley-bugsy-siegel-mob-murder-unsolved-daughter.html

THE NEW YORK DAILY NEWS INTERVIEW PUBLISHED TODAY. ELIOT FORCE HAS THE FORCE AND FINESSE TO WRITE A TRUE ACCOUNT OF AN INTERVIEW. THANK YOU ELIOT!!

A FEW PHOTOS FROM GALLERY LOULOU

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ED CARAEFF PHOTOGRAPHER- He came out for the opening, a really nice guy. We played Hendrix every day for 6 months.

PHILIP TOWNSEND AT HIS EXHIBITION IN SANTA FE, NM. A PRINCE OF A MAN. WE SOLD ALL HIS STONES, BUT 4 THAT I KEPT.

JIM MARSHALL-Only he could get Dylan to smile. Jim, the legend rocked the gallery, the most eccentric man I ever met.

JIM MARSHALL.

BARON WOLMAN. The man who ignited Gallery Loulou with his introductions and faith in my passion.

LEFT TO RIGHT. MAN, unknown, my pal Blair Sabol, Jim Marshall, Ali McGraw. I get chills looking at this adventure. OPENING NIGHT IN TAOS, NM.2007

JERRY SCHATZBERG, ICONIC PHOTOGRAPHER AND FILM MAKER WHO DID MORE THAN PUSH THE ENVELOPE. HE PUNCHED IT. I JUST SPOKE WITH HIM, 99 YEARS OLD, CLEVER, HUMOROUS, ALL THERE. He exhibited in the gallery and we became confidants.

AND OF COURSE FAYE. WHOM HE ADORED AND TOOK HER TO HIS CAMERA.

SPIN OFF OF HUMANITY?

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The Earth spins at 1, 040 miles per hour from the equator according to Co-Pilot. Humans spin: ‘The average walking speed for humans is about 3 to 4 miles per hour’ in different directions. Our rotator, the interior speed dial in our futuristic culture, reminds me of chasing a speeding car. We accelerate one day, and a day later, we are behind. Why catch up with a runaway virtual speedometer? Because if we don’t, we lose something: opportunity if you are unemployed, confusion in conversation with digitally conscious youth, and skills to navigate your finances, health, and services. I’m about to search the speed at which an average person speaks, but I can’t believe I am doing this. I’ve observed a lot of conversations in this hotel, no pausing to think before speaking, the words leap like the answers and questions were premeditated, a script?

While I am sitting with a banker at Wells Fargo, thirty years younger, offering basic finance choices, projections, and a few new rules in banking. I offered my phone to demonstrate, some quirk,

” I can’t touch your phone,” he said.

” What? Why is that?”

“A customer handed one of our bankers their phone to check their account, and the banker swindled the customer out of thousands.” I gaped at him, and then he pulled up my account on his computer.

” Can I see what you’re doing?”

” I can’t show you my screen.”

” Would it be okay if I uncrossed my legs?” He leaned back in his executive chair and laughed out loud. Joseph was one in a million. I told him so, and he bowed his head. He understood.

The next adventure in livingness is looking for a new home, an apartment. Like seeking employment, managers and agents do not answer the phone. I have to fill out a questionnaire before even viewing the apartment. Once those algorithms observe my search, a dozen more websites hit my email with availability. In one day, I may receive two dozen invitations to view their listings. Half are not updated or deceptive, so it is like combing through a library for the one book you want to read. One building that I liked and requested a tour answered this way. ” Hi, I’m Ella, your AI leasing agent. How can I help?” I didn’t hang up. I love first-time experiences.

” I’m looking for a studio in the building.”

We have a one-bedroom, let me send you the link.”

” I don’t want a link. I want a studio.”

” I understand.”

” No, you don’t.” I hung up.”

On to the next, a beautiful one-bedroom, at the price of a studio. I emailed for a tour, a self-guided tour. Six emails later, after I filled out the pre-qualification document, uploaded a current government ID, and set the appointment. The next step was creating an account, a password, an identity verification text, and another confirmation. I cancelled the appointment because the closing of the Olympics was gazing at me from the corner of my eye, and I succumbed to the majesty of organic humanity.

”

Just watched a few years ago. Some Favorite films: Bread & Tulips, Angel Face, Head in the Clouds, Late Marriage, Water for Elephant’s, Sarah’s Key, Pierrot Le Fou, No Where in Africa, The Lives of Others, Gangster, A Love Story, The Counterfeiters, Senso, Croupier, II Grido, The Wide Blue Road, Deja Vu, The Whistle Blower, The Young Adult, John Rabe.

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Our nest is something we build to give us permission to express, unravel, rant, improvise, and dream. Sometimes we return to our little nest and add a bit more bloom because the dinner was great, and the party lasted longer than we thought, and someone smiled at you in a glorious way, and then you saw a rainbow.

Some things happened last week; that liquefied into an opinion I inhabited. I directed this opinion with outdated information, and second-hand narratives by film scribes. I believed what I’d always believed; actors aren’t like you and me. I was wrong! Some actors are like you and me. They have open hearts and inquisitive minds, they drink beer and dress without designer labels, they like to hang out and not talk about the movie business, they have interests beyond their IMDb star rating, and they answer questions if you ask them. Unless we infiltrate what we criticize, we’re adding to the hypocrisy of the human condition.

OUT OF CONTROL

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Bohemian living was always in my dreams, having been raised in a perfectly pressed pinafore and seated on velvet and satin furniture. I am not really very gypsy like when it comes to home. Once upon a time, I lived out of one suitcase, but I have since been corrupted by the joy of controlling what comes into the house and finding a place for it. Loss of control. Once faced with this alarming epiphany, I vowed to give up control and accept the disorder and disruption.

What I’ve rediscovered is that without a lot of stuff to organize, the mind is free to think, more time to create, and effect essential decisions. Narcissism is sacrificed for more visceral makeup. Losing control is a replenishment of youthful spirit. It’s free and painless.

NEW BOOK REVIEW

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CRADLE OF CRIME : A Daughter’s Tribute

Weaving together events witnessed personally and those gleaned from friends, associates, historians, FOIPA, INS and archives of the Department of Justice, author Luellen Smiley’s memoir is a brief, heartfelt genuine reconstruction of family’s relationships of the past that neither dwells on nor dramatizes the true image of her father Allen Smiley, his allegiance to Benjamin ‘Bugsy’ Siegel and the criminal world.

Author Luellen Smiley details her childhood and growing up days as a gangsters daughter- elusive as it may be by immersing her readers through intriguing happenings of everyday and events of the bygone years that justify her fathers masked behavior and restrictions for his adored daughter.

Definitely ‘Cradle of Crime: A Daughter’s Tribute’ is a straight forward homage to a father and a triumphant tale of a daughter who broke barriers of secrets to reach the hardcore reality through her hardship and research. A not-to-be missed 5 star read ‘Cradle of Crime: A Daughter’s Tribute’ is a book for those who care for family morals and values and are willing to accept poignant twists in one setting. Highly recommended.