GALLERY LOULOU PHOTO, FILM, MUSIC SALON- VACATION RENTAL


SANTA FE, NM.  VACATION HOME, GALLERY, AND MOVIE THEATER.

Gallery LouLou is a nationally recognized  Historic Home. It was upgraded to allow for preservation to mix with modernism. The house is across the street from La Posada Resort and Spa, and is two stories with 2500 square feet. We are one and a  half blocks  from Downtown Plaza.  visit our website at http://www.vrbo.com/345671206DSCN4229 110912113454aba9IMG_0499DSC02353 - Copy - Copy

•         The house is sandwiched between two outdoor living porches, one with BBQ overlooking the private garden. Daydream and smell the lavender.

•    The garage is a renovated  theater.. An overhead projector allows you to show DVD’s, plus turntable and 6 track CD player to create your own multimedia performance. Heated and furnished.

•    The house is all hardwood floors, with French doors in the main living area connecting to the front porch.

•    The kitchen is accessible to the porch and BBQ for dining Al fresco.

•    There are FOUR unique private bedrooms and two baths.

•    Two porches:  One in front with garden of roses, and back yard garden is lush with herbs, pear and apple tree, roses, lavender, cherry blossom, and a string of lights for a really romantic night.

GALLERY LOULOU IS A PHOTOGRAPHY GALLERY AND HOME. OUR ICONIC ROCK & ROLL PHOTOGRAPHS BY JIM MARSHALL, BARON WOLMAN AND PHILIP TOWNSEND ARE FEATURTED THROUGHOUT THE HOME,  AND ARE OFFERED TO GUESTS AT A DISCOUNT OF 15%.

We are two blocks from Canyon Road, which leads to art galleries, restaurants, and HIKERS AND BIKERS wilderness, Santa Fe Ski Valley and the Sangre de Christo Mountains.

Turkish Linens + Coverlets.

Three Queen Perfect Sleepers, one King Perfect Sleeper.

It’s fanciful, but unpretentious.

Writing Desk

Two televisions upstairs. Flat screen 52”

Indoor and outdoor music system.

Pantry.

Washer Dryer in basement.

Large eat-in, two sink, and island kitchen with pantry.

Jacuzzi Tub

Three outdoor dining areas.

Wi-Fi- purified water, and wood burning fireplace.

YOU’LL LOVE IT.

CINEMA FAVORITES


MOVIES I LOVED

SON OF NO ONE
DETACHMENT
THE LEGEND OF LYLAH MARS
OLD MAN & THE SEA

DUST AT MY HEELS
WAGES OF FEAR
GLORIOUS 39
GANGSTER

THE TUNNEL

THE WHOLE WIDE WORLD

ANYTHING WITH YVES MONTAND

 

 


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THEN… THE PHONE RANG


All photos: Waldemar Kalinowski

David Manzanares on the set of Sweetwater: Noah and Logan Miller.

The first time I met David Manzanares was when I rented my home to the Brothers film crew. He eased me through the process, which was a big deal that cold winter when I was living alone. I had Sam Shepard, Jake Gyllenhall, Toby McGuire and Natalie Portman all in the house.

I’m not sitting in a hotel lobby or a restaurant scribbling notes about the clothes my interview subject is wearing or how he acts in a natural setting because the interview wasn’t planned. It just happened one morning in August, while I was having coffee and watching the wild birds on the back porch, when the phone rang.

“Hello.”

“LouLou, its David Manzanares.”

“David! How are you?”

“I’m doing great….yea, very busy.” David’s sleepy slow tone beckoned the beginning of an effortless conversation.

“How’bout you?”

He listened attentively, only interjecting the flip side of my struggles to interweave what course his life had taken.

“I’ve not seen you since the Brothers shooting.” I said.

“What was that? Two years ago?”

“Yea, time is racing, but I love every minute. I wake up and look out the window, and thank God for my good fortune… the happiness.”

“I think of you as one of the most fulfilled men in Santa Fe.”

He chuckled, “That’s what everyone thinks.”

“It’s true isn’t it?” I shot back.

“I’ve been to hell and back.”

“You?”

“Oh yea. But very few know. It was a year ago.”

“Afterwards, everything became clearer; how to live in both worlds with my family and a film career.”

While I wandered from the kitchen to the back porch, David confided in me. I listened to the private life of a notoriously loved and admired local boy who climbed the tricky trail to Hollywood.  David began a career in music in 1997 at the Santa Fe Bandstand playing his new Latin music on his guitar. In 2006 he hit the Billboard in the Latin Genre and went on to producing music for television and film. His song “Rocky Mountain Man” was in the film Brothers.  David supplemented his music with a job as a location scout, a natural for a boy raised in Abiquiu. He walked the line of family tradition and modernism during his teens.

“What are you doing now?”

“Which day? I go to Abiquiu Tuesday, no Wednesday, then to scout some locations, then the following week I start shooting.”

“David, are you happy?”

“Yes, very very happy.  I mean that I love what I’m doing, and everyday I wake up excited. You’ll get there with your passion for life.”

“David, would you be interested in … maybe a print interview?”

“About what?”

“You silly.”

A few days later I wrote up my questions, and sent them to him. He assured me he would make time, between studying his lines for the highly anticipated Miller Brothers Film, Sweetwater, and scouting a location for a reality show.

THE INTERVIEW

Q: “How does it feel being inside the desired creative environment of film and acting?”

A: “It has been, and continues to be an incredible journey.  Sometimes it’s surreal.  I read a script – jump into locations or acting and voila – months later it’s on the big screen.  It’s very rewarding to be a part of a creative, collaborative effort.”

Q:“Has it changed you?”

A:Yes, it has given me the gift of doing something I truly love.  I have always lived a creative life, whether it’s writing or performing music; acting or even reading a script and bringing a creative touch to the locations.  I guess it’s changed me in my appreciation for things and it has opened up new and exciting opportunities.

Q: “What have been the life lessons from your work that you’ve used in your own life?”

A:Ah, the life of living on the hot seat.  I have acquired the ability to go with the flow and be ready to shift in a moment’s notice.   There is no prediction.  It changes in a heartbeat.  It’s taught me humility, patience and most importantly, appreciation.  Both music and production are a constantly changing life force.  I find myself grounded by my family.  They are my anchor.  My ship tends to sail all over the ocean and my family is a safe harbor from where I draw strength and support.

Q:What do you want our readers to know about Santa Fe, that they may not know?

A:Santa Fe is a multi-cultural, very accepting and unique place.  It truly is the City Different on so many levels.  There are people and places that constantly add to the texture of Santa Fe and to my life, personally. It’s great to see your city through the eyes of the world, the very creative world, and that’s a gift in itself.

Q:Who in the film business inspires you?

A:That’s a tough question. From an actor’s standpoint, I would say Alan Rickman.  He truly is a most inspiring actor.  I watched him portray a terrorist in Die Hard to Professor Snape in Harry Potter to the Colonel in Sense & Sensibility.  Talk about range.  He is one of the most outstanding, subtle and profound actors in the industry.

Q: What is it like to be on a team of accomplished creative  people?

A” The past 25 years, I have worked with the most accomplished, directors, producers and actors. I get to work with the best crews, the best people in the best state.  Each project brings a new inspiration, perspective and creativity.  Right now, the project I’m working on is “Sweetwater” with the Miller brothers – Noah & Logan.  Wow – their energy and creativity is awesome.  I am always inspired – musically – creatively by all the departments from the Production Designer to Locations to Hair & Make Up & Wardrobe and everyone else.     It is such a team effort to bring any project to the big screen.  It’s awe-inspiring!

I work in Locations and that alone is one of the most creative departments.  I get a script or storyboard and have to match the scenes with locations in New Mexico.  Talk about challenging.    Sometimes the story line calls for a specific location and I get to interpret it and create it.  I have been with Ghost Ranch as their production manager since 1988.  The light alone can create something amazing.

Some days I feel like the most fortunate woman in the world to live in Santa Fe. Today is one of them. From my porch I can see a bubblegum pink sunset, filtering through the trees, and the leaves are warming up like dancers in a soft breeze. I’m playing the dreamy music of Madeleine Peyroux when I notice my friend Pauline from La Posada Resort across the street.  “Missy, you’re playing one of my favorites.” I wave back and sink further into the bliss of this quirky, dawdling little village of inspiriting locals.

Movie recommendations:Bread & Tuplips, Angel Face, Head in the Clouds,Late Marriage, Water for Elephant’s, Sarah’s Key,Pierrot Le Fou, No Where in Africa, The Lives of Others, Gangster, A Love Story, The Counterfeiters, Senso, Croupier, El Grido, The Wide Blue Road, Deja Vu, The Whistle Blower, The Young Adult, John Rabe.


The Movie Star
The Movie Star (Photo credit: Cowgirl111)

Our nest, is something we build on our own to give us permission to explore, and then question, and we go back to our little nest, and add a bit more certainty because the dinner was great, and the party lasted longer than we thought, and someone smiled at you in a special way, and then you saw a rainbow.

Some things happened last week; that liquefied into a mirage, of  an opinion I inhabited. I  directed this opinion with outdated information, and second hand narratives by writers in print.  I believed what  I’d  always believed;  that actors aren’t like you and me.  I was wrong! Some actors are like you and me.  They have open hearts, and inquisitive minds, they drink beer, and dress without designer labels, they like to hang out, and not talk about the movie business, they have interests beyond their Imdb  star rating, and they answer questions, if you ask them.  Unless we infiltrate what we criticize, we’re adding to the hypocrisy of the  human condition.