The inner voice where gaps of expression are liberated.
Category: ENTERTAINMENT
CLASSIC, FOREIGN, INDEPENDENT AND DOCUMENTARY FILMS
LEAPING OVER YOURSELF TO ENTERTAIN SOMEONE ELSE
THEATRE
JAZZ MODERN AND POP DANCE
MUSIC – SWING, SALSA, FRENCH, WORLD, JAZZ, BLUE NOTE
It was her widespread, unrestrained, and contagious smile that I see when I think of her. Her expressive hand gestures seemed like separate limbs from her straight, head-held-high posture. Frankness, unpreparedness, and ebullience made her the embodiment of who I wish I were.
I was on the phone with a friend when the news alert filled the screen, and a photo of her signature smile.
โ Oh my God!โ
โWhat?โ he asked.
In a voice trembling with shock, I replied, โDiane Keaton died.โ
โ Whoa, how old was she?โ
โ Seventy-nine. She was the only contemporary actress I related to. I watched Baby Boom last week, so Keaton. It was like watching me if I had the same experiences. โ
โ She was great in The Godfather, not a lot of people would agree with that, but thatโs my opinion.โ
โ I never thought of that. I watch it once a year. She was in an interview years ago, and the host asked,โ Why didnโt you ever get married?โ
With her arms opening like a double door, she exclaimed, โ No one ever asked me!โ
Her last post on Instagram is worth reading.โ
And in the same weekend, I think of this. We canโt feel another personโs sickness, or what itโs like to sing if we donโt sing, or fly like a pilot unless we’ve been one. We cannot imagine what it is like to be a hostage of Hamas.
I wandered about yesterday, in the gym, the veranda, and the lobby, and later, had appetizers in the restaurant. Two flat screens, football, the rest couples except the man next to me. I couldnโt help but notice that he was three inches from me at the bar. A shrimp cocktail showed up, he ate voraciously, then a steak and a large flat potato sort of tortilla, a side of vegetables, and he ate enthusiastically, then a lobster plate, with more vegetables, and he ate, and then dessert. I left before it arrived, so I wouldnโt swipe it from him.ย
I wanted to say to someone, “The hostages are coming home!” ย I didnโt. Diane Keaton would have!She lived with squamous cell cancer or many years. That explains the hats and turtlenecks.
THIS ERA OF ADAPTATION is how I feel, think, and react. Tumbling through all the transitory advise forces me to examine more closely who to believe. ย Iโve never been a leader, nor a follower, I walk in between, trying to pave a pathway to peace of mind. Perhaps that is unattainable, as we live in a culturally, politically, medically, and socially reimagined world. It reminds me of being a teenager when life was questionable, and confusion was like a stinging bee we couldnโt swap away.
This week, my discipline raged and said, ‘Structure your day or go in disarray. As a long-time, rebel of structure, I listened and made a daily plan. Get out of bed by eight, answer correspondence, get dressed, work out on the treadmill, take a shower, eat something, then back to the home office and thatโs when the improvisation kicks in. Do I write a column, work on my next book, or look for an attorney for an unsolved tribulation? Mother Nature punctuates my attention as she blooms into spring; the neighbors begin mowing and planting, The adorable little children next door play in their front yard, joggers, walkers, and horse-carrying vans pass in front of my window. The Season in Saratoga is about to open, masked and limited attendance will be at Saratoga Race Track, Saratoga Performing Arts Center, Bistros, Bars, outdoor concerts, Theater and Chamber Music, Lakeside sailing and motor boating, fairs, and wine tasting.
A quintet of small-town celebrations that will inaugurate us to each other once again.
ADVENTURES IN LIVINGNESS FALLS ON. An unusual time to be writing at four in the afternoon. The clouds drew me up to my writing desk, where layers of clouds forms teased me into believing it wasnโt hot and humid outside.ย I decided to write the column.
I knew I shouldnโt write on my laptop because it is deconstructing. I can’t part with this laptop until I outline my next book. The sky drew me to the desk, and so I worked around internet outages.
I only had a few paragraphs from the afternoon, and when I returned to the column after dinner, the whole piece took another course, and I was writing not what I intended, but it was like sailing on a perfect course. It was writing without the editor, meaning the inner editor that sometimes swoops down and cuts your nails off. I was writing about many things that happened. When I finished, I went to save the document and the laptop responded negatively. It vanished. I thought about trying to recapture the column, trying to reinvent the stream of consciousness that seemed to be marathoning through my soul.
There were so many voices speaking all at once. I had to figure out how to connect the moment the leaves reminded me of Saratoga Springs, and how we must place our print on the tablet, on the screen, and dismiss the reader who judges where writing takes us. Sometimes, a reader knows me from the halcyon days, when my light was neon and my spirit a flame. They don’t want to see me now, draped in muted gray and hardship hardened. “Nobody loves you when you’re down and out.” Jimmy Cox
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I watch film noir with an admitted addiction. The grainy black and white stillness, the music scores, the cinematography satisfies more than current cinema . The message comes through, live gracious, selfless, forgiving, brave, and passionate? As I feel these thoughts streaming along, the one that stabs like a knife is passion. That visceral sensibility has driven me throughout my life: about men, mystery,adventure, accomplishment, art, music, dancing, unfamiliar places and faces, and cafรฉ society rendezvous. A temporary grasp of glee. And when it ends, it goes like this.ย ย
Undisclosed strangers will walk in our paths. Cross our hearts and Tread on our minds ย
Uncertainly We traverse our heart’s discourse Shooting for dreams of undiscovered lands More weightless plans I donโt know if I can see ahead My steps, like pebbles, follow the rush in the river On the edge of the quiver
Skipping towards freedom In summer, rays of light Like a leaf, I break free from the branch,
I walked into Century City Club Equinox, almost inserting myself into the spotless transparent glass door. Three young women at the counter, beaming youth in front of black walls that seem to suck me in.
โIโm here for the tour.โ A suited man in a large, rather luxurious office greets me with so much reserve and robotic gestures that I feel like running out. I was led through a scintillating voluminous space, enveloped in floor-to-ceiling glass, streamed with sunlight and views of Westwood. The members, women attired in matching voluptuous outfits and personal trainers, lean as lions tossing funny equipment to the client, fastidious housekeepers, sterilizing and vacuuming in trendy uniforms. It was as if I were watching a film production.
The treadmill cycle area was a bit crowded, and not one person didnโt have a headset on, staring at the screen of choice. The bathrooms were hotel accessorized, and even pumps were filled with Kiehl products. There was a steam room, make-up area, showers, all the necessities, and a few women were blowing their hair, all beautiful.
More rooms, a snack bar, shopping, pulsating music, and a closer look at the guests.
โ This is as upscale as you can get; youโll love it, and you’ll meet important people, Iโm sure.โ
I listened to his closing argument and watched the bodies bend like pretzels as personal trainers raised and stretched their heads, arms, and legs. Bodies bounced, climbed ropes, did flips, and hung upside down, like a circus act. After the close, a condescending smirk, that I read as, join, or go hang out with the losers at 24-hour fitness.
He handed me the contract, and I read it over. The cost was more than Iโve ever spent. The way I looked at it was a place to work out and meet new people, although my instinct was that these were not my people. I signed and walked out feeling dizzy again. I stopped in a shoe store to look at what women were wearing. The salesgirl kept complimenting me, and showing me shoes that she loved, and before I knew it, she sold me what I didnโt come in to buy, high-top lace-up pink workout sneakers. Leaving the Century City Satellite, beyond the construction and traffic, I raced home to recuperate. Whatโs happened to me after living in a village in New Mexico, is that too much stimulation is now exasperating.
I walked to Equinox for my first workout, hopped on the treadmill with weights, and tried to look perfectly comfortable, but I wasnโt.ย The vibe and everything about this ballroom of a gym seemed rehearsed. Maybe Iโm too observant, trying too hard to fit in. I noticed so much in that hour. The workout is also a sort of performance, just a shade of competition between men and their weights, women straddling rubber balls, yoga mats, bench presses, and only a handful look like they need it. Men and women occupy the treadmill room; without expressions, they seem to live inside themselves. There is no conversation; it feels more like a convent. There is no hi, hey, or smile. I asked a trainer, โItโs not very social here. Why is that?โ โ These are the highest paid executives, lawyers, agents, actors, and they donโt come in to socialize–they are only here to do the work-out.โ Great move, Greta. Iโm paying three hundred a month to be invisible.
The long list is what you started as a youth or maybe later. It represents one of those adventures you must do before you die.ย The list you started without even knowing you were making plans for your future. This list does not have to be in writing, keyed in a smartphone, or posted in Outlook. The long list is about shocking the sensibilities: habits, norms, routines, and coming back unharmed. It is an exceptional journey, and we visualize it while waiting for a flight at the airport, waiting in line for a new driverโs license, or the light turning green.ย All of the things that we monitor in our lives, like the need to have a cavity filled, updating your platform, passwords, or checking the coolant level, are multiplying, and that short list is so long that we rarely have time to consider the long list.ย If at random I selected ten long list entries theyโd read like this:ย Safari, Lombardi Italy, Greece, a cruise on the Cunard, a gallery of my own, a husband, a dog and cat, and a place that is quiet, like a ranch.ย The short list, fix the broken window in my bedroom, fix the roof and ceiling in the guest room, get the three non-working electrcial outlets fixed, the dishwasher, garbage disposal, stage the attic and basement cleaned out, and relocating to a place Iโve not named.ย The short list is a big obstacle in the way of the long list.ย
By the time we get to the long list, we may be crippled by fear, turned into a sofa shouting grumpy cynic, or worse than all the above, we may have forgotten what we desired.
ย ย ย ย ย ย ย ย ย Waiting too long to start an adventure on the long list is what happened to me two weeks ago.ย I waited twenty years.ย The journal entry was written in 1986 after visiting Santa Fe, New Mexico, for the first time. It was the weekend of the Burning of Zozobra. I read about it in the visitor guide and saw pictures of the paper Mache statue standing thirty feet tall.ย The mystical ritual of the burning of Zozobra is intended to wash away all our grief and sorrow that builds up each year, and so they call him Old Man Gloom.ย I missed the event that first time, and I made the following dozen visits for business and pleasure. Some years, I was within days of seeing Zozobra, but I left because someone was expecting me, or I ran out of money. After twenty years, Zozobra became a symbolic representation of what I must control.ย
ย ย ย ย ย ย ย ย ย ย ย This September of 2006, nothing would stop me from seeing Zozobra.ย Dodger and I drove down from Taos to Santa Fe late on the afternoon of September 8, and checked into the La Fonda Hotel. This is where I stayed on my first visit to Santa Fe.ย ย The anchor of the Plaza and all that happens outside eventually flows inside and settles beneath the cathedral viega ceilings of the hotel lobby.ย As we arrived on Fiesta weekend, the traditional celebration culminated in a juxtaposition of historical events, cultural exhibitions, parades, handshaking, hugging and margaritaโs tipping from arms air born. La Fonda opened its doors to the entire population of New Mexico. .
You can sit on an old Spanish colonial leather chair , sip a tangy margarita and watch the fiesta kick off right in the lobby. The procession of costumed soldiers replicating the Spanish conquistadors marched through the lobby while Dodger and I were checking in. From here, I wandered over to the Concierge Desk and shouted, over the roaring and singing, about dinner reservations. Nancy, the concierge, made reservations, handed me maps and numbers, and turned us loose. That first night we stood under an umbrella in a downpour and watched the Opening Ceremonies in the Plaza, and later hopped in a Pedi cab to Ristra, where we dined on appetizers at the bar and I watched the activity with my notebook stare. I love being inside a strange room full of people, to me it is like starting a new book. I make up stories about the people, or if I am feeling brave, invade someoneโs privacy to find what they are about. The diners were too removed, so we left and returned to the Plaza. In a few hours, I would be descending the far side of town to meet Zozobra. Twenty years had passed, and the moment was finally here. I was wearing my new cowboy boots and seated on the Palace Patio, looking into the sheets of rain that soaked all the out-door booths.
โ Are you ready to trek in the rain little mama?โ
โ Yes, finally, trust me this time, you will love it. Do you have your earplugs?โ Dodger has tinnitus and is implacable about loud noise.
โ Yep. Hope itโs better than trekking in the rain to see Funny Cide race.โ
โ You hated it didnโt you?
โ I hated carrying that thirty-pound tote with all your junk.โ
We walked about a half-mile in the rain, Dodger moved in stern choreographed steps to avoid the mud. โDamn, these are brand new boots. Iโm going back to the hotel and changeโ
โ Cowboy boots are supposed to be worn looking. You can go to Lucchese tomorrow and have them polished.โ
โ No, I just paid five hundred dollars woman, f Iโll bring you another pair in your closet.โ
โ We wonโt get the same place and youโll never find me, I wander. So, just suck it up tough rugged warrior of earth, land and sea?โ
โ Oh, all right, but Iโm not happy.โ
โ Look, thereโs Zozobra!โ Dodger stood in stillness, eyes wide as marbles.
My head was soaked cause Iโd forgotten the umbrella and Dodger harmonized a lot of cuss words as we reached the front gates. Gangs and families, children, old timers in costume, scurried to reach the eventโs standing front row. As we trudged through the rain, I noticed a crescent of anticipation that united everyone on the path. When we reached the arena, we looked down at the muddy slope as teenagers, mothers and strollers, slid down the hill to the front gates. I envied their loyalty to Zozobra. I was within a hundred feet of the stage, I could not remove myself from the unified adulation for Zozobra. As a ritual to burning the curses of life, people bring letters, photos, rejected elements of a personal tragedy and place them in the circle before the fire light. The crowd had expanded into a gyrating crush of participants, swaying back and forth, cheering the appearance of Zozobra, as he rocked back and forth in flames of fire. A convergence of strange mystical wailing, and an encore of audience howls ignite the lighting of firecrackers that set Zozobra in flames.
ย ย ย ย ย ย ย ย ย What I saw was the burning to the ground and the howls from the musicians that accompanied his death. That happens if you let the long list precede the short one. Dodger stopped grumbling when we returned to the hotel and exclaimed to guests, โWe saw Zozobra!โ
It is the Kentucky Derby and Cinco De Mayo weekend at La Posada. Kristen from the hotel said I should go; it would be fun. Sheโs a feisty young woman with clear, penetrating blue eyes and silky brown hair. Youth dances in her expressions; other times, it wilts from being locked down to an indoor job. Sheโs an adventurer who camps out in Belize and South America. Now, sheโs talking about Antigua.
I walked out to the courtyard to see what was going on. The tables werenโt set up yet, but the Donkey stood idly and annoyed at the other end of the yard. I donโt know why they bring him, maybe for the kids. In the bar, a few guests were watching the Derby. The elan of race anticipation is shining like a light. I ordered a Mint Julep, and the guys were all watching as Dude whipped it up with finesse.
โ How is it?โ Dude asked without needing any approval.
โ Magical. Who are you betting on? Greta asked.
โI want a Titty Tut, something nasty.โ
โ Oh, stop that. You do it too much.โ She replied.
โ Not nearly enough! Okay, hereโs my horseโPromises Fulfilled. Oh yes, thatโs mine.โ
โ Everything you say is a metaphor for sex.โ
โ You bet it is.โ Whoโs your pick?โ
โ My prick is Justify.โ
โHah, see, now you get it.โ
I sipped my drink and wandered around the lobby, stopping to greet Jackie, Monserrat, and Danielle. They donโt know what their smiles and caring comments do for me. I must tell them more often.
โ I donโt know what Iโd do without all of you.โTo be continued.
By MARTIN ZEILIG On the evening of June 20, 1947, less than six months after he opened the Flamingo Hotel-Casino in Las Vegas, Ben โBugsyโ Siegel died in a barrage of bullets through the front windows while sitting on a couch in his Beverly Hills mansion at 810 Linden Drive. Assassinated at the age of 41, Siegel was one of the USAโs most notorious gangsters. A former Winnipegger, Al Smiley (1907-1984) was with Siegel that evening. โMy dad was seated inches away from Siegel, on the sofa, and took three bullets through the sleeve of his jacket,โ said Luellen Smiley, a creative non-fiction writer, award-winning newspaper columnist, and Mob historian who lives in Sante Fe, New Mexico. She consented to an interview with The Jewish Post & News earlier this winter. โHe was brought in as a suspect. His photograph was in all the newspapers,โ said Luellen. โHe was the only nonfamily member who had the guts to go to the funeral.โ So who was Al Smiley? Born in Kiev, Ukraine in 1907 as Aaron Smehoff, Smiley and his family โ father Hyman, mother Anne, sister Gertrude (who became a school teacher and lived in Winnipeg until her death many decades later), brothers Samuel and Benjamin โ immigrated to Winnipeg when he was five, said Luellen Smiley, during a recent telephone interview with this reporter from her home in Sante Fe, New Mexico. โMy grandfather was a kosher butcher and delicatessen owner,โ she continued, noting that the family home and butcher shop was located at 347 Aberdeen Avenue. โHe maintained an Orthodox household and expected that his eldest son would become a rabbi. But, my father was rebellious and interested in sports, especially hockey.โ This caused conflict between the willful youth and his rigid, religious father. So, the teenager fled Winnipeg for greener pastures in Detroit, Michigan via Windsor, Ontario in 1923. He got a job travelling with the Ringling Brothers Circus and ended up in California where he was arrested for a drugstore robbery in San Francisco and sent to Preston Reformatory School in Ione, California, Luellen noted. โIt was there that he met legendary movie director Cecil B. DeMille,โ she said. โHe was doing some sort of research for a movie. My father asked him for a job in the movie industry upon his release, and DeMille agreed. He found my dad work in a wardrobe department. He later became a property man, then a grip, the person in charge of production on a set, and eventually a producer.โ He befriended celebrities like George Raft, Eddie Cantor, Clark Gable, Lauren Bacall, along with such gangster associates as Ben Siegel. โIโm pretty sure Dad met Ben through George Raft,โ Luellen Smiley speculated. With Siegelโs help he opened a nightclub in L.A. sometime in the late 1930s. Smiley would later tell his daughter that Siegel was โthe best friend I ever had.โ In her soon-to-published memoir, excerpts of which she agreed to let this newspaper print, Luellen Smiley reveals the conflicted feelings she had growing up, and into later life too, about her father: โSome children are silenced. The pretense is protection against people and events more powerful than them. As the daughter of Allen Smiley, associate and friend to Benjamin โBugsyโ Siegel, I was raised in a family of secrets. โMy father is not a household name like Siegel, partly because he wore a disguise, a veneer of respectability that fooled most. It did not fool the government. โWhen I was exposed to the truth by way of a book, I kept the secret, too. I was 13. My parents divorced, and five years later, my mother died. In 1966, I went to live with my father in Hollywood. I was forbidden to talk about our life: โDonโt discuss our family business with anyone, and listen very carefully to what I say from now on!โ But one night, he asked me to come into his room and he told me the story of the night Ben was murdered. โWhen I was spared death, I made a vow to do everything in my power to reform, so that I could one day marry your mother. โBen was the best friend I ever had. Youโre going to hear a lot of things about him in your life. Just remember what I am telling you; heโd take a bullet for a friend. โAfter my father died, I remained silent, to avoid shame, embarrassment and questions. But 10 years later, in 1994, when I turned 40, I cracked the silence. I read every book in print โ and out of print โ about the Mafia. Allen Smiley was in dozens. He was a Russian Jew, a criminal, Bugsyโs right-hand man, a dope peddler, pimp, a racetrack tout. I held close the memory of a benevolent father, wise counselor, and a man who worshipped me. โI made a Freedom of Information Act request and obtained his government files. The Immigration and Naturalization Service claimed he was one of the most dangerous criminals in the country. They said he was Benjamin Siegelโs assistant. They said he was poised to take over the rackets in Los Angeles. He didnโt; he sold out his interest in the Flamingo, and he went to Houston to strike oil. I put the file away, and looked into the window of truth. How much more could I bear to hear? โHe stowed away to America at 16, and was eventually doggedly pursued for never having registered as an alien. He had multiple arrests โ including one for bookmaking in 1944, and another for slicing off part of the actor John Hallโs nose in a fracas at Tommy Dorseyโs apartment. He met my mother, Lucille Casey, at the Copacabana nightclub in 1943. She was onstage, dancing for $75 a week, and my father was in the audience, seated with Copa owner and mob boss Frank Costello. โโI took one look, and I knew it was her,โ was all he had told me on many occasions. โOn a trip to the Museum of Motion Pictures Arts and Sciences in Los Angeles, I was handed a large perfectly pristine manila envelope, and a pair of latex gloves with which to handle the file. Inside were black and white glossy MGM studio photographs, press releases, and biographies of my motherโs career in film, including roles in โThe Secret Life of Walter Mitty,โ โZiegfeld Follies of 1946,โ โMeet Me in St. Louisโ and โHarvey Girls.โ She was written up in the columns, where later my father was identified as a โsportsman.โ The woman who pressed my clothes, washed my hair, and made my tuna sandwiches was an actress dancing in Judy Garland musicals, while her own life was draped with film noir drama. โMy father wooed her, and after an MGM producer gave her an audition, he helped arrange for her and her family to move to Beverly Hills, where she had steady film work for five years. He was busy helping Siegel expand the Western Front of the Costello crime family and opening the Flamingo casino in Las Vegas. They were engaged in 1946. โStill, the blank pages of my motherโs life did not begin to fill in until I met R.J. Gray. He found me through my newspaper column, โSmileyโs Dice.โ โOne day last year, R.J. sent me a book, โImages of America: The Copacabana,โ by Kristin Baggelaar. There was my mother, captioned a โCopa-beauty.โ Kristin organized a Copa reunion in New York last September. I went in place of my mother, but all day I felt as if she was seated next to me. I fell asleep that night staring out the hotel window, feeling a part of Manhattan history. โNow, the silence is over. I donโt hesitate to answer questions about my family. I have photographs of Ben Siegel in my home in Santa Fe, NM, just as my father did. Every few months I get e-mails from distant friends, or people who knew my dad. โIt seems there is no end to the stories surrounding Ben and Al. I am not looking for closure. Iโve become too attached to the story. To me, he was a benevolent father, a wise counselor, and a man who worshipped me.โ Luellen Smiley can be contacted via email: folliesls@aol.com
Ella blew out tunes like a smoke stack, and her face drew more sweat with each soulful sound. By the second song, the sweat was pouring down her face and into that gorge like cleavage that heaved with each breath.ย I was a child and didnโt understand the emotions that distorted her eyes and mouth. Ella, crowned by a sizzling hot spotlight overhead, transmitted every flaw and feeling on her face.ย ย I hadnโt seen a singer suffer before. I looked up at my mother and started crying.
โ Whatโs wrong sweetheart?โ
โ Iโm afraid sheโs going to die.โ
My mother whispered assurances that Ella was not going to die.ย I kept crying. She then excused us from our table and I followed her into the Powder Room.ย She sat me on a chaise lounge and wiped my tears.ย The expansiveness of the Powder room, compared to the ones today, was like being in someoneโs bedroom. Soft cushioned chairs, a long dressing table speckled with ashtrays, perfumes, and miniature toiletries. We stayed there until Ella finished her show. Mom didnโt show her disappointment, she rarely showed despairing emotions, or caused me to feel ashamed of my behavior. Looking back fifty years later, Iโm reminded of my motherโs selflessness and how a legend can drop down your path, and you donโt even know it.
Again, looking back fifty years later, my succession of travel diaries is dim by comparison to the Vegas memories.ย Swirling amongst the รฉlan of prohibition era abandonment, gangsters were the Rothschilds, the royalty of the scene, and the non-members loved it. Thatโs why the women behaved Roaring Twenties ZaZu Pitts and Louise Brooks emancipated. Everyone was free of their wrappings and responsibilities. They were partying with the men theyโd first met on screen, played by Bogart, Robinson, and Cagney. I remember them now as being childlike. The outsiders may have been living the childhood stolen by WWII and the Depression. Their veiled heroes were gangsters whoโd been breaking the rules since being ripped from their motherโs breast.
Then, one day the in 1963, the Rat Pack landed in Vegas, wearing black Tuxedos and intercepted the publicโs fancy imitations of living vicariously. ย Joey Bishop, Peter Lawford, Sammy Davis, and Frank Sinatra invited Vegas to drink, make love, and gamble. And they did. If you find anyone over seventy in Vegas today, ask them about the Rat Pack, Johnny Roselli, or Jack Entratter, and youโll know Iโm not exaggerating. Vegas was the time of their lives. The drugs were minor, an upper or a downer to sleep, but no one came to Vegas to OD or commit suicide.ย The deaths were in the desert, between the gangstersโ. This was all before Tony Spilotro got wheels on his greed and went speeding into his own death.ย TO BE CONTINUED
JAGGER PHOTOGRAPH FOR SALE. It is black-and-white and has Mick’s authenticated signature in perfect condition. It is matted and framed and measures 10 in x 11 1/2. For more information, leave a comment.
Portrait of Martha Graham and Bertram Ross (1961 June 27) (Photo credit: Wikipedia)
THIS WEEK LANDS ON poets, writers, musicians, photographers, directors, visual artists, composers, choreographers, actors and the untitled and unrecognized that squeeze in between. Kipling, Salinger ( my all-time favorite) The Rolling Stones,ย Mozart, Chopin, Opera, Salsa, Beatles, Stieglitz,ย Nicholas Ray,ย Kandinsky, Johnny Mercer, Martha Graham Balanchine, and James Dean. I left out about seventy-five of my favorites.
Composition VI (1913) (Photo credit: Wikipedia)They were all lovers before they were artists.
OUR ARTISTS IN HEART travel mentally and physically through life with all the windows open; awaiting a sight, sound, or feeling that draws them to their art. The feelings are what count on our life ledger.ย I have to thank Billy, my first love at fifteen. He was an artist of music, Gothic charcoal sketches, comic humor, and life. He opened my window to the arts.
That life ledger is always in the red because an appetite of feelings, and emotions eventually depreciates the spirit. Some of us rise above, and the flow of printed green paper comforts that spirit, but emotions continue to dominate all the success.
I have to write this in short sequence, as I am moving between a rigid reckoning of a forever ending TO ONE MY LOVES.