AN AFFAIR TO REMEMBER IN TAOS,NM


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SILHOUETTE of a Taos night out in 2006. It begins with the sunsetโ€”a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; they silence me, keeping me from turning on the television or answering the phone.ย 

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The sunset has settled into my routine. I watch it from the roof garden over our Adobe Home and Gallery every night. ย In the midst of dressing to attend an art auction at the Millicent Rogers Museum, the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase and cross over the mรฉnage of piles shoved in a corner to allow SC to paint, I think, โ€œThis is going to be my home. Iโ€™m still hereโ€ Adventures in Livingness

In the courtyard where new flagstone has been laid, and a mud ditch blocks the exit, Rudy hitches me on his back and carries me out the side entrance through Tony Abeytaโ€™s yard. Tonyโ€™s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican dunes. This is how the evening begins.ย Out in the parking lot, we circle around once and stop in Robertโ€™s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace and says, have fun.

At times like this, I can forget the faces and routines I lived in Solana Beach and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car, ensuring my shoes donโ€™t fill with gravel.

There is very little street light along the desert road, and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather-clad bikers, and abandoned pets is of no comfort or value. Boundaries and civilities between people are vague, and sometimes, conversations elope into poetry.ย 

At the Millicent Rogers Museum, the director, Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.Each room is an envelope of Native American jewelry, ceramics, paintings, weaving, textiles, and metalwork sealed with Millicent Rogers’s ethereal presence. By coming to Taos and bridging her New York chic with southwestern individuality, she set global trends in fashion, art, and living.ย  he museum collection includes some of her designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. Although she could have chosen anywhere in the world to live, she settled in the unaltered, surreal lunar beauty of Taos.

I wandered through the tightly packed rooms, alternately viewing the guestโ€™s attire and jewelry. The woven wraps, belts, and hats worn by men and women form a collage of individual expression.ย Almost everyone seems to attract attention by the texture and color of his or her attire. It is a festive traditional look, with southwestern accessories paired with jeans or silk dresses.ย If you come to Taos, look for a belt buckle, one piece of Native American jewelry, and one piece of art.

When the auction was announced, I admired the same etching as the woman next to me. She remarked that the artist was also the teacher of one of her children. I learned that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.

โ€œSo am I,โ€ she answered.

Rather than talk about her work, she began talking about her daughter, who is also a writer.

โ€œIโ€™m so lucky–all my children and grandchildren are creative and artistic.โ€

It was obvious that her life was a garden of earthly delights and that she had raised many roses. When the auction began, she vanished, and I quickly viewed the art before returning to the two etchings. They were both sold.

As I was walking out, I bumped into Ellen. She was clutching the etchings.

โ€œSo, you bought them,โ€ I said.

โ€œOh, yes, I had to have them.โ€

She left me with a beaming smile and a closing remark I often hear: โ€œWelcome to Taos.โ€

I love hearing that so much I donโ€™t want to stop saying, I just moved here. After the auction, we stopped in Marcoโ€™s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, who were visiting from Santa Fe.

The dim, glowing melon adobe walls of the bistro, Marco hugging everyone, Joanโ€™s melodious, high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast-rolling film. The conversation and laughter surfed breathlessly from one person to another.

Joan remarked, โ€œMy fifteen minutes. This is the best for me. The first time you meet someone, you’re both talking without effort. Itโ€™s so perfect.โ€

We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friendโ€™s house. Philip agreed to drive to Santa Fe the next day, and we took Tylenol before bed.

Not every night out in Taos is like Joanโ€™s fifteen minutes, but chances are you will have something to write home about. The beginning of Gallery LouLou Taos, NM

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RESOLUTIONS OF THE WEEK.


My memoir, published in 2017, Cradle of Crime-A Daughter’s Tribute is old news to me. Not to Charlie. I met him as he was renovating a house across the street. I didn’t introduce myself as Luellen Smiley, just Luellen. I asked if he would take a look at my house for an estimate on painting. He was sweet, a mountain man with a long white beard and hunting boots. Last week, he texted me,” I read your book, my friend and I exchanged Goodreads suggestions, and I told him to read your book.” How did he connect me to my book? I didn’t ask, and now it piques my interest. I’d walk across the street and ask him, his truck is there, so is the ice, and I don’t feel like skating and falling on my butt.

Winter in upstate New York to a gal from Los Angeles is likened to living in the North Pole. Going on five years, my last, I’m not resentful and scouring, but I am not acclimated. Indoors I dress in sherpa from head to toe and wear those finger mittens. Today it is full-throttle rain showers. The street is vacated of traffic and the public, it’s a good day to work on my next book. On my desk are a few writing books, the favorites: Henry Miller on Writing, The Diaries of Anais Nin, and Albert Camus’s The Stranger. I haven’t bought a current book in years, the last one was Sam Shepard, The One Inside. I like Miller’s passage: ” The writer lives between the upper and lower worlds.: he takes the path in order eventually to become that path himself.”

Aging in my seventies delivered opening windows to restoring, rearranging, and repairing my persona, personally and in public. If you’ve read any of my essays, then you know explicit is the vortex that moves my thread. Restoring the brick-and-mortar of truth is at the forefront; the next layer is a confession of what I cannot speak in person to anyone, even my closest pals. The third is abstaining from too swift a pen; I’m always in a hurry: I prepare food quickly, walk as if I’m late for an engagement, and wash dishes with perfunctory interest. Everything when I think about it. I know why that is, my father.โ€‚His shadow was always behind me as I went about my teenage activities at home, so I rushed to get out.

Last week, I stopped taking the powerful Lorzapam medication for neurotic anxiety. My heart raced when I opened an email from my attorney, when a stranger knocked at the door, or when I entered a public place alone. A new sideways rain shower just filled the window pane above my desk. Here is the fourth restorative: get outdoors! I don’t walk in snow or ice, but good old water rain, which I call God’s tears, is one of my favorite nature adventures.

Admittedly, my writing has granulated since moving here. It is tiny in thought and not always tied up neatly. My persona in public needs to be side by side with wine in a dining setting. What I contribute must be joyous and humorous because one of my favorite human activities is to evoke laughter and smiles. I broke away from my taverns and abstained from alcohol for a week. In the second week, visceral and bodily alarms have gone off. Iโ€™m lucid, motivated, and even decisive.

From Anais Nin Diaries 1939-1944.

“I respond to intensity, but I also like reflection to follow action, for then understanding is born, and understanding prepares me for the next act.”

ADAPTATION-HOME AWAY FROM HOME.


Sunlight seeps through the glass window and tickles the silk flowers, autumn leaves left over from the last street clean-up, lay flat and lifeless.

The street is silent this weekend, the neighbors with three high-pitched voluminous barking dogs are gone, and I notice my shoulders softened from the daily dose of their irritation. The neighbors are tucked indoors, avoiding the freezing atmospheric clutch of winter. In the village, it is Shop Local weekend so I took a walk and stopped at one of the gift shops. A mirage of unrelated items from chocolate bars to errings, tai die dresses, and scented candles crusaded side by side. The owner repeated her lines, ‘ I represent eighty-one New York artists so if you have any questions, no question is refused.’ Feeling brave I asked, What is the meaning of life?’ The result was not what I expected, she did not respond, and the other shoppers, maybe two chuckled. Time to move on.

Rarely do I run into anyone I know, my circle here is a half-circle of acquaintances. The next stop is the Social Club where my curious humor is appreciated.

” Jackie! She just started a few weeks ago. At first interaction, this twenty-something woman avoided conversation, not even a smile. After a few sips of a Manhattan, I pulled out my mini perfume sample.

” Do you like this?” she sniffed, I watched.

” Oh, I love this, What kind?

” Tom Ford Noir.”

I Love Tom Ford, he’s so expensive.

That’s why I buy the body spray, sixteen ounces, forty dollars. I’d rather turn the heat down than go without perfume.”

At that moment, we leaped into gal pals. The Social Club serves up exotic cocktails, irresistible tacos, and an assortment of soups and salads, my kind of table setting. Horace the Bar Manager wears a beret and is always somewhat distracted by his list of duties. He moves behind a narrow back bar pathway as if he is power walking, and always greets me with a genuine ‘How are you LouLou!’.

I meet a cluster of female bar-friendly women, who invite me into their festive fiasco of celebration for one reason or another. We may never see each other again, but the moments count. Sometimes we exchange emails or phone numbers. The adverse effects of alcohol are sometimes diminished for undiluted expression.

I’m learning to understand upstate New Yorkers, their resilience to extreme climate, limited source of funds, pragmatic decisions, family comes first foundation, and quizzical curiosity when they learn I moved from San Diego to purchase a Victorian rental property in Ballston Spa, ‘ Why did you do that?’ I answered, ‘ I fell in love with the quaintness and the house.’ Still visibly unconvinced, I wonder if they think I’m in hiding or avoiding some criminal offense. I’ve not met one person from San Diego, Los Angeles, or Santa Fe, NM in three years. Maybe if I dressed in Pendleton or Northface, I wouldn’t stand out.

On another night, in desperate craving for French Fries, I stopped at Henry’s Pub. The man next to me opened the conversation,

“You’re not from here are you?”

” What gave me away?”

” The way you dress, it’s a nice jacket.”

” I just wear what’s in the closet, urban clothes I suppose.”

” That’s cool. Where are you from?”

” Los Angeles.

” I’ve never been there, I’m planning a trip to Hawaii, my first time.” He outlined a history of why now, breaking up with his girlfriend, and then he jump-started into a conversation about needing a haircut. This went on for some time, although he was almost shaved. Then he went onto his beard. I listened attentively, imitating interest because he needed to talk, and I knew that feeling so well. Sometimes conversation is not what we need but what the other person needs.

LONERS, SOLO, RECLUSIVE, still human.


Thanksgiving seeps into a day of light and dark, like a trajectory of blissful silence transitioning to watching the Macyโ€™s Parade, then dancing around my bedroom to old-school hip-hop. ย Internally feeling more adept than last year, the solitude and absence of friends didnโ€™t snake rattle me, ย it was more like a day of moving effortlessly between desires without contemplation or sorrow. As the year ends, the comparison of achievements and digressions seemed to evoke a visceral epiphany. Iโ€™ve always preferred less chaos and crowds to intimate gatherings, and being alone. Looking in the internal mirror, the reflection released a liberation of abasement, it is who I am, and if refusal of this characteristic triumphs, I will never feel self-affirmation.

Without that, life is an interior war.

I snapped this off a film, I cannot recall which one.

DEL MAR, CA RECEIVES ME.


Living in Del Mar from 1982 – 1996 enriched my spirit, health, and distance running. Even though I’ve heard, you can’t go back, I’m striving to break that fact.

As children, our waiting depends on how long it takes Mom and Dad to finish what theyโ€™re doing and pay attention to our needs. It takes hold of us, like a fever, and we resort to nudging them, whining, even sobbing, If we are made to wait longer than we expected. During the school year, I waited all semester for the summer. In Los Angeles that meant it was hot enough to go swimming in the ocean.

When I lived in Hollywood, I rode two buses, to get to Santa Monica. The second bus dropped me off on Ocean Avenue, above Santa Monica Beach. I ran down the ramp that connects to Pacific Coast Highway and headed north to Sorrento Beach. I jumped into the sand running to find the place where my schoolmates clustered: in a caravan of towels, beach chairs, radios, and brown bag lunches. I couldnโ€™t just run to the ocean, I had to sit and talk and have something cold to drink, and then I made myself wait until I couldnโ€™t stand it any longer. Then I ran down to the shore, and embraced the waves, tumbling inside their grasp until I lost my breath, and floated into abandonment.

After I moved to Santa Fe I stopped thinking about the ocean, I had to remove the memories from my thoughts, so I could continue to experience this spark of New Mexico. The dry sage ocean of pink soil, and radiant blue sky that pinches your eyes when youโ€™re driving, the sunlight, the warmth of a desert night, and the white snow on pink adobe rooftops. It had postcard perfection, even with fallen leaves spread like trash everywhere, the trees almost naked, and the dead plants in the garden. I tried not to think of the ocean, the look of the sea from watery suntanned eyelids, or from the bluff at Del Mar, or the splashing of waves around my shoulders as I tumbled beneath the surface.

I waited, as I did as a teenager, for that time to come in the fall of 2010, so I could return to the sea. I stood at the waterโ€™s edge in Del Mar, it was like summer without all the kids screaming, barking dogs, volleyball and paddle board games, lifeguards thrashing the beach in their jeeps shouting, ‘no dogs off the leashes, no glassware, and no surfing today’. They were missing, and so were the parade of beach runners, and surfers. In fact, I was the only one swimming, on that first day at the beach. Before I went into the water, I reclined on a big black boulder and faced the sea, letting my eyes wander amongst the scenes of the beach on a Tuesday afternoon. In front of me was an older man with graying hair, in a beach chair reading. He must be retired, he looked perfected adapted to his spot about five feet from the shoreline. I thought about retirement, and how I still cannot come to grips with spending my days on park benches or in cafes watching younger men and women live. There was one swimmer, on a bogeyboard, he was far out, and floating along, and I wished Iโ€™d brought mine with me, but it was in Rudy’s van. The last time I used it was when I lived in Solana Beach in 1997. I also wished I had a new bathing suit, because the one I was wearing was too loose, and the neck straps were tied together in a knot so I could swim without losing my top. The sun baked my body, and I let it without abatement, without shading my limbs or wearing a hat, just enough sunscreen to keep the rays from trotting over my lily-white skin. I closed my eyes and when I opened them, the waiting suddenly felt so imperial, so much so that I began to think about waiting as an aphrodisiac or something like a good cocktail that you have to make last for hours, while you wait for that moment that makes you feel immortal, childlike, and emancipated.

I felt the beach flies, and the tang of salt water on my lips, and when the seagulls swarmed above the waterโ€™s surface, like so many beads of a necklace, I thought, that this is about the most beautiful day I could have, and itโ€™s all because I WAITED. I didnโ€™t give up on the ocean, or my place in it, or believing that I would have my day in the sand, under a faded denim blue sky, with cotton ball clouds floating above me. I baked until the sweat drenched my pours, and then I raised myself up and walked slowly to the edge of the water. The surf made tiny breaks not enough to shatter my body warmth and I felt the first sting of the water on my feet, and then my knees., I submerged and found that the best way to celebrate this day was to keep flopping backward on top of each wave as it crashed, and I did this for a dozen rounds, until I felt giddy, submissive, and dented with the surf. That waiting thing again, meant something that I should write about because all of us are waiting for the election, the economy to recover, wars to end, streets to be safe and our real estate to be worth something again. We are all waiting for this big change so we can feel secure and optimistic about the future. There is something useful about waiting, something predisposed, that gives us the support and substance we need, so when the waiting is over, and we are all flush with optimism again, it will feel like the first time. It will overwhelm us with power and joy, like the ocean.

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ON THE SOLO STREET OF DREAMS


I am not afraid to write the truth, to stare and embrace the reflection. It appeared last night; a thought manifested in an abstract way; a torch of light, a rainbow, an open door that symbolized a guide to contentment, and peace of mind, it felt reachable if only I evaporated into the sensibility, allowing change, a complete transformation from this encampment of isolation and fear of making the wrong decision.

Drizzle Thoughts


The embryo of thought. Sometimes it is negligible, as is life.  I am the puzzle maker and every time I try to carve the right size square, I fall off the board and have more material to write about. The puzzle is so vast that it covers our lifetime and the pieces are the choices, and non-choices that fit into themes.  My life, is like a melody, a Gershwin tune. As a dancer and prancer at heart, my feet are my hands, and my hands are my heart. Drizzling rain is relative to thoughts on a Saturday; a few thoughts for my book, assembling the bedroom fan, calling friends, a walk with my umbrella to live in rain, answering emails, and those hypnotic Film Noir Classics on Utube. When world news disables self-absorbency, it’s a relief, I hold hands with whatever keeps me alive.

FAITHFULLY BELIEVE IN THE DEVINE.


Saturday, a blurry sky like fogged glasses, the temperature down to thirty, and all the counters cloroxed after a Pest control visit for a mouse in the kitchen OF my one hundred and thirty -five- year old home. Unabashed OCD about cleanliness; picture me with a broom, paper towels and, a bottle of Windex or bleach every other day. I am now tiptoeing into the kitchen in anticipation of a mouse and cooking with the vent on so they donโ€™t smell the food. The servicer, Big Bill, like a door to a cathedral gave me all the tips on how to warn them off till they do the exclusions next week.

How I have changed, planning to watch the Daytona 500 tomorrow? Never have done that in my life. One news interview with a race car driver persuaded my senses to watch, they are athletes, of a kind, racing a car at over a TWO-hundred mile an hour next to twenty-something other competitors. I have not watched because of the accidents and deaths, not unlike horseraces, the end is not always celebratory, but I will watch because it’s a new experience.

This pop-up thought came to me; some people follow the direction of security and stability, I chose the direction of reinvention experience like, I knew more than what has been proven over centuries;  family, career consistency, saving for retirement, and moderation- which I never had. I also decided I am not going to wring my nerves into revulsion over where will I move? Not allowed to muse on that;  believe, have faith, and just concentrate on each day.

GASLIGHTING AND RECOVERY


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He’s digging my grave
For the dragon he pays
With our nest, now shaved
Tumbling into the abyss
I visit the comfort robes of the past
Monogrammed in stone

The will to relive what’s past comes at night

And must be excluded by daylight.

Of HUMAN BONDAGE

The sky hasnโ€™t decided if it will let clouds overturn the sun, and I havenโ€™t decided if I will pack the stack of books on the floor. No, I donโ€™t feel the drive to lift and organize, my bed is warm and the house is not as warm.

I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love.
Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep.
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.

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I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.

 

MOODY BLUES TUESDAY


Writing somberly so if you’re not in a dreary mood, skip reading. Somber writing is akin to writer’s block. It’s not a block really more like a disregard of hallelujah holidays, maybe. Disinterest in shopping, village festivals, parties, writing, dancing, and eating. If I place all the options on a puzzle board, this leads to the center. The vortex of discontent is a punctured life.

Photo by Nataliya Vaitkevich on Pexels.com

     A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover. I watch Blacklist or some foreign film in the evening. Most weekdays I’m circulating between finance, selling furnishings online, and writing.

The windows of my home reflect the splendor of nature that plays all day long in the winter.  I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. The scenery is accompanied by my collection of records and CDs. Thank you to all my musician friends for the gift of mood enhancement. When I’m sorrowful I listen to Ennio Morricone, when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera, and when I’m a go-go girl, Swing, Salsa or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen and Annie Lenox .

        I don’t see any remedy commercials for a fractured heart. By tomorrow the despair could vanish, like the rain that puddled us for the last two weeks. Everything Iโ€™ve experienced is good in the beginning. So, to begin the beginning, Iโ€™m going to listen to Begin the Beguine.

“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theatre.  

http://vadebailes.blogspot.com/2012/01/beguine.html Word press changed the writing tools and they don’t make any sense. This is Fred Astaire and Jane Powell.

THANKSGIVING THREE TIMES A YEAR


Iโ€™ve adopted a savant to facilitate making decisions. I donโ€™t want to use the word hate, itโ€™s useless, but this time I will, I hate making decisions. Whether to go out for dinner, or go to one of villages’ festivals, parades, or events, they rake up events during the winter to keep us off drugs. This weekend was a ย village-wide Friday sale for shopping, the lighted tractor parade, and appetizers at all the shops in town. Sounded pleasurable and Iโ€™m proud of the village to induct us into a community of we care about you.ย  I didnโ€™t go, but I did go out for Thanksgiving dinner in a restaurant Iโ€™d never been to, festive crowded, and the tempting buffet twinkled like the first time Iโ€™d seen decorated food. Itโ€™s been five years since Iโ€™ve gone out for Thanksgiving so the jubilee of food was a bit musical.ย  I ordered a glass of wine at the bar, the only customer as everyone had reserved tables for grandparents and children and the roar was melodious. My order to go would wait, the celebratory ambiance shattered my loneliness. The bartender, Jovida was like a lightbulb, she kept coming over to me maybe three times asking me polite questions, have you been here before, you must come on the weekends we have live music, while youโ€™re having your wine can I bring you something from the buffet. I wondered if Iโ€™d be charged, she noticed my hesitation and said, No charge. So I choose smoked salmon, capers, onion, and horseradish. On m wish list if Iโ€™m allowed to eat in heaven, along with Gruyere cheese, tacos, salad, and croissants. ย The bliss, was a sandwich of bustling eager activity, laughter, and the children. ย I remember our family Thanksgiving when my parents were divorced and we went to Nanaโ€™s home in San Fernando Valley, through that old tunnel. My motherโ€™s mother is full-flecked Irish so the dinner was grand, and she was a dedicated cooking slave.ย  She made mashed potatoes like Iโ€™ve never tasted since, and homemade pies, everything spiced with Nanaโ€™s kinship with making the family love her.

ย ย ย ย ย  I left the restaurant after an hour later with a jubilant bag of turkey, fixings, and pumpkin pie. I found my seat on the bedroom sofa, and watched, โ€˜ The Trainโ€™ with Burt Lancaster.ย  My thoughts were rested, abated for the whole evening, and then the next day, turkey revenge. I could not get out of bed, eat, or think. So I said to myself, itโ€™s okay to do nothing and so I watched a romantic comedy, โ€˜ Cardboard Husband,โ€™ with Norma Sherer and Robert Taylor, removed three-year-old lipstick and liners, shopped online without buying, saved for later my way of shopping. Then I threw the dice and I got seven. That is where my decisions are now made. If I donโ€™t get a seven with seven throws, I donโ€™t go out or make a decision. If I get it once- Iโ€™m on! It was a perfect day for thanks. I think we should have a Thanksgiving Holiday three or four times a year.

WINTER WRITING IN UPSTATE NEW YORK


ย ย ย  Still flustering over how to save more money, and which expense she should solve; the dental appointment thatโ€™s six months overdue, the servicing of her car overdue since June, or elevated reasons to book a trip to San Diego. The urgency to decide sent her into a minor mid-afternoon tizzy and she decided she needed potato chips to solve her physical edginess. She does not use salt in her cooking, and from experimentation over the years realized that salt could elevate her dizzy thinking and lackluster posture. The momentary outdoor freshness stilted her, to stop moving, and breathe deeply like she was in the doctorโ€™s office and they say, โ€˜ deep breath.โ€™ ย ย The street is absent of walkers, workers, delivery trucks, and residents, itโ€™s almost like a graveyard and this does not irritate Greta, she uses the bliss to engulf her creativity, and so she began to write.

“Young woman sitting on the books and typing, toned image”

PUZZLE OF SOLITUDE  will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

ย I contest what seems endless solitude with my Irish Russian temper; condemning irritants like street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. After the first ice rain and snow, the fever dulled, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world I created. I have to laugh alone so I watch screwball comedies, seek humor in my irregularities; wear a sweater inside out, pour coffee into a wine glass for a cocktail and chuckle up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere-daydreaming.
Iโ€™ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I havenโ€™t experienced here; and how could I complain when half of Upstate New York is buried in SEVENTY INCHES of snow and no way out? At the end of the day, pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly slumguillion stew while listening to Tony Bennett, Nat King Cole, and swing music.
Winter has in the past been a funnel that leads to writing.