MOTHER’S DIARY


MOTHER’S DIARY.

MOTHER’S DIARY


Hollywood Hollywood
Hollywood Hollywood (Photo credit: Wikipedia)

The diary my mother never wrote is from what I read in the  FBI surveillance reports,  newspaper articles and what my father told me.  My mother’s emotion’s and thoughts erupt from years of research, intuition and imagination.  When I was eleven she gave me a diary. I’ve been writing ever since. I wanted my daughter or son to understand who I was, in case I died young like her. Instead I became dedicated to writing not childbearing.

I think every mother should keep a diary for her children.

Manhattan, December 1944

I am dancing at the Copacabana Night club for the next few weeks. This tiny smoky club is filled with many interesting people. It’s different from any modeling job.

I’m tired after working all day and night, and then taking the train back home to West Orange. Some of the girls are staying at the Barbizon Hotel, so I may also if it’s not too expensive.

Last night, a group of men were seated in the front row. I didn’t know who they were, but this one stared at me all through the show. He sent a bouquet of long-stemmed roses backstage and asked me to meet him for a drink.

When I declined, he was very insistent, and so persuasive I gave in. Later on, I found out he was seated with Frank Costello, the gangster. His name is Allen, and he asked me to dine with him the following night. I hesitated again, and I’m not sure why. He made me laugh and entertained everyone at the table.

January 1944

A talent agent from Hollywood came to the Copa to see all of us dance. Mum is so excited she is already telling everyone in town, I hate when she does this.

Allen called and I agreed to dine with him. We went to El Morocco. He knows so many people. He says he’s in the film business, but there’s talk amongst the girls that he’s a gangster.

March 1944

I’m going to Hollywood for an audition. Swifty Lazar, the one that came to the Copa to see our show, said MGM is signing musical actors. They liked my photos. Allen lives in Hollywood, and is handling all the details. He’s become very interested in my career. It’s all so sudden. There isn’t time to think.

April 1944

I spent a week in Hollywood. Allen drove me all over the city, took me to Santa Monica to see the ocean, to the nightclubs on Sunset Boulevard, and Beverly Hills.

It’s like a dream. I love the city, and MGM has offered me a contract. Again, Allen is helping me make decisions and understand the film business. I don’t know what he does, but he carries a lot of cash. He gets very disturbed when I question him. I met his friend Benjamin Siegel. They are both so handsome and get anything they want.

Summer 1944

We are moving out to California next month. Allen found an apartment in Beverly Hills for us, near where sister Pat can go to High School. She’s so excited. One of the models told me Ben Siegel is a gangster. I wish Allen would open up to me more.

When we moved, our new apartment was on a beautiful street. The apartment is smaller than home, and Mum misses her garden, but she seems happy. She found a Church she likes. She is going to learn to drive.

I have already learned to drive and am saving for a car. Allen knows someone who sells cars, and said he can get me a very good deal. Sometimes, I don’t hear from him for a week, and then he shows up on the studio set with presents.

Allen, Ben and George Raft were arrested for bookmaking. George called and said it wasn’t like the papers wrote, and that Allen would call me when he could.

I’m not to discuss this with anyone. I hid the paper from Mum.

George took me out to dinner. He wants me to be in a movie with him called Nocturne. He’s very fond of Allen and said not to believe what I read in the papers.

Next week we begin filming “Ziegfeld Follies.” Fred Astaire is magnificent to watch. Life is spinning. There is no time to read, or even think. Everyone in Hollywood wants to be a star. I still daydream of going to college one day.

November 1944

I am in love with Allen. There is no turning back. He is Jewish, and his family lives in Winnipeg, Canada. He won’t talk of them, but said he loved his mother.

I wonder so often about his life, but I cannot ask questions. Maybe one day he’ll trust me more. He’s suspicious of everyone. He said he’s going to marry me when his life settles down.

 

THE MEMOIR IN PROGRESS


 

                                                                           MY HOODLUM SAINT

WHERE TO BEGIN THIS STORY OF A FATHER THAT I ONLY CAME TO UNDERSTAND BY READING HIS FBI FILES, BOOKS ABOUT MOB HISTORY WRITTEN BY LAW ENFORCEMENT AND COLLEGE PROFESSORS, AND DOCUMENTARIES PRODUCED BY FOES OF MY FATHER.

My last year with Dad was 1981. Naive, and unconcerned with where I was headed, or how I’d get there if I figured it out,  I was spinning around in an executive chair; waiting for the big hand on the black and white office clock to set me free.  Time didn’t pass; I hauled it over my head, in my bland windowless office, under florescent glare. I was trouble shooting for an ambitious group of USC guys as they gobbled up all of Los Angeles real estate. Without any real sense of survival or independence, my life was in the hands of my father.

“Meyer’s coming to see me; haven’t seen the little guy in twenty-five years.”   Dad said during a commercial break.

“Meyer Lansky?” I asked as casually as he’d spoken.

“Who else?”

“Why did you two wait so long?”

“It’s no concern of yours; he’s my friend, not yours.” I was twenty-nine years old and still verbally handcuffed.

The three of us went out to dinner, and while the two of them spoke in clipped short wave syndicate code, I

noticed that neither one of them looked at all happy.  It was rare to catch my father in public with a friend, without raucous laughter, and storytelling.  My attempt to revive the dinner conversation with my own humor,returned two sets of silent eyeball commands to resist speaking.

Several months later I received a call from Dad asking me to come over to his apartment, he had collapsed on the bathroom floor.  When I arrived, he pleaded for me to stay close by.   “I’ll be all right in a few minutes; I just need to catch my breath. ”  I sat outside the bathroom door biting my nails, and waited, like our dog Spice, for my orders. For the first time in my life, he was weaker than I, and my turmoil centered on that unfamiliar reversal of roles.

 

OBSERVATIONS


Vexillological Symbol according to FIAV / W. Smith
Vexillological Symbol according to FIAV / W. Smith (Photo credit: Wikipedia)

Illusions are what deafens , and reality
is too loud.

“THERE IS NO SUCH THING AS THE MAFIA”


John Rosselli (right) checks over a writ of ha...
UNCLE JOHNNY

Growing up the daughter of a gangster meant that I would remain a  little girl forever. My father died when I was 29, but emotionally I was still a teenager.

Had I had known that I was seated next to one of the most powerful and influential men in the  Mafia, Johnny Roselli,   then I would have listened with sharpened ears, and repeated bits of explosive headline blood curdling stories to my girlfriends. That would have placed myself, my father, Johnny and my friends in jeopardy. An informant from the government may tag me on the way home from school, or tag one of my friends,  or an enemy of the Boss, may pick me up from school and not bring me back.  Everyone is suspect: an informant, or weak enough to become an informant, a loose lipped wise guy, a bragging connected businessman, a friend of a friend, a cousin of a brother, and a daughter of a gangster. We are all potential targets of this organization known as the Mafia, Mob, syndicate, Costa Nostra, or our thing.  Growing up in this circle of gamblers, killers, fixers, enforcers,  bookies was like growing up in a novel, it was a fictional tale all the way, until the end of my father’s life.    There is a drop down board that appears every time I write about our family business that reads,

“ How dare you open my life to the world, what do you know? You know nothing little sweetheart, and that’s the way I planned it. “

“There’s no such thing as the Mafia! If you ever mention that word again, you’re leaving this house!”   I melted down to the floor, and he was ominous as God standing over me. I would never mention the word again, I promised, and I would never believe in the Mafia.    

WHY DEL MAR


DEL MAR RACE TRACK

I am a diarist. I record life around me so I can understand, as if by understanding I will find peace. Recording the exaggerated emotion and incidents of life began as a young girl when my mother gave me a diary.  A good storyteller has to live life differently than the rest of us; otherwise, the stories will be predictable.

My father had those kinds of stories.

Allen Smiley: Illegal immigrant, Russian Jew, convicted criminal, hoodlum, extortionist, con-man, racketeer, bookmaker, tout, pimp, and high-ranking lieutenant and best friend of Benjamin “Bugsy” Siegel.

 “ Luellen, You have to come and get me out of here.”

“Daddy, what’s wrong?”

“Just come down here and get me.

“Daddy you’re in the hospital.”

“I know where I am. They’re coming to get me.”

The phone call had woken me up. It was the first of several that night. I sat up in bed and looked at the clock.

It was past midnight. Why was he up so late? I called the hospital and asked to speak to the head nurse. I told her about the phone call. She said he was hallucinating, and that he’d refused medication.  That was the first time I had ever sensed desperation in my father. He was afraid they were coming to get him. Who were they?

Several days later the phone calls stopped. He died as secretly as he had lived. There was an absence of publicity or concern. I knew what to do. He had given me instructions. I  was to go to the bank, draw out what money was in the account, and go on a vacation.

“Clear the hell out of town. Reporters may start calling, don’t talk to any of them. Don’t trust anybody; remember what I’ve been telling you all these years. “

I took his phone book, the photograph of Benjamin Siegel, and one of his baseball caps. I packed up his black El Dorado  Cadillac, and shot out of Los Angeles. It was the final scene of the first half of my life. I drove south on 405 hwy down to Del Mar. There was nothing waiting for me in Del Mar; no friends, or job, or anything to connect to. I only knew that when my feet touched the Del mar beach, I had to move there.

That summer I went to the Del mar Race Track and sat in the bleachers just like anyone else, wearing a hat, drinking Long Island Iced Tea and trying to see with the blinding sun in my eyes. It was strange to sit with the general public. The few times my dad took me to Santa Anita we sat in the Turf Club. I had no idea my father was part of the historical narrative of Del Mar race Track, and of Del Mar history.

After living in San Diego more than ten years, I returned to Los Angeles for a job offer. One afternoon I visited my father’s walking path along Ocean Park in Santa Monica. He walked from one end of path to the other beginning at San Vicente and ending in Venice. Afterwards we’d stop at the Lobster House for a plate of fish and chips, and a cold beer.  While I was walking in his memory, imagining him next to me, I looked up and recognized one of his walking pals, Sonny Barry. He looked like a retired Vegas dealer; dark shades, v necked open shirt, and Beverly Hills signatory gold chain with a Star of David.

‘Hi Sonny, how are you?” I called out.

Sonny turned and looked, raised his tanned arms up in the air, “For crying out loud, Luellen sweetheart.”

“Where have you been—how’s everything, gee you look terrific.”

Sonny called out to another man in the near distance, sitting on a park bench. “ Sandy come look whose here.”

“Luellen, you know Sandy Adler, he was friends with your Dad a long time ago. Sandy Adler, my father had mentioned his name, but I didn’t know how they met or when. He was another man that fit into the mysterious and unspoken years he was partner with Ben.

“Oh well, I haven’t seen you since you were a little girl.”

“You knew my Dad when we lived in Bel Air?”

“ Way before that; I knew your Dad when he was with Benny Siegel—and I knew your mother.”

It was the mention of my mother, who died when I was thirteen that pierced my antenna of interest. Sonny stood back while  Sandy took my hand, and said let’s take a walk. We walked along the bluffs overlooking the pacific ocean. He spoke slowly, and paced himself as if the memories were lodged in books and he had to dig into them.

“ I ran the El Rancho hotel in Vegas, and then the Flamingo. I knew your Dad very well, he was some classy guy.”

“ Oh I remember the Flamingo but not the El Rancho.”

“ Well, anyway-where are you living now?”

“I just moved back to Los Angeles, I was living in Del Mar.”

“ Del Mar?  I owned the old Del Mar Hotel –in fact your mother and father used to come down and stay there.”

“ He never mentioned Del Mar to me.”

“ He had his reasons; yea they came down during the race meet and stayed at the hotel. I remember them coming down, one time, and Allen got upset with your mother. They were having quite an argument. Your father left, and I walked with your mother on the pier, and tried to comfort her.”

I couldn’t utter a word I just listened. The Del Mar Hotel had burnt down before I moved there.  I’d seen photographs of the hotel, and heard stories about the Hollywood stars that stayed there. It was a magical legend in Del Mar, everyone who lived during its glory days talked about it.

It was sometime after that, that I walked in the sand where the hotel had been located.  I understood that one day I would begin plucking away at my family history.

ADVENTURES ON THE ROAD INSIDE AND OUT


I’m watching the double yellow line between coming and going on interstate 25 from Santa Fe past Albuquerque.   In the rear view mirror I see scaffolding, an airless sprayer, paint tubs, tools, a wardrobe box, and suitcases. It is the same VW Van I used to refuse to ride in because it smelled of wet drywall. Now cushioned in the front seat, the wide windshield to the world saturates the bullet holes of a wrong-way love. It mattered before, the van thing, now it doesn’t. I’m grasping for the road, to burn out the memories, on the other side of the double yellow line.

“ Are you glad you came with me?”

“ So far, but we’re still in New Mexico. Try not to drive me over the edge, okay? I mean with the speaker phone talking Taiwanese to B of A, or.. would you hold the steering wheel with two hands please…see, there’s an accident.”

“ Wow, the car flipped over.”

“ Yea, that kind of thing.”

“ I’m a safe driver.”

“ I know, but only about half of you is here.”

“ Whatta you mean?”

“The other half is glaring into the distance, the mountains, the clouds, the crows, imagining yourself a dinosaur.”

“Not no more.”

“Why? Did she make an adult out of you? I hate her for that. John did the same to me.”

Scenery whizzes by; snow capped mountains, speeding patrol cars, highway signs; it’s barely absorbed before it is gone. Make it like this, easy to forget, like the scenery.  I fell asleep, a dreamless nap, the kind that wakes you displaced but without alarm. Rudy was leaning away from the sun-splashed window, one loose hand on the steering wheel.

“Where are we now?”

“Gallup”

“Someone told me it is the drug capital of the United States. Where is everyone? Maybe they hide indoors so as not get shot.”

“Gallup is also the largest Indian center in the Southwest and the ceremonial capital of Native America. There are many American peoples in the Gallup/Four Corners region. By far the most numerous are the Navajo, who are today widely regarded for their achievements in wool, with original Navajo rugs and blankets (both new and antique) sought by private collectors and museums throughout the world. “Wikipedia

  Five hours later we are sitting by the window of Pesto, in Flagstaff and talking alternately, not in conversation, but in spite of, John, Match.com and the billboard irony of our circumstances. Even though we hadn’t checked into the motel yet, or even knew where it was, the adventure of livingness struck, and I climbed out of myself.

“It’s like it never happened, you know?” I said.

“Oh yea, I know.”

In the middle of the night I woke up screaming at John.  Rudy was in the next bed, and didn’t hear me, so I opened the drapes and stared out the window at the brightest star and listened to the voice of reason that visits me sometimes. What love scars bring to the world is poetry, literature, art, music, theater, gospel, and dance! So where will this take me? I thought about the documentary on Nicholas Ray, and his remark,    “ Without content all you have is composition.”

I wish morning would come.

Starting in 1999, every road trip between NM and CA includes a morning at Macy’s Coffee House. I entered this time without the explosion of zest in previous trips, when my heart was in one piece, and found enough distractions to pull me further out of wrong-way love.

A group of middle-aged men, retired cops or civil servants were my first source of entertainment. At a wooden table, conversing microphone loud about city ordinances was the leader. One Fry boot perched on a chair, and the other on the floor, his belly protruded way beyond a few beers here and there. His pals, all looking up to him, waiting for an injection of his wry humor, and dirty jokes. Rudy is talking about how much he loves Flagstaff, but what I hear is a tide of elation rising up, just resurfacing now, after a good nights rest in the Hampton Inn.

Somewhere between Flagstaff and San Diego, we stopped for Snickers and gas, and I walked around a neglected weed field, kicked rocks, and asked myself when was the last time, I just fell into the moment without that incessant poke of reality; unpublished stories, bills, missing folders, clutter, grocery lists, mail, websites, photo sharing, John’s lunch, John’s phone calls, the news of the world.

“I feel better Rudy, I haven’t cried all day.”

“It’s still early, he chuckled.  I have an idea, let’s take the off roads.”

“How off we talking?”

“Check your map, see if Interstate 8 runs into 10?”

I reached for the Droid, and fussed with the tricky touch pad.

“No, it doesn’t.”

“It does.”

“So why bother with maps.”

“I know–we’ll take 78, through the countryside. It will be pretty. Look, see the sheep?”

The pasture was yellow as corn, hay stacked with sheep, hundreds of them.

“Let’s stop.” I said.

“Even sheep make money. LouLou, there has to be a way for you to capitalize on your writing, and not wait for some jackass to hire you. There has to be. Even I know people pay to click on website ads.”

“It’s pennies.”

“You said you had 165 clicks the other day.”

“That was once! Mostly between 10-50 a day.”

“So! It adds up.”

“Look, the sheep are watching us.”

The sheep rose as soon as the car door opened, but they just strolled along, the babies following the mother’s, and one with a limp, dragging himself behind. Every one slightly different, but all part of a community, a gang, with primitive ancestral traditions and routines.

The highway now was split with white lines, and we were sandwiched between limitless textured scenery; Manzanita trees, orchards, big boulders, a dry creek, and then we were driving along one stretch, my legs curled up under me, and I am grazing on unhurried thoughts, just ripples of ideas and dreams.

“Did you see that?” Rudy blurted out.

“See what?”

“That guy! I just saw a guy walking alongside a weary  looking burro dragging a miniature red covered wagon. I gotta turn around.”

“ Hi folks, how you doing?” He extended a hoof like hand, weathered as paws, “I’m Howard West.” Howard was outdoor fit; sunglasses, hat, boots, and evenly tanned skin.

“Hi, I’m Rudy, and that’s LouLou.”

“Hi LouLou,” he shook like a city man with hardened hard-labor hands.

“ Hi. This is some way of traveling. What are you doing?”

“ I’m on a book tour, The Quicksilver Key Book Tour.

I caught my laughter when I noticed his educated aura; that veil of disguise we think fools everyone.

“It’s about the history, the lost history–the West in particular and how the government accrues the investment of the rancher, and the universe. If you read my books you’ll see….”

I was petting the dog, a friendly furry mixed breed, and Howard was now blending Rudy in his claw, with this rockabilly wisdom that I didn’t understand.

“How far are you going today Howard?” Rudy asked.

“I do about 10 or 12 miles a day. Whenever I feel like stopping, I just pull over. You been down to the Dunes yet?”

“ Where’s that?” Rudy was keenly addressing the wagon, it’s wheels, and accessories, but only I knew that.

“ Down the road. Now, those kids have money. They ride doon-buggies-sell for anywhere from five thousand to seventy five thousand dollars! They took me on a ride.”

“ Wow! Hey do you have any power source?”

“ Sure do. See this–jets up the whole works, laptop,

lights, even my stove.  Let me show you.”

I tinkered with the bell around the donkey, I came to find out was named Blue Pegasus, and watched Howard lead Rudy to the watering hold.

“I have books and disks; the books are $12 and a disk is $5, which one will it be?”

“We’ll take a disk Howard.”

“All righty… and the distinct differentiation of

the classes…..

I was about to interrupt when another car passed by, and Howard was distracted by the prospect of a purchase.

“Howard, you’re the coolest! I love what your doing man–I wish I could do it.” Rudy shook his hand.

“Everyone has a book.”

We drove past the sand dunes, and all that bleached rolling sand smooth as pressed sheets, jolted my mind like a wrench.

“ Howard West probably went to Harvard and has a degree in History.”

“You may be right. Why can’t you do that?”

“I would if I was a man.”

“No, not the road part, just get your writing on a disk and sell it. If you sell them for 10 bucks, and you sell…..

“You mean my columns?”

“Whatever! You’ve been writing since I met you for Christ’s sake.”

“Yea I could do a collection of columns, or even a book.  Why didn’t I think of that?”

“You’ve been too preoccupied with other stuff.”’

“Look, they’re having Superbowl Sunday party’s right here in Brawley.” On either side of highway 78 a campfire gathering of trailers were wedged in a circle, boom boxes blaring, American flags blowing, and a dog tied to a post.

“I took out my phone and scrolled through the numbers until I got to John, and then I deleted it. Maybe it was the dead cats in the road, or the poor teenager back in Anza without any future ahead of her but the donuts, or Howard, or the clarity of a cobalt blue evening sky staring down at me, that got me to move over to the other side of the double yellow line, and let John go.

“ I’m starving, why didn’t I bring any snacks? “

“ We’ll stop up here in Anza.”

“ How do you know Anza.”

“ I just do. You don’t want to know.

“Oh I do… please.. Rudy, I really don’t care.”

“ Can I tell you anyway? She knew antiques, once we saw …

“ Oh Gawd.” I threw my head back and laughed without actually any noise.

“ Stop, there’s the store.”

“ You know what else?”

“ What?”

“ She couldn’t understand why I cared about you so much.”

“That’s a good ending.”

My phone rang, an unknown number, never pick those ones up, could be the guy who said his father killed Ben Siegel.

“Rudy, stop!”

“I can’t stop now. We’re on the freeway nutcase.  Who called?”

“The daughter.”

“Whose daughter?”

“My father’s.”

To be continued.

I REMEMBER


Frank Costello, American mobster, testifying b...
Image via Wikipedia

I was a child of the fifties; when raising kids was easily defined. Mommy stayed home and made sure the kids didn’t burn the house down. Daddy went to an office to make money to pay for the house, and children waited until they were grown up to find out anything really useful. It was before the generation-gap was coined, or children knew how to be witty and sharp. In our air-tight neighborhood of Bel Air, Los Angeles, we were naïve, privileged, kids; bogged down with falling off bicycles, not being chosen for the school play, and bringing home the most candy at Halloween.

I believed in Santa Clause, the Easter bunny, and if I was good, Mommy would let me stay up and watch the Sunday night Variety Show.

America was threatened by the Russian Communists and Organized crime. Public enemy Number One was New York Mafia Boss, Frank Costello. Frank became super famous when he refused to testify on national television for Senator Estes Kefauver. The Kefauver Committee delivered explosive headlines between 1950 and 1951, as the government unveiled the hidden hand of the Mafia in the United States.

THE CHELSEA AND THE COPA


Darin at the Copa
Image via Wikipedia


 

The first twenty-four hours. I stepped out of the cab and into the froth of a seasonally warm Saturday night Halloween crowd.  The Chelsea Hotel Bell Captain trotted over to greet me.

“I’ll get those.” He grabbed the bag.

“You go inside.”

 

The pathway to the lobby entrance was red carpeted; a very old skeletal one that had been stepped on by plaque famous artists, writers, and bohemian debutantes. The Chelsea was built in 1883 as an apartment house. The neighborhood of 7th and 23rd Street used to be the theatre district.  The theatre crowd was replaced by the literati, and more recently by film and television celebrity.  The hotel is crumbling with novelettes.  Even though it has recently been restored, it has the feel of a craggy lady of the street.

 

The lobby was crusading with costumed ready to party extras. My traveling ensemble and exhausted expression didn’t fit into the scene. I needed to eat, drink, and take off my coat.  The desk clerk was very young,

“Your in Room 624–you’ll like the room, it’s a really nice one. Here’s the key.”  When I opened the door,  my vision parachuted as if the room was expanding the closer I got.  It looked staged rather than decorated: minimal pieces, colors that drew the eye in, and nothing to get in the way of feeling insignificant.  The walls were bare and the drapes partially opened.  I pulled them back to see the city; a jagged puzzle of gray brick buildings staring back at me. I watched the faint silhouette of people moving behind the glass and suddenly felt very alone and uncertain.  In haste I added a smudge of lipstick and left the room.  The clerk looked up as I came out of the elevator,

“You like the room?”  I nodded a bit falsely, because I wasn’t sure I really liked it. The room had more to say to me.

“Where is the closest Bistro?”

“Next door.”

 

I stepped across the red carpet and into the restaurant. At that moment I landed in Manhattan; the gravity sucked me down into a red leather cushioned booth. Then I remembered why I was here, the next day was the Copa reunion.

 

Twenty-four hours later Room 624 was mine.  Victor, one of three Chelsea staff doorman who zapped formality with the grace of a king met me at the entrance. He had time to wave to half a dozen people passing by, hail a taxi from the middle of 23rd street, open the door for a guest, and still talk to me.
“Hey! How you doing today?”
” I’m rested and on my way now.”  A young girl stepped out of the lobby.

“Hi honey,” Victor said,” Where areyou going? I worry about you.”
“Shopping,” she answered unconvincingly. “I like your outfit,” she said to me.
“Thank you. I’m going to an event I’ve waited for a very long time.”
“Oh yea, where to?” she asked.
“Have you heard of the Copa?”
”Sure, the Copacabana.” Victor started to hum the lyrics from the song and I dug out the book from my purse.

“I’m going to a Copa reunion–my mother danced there in the 40s.”

They looked at the photographs of the original Copa for the first time. New Yorkers will stop anything for New York anecdotes, especially history. Moments later the cab pulled up and I waved good-bye. I sat in the taxi and thought about my mother. She was seated next to me; an imaginary yet distinct vision that kept returning.
The moment I walked into the Copafest reception room a voice called out, “Louellen!” It was Kris, the author of the book. We embraced as our first meeting converged with written correspondence over the last year. The Copa dancers inched closer and I was anointed with their acceptance and love.

“This is them–they met at the Copa,” I said and showed them the photograph I had brought. One woman examined the photo and turned to me, I recognize him,” and she pointed to my father.

“And I recognize the man next to him.” It was someone I’d never been able to identify.

“Yep, I knew them.  Your mother was beautiful, she was here before me.”  Terri Stevens took my hand in hers and led me to the place where she was seated.
“What did you say your mother’s name was?”
“Lucille Casey.”
“Girls-girls! Come over here and meet Lucille Casey’s daughter.”  Engulfed in their presence for the next five hours, I had time to talk with each one. I’d written about these women in fictional detail eighteen years ago.  Now it was there turn to talk.

 

 

THE SIEGEL SMILEY LEGACY


English: Vector image of the Las Vegas sign. P...
Image via Wikipedia

When I was eleven, our home burnt to the ground in the Bel Air fire, and everything we owned burned to ash. Shortly after my mother moved us to an apartment in Brentwood, a mammoth carton arrived and was placed in the center of the living room. My mother cut it open and urged me to look inside. I sat cross-legged on the avocado green carpeting, and discovered bundles of garments; Bermuda shorts, blouses, sweaters, and shirts.

I quickly shed my worn trousers and stepped into a new outfit, dancing about as I zipped myself in. My mother watched, and echoed my childish yelps of elation.

“Mommy, who are these from?”

“They’re from your Aunt Millicent.”

“Who is she? I don’t remember her.”

“You were a little girl. She loves you very much.”

Years later, my father, Allen Smiley, called and told me to come over to his apartment in Hollywood.

“Why Dad?”

“Millicent is coming by; I told you she moved here, didn’t I?”

I’d learned Millicent was Benjamin Siegel’s daughter, and Ben was my father’s best friend. Dad was sitting on the same chintz covered sofa the night Ben was murdered.

“You mean Ben Siegel’s daughter?”

“Don’t refer to her that way ever again; do you hear me? She is Aunt Millicent to you.”

When my father answered the door, I watched as they embraced. Millicent had tears in her eyes.  She walked over to me, and took my hand. I looked into her swimming pool blue eyes and felt as if I was drowning. She sat on the edge of the sofa and lit a long brown Sherman cigarette. I studied her frosted white nails, the way she crossed her legs at the ankles, her platinum blonde hair, and the way her bangs draped over one eye. What impressed me most was her voice; like a child’s whisper, her tone was delicate as a rose petal.

I spent the rest of that afternoon memorizing her behavior. She emanated composure and a reserve that distanced her from uninvited intrusion.

Over the next few years, Millicent and I were joined through my father’s arrangements, but I was never alone with her. When he died in 1982, she was one of only three friends at his memorial service.

As the years passed, and my tattered address books were replaced with new ones, I lost Millicent’s phone number. I had been researching my father’s life in organized crime, and had gained an understanding of my father’s bond with Ben Siegel. My discoveries were adapted into a memoir and recently into a film script about growing up with gangsters. During this time, I had reconnected with several of Dad’s inner-circle, but Millicent was underground, and now I understood why.

Last year I received an email from Cynthia Duncan, Meyer Lansky’s step-granddaughter. She told me about Jay Bloom, the man behind the Las Vegas Mob Experience, a state of the art museum that will take visitors into the personal histories of Las Vegas gangsters.  Cynthia contributed her significant collection of Meyer Lansky memorabilia, and assured me Jay was paying tribute to the historical narrative of these men by using relatives rather than government and media sources. She wanted me to be involved.

Despite my apprehensions about the debasing and one-sided publicity that characteristically surrounds gangster history, I contacted Jay. In his return note, he invited me to participate, and added, “Millicent would like to contact you.”

A month later I was seated in Jay’s office waiting for Millicent.  When she walked in, I stood to embrace her, and this time the tears were in my eyes.

Millicent’s voice was unchanged and so was her regal posture. “Our fathers were best friends, attached at the hip. Your Dad was at the house all the time.  I’ll never forget when he and my mother met me at the train station to tell us about my father’s… death. Smiley was very good to us. My mother adored him too.”

Jay took me on a tour of the collection warehouse, and the history I’d read about unfolded before my eyes. The preview room was like a family room to me, because some of the men had been my father’s lifelong friends and protectors. I stopped in front of the Ben Siegel display case and saw an object that was very familiar.

“My father has the identical ivory figurine of an Asian woman. I still have it.” So much of their veiled history was exposed; between these two men was a brotherly bond that transcended their passing and was even evident in their shared taste in furnishings.

Jay showed me a layout of the Mob Experience in progress. I turned to him and asked, “Is it too late to include my father?  All the rooms are assigned.”

“Millicent and I already spoke about it. She wants your Dad in Ben’s room.”

After I returned home, Millicent and I talked on the phone.

“Your father belongs in my Dad’s room. They’ll just have to make Mickey Cohen’s room smaller.”

“My father hated Mickey,” I said.

“So did mine! When are you coming back? I’ll kill you if you don’t become part of this.”

MY FATHER, THE GENTLE GANGSTER


This is an excerpt from the memoir I’ve been working on many years. The first manuscript was 800 pages; about three of them were worth reading. The book mutated about 2000 times.

“What’s it like knowing your father is a gangster? Did you know when you were a teenager? Did your father kill anyone? Did you ever meet Bugsy? Aren’t you afraid of his friends? You know they kill people.”     

            I was thirteen years old when my best friend told me my father was a gangster. She didn’t mean any harm. We told each other everything.  We were standing in the Brentwood Pharmacy one day in 1966, and we turned the book rack around until we found ”The Green Felt Jungle.”

“That’s the book, let me look first and see what it says.” She whispered. I waited while she flipped trough the pages.

“Oh my God, there he is,” she said grasping my shoulders.  We hunched over the book and read the description of my father beneath his photograph.

“Allen Smiley was the only witness to the murder of Bugsy Siegel.”

“What does that mean, who is Bugsy Siegel?” I asked.

“Shush, not so loud, I’m afraid to tell you this Luellen, it’s awful. I don’t believe it. “

“What is it? Tell me.”

“Bugsy Siegel was a gangster, he killed people. Your father was his friend.”

I don’t think I should read this, “I said replacing the book on the rack.

“Don’t tell your father I told you,” she warned.

“Why not?”

“My mother told me not to tell you, swear to me you won’t tell your father.”

“I swear, come on let’s go.”

My father called himself Allen Smiley. The FBI tagged him “armed and dangerous.” The Department of Justice referred to him as the “Russian Jew.” I called him Daddy.   e had salty sea blue eyes blurred by all the storms he’d seen.  When I said something funny, his eyes crystallized and flattened like glass, smoothing out the bad memories.  He was always a different color, dressed in perfectly matched shades of pink, silver and blue. My small child eyes rested cheerfully on his silk ties, a collage of jewel tones. The feel of his fabric was soft like blankets.  He was very interesting to look at when I was a child and open to all this detail.

ADVENTURES IN LIVINGLESS


Lyrical Time Wastr - Stairway to Heaven
Image by jah~ out via Flickr

Adventures in Livingness

 A sunrise of prosperity and a sunset on hardship.

In my home there is one large staircase window that faces east. Each morning before I descend the stairs I stop at the landing, to watch the day begin. The sun must rise past an assortment of tree limbs and trunks, and up over the  hillside of the mountains. By the time I’ve had my coffee, the sun has risen above the obstructions. I am now jerked awake, like a slight nudge a parent might give you, ‘Come on–wake up! You have school.”  The sunlight guides me through the morning, and argues with my disagreement of the days activity.

The moment the café took effect, I want to begin writing, but shameless sunlight in my eyes and the dance of the birds are tempting me to step outdoors.  When you live in seasonal climate, days and nights lure you outside, like old lovers that you must see again. The gradual awakening unfolds layers of thoughts, beginning with the anxiety of the times. The impending hardship  oozes out like a bad smell. Some mornings I cannot look  at the newspaper, the headlines read like promotional movie advertisements, banks bankrupt, homes foreclosing, woman commits suicide, the shocking prick of national disasters is a surgical  awakening.

There is no time to waste, no money to squander, it is a time of reduction and refusal. How can I not spend money today.

This is what brings me to the sunrise of prosperity, I have to keep studying the illumination of light, and I’ll  move forward, and diffuse the  chaos.

As the interruption of minor mishaps knock on my door, my head turns away from it. I’ve learned to erase the panic, and do what I have to do, and that is write.

Last week, while I was upstairs, prone on the sofa, figuring out a transition between two men, whom I love, someone came to the door, knocking, ringing the bell fiercely, oh what is that. I open the door,

“ Yes,”

“ Are you all right? I’m from the security company, your alarm isn’t connected. We came to check on you.”

I stood there with a dumber than dumb expression, and assured him I wasn’t held captive or about to throw myself out the window. When I returned to the desk, I kept seeing his expression, he really didn’t believe me. I turned the alarm off when Rudy left for San Diego.  Real estate agents our showing our house because it’s up for lease. My mind is a closet of mafia memoir notes, and I can’t remember to close the refrigerator door.

Later in the day, if I haven’t ventured outdoors, I take a walk around the plaza, and muse over the herds of  tourists, and search their expressions for interior moods. I don’t see panic and anxiety, I see relief;  couples are rigid from ice and chill,  and they shuffle in boots, directionless,  gaping at the churches and adobe arches, they shoot photographs, standing in the middle of the street. Vacation is bliss in the middle of discontent.

When I return to my desk, it is time to print the days work. This is always a ritual of great expectation, filled with disappointments, surprise, and sometimes a whiff of elation.   The sun has made it’s journey to the other side of the house, the back porch is like starched light, it burns the eyes and flesh, like hardship, the immediate effect is callous.  There I sit and review the pages.  The transition worked; the crawl from uncertainty to confidence broke through.  Now is the time to slouch in the chair, close my eyes, and rewind a few scenes back.

Hardship is like the sun, unmerciful when it is met face to face, and transforming when we are protected. That translates to less spending and more creating.

While I am lounging in this beautifully historic old home, one track of time keeps appearing in my images. It is a time when space was limited, finances on a string as long as my finger, and uncertainty a nightmare that became a lullaby. It is that time again, nothing at all unfamiliar With the same resources I had then, all is well, the sunset can go down, and I can laugh because the adventure has risen above the circumstances.