ADVENTURES IN LIVINGNESS began with lightning and thunder. My bed braced against the window didnโt alarm me like when I first moved here, and the storms startled me with their voluminous sound. After five years, the fears of weather, creaking noises, bats, mice, or a running deer as I drive have sifted through the thread of experience. As the first attempt to accept relocation coming, I am unwinding with you, not at you, because youโre all closer to me than you think.
I begin late on Friday, watching a half-lit scene with descending sunlight, the other bathed in asphalt gray, the solid remains of this weekโs punishing climate. Who cares about that after the news this week? I imagine every parent was stung in a way they may never have felt before. Everyone loves children, even those who didnโt have them, cherish their innocence and liberating emotions. I asked a friend, how it affected him, he replied, โ I didnโt know I canโt watch the news.โ
โ You never watch the news?โ
โ Some stuff on social media.โ
โ The Mystic Camp tragedy didnโt come up?.โ
โ No.. what happened?โ. So I gave him some of the details, and when his expression turned dour, I stopped. Something another friend mentioned to me was Duty to Bare Witness, as we were talking about the Ukraine War. Some call it tragedy trolling, I suppose thatโs another kind of news watching. Between the bubble wrap and boxing of what I think Iโll take, I listen to some news. I realize Iโm not such an immoral person after listening to cantankerous battles on the hill.
This city is drowsily awaiting the start of the Saratoga Race Track today. ย It is a sacrosanct epic convergence of rich and poor, doused in jewels or leather neck chokers. I love loyalty, and this event dates back to the 1880โs. Itโs the oldest race track in the country. When I had a press pass, and didnโt wait in lines to attend, interview, and observe the festivities, it just canโt be forgotten. I’m familiar with the groups that oppose horse racing, viewing it as a degenerate sport that harms both horses and gamblers. ย I understand that, considering my father was a gambler and horse lover, but it goes on for thousands who feel different. Can we not allow one to enjoy the other not?.
OLYMPUS DIGITAL CAMERA
Sifting through collectibles, I found my letter to Amtrak. Many ย years ago, ย I wrote to the executives at Amtrak with this idea: Give a writer a free ride for a long journey, and allow them to write about it. Then, engage reporters at the different stops to show up and give the writer a pass to visit the city or town and meet the nuances that no one knew about. I felt pressed to seek escape, โIโm going to live on Amtrak!โ The idea blossomed over some cabernet, and I lingered there in the kitchen, while I cooked up this idea, of riding Amtrak across America, while writing about subjects I choose from a long list, and develop it into a documentary, and a book. ย ย ย I realized how much effort it would take to launch and live this idea that was born in the kitchen over a bottle of cab. I spent the day researching and looking at the bedroom suites on Amtrak. I went to sleep imagining myself on the train, and the inherent comedy that would roll out, from living in a room the size of shoe box. I watched movies about trains, and started reading Paul Theroux’s The Old Patagonian Express. Del Mar, watching the Amtrak.
There I am on Amtrak, with a laptop and a recorder, strolling through the aisles, interviewing people, and then Iโm in some unfamiliar city, hopping from one place to another, and writing in cafes and adventuring. The illusion became real, like a dream that represents reality. I do see myself on such an adventure. I must sculpt new routines, learn how to do the things Iโm not used to doing. I wrote to Amtrak, and I did not get a response. Several years later, they invited a writer to do what I had suggested. As the day descends into afternoon, I am perched in between, clinging to the wisdom of my posse, whom I call on for solace, for answers, for encouragement, and you readers, who keep me adventuring in writing.
“Young woman sitting on the books and typing, toned image”
The world we are living is not familiar; everyday it erupts with an inconceivable corruption, acts of violence, and viciousness against humanity. It’s not the Italian roast coffee that wakes me up, itโs world news.ย I feel less and less a part of humanity and more like a wild creature chewing on an old bone. ย My outlook on social clubs, synagogue and church congregations, membership clubs, group classes, and letโs meet up organizing makes a lot of sense now. Especially if you donโt have children or a life mate. The temptation to retreat into a decorous world of fantasy is irresistible. ย Experience taught me that losing it, giving up, hugging the pillow with film noir on the screen will revive me. It may take two days or more, permitting freedom to indulge in the abstract absurdity, tragedy, and comedy of life available to me.Two days are up: six noir films: Sleeping Tiger, Dangerous Crossing, Ruthless, Finger of Guilt, Wicked, and Cast a Dark Shadow. All suspenseful meandering around themes of greed, deception, romance, uneven love, and forgiveness.
Itโs a great big wide wide world if you leave the doors open. Now that the house has sold, I am fortunate that all those years studying real estate and proving myself by placing money in the boss’s pocket, trickled into my life. The first triplex I bought was in 2002, the one that sold, The Follies House. The rent provided income and paid the mortgage.ย For my Gen X and Millennial pals, I say this: buy a duplex somewhere you want to live.
Iโm feeling overwhelmed as I go through this four-story unit and decide what to keep, give away, and sell. Perplexed as I go through boxes of journals dating back to 1996. I assume I won’t live to preview them for new stories, but I sill feel a sense of belonging to them. I have learned after selling a dozen furnishings that once they are gone, it takes about a week to stop lamenting the loss.
ADVENTURES IN LIVINGNESS FALLS ON. An unusual time to be writing at four in the afternoon. The clouds drew me up to my writing desk, where layers of clouds forms teased me into believing it wasnโt hot and humid outside.ย I decided to write the column.
I knew I shouldnโt write on my laptop because it is deconstructing. I can’t part with this laptop until I outline my next book. The sky drew me to the desk, and so I worked around internet outages.
I only had a few paragraphs from the afternoon, and when I returned to the column after dinner, the whole piece took another course, and I was writing not what I intended, but it was like sailing on a perfect course. It was writing without the editor, meaning the inner editor that sometimes swoops down and cuts your nails off. I was writing about many things that happened. When I finished, I went to save the document and the laptop responded negatively. It vanished. I thought about trying to recapture the column, trying to reinvent the stream of consciousness that seemed to be marathoning through my soul.
There were so many voices speaking all at once. I had to figure out how to connect the moment the leaves reminded me of Saratoga Springs, and how we must place our print on the tablet, on the screen, and dismiss the reader who judges where writing takes us. Sometimes, a reader knows me from the halcyon days, when my light was neon and my spirit a flame. They don’t want to see me now, draped in muted gray and hardship hardened. “Nobody loves you when you’re down and out.” Jimmy Cox
I posted a column on Sunday, The Mind Hike. When I checked my stats, it was rising like a new sun, and hit a record-breaking 127 views! That has not happened since I published my book in 2017. I did not optimize the column or take any steps to increase readership. Today it is up to 126. Whomever you are, thank you so very much for reading my columns.
ADVENTURES IN LIVINGNESS IS ON A HIKE. Not the physical kind that was once a weekly episode in New Mexico, these days I hike in my head, it’s as wobbly, uneven, rocky, and dangerous as a hike down the Gorge in Taos, NM.
The path I’m hiking is set off by relocation, once the house sells, which is on the fingernail of being sold. Each morning as I wake to my dreamy bedroom, I am deranged by the thought of leaving twenty-five hundred square feet of Victorian victorious comfort.I will be downsizing to a six-hundred-square-foot studio. I used to love studios, but this house has drained that love, and now reality is staring me in the face, a word I despise as an admitted non-realist and dreamer. The path that follows this is where I am relocating to? Relocation is a trend, according to some minor research. Boomers move closer to their children. If you donโt have children or a partner to bring out the compass and use a methodical ruler to figure this equation out, it comes down to finance. Thatโs the ticker that keeps bringing me back to reality. I should not have left Del Mar, CA. Have you ever said that? Itโs the inkblot on decisions when I thought everything I did would work out until it didnโt. And Iโd turn the steering wheel back to where I belong.ย I do not belong here, and thatโs not because of aversion or harsh judgment. Itโs a marvel if you like three courses of simple conversation, activity, and entertainment. ย ย The weather and I do not get along, the summer is sticky, humid, and last week we were in double digits, one hundred. I spent a few days next to a non-effective window air conditioner with an ice washcloth on my head. In the winter, Iโm in battle gear with four sweaters and shawls and all of that, not to mention the ice and snow that kept me frosty for months. You can take a girl out of Southern California, but sheโll come back.
OLYMPUS DIGITAL CAMERA
Borrowing from a post on FB, you spend the first thirty years of your life gathering possessions, and the next thirty years eliminating. Iโm eliminating, sort of, I cruise by my ten boxes of books, and every day itโs on the list to tape them closed. Then there are all the antique figurines, gambling paraphernalia, dรฉcor from the vacation rental days, and I think at last count, fifty hanging prints. I donโt need to measure anything, this will not fit in a studio. Plus, I still have a storage unit in Santa Fe, filled with items I cannot remember. Is there such a thing as relocation therapy?
Writing somberly is parallel to writer’s block. It’s not a block, really, more like a resistance to engaging feelings. ย If I place all the options on a puzzle board, this leads to the center. A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions, and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! I watch Blacklist or some foreign film in the evening. Most weekdays, I’m circulating between finance, selling furnishings online, shoveling snow, and researching acronyms because the news uses them so often.
The vortex of discontent is a punctured life.The windows of my home reflect the splendor of nature that plays all day long in the winter. ย I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. My collection of records and CDs accompanies the scenery. When I’m sorrowful, I listen to Ennio Morricone; when I need a lift, Vivaldi, Sundays it isย Turandot or some other Opera. When I’m a go-go girl, Swing, Salsa, or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen, and Annie Lenox.ย
I don’t see any remedy commercials for a fractured heart. By tomorrow, the despair could vanish, like the rain that puddled us for the last two weeks.Everything Iโve experienced is good in the beginning. So, to begin, I will listen to Begin the Beguine.
“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theater.
Henry miller writes in his book, โ Henry Miller on Writingโ โWhoever greatly suffers must be, I suppose a sublime combination of a sadist and masochist.โ I suppose that a few of my friends have aligned me as such, and now that I write this, as in all writing, answers blink at you, and then the soul receives them like a wafer of wonder.Perhaps I am, but where that evolved and manifested, I have no time to think about it because the sun is out. I must sit in my newly designed sunroom, a small book library alcove that receives the sun at noon. When I returned with my phone to snap a photograph, the sundisappeared like a footprint in the sky. Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted and receive a thousand weekly warnings to get a flu shot. My doctor has tried persuading me to get a flu shot for three years. I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question.
In one of my books on writing, I read that most writers face the demon in the middle of the novel. The beginning is a gallop, and the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.ย ย ย
The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. ย Iโve finally accepted that my constant relocation, reinventing, and restlessness will not be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I stoodout on the porch observing the peacefulness. The scenery of this street is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets; all the shops, services, and restaurants are a patchwork, and all the business owners know each other. ย
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender.ย If you are an artist, the limit is not the sky; it’s everywhere. Natureโs artistry is a full-time exhibition in the Northeast. The view now is of tumbling clouds rolling over; they move slowly, like dough, across the road, while squirrels dart about. ย Outdoors is where we see the best of life.
A candid and enthralling memoir, CRADLE OF CRIME – A Daughter’s Tribute is the debut release from Luellen Smiley and it proves one of the most gripping and powerful books in its genre. Certainly no mean feat, given the swelling number of similarly themed offerings but Smiley does well to distinguish hers with painstaking research, a broad narrative sweep and intellectual grip to deliver a fascinating and revealing read, for the events it covers.
The storytelling isn’t redemptive with much of the most compelling material in this book being intensely personal but it is a very human story that dispels hype and myth and gives us a telling glimpse of a remarkable life. Weaving together several stories it makes a vivid and notable contribution to the mafia debate which invariably swings between the codes of honor and family values so often portrayed on the silver screen to a brutal criminal organization focused only on the accumulation of wealth. In contrast, Luellen finds a far more equitable balance in her reflections, and it makes for a genuinepage-turner.
Extremely well written, fans of this ever popular genre will find CRADLE OF CRIME – A Daughter’s Tribute a fascinating read and it is recommended without reservation.
I walked into Century City Club Equinox, almost inserting myself into the spotless transparent glass door. Three young women at the counter, beaming youth in front of black walls that seem to suck me in.
โIโm here for the tour.โ A suited man in a large, rather luxurious office greets me with so much reserve and robotic gestures that I feel like running out. I was led through a scintillating voluminous space, enveloped in floor-to-ceiling glass, streamed with sunlight and views of Westwood. The members, women attired in matching voluptuous outfits and personal trainers, lean as lions tossing funny equipment to the client, fastidious housekeepers, sterilizing and vacuuming in trendy uniforms. It was as if I were watching a film production.
The treadmill cycle area was a bit crowded, and not one person didnโt have a headset on, staring at the screen of choice. The bathrooms were hotel accessorized, and even pumps were filled with Kiehl products. There was a steam room, make-up area, showers, all the necessities, and a few women were blowing their hair, all beautiful.
More rooms, a snack bar, shopping, pulsating music, and a closer look at the guests.
โ This is as upscale as you can get; youโll love it, and you’ll meet important people, Iโm sure.โ
I listened to his closing argument and watched the bodies bend like pretzels as personal trainers raised and stretched their heads, arms, and legs. Bodies bounced, climbed ropes, did flips, and hung upside down, like a circus act. After the close, a condescending smirk, that I read as, join, or go hang out with the losers at 24-hour fitness.
He handed me the contract, and I read it over. The cost was more than Iโve ever spent. The way I looked at it was a place to work out and meet new people, although my instinct was that these were not my people. I signed and walked out feeling dizzy again. I stopped in a shoe store to look at what women were wearing. The salesgirl kept complimenting me, and showing me shoes that she loved, and before I knew it, she sold me what I didnโt come in to buy, high-top lace-up pink workout sneakers. Leaving the Century City Satellite, beyond the construction and traffic, I raced home to recuperate. Whatโs happened to me after living in a village in New Mexico, is that too much stimulation is now exasperating.
I walked to Equinox for my first workout, hopped on the treadmill with weights, and tried to look perfectly comfortable, but I wasnโt.ย The vibe and everything about this ballroom of a gym seemed rehearsed. Maybe Iโm too observant, trying too hard to fit in. I noticed so much in that hour. The workout is also a sort of performance, just a shade of competition between men and their weights, women straddling rubber balls, yoga mats, bench presses, and only a handful look like they need it. Men and women occupy the treadmill room; without expressions, they seem to live inside themselves. There is no conversation; it feels more like a convent. There is no hi, hey, or smile. I asked a trainer, โItโs not very social here. Why is that?โ โ These are the highest paid executives, lawyers, agents, actors, and they donโt come in to socialize–they are only here to do the work-out.โ Great move, Greta. Iโm paying three hundred a month to be invisible.
I was walking the streets, and the descriptive details had since evaporated. I mentally pluck myself out of this moment and open the shades to thought and memory, where all writers meet on some psychic level, the place of imagination and creation, an abnormality of reality.
A passage from Anais Nin’s diary says, โBe careful not to enter the world with any need to seduce, charm, conquer what you do not want, only for the sake of approval. This is what causes the frozen moment before people and cuts all naturalness and trust. The real wonders of life lie in the depths. Exploring the depths for truth is the real wonder which the child and the artist know: magic and power lie in truth.โ