Unless you’ve lived in a four seasons city, you just can’t understand how transformational and redivivus the vernal expectation of spring. My mind feels like someone has loosened the screws, and a willowy feeling fills the body so when I walk my steps waver, without any alcohol. This spring is like a substance prescription after one of the gloomiest winters of my life.
Millicent Rogers home Taos, NM
The throw of the dice this week falls on the silhouette of a Taos night out in 2006. It begins with the sunset — a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; it silences me, it keeps me from turning on the television or answering the phone.
The sunset has settled into my routine. It’s something I watch every night. In the midst of dressing to attend an art auction at the Millicent Rogers Museum the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase, and cross over the ménage of piles shoved in a corner to allow SC to paint, I think, “This is going to be my home. I’m still here” Adventures in Livingness
In the courtyard where new flagstone has been laid, and the exit is blocked by a mud ditch, Rudy hitches me on his back and carry’s me out the side entrance through Tony Abeyta’s yard. Tony’s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican sand dunes. This is how the evening begins.
Out in the parking lot, we circle around once and stop in Robert’s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace, and says, have fun.
At times like this, I am able to forget the faces and routines I lived in Solana Beach, and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car making sure my shoes don’t fill with gravel.
Parking for the Plaza where we lived. San Francisco de Asís Mission Church.
Along the desert road, there is very little street light and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather clad bikers, and abandoned pets, is of no comfort or value. Boundaries are vague, so are civilities between people, and sometimes conversations elope into poetry.
At the Millicent Rogers Museum the director Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.
Each room is an envelope of Native American jewelry, ceramics, painting, weaving, textiles, and metal work, sealed with an ethereal presence of Millicent Rogers. She set global trends in fashion, art, and living, by coming to Taos and bridging her New York chic with southwestern sensibility.
The museum collection includes some of her own designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. She could have chosen anywhere in the world to live, and she settled in the unaltered, surreal lunar beauty of Taos.
I wandered through the tightly packed rooms, alternately viewing the guest’s attire and jewelry. The woven wraps, belts, and hats worn by men and woman form a collage of individual expression. Almost everyone seems to attract attention by the texture and color of his or her attire. It is festive traditional look, southwestern accessories paired with jeans or silk dresses. If you come to Taos, look for a belt buckle, one piece of Native American jewelry and one piece of art.
When the auction was announced, I found myself admiring the same etching as a woman next to me. She remarked that the artist was also the teacher of one of her children. I came to learn that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.
“So am I,” she answered.
Rather than talk about her work, she began talking about her daughter, also a writer.
“I’m so lucky,–all my children and grandchildren are creative and artistic.”
It was obvious that her life was a garden of earthly delights, and that she had raised many roses. When the auction began, she vanished, and I made a very swift viewing of the art before returning to the two etchings. They were both sold.
As I was walking out, I bumped into Ellen. She was clutching the etchings.
“So, you bought them,” I said.
“Oh, yes, I had to have them.”
She left me with a beaming smile and a closing remark that I hear very often: “Welcome to Taos.”
I love hearing that so much I don’t want to stop saying, I just moved here. After the auction we decided to stop in Marco’s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, visiting from Santa Fe.
The dim glowing melon adobe walls of the bistro, Marco hugging everyone, Joan’s melodious high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast rolling film. The conversation, and laughter surfed breathlessly from one person to another.
Joan remarked, “My 15 minutes. This is the best for me. The first time you meet someone, your both talking without any effort. It’s so perfect.”
We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friend’s house. Philip agreed to drive down to Santa Fe the next day, and we took Tylenol before going to bed.
Not every night out in Taos is like Joan’s 15 minutes, but chances are you will have something to write home about. Photos of Gallery LouLou Taos, NM
ADVENTURES IN LIVINGNESS- Without argument what motivates the locals in Ballston Spa, NY is family. They go to work every day, some in punishing freezing cold weather to earn a living. The snow blowers, plowers, farmers, horse breeders, deliveries, construction workers, postal workers, cable servers, and weather free runners.
The families then gather on the weekend at any of our a dozen bakeries, cafes, restaurants, and bars to sit with the family, drink a beer or mimosa and watch the seasonal sports channel. Children are well behaved mostly, the server is probably related in two degrees of separation, so the expansive informality presides. The pretense is nine miles north in Saratoga Springs. Very minor, compared to Los Angeles, and I love that about Saratoga. They have an A-List too, mostly connected to racehorses or real estate. They aspire to win the Kentucky Derby or buy land to develop a dream community. Traditional and progressive. The generations of Saratoga go back to the eighteen hundreds. I’ve met residents who are the fifth generation, and they are proud to tell you. That stands out for a gal from LA that moved to Ballston Spa.
Back in Ballston Spa on a milky white sky day, that feels too cold indoors. I’m wearing layers; T-shirt, a thick zip-up sweatshirt, and the Irish wool Jumper I bought in Ireland in 1987. The weather channel claims it is forty-seven degrees, so I’m miffed why I’m so cold.
This week was waiting until my brain was ready to take on the challenge of the moment; coronavirus 19. I’m a failed student of statistics, charts, science, physiology, and models. When the task force takes the stage every day, to update us on the number of cases and deaths my brain struggles with the information, as I am awed by the concentration of facts, projections, and federal coordination. It shed light on how microscopic my responsibilities are in comparison.
Living in upstate Saratoga County, New York we were on lockdown early in the game. The sacrifice isn’t as disarming for me because my personal crisis hasn’t fused with social gatherings, for the last fifteen months. In life, we all have our crisis, it is just better if I’m not in a crowd. So I limited myself to the essentials with an occasional visit to a pastry shop or bistro. Adaptation to quarantine if you are living alone is agonizing and so we have to structure our misery or it will structure us.
Bonded in solitude allows us time to reflect on our relationships, our mistakes and what we miss most in this time of quarantine. This may be the only time we will ever have to examine who we are and what we need to change. If you watch the news, you hear the stories of the first responders, and all the essential workers who risk their own lives to bus us, feed us and deliver our Amazon packages. My mirror of reflection brought the reality of singleness into focus, it is time to trust, love, and to socialize. As Joni Mitchel sings, “ You don’t know what you have till it’s gone.”
If we ignore the war in our lives, the war comes after you.
The irony. When I first heard “Like A Rolling Stone” as a teenager, the lyrics saddened me every time I played it or it came on the radio. Then this song became my destiny.
“Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn’t you?
People call say ‘beware doll, you’re bound to fall’
You thought they were all kidding you
You used to laugh about
Everybody that was hanging out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging your next meal
How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone
Ahh you’ve gone to the finest schools, alright Miss Lonely
But you know you only used to get juiced in it
Nobody’s ever taught you how to live out on the street
And now you’re gonna have to get used to it
You say you never compromise
With the mystery tramp, but now you realize
He’s not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?
How does it feel, how does it feel?
To be on your own, with no direction home
A complete unknown, like a rolling stone
Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you
You never understood that it ain’t no good
You shouldn’t let other people get your kicks for you
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain’t it hard when you discovered that
He really wasn’t where it’s at
After he took from you everything he could steal
How does it feel, how does it feel?
To have on your own, with no direction home
Like a complete unknown, like a rolling stone
Ahh princess on a steeple and all the pretty people
They’re all drinking, thinking that they’ve got it made
Exchanging all precious gifts
But you better take your diamond ring, you better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him he calls you, you can’t refuse
When you ain’t got nothing, you got nothing to lose
You’re invisible now, you’ve got no secrets to conceal
How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone.”
Songwriters: Bob Dylan
© Downtown Music Publishing, AUDIAM, INC
Photograph credit Jim Marshall
ADVENTURESS IN LIVINGNESS 2020
2020 SOUNDS SO PROMISING. TO ALL MY READERS, FOLLOWERS, FRIENDS AND STRANGERS. I DO WISH YOU A SLICE OF SENSATIONAL SURPRISE IN THE NEXT YEAR.
MY LIST FOR THE NEW YEAR
TIDY THE HOUSE LESS
LET LOVE COME AND GO, NOTHING MEANS MORE THAN TO TAKE IT SLOW
CONCENTRATE INSTEAD OF CELEBRATE
WATCH MORE INSPIRING DOCUMENTARIES AND LESS OLD MOVIES
SPEND MORE TIME MAKING FRIENDS
FINISH MY WORK IN PROGRESS
THANK GOD EVERYDAY FOR HIS PROTECTION AND GIFTS
STOP FEELING GUILTY FOR SLEEPING IN
I am thinking about some of Dad’s answers to questions. You learn more by listening than telling. I remember if a friend or associate made some business proposition, Dad would answer, ‘I’ve been thinking along those same lines myself, and have a few ideas.’ Now, sometimes, he didn’t know but that gave him a shot into the game. The opponent would then tell Dad everything. The reason I say this is he said that to me. Not in those words, but the same move. Gangster’s do as much strategizing as politicians, maybe more. Coming out of court LA Times Photo. He loved sunglasses, and so do I.
Three days later: The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I?
It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year “Huckleberry Friend” song. I don’t know how anyone else adapts to this. I’m kinda staring out the window, like a cat staring at an unreachable mouse. When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic. Photo Credit Philip Townsend. ” London in the Swinging Sixties.”
My Cradle of Friends rock my fear,confusion, attitude, confidence, and spirit. Thank you for sharing the storm. I will bring my light back because of you.
I feel like a butterfly wing, trying to fly without my twin. Hang on, we have to fly solo. The world feels harsher, the obstacles immense, one wing is better than none.
One winged flight with breath of fright, just a step I have to take to the next destination.
In a week of famous iconic people who’ve committed suicide, my heart breaks and my mind asks, why is everyone shocked? Chronic depression, anxiety, and loss of a life view are not particularly inviting topics of conversation. I know, the last two years of my life these disturbing emotions tried to get a noose around my neck… NO WAY. Enemies cannot win, whether they are in your head your heart or at your doorstep.
The answer is to get involved in someone’s mental decay, agony, and hopelessness is a risk most people are not willing to take. I suggest the simplest of remedies; accessibility by way of phone calls and drop-ins.
Suicides have increased thirty-percent since 1999 and according to Suicide Statistics one hundred and twenty-three each day.
Who do you know that needs attention?
SEASONAL AND SENSUAL OVERTURE TO REVERIE.
SUMMER is not a memory yet; my skin too sensitive, and my heart still attached to the moments. I’ve misplaced my journals and so I have to read my to-do list to recall the events. Let’s go back to June; well my head was bent like a candle wick in this memoir. By then I was into the first rewrite, the worst of the next ten. That first one is deceivingly promising, the chapters line up, the suspense tickled, and it was five-hundred pages. The first draft was actually two books, as I dared to try and run the 100 meter in two different directions.
I must have had some standout memories, but I don’ recall June being amusing. Writing about my deceased parents was not summer reading. A year had already passed since I began, and I was now at the last stretch. My sense of completion was annoying. I began to hate the word focus. My body ached for water, in any form, a pool, a river, and the ocean. June was also the month when rejection letters arrived. For a moment, I’d forgotten. Whoa! Stay away from LouLou, her nerves are visible! On the flip, it was also acceptance of those letters. I had to prove to myself that I could take it, and continue writing.
Outside my window, Palace Avenue raised to motorcycles, skateboarders, conversational bicycle riders, and families out for a walk. My concentration was beguiled. So I turned on the fan, the loud kind that screens the room in a hum. I tried to imagine as waves just after they have capitulated into bubbles.
Memorial weekend was gemstone sunlit of color and clarity. I’d decided to break and go to a party at La Posada. Yes, that was my first grasp of summer, the sudden appearance of flowers, greenness of the landscape, flowers, and light. I think it was warm enough to sit outdoors all night. We were not yet ready to kick and scream, it was more of a real memorial kind of party. For our troops who finally are reaching us through the news, the films, and the books.
Most every evening I’d walk across the street to La Posada, have a glass of wine while listening to the chattering guests, age-out themselves by immobilizing a very liberated and young spirit. It’s a beautiful sight. Most people in my experience, come to Santa Fe and strip down to vulnerable. They invite conversation and are genuinely interested. I am asked, ‘What’s it like living in Santa Fe?’ To be continued.
IT’S UNLIKE ANY OTHER CITY I’VE EXPERIENCE.D It’s called the city different, it is also the city difficult. She ( I see Santa Fe in the feminine gender) has to be treated gently. Her weather patterns resemble a menopausal woman,her stature demands respect, and she can be congenial and patient.
You can walk this city as if it were a neighborhood. If you do that consistently you’ll meet people, and get to know them. Unless you’re like me, a standoffish fast walker dazed by the outdoors.
If you’re dazed and illusional you can master this city very well, as the drowsy pace and cordiality allow freakish freedom. I ‘ve seen the liberating soul of Santa Fe, teenagers racing down the middle of a commercial street one foot on the skateboard, bad-ass bikers talking with bad-ass cops, women with parrots on their shoulder, dogs in baby carriages, cats in a bag, and women on horseback galloping up Palace Avenue.
At night you’ll see raging midnight ramblers dancing on the sidewalk, and all of this is appealing to an LA transplant. I have driven in my robe, danced in the street and broken the heels on most of my shoes because of the pot-holes. They are always working on a street, but never the sidewalks. I ‘ve been bounced out of the locals night-howl El Farol for accidently pushing a dancer, who knew the manager, who came running after me and took down my license plate.
So many of us are loners, the serious kind, that have to be rigged out of our nests. Luckily I live on a commercial street and have no choice but to be commercially friendly. After nine years, my seasonal behavior is obvious: sprite in summer, blissful in fall, giddy in spring, and withdrawan in winter. I’ve learned patience, understanding, and adopted a mixture of cultural traditions. I’m close to fifty percent certain I’ll miss Santa Fe terribly when I do leave.
Has living in Santa Fe given me more than I’ve given back? Yes, it has and that’s why when I’m asked what’s it like living in Santa Fe, I try to reveal the blessings here and not the bullshit.