KITCHEN TABLE TALK IN SANTA FE NEW MEXICO-2013


ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย SMILEY’S DICE-ADVENTURES IN LIVINGNESS

White Wolf introduced himself to me when he worked Valet at La Posada Resort. He was the kool one with enough style and manners to attract attention. I learned he also provided private airport transportation and luxury limo service. A trip to Albany, New York was on my schedule, so I asked White Wolf if he’d drive me to the Albuquerque Airport.ย  When I told him my flight left at 6:30 AM, he didnโ€™t flinch, โ€˜Iโ€™ll be at your house at 4:00 AM with Starbucks-whatโ€™s your drink?โ€™

He showed up, loaded the car, asked me to select my own music, and off we went. I felt like I was riding with James Bond; smooth shifts, minor breaks, all the time engaging me in conversation. The combination relieved my pre-boarding stress and woke me up. From then on, I chose White Wolfโ€™sairport service. When he picked me up from Albuquerque, he had Fiji water, Travel & Leisure Magazine, chewing gum, and he played Vic Damone. โ€˜Chill, sit back, tell me all about the trip.โ€™

At my kitchen counter, on a twenty-below morning, White Wolf leaned back against a bar stool too petite for a swarthy 6โ€™ 4โ€ man. His Johnson & Johnson silky blond hair is swept back, and I want to touch it, but we donโ€™t play with physical affections. White Wolfโ€™s forty, looks thirty, and thinks like he served an attitude and values apprenticeship under a wise guru. Heโ€™s on a break; from plowing snow at Albertsons, the Yoga Center, and private homes. This is before he reports for work at Geronimo Restaurant, where he not only parks the cars, but walks the ladies indoors, keeps the Zapataโ€™s outdoors, and directs traffic on Canyon Road until midnight. Heโ€™s wearing a sheet white Polo turtleneck and black slacks, his day look, and Iโ€™m about to serve pesto, prosciutto and feta cheese frittata for late breakfast.

White Wolf is sipping a sixteen-once Chai and unwinding his broad shoulders in a circular motion as he considers current consciousness of Santa Fe.ย  ย ย ย ย ย 

ย ย ย ย  โ€œItโ€™s a different kind of materialism. You really want it but you canโ€™t have it. The most simple things; a toaster, a new phone, pinion wood–cause weโ€™re cold–itโ€™s so cold! The guy in front of the Homeless Shelter was near frozen when I drove by to drop off a bundle of clothes. Why is it so cold? Even the valet has to wear BMW beanies. These are some funny times.โ€

ย ย ย ย  โ€œWhatโ€™s so funny about not having money?โ€ I smirked.

White Wolf breaks into a full-body laughing recess. His sailor-blue eyes are just slightly turned up when he laughs. This transmits his effortless, humorous pitch on life.

ย  ย ย  โ€œItโ€™s different,โ€ I said. ” I mean everything feels unfamiliar.โ€

ย  ย  ย โ€œYeah, it’s okay to feel,โ€ White Wolf said. โ€œThings are rattling around. Thatโ€™s why the Gorge Bridge felt so stable the day I drove up to Taos. ย I think itโ€™s the most stable thing in my life right now! Hah.โ€

I had placed the frittata in front of White Wolf, but he hadnโ€™t touched it yet. Even when heโ€™s starved; he lets the food sit there and cool off.ย  Iโ€™ve never seen a man not eat when food is placed in front of him. I was already biting into the frittata; relishing a real meal.

ย I found a momentary silent inlet and asked him if the food was cool enough. White Wolf looked down, touched it with his index finger, and then his appetite fired off. After a few pensive moments, as if he were saying grace, he took a proper bite. He takes the food seriously, intensely. Heโ€™ll make a remarkable husband for some woman. He talks a lot about marriage, and the songs heโ€™ll sing to his brideโ€™s mother the day of the wedding. He confides in me uninhibitedly, as if we were two teenagers, cutting class. I feel youthful when heโ€™s in the house; the absence of masks, emotional camouflage, and exaggeration is how I remember adolescence.ย  ย ย 

ย ย ย  โ€œWhatโ€™d you say Wednesday was–on your new schedule?โ€ย  ย he asked.

ย ย ย  โ€œWednesdayโ€ฆ I forgot since you showed up. I know! Itโ€™s Gallery LouLou marketing.โ€

ย ย ย ย  โ€œWe have to give out two cards a week. I want you to pass out two every day.โ€

I nodded my head, ” I will, 2013 is just not the year to buy art in a vacation rental during the winter.”ย  ย  ย ย 

ย ย ย ย  โ€œGeronimo has been slow, no A-list celebrity types, no mothers and daughters; cause the daughters donโ€™t want to come here anymore.โ€ ย 

ย ย ย ย  โ€œNeither do single men, I interrupted. ย And if they do, theyโ€™re from Los Alamos. Can you see me with a scientist or an engineer? Iโ€™d make them crazy.โ€ ย ย ย 

ย ย ย ย  โ€œListen–someone asks you out for an Ecco latte, donโ€™t be a bitch. Just do it! You reverse sweat it. If heโ€™s a jerk, Deebo him.โ€ย  Deebo is the guy who shows up late, and should have been on time. His quip is unabashed, and he handles himself like Sean Penn; smoking and all smiles while he reverses blame.ย  ย ย ย ย 

ย ย ย ย  โ€œCan we change the subject?โ€ I said.

ย ย ย ย  โ€œNo! I want to know why youโ€™re not even trying to hook up?โ€

ย ย ย ย  โ€œBecause Iโ€™m convinced the man I want isnโ€™t in Santa Fe. The ones Iโ€™ve met are looking for a caretaker, a fly-fishing partner, or a biker. Look, there are two types of men: one loves a woman because sheโ€™s not a man, and the other one seeks a mother who he can bash around.โ€

ย ย ย ย  โ€œI want to rat those guys out–like the ones that pinch and donโ€™t tip. Give a name to that.โ€ ย 

ย ย ย ย ย  โ€œ Listen to this; the newly coined slogan for New Mexico is Truth.โ€ I said.

ย ย ย ย  โ€œ Truth. About what?โ€ย 

ย ย ย ย  โ€œ Exactly! What truth are they referring to? How boutโ€™ the naked truth? Picture a Native American woman out in the arroyo in a leather crop top, her black hair elevated in strands by the wind, dust on her cheekbones. New Mexico is naked, isnโ€™t it?โ€ I asked.

ย ย ย ย  โ€œItโ€™s isolated. If you can afford to come to Santa Fe and not blow your brains out, or go broke, you deserve to be here. Right?โ€ ย He is smiling. Even the painful truths, are reformed as tests of endurance rather than complaints.ย ย  He developed his own poetic rap dialogue that I suppose comes from growing up in two cultures: one in the hood, and the other in the wealthiest homes in Santa Fe.ย 

ย  ย  ย  โ€œ Then itโ€™s a good place for you. Like your friend that takes her poodle to Hospice. I really respect her for that. Thatโ€™s what sheโ€™s doing with Santa Fe.โ€ He said.

ย ย ย ย  โ€œWhat do you do with Santa Fe?โ€ I asked.

ย ย ย ย  โ€œIโ€™m the union organizer for luxury limo drivers. Like, iron your shirt and shine your shoes, have CDโ€™s in the car, and water. You know–like this is New Mexico but we can spell Burberry. On the weekends Iโ€™m the ladies traffic controller!โ€

ย ย ย ย  โ€œ What is that?โ€

ย ย ย ย  โ€œAt the clubs. Some of the guys are okay, all suited up, hoping for a dance, but some are like, Iโ€™ll buy you a cocktail if I can follow you home. Someone has to protect them. Ladies canโ€™t drive home cause theyโ€™ve cocktailed all night, or they canโ€™t find their car keys, or they want to impress their friends with the Viking chauffeur. Itโ€™s chill; theyโ€™re good girls during the day.โ€ย 

The morning turned into afternoon, and I was cleaning dishes, and watching the birds from the kitchen window. Every hour or so I stop responding to White Wolf, and let him talk. I can feel the rush of his life; how he sprints from limo driver, to Geronimo valet, then to Albuquerque, the gym, and his family. People who live intensely engaged in a variety of relationships; stir their surroundings like a human wind. ย Every time White Wolf leaves, Iโ€™m bouncing through the living room and dancing. ย 

When I tuned into the conversation he was recounting his day in ardent animation. His laughter echoes, almost like heโ€™s singing a song, and it lasts a long time.

ย ย ย ย  โ€œI donโ€™t mind giving back to our greedy city tax roll.ย  I feed the meters at the Lensic; that quarter made a difference. Huh?โ€… more laughter and he repeats, โ€˜weโ€™re down to quarters.โ€™

ย ย ย ย  โ€œThose meter guys were writing tickets like, here take that, and then on to the next car. Donโ€™t bother coming back to Santa Fe, and itโ€™s the weekend! Thatโ€™s the barometer of my cityโ€”-hurry hurry write that ticket. Once itโ€™s done itโ€™s done.โ€ ย Suddenly he stands, positioning his legs a few feet apart, he leans over, picks up his keys, and his phone.

ย ย ย ย  โ€œCome on letโ€™s go for a quick creep.โ€

ย ย ย ย  โ€œA what?โ€

ย ย ย ย  โ€œCruise the plaza, get you outdoors, come on itโ€™ll make you feel better.โ€

ย ย ย ย  โ€œIโ€™m not dressed for outdoors..โ€

ย ย ย ย  โ€œPut on a pair of low brow boots, and a jacket. Not fashioning this afternoon. You wonโ€™t even get out of the car. Come on.โ€

I listened because White Wolf is definitive in decisions. He doesnโ€™t waver back and forth or want to argue. I rushed upstairs, zipped up my boots and grabbed a down jacket. He was standing by the window.

ย ย ย  โ€œWe have twenty-minutes.โ€ He said pointing to his watch.

We hopped into his silver VW GTI and he told me to pick a CD. I shuffled through the stack, while he backed out. Just then I noticed a car pull out across Palace Avenue.

ย ย ย ย  โ€œWolf! Watch out!โ€

ย ย ย ย  โ€œI got it.โ€ He leaned back, shot eyeball calmness to me and asked what CD I wanted to hear. He didnโ€™t scold me for my alarm and doubt. After that I knew my caution was unnecessary. You learn a lot about a man by his driving. Itโ€™s a graph of his responsiveness, confidence, and how he handles sudden movement. White Wolf cruised over the icy asphalt and into the empty Plaza, all white and brown like a two envelopes sitting side by side. He was now slouching back, one hand on the wheel, messing with something in the open compartment, and driving 15 mph. There werenโ€™t a lot of cars, but I had the feeling White Wolf didnโ€™t care if there was someone behind us. We drove past Santa Fe Dry Goods, and he stopped, โ€œEmpty– thatโ€™s sad. No one buying fuzzy boots or hats.โ€

He drove by every shop and looked in, as if he was monitoring shopping trends. His eyes swept the streets, the alleyways, and I mimicked him, because I knew this was for me. We went slow as a couple of tired horses, so the eyes could bring in the unknown: a homeless man on a corner, the Indian woman selling jewelry, the Mideastern jewelers smoking cigarettes, and a few locals trotting back to work from a break. I looked up to the sky and found a patch of blue, and pointed it out to White Wolf,โ€ and he turned to me and said, โ€œIโ€™m happy you noticed.โ€

ย ย ย ย  โ€œItโ€™s two oโ€™clock already,โ€ I said.

ย ย ย ย  โ€œHowโ€™d it get to be two oโ€™clock?โ€ White Wolf kept the engine at crawl speed all the way back to the house. โ€œYou have to go to Santa Fe Spa–at least go see people! And go after six.โ€ I nodded my head as I got out of the car, went inside, turned on the Rolling Stones, and danced.ย 

ย Gallery Hendrix film concert in the garage for his exhibition.ย 

UNCERTAINTY


Unprepared, who knows where
The leaves will fall
They donโ€™t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread our minds  

Evil intercepts, betrayal, intimidation, abandonment, financial sabotage.

Uncertainty
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I donโ€™t know if I can see ahead
My steps, like pebbles,
follow the rush in the river
On the edge of a
quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch

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To land a launch.

MICK JAGGER


JAGGER PHOTOGRAPH FOR SALE. It is black-and-white and has Mick’s authenticated signature in perfect condition. It is matted and framed and measures 10 in x 11 1/2. For more information, leave a comment.

ASKING $500.00

AN AFFAIR TO REMEMBER IN TAOS,NM


museum

SILHOUETTE of a Taos night out in 2006. It begins with the sunsetโ€”a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; they silence me, keeping me from turning on the television or answering the phone.ย 

Taos-sangre-de-christo-mountains-sunset

The sunset has settled into my routine. I watch it from the roof garden over our Adobe Home and Gallery every night. ย In the midst of dressing to attend an art auction at the Millicent Rogers Museum, the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase and cross over the mรฉnage of piles shoved in a corner to allow SC to paint, I think, โ€œThis is going to be my home. Iโ€™m still hereโ€ Adventures in Livingness

In the courtyard where new flagstone has been laid, and a mud ditch blocks the exit, Rudy hitches me on his back and carries me out the side entrance through Tony Abeytaโ€™s yard. Tonyโ€™s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican dunes. This is how the evening begins.ย Out in the parking lot, we circle around once and stop in Robertโ€™s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace and says, have fun.

At times like this, I can forget the faces and routines I lived in Solana Beach and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car, ensuring my shoes donโ€™t fill with gravel.

There is very little street light along the desert road, and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather-clad bikers, and abandoned pets is of no comfort or value. Boundaries and civilities between people are vague, and sometimes, conversations elope into poetry.ย 

At the Millicent Rogers Museum, the director, Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.Each room is an envelope of Native American jewelry, ceramics, paintings, weaving, textiles, and metalwork sealed with Millicent Rogers’s ethereal presence. By coming to Taos and bridging her New York chic with southwestern individuality, she set global trends in fashion, art, and living.ย  he museum collection includes some of her designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. Although she could have chosen anywhere in the world to live, she settled in the unaltered, surreal lunar beauty of Taos.

I wandered through the tightly packed rooms, alternately viewing the guestโ€™s attire and jewelry. The woven wraps, belts, and hats worn by men and women form a collage of individual expression.ย Almost everyone seems to attract attention by the texture and color of his or her attire. It is a festive traditional look, with southwestern accessories paired with jeans or silk dresses.ย If you come to Taos, look for a belt buckle, one piece of Native American jewelry, and one piece of art.

When the auction was announced, I admired the same etching as the woman next to me. She remarked that the artist was also the teacher of one of her children. I learned that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.

โ€œSo am I,โ€ she answered.

Rather than talk about her work, she began talking about her daughter, who is also a writer.

โ€œIโ€™m so lucky–all my children and grandchildren are creative and artistic.โ€

It was obvious that her life was a garden of earthly delights and that she had raised many roses. When the auction began, she vanished, and I quickly viewed the art before returning to the two etchings. They were both sold.

As I was walking out, I bumped into Ellen. She was clutching the etchings.

โ€œSo, you bought them,โ€ I said.

โ€œOh, yes, I had to have them.โ€

She left me with a beaming smile and a closing remark I often hear: โ€œWelcome to Taos.โ€

I love hearing that so much I donโ€™t want to stop saying, I just moved here. After the auction, we stopped in Marcoโ€™s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, who were visiting from Santa Fe.

The dim, glowing melon adobe walls of the bistro, Marco hugging everyone, Joanโ€™s melodious, high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast-rolling film. The conversation and laughter surfed breathlessly from one person to another.

Joan remarked, โ€œMy fifteen minutes. This is the best for me. The first time you meet someone, you’re both talking without effort. Itโ€™s so perfect.โ€

We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friendโ€™s house. Philip agreed to drive to Santa Fe the next day, and we took Tylenol before bed.

Not every night out in Taos is like Joanโ€™s fifteen minutes, but chances are you will have something to write home about. The beginning of Gallery LouLou Taos, NM

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PHILIP TOWNSEND REMEMBERED


The Beatles and the Maharishiย ย  1967Philip Townsend

The Beatles and Maharishi at the Meditation Centre, Abbotsbury Road, Kensington. After this meeting, they went to the Hilton Hotel, Park Lane, where Maharishi gave a lecture.ย  These shots for Beatle purists were taken before they went to Wales or India.ย  The shot of all the fabs, partners and road crew is interesting as it is one of the few with the whole lot in one snap.

The photographs are exclusive as I was the only photographer there. I had been asked by the holy manโ€™s Public Relations agent to take them but they failed to pay, me therefore I own the copyrights.

What I love is every Beatle has a distinctive expression at the meeting. Note John contrasted with Paul.

Gallery Loulou 2008

Philip arrived from London late in the evening. We met him at La Posada Resort Hotel. He did not stop smiling and chuckling in spite of his lost luggage, and a twelve-hour flight. His photographs had arrived and were already placed when we invited him into the gallery. Again, a resonating joyous outburst, ” Oh, it’s lovely, marvelous, just marvelous.” He was tall, lanky, and at seventy-something majestically youthful. We spent hours together over the next week. He loved when I made him a cup of Tea, the bumpy New Mexico road trips we planned, and the dinners. The slightest bit of congeniality towards him was returned with a pat or a hug and kiss. Opening night was a sensational tribute to a prince of a man.

What

RELOCATION IN REFLECTION.


  Curiosity doesnโ€™t always kill the cat, sometimes it brings confidence. I asked my British friend, โ€˜is it common for people to lose their curiosity, passion, and desires as they age?โ€™ He responded, LOL, yes. Thatโ€™s where we are different, he has certainty, whereas I don’t. Being single and living alone affords you freedom of thought, and so it was this weekend, while enveloped indoors to avoid the chilling grip of winter, my thoughts were in a heated argument.

Go to Saratoga and visit the Casino Museum, have a croissant or lobster roll, roam the gallery district, window shop, and get out of this house now.

Itโ€™s too cold to walk, Iโ€™ve been to the museum, I donโ€™t feel like dining alone again, and the galleries Iโ€™ve been to are arts and crafts.

Thatโ€™s not the reason, is it?

No, Iโ€™m not curious.

Just four years ago, Iโ€™d pop out of my Santa Fe home and walk up to Canyon Road Friday Night. All the galleries are open and serve appetizers, some live music, some street vendors, and some costumed characters and it was a party. I didnโ€™t mind eating alone because I knew the restaurant owners, bartenders, and regular guests. Sedation of spirit came in the last six months. The first year coming back to my home after a six-year absence was invigorating and new, and unexpectedly in need of serious maintenance and lease management.

In front of El Farol, Canyon Road on a stranger’s beauty mobile. Twice a week for live rockin music and dancing. One of my favorite dance floors because the stage is three feet away.

The second year was getting about town and exploring and then Covid so it was an incomplete year. The third year was a wicked winter and when spring came, the ebullient appreciation of the sun and flowers renewed, and my curiosity temperature was down but not dormant. Circumstances too complicated and gruesome to write, force me to stay here. Iโ€™m one of the millions, that live where they donโ€™t choose to live anymore. When the day comes, the freedom to relocate is my curiosity. My next nest is undetermined. My friends, ask me, โ€˜where are you going to move to?โ€™ This comes up in every third or fourth conversation. And the answer is the same, ‘when I know Iโ€™ll tell you.โ€™

Upstate on a clear day.

Poetic justice for a life-long wanderer. Curiosity I call on you to visit my spirit and paddle me out to waters and roads unknown.  Give me the confidence to keep my oars afloat; confident, curious, and passionate.   

On the road from New Mexico to somewhere… I can’t remember.

WHY LIE


When do we begin to lie about our life our feelings, our fears, our everything? I ask this because of simple observation, knowing when someone is not telling me their truth and I remain silent, it’s not my way to ask, why do you lie to me? My friends are not lying, it’s more like a social cultural mask. My wise father once told me ‘Tell them your sister or father just died, and they’ll respond, excellent because they do not want to hear your problems.’ But I do, I’ve always wanted to know the truth. Why should we shield our traumas and hardship, more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, films, the theater, and ballet or other dance performances. I cannot comment on sports because I’m not a spectator although I do love basketball.

We, and I mean this in only a visceral sense, do not believe the politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts. And that my friends is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

FOUND ON THE INTERNET

THE PHILADELPHIA PHILHARMONIC

MAXFIELD PARRISH

PHILIP TOWNSEND

A COVID-19 MEMORIAL


I wonder what you all are doing this July 4th. The last year had pressed us closer, and friends from years past have knocked on my FB door. Someone switched the light on our lives and I for one will find pages of material as a memoirist to unleash all that happened within and without. What took me all the way down was seeing the number of deaths. NY lost more than thirty-five thousand people, that would be like all of Saratoga County.

I vote for a Memorial somewhere in the US, maybe a wall, inscribed with the names of those lost to Covid-19. Grateful is the word of the times. I wish you all a big, loud, closely adjoined unmasked party.

BASKING WITH BOOK SIGNING PALS AND GALS. PHOTOGRAPHS COURTESY OF TONY BONANNO OF SANTA FE.



Santa Fe today

Santa Fe today, Friday the 13th. Listening to soundtrack of Man & a Woman, my lyrics, my movie. The end is what I imagine mine. The day was blowing cottonwoodย  and white wisteriaย  in a blow glow of dance.ย  There is a certainty about my movements, different than yesterday. I declare this day of summer, sandals,pedicure, trying on my bathing suit, making a palette change, and putting on the ritz. The gloss and bronze, and maybe even going outdoors.ย  Shopping and going to the Lowriders Day in Santa Fe.

 

 

 

 

 

 

 

 

 

 

โ† Back

Thank you for your response. โœจ

LIGHTS ON SANTA FE


 

A NATIVE AMERICANย  LIGHT SHOW.

YOU CAN BECOME WHO YOU DREAMED OF, DO WHAT YOU DREAMED OF IN SANTA FE , because Santaย  Feans do not care.

I heard this slogan a lot when I first moved here seven years ago.ย  My understanding was vague, unrealized, and I didnโ€™t think much about it untilย  this winter.ย ย  I began toย  approach strangers,ย  walk across the street to the spa in a robe,ย  orย  leave my pajama top under my sweater because I like the texture of it.
I’veย  givenย  up the diving board of scrutiny and plunge into the dreamy, stony,ย  outdated, simplistic extravagance, and unrealistic vibe of Santa Fe.

I keep dreaming, and preparing,ย  with a face blotched red by cold, that THE LIGHTS, SHADOWS,ย  MOON AND CHARACTERS ARE MY BROADWAY FOR NOW.ย ย  NOT FOREVER. EVERYTHING CAN BE TEMPORARY IF WE TAKE ADVENTURES IN LIVINGNESS.

WHAT WE CAN DO


 

Fans of England and France united to sing a defiant rendition of the French national anthem at Wembley four days after the Paris attacks.

Prince William and David Cameron were among 71,223 people in the stadium as La Marseillaise rang out ahead of a minute’s silence to remember the 129 people who died.

England fans held aloft a mosaic of the French flag during the anthem.

Armed police stood guard at the stadium throughout the day after three suicide bombers attacked areas outside the Stade de France during the French national team’s last game on Friday.

It is the first time armed police have patrolled an English football match.

Wembley