RELOCATION REALITY


“Young woman sitting on the books and typing, toned image”

The world we are living is not familiar; everyday it erupts with an inconceivable corruption, acts of violence, and viciousness against humanity. It’s not the Italian roast coffee that wakes me up, itโ€™s world news.ย  I feel less and less a part of humanity and more like a wild creature chewing on an old bone. ย My outlook on social clubs, synagogue and church congregations, membership clubs, group classes, and letโ€™s meet up organizing makes a lot of sense now. Especially if you donโ€™t have children or a life mate. The temptation to retreat into a decorous world of fantasy is irresistible. ย Experience taught me that losing it, giving up, hugging the pillow with film noir on the screen will revive me. It may take two days or more, permitting freedom to indulge in the abstract absurdity, tragedy, and comedy of life available to me. Two days are up: six noir films: Sleeping Tiger, Dangerous Crossing, Ruthless, Finger of Guilt, Wicked, and Cast a Dark Shadow. All suspenseful meandering around themes of greed, deception, romance, uneven love, and forgiveness.

Itโ€™s a great big wide wide world if you leave the doors open. Now that the house has sold, I am fortunate that all those years studying real estate and proving myself by placing money in the boss’s pocket, trickled into my life. The first triplex I bought was in 2002, the one that sold, The Follies House. The rent provided income and paid the mortgage. ย For my Gen X and Millennial pals, I say this: buy a duplex somewhere you want to live.

Iโ€™m feeling overwhelmed as I go through this four-story unit and decide what to keep, give away, and sell. Perplexed as I go through boxes of journals dating back to 1996. I assume I won’t live to preview them for new stories, but I sill feel a sense of belonging to them. I have learned after selling a dozen furnishings that once they are gone, it takes about a week to stop lamenting the loss.

THE THINKING SOLDIER Perhaps the architecture of intention was always more delicate than either of us admitted.. a scaffolding of hopes not yet tempered by time or circumstance. I wonโ€™t dispute the imagery youโ€™ve painted.. itโ€™s poignant, even beautiful in its grief.. As for the vision, I never dismissed the idea. But reality tends to interrupt our grandest scripts with a more cryptic hand. And no, camouflage isnโ€™t my language, even if silence sometimes serves as armor.. If what you received sowed doubt, I understand. But not all absences are betrayals. Some are simply the byproduct of lives caught in divergent orbits, trying and failing to converge..


FROM MY UNNAMED SOLDIER

WRITING FROM YAHOO TO BOO HOO


ADVENTURES IN LIVINGNESS FALLS ON. An unusual time to be writing at four in the afternoon. The clouds drew me up to my writing desk, where layers of clouds forms teased me into believing it wasnโ€™t hot and humid outside.ย  I decided to write the column.

I knew I shouldnโ€™t write on my laptop because it is deconstructing. I can’t part with this laptop until I outline my next book. The sky drew me to the desk, and so I worked around internet outages.

I only had a few paragraphs from the afternoon, and when I returned to the column after dinner, the whole piece took another course, and I was writing not what I intended, but it was like sailing on a perfect course.   It was writing without the editor, meaning the inner editor that sometimes swoops down and cuts your nails off. I was writing about many things that happened. When I finished, I went to save the document and the laptop responded negatively. It vanished.  I thought about trying to recapture the column, trying to reinvent the stream of consciousness that seemed to be marathoning through my soul.

There were so many voices speaking all at once. I had to figure out how to connect the moment the leaves reminded me of Saratoga Springs,  and how we must place our print on the tablet, on the screen, and dismiss the reader who judges where writing takes us. Sometimes,  a reader knows me from the halcyon days, when my light was neon and my spirit a flame. They don’t want to see me now, draped in muted gray and hardship hardened. “Nobody loves you when you’re down and out.” Jimmy Cox 

 

GERMANY READERSHIP RISING THANK YOU GERMANY


I posted a column on Sunday, The Mind Hike. When I checked my stats, it was rising like a new sun, and hit a record-breaking 127 views! That has not happened since I published my book in 2017. I did not optimize the column or take any steps to increase readership. Today it is up to 126. Whomever you are, thank you so very much for reading my columns.

MOODY BLUES TUESDAY


           MATISSE

Writing somberly is parallel to writer’s block. It’s not a block, really, more like a resistance to engaging feelings. ย If I place all the options on a puzzle board, this leads to the center. A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions, and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! I watch Blacklist or some foreign film in the evening. Most weekdays, I’m circulating between finance, selling furnishings online, shoveling snow, and researching acronyms because the news uses them so often.

The vortex of discontent is a punctured life. The windows of my home reflect the splendor of nature that plays all day long in the winter. ย I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. My collection of records and CDs accompanies the scenery. When I’m sorrowful, I listen to Ennio Morricone; when I need a lift, Vivaldi, Sundays it isย Turandot or some other Opera. When I’m a go-go girl, Swing, Salsa, or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen, and Annie Lenox.ย 

      I don’t see any remedy commercials for a fractured heart. By tomorrow, the despair could vanish, like the rain that puddled us for the last two weeks. Everything Iโ€™ve experienced is good in the beginning. So, to begin, I will listen to Begin the Beguine. 

“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theater.  

    Henry miller writes in his book, โ€œ Henry Miller on Writingโ€ โ€œWhoever greatly suffers must be, I suppose a sublime combination of a sadist and masochist.โ€™  I suppose that a few of my friends have aligned me as such, and now that I write this, as in all writing, answers blink at you, and then the soul receives them like a wafer of wonder. Perhaps I am, but where that evolved and manifested, I have no time to think about it because the sun is out. I must sit in my newly designed sunroom, a small book library alcove that receives the sun at noon.  When I returned with my phone to snap a photograph, the sun disappeared like a footprint in the sky. Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted and receive a thousand weekly warnings to get a flu shot. My doctor has tried persuading me to get a flu shot for three years.  I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question. 

WRITING WITH NATURE


In one of my books on writing, I read that most writers face the demon in the middle of the novel. The beginning is a gallop, and the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.ย  ย ย 

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. ย Iโ€™ve finally accepted that my constant relocation, reinventing, and restlessness will not be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I stood out on the porch observing the peacefulness. The scenery of this street is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets; all the shops, services, and restaurants are a patchwork, and all the business owners know each other. ย 

I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender.ย  If you are an artist, the limit is not the sky; it’s everywhere. Natureโ€™s artistry is a full-time exhibition in the Northeast. The view now is of tumbling clouds rolling over; they move slowly, like dough, across the road, while squirrels dart about. ย Outdoors is where we see the best of life.

A LADY LIKE AUDREY


THE POWER OF TRUTH


I was walking the streets, and the descriptive details had since evaporated. I mentally pluck myself out of this moment and open the shades to thought and memory, where all writers meet on some psychic level, the place of imagination and creation, an abnormality of reality.

A passage from Anais Nin’s diary says, โ€œBe careful not to enter the world with any need to seduce, charm, conquer what you do not want, only for the sake of approval. This is what causes the frozen moment before people and cuts all naturalness and trust. The real wonders of life lie in the depths. Exploring the depths for truth is the real wonder which the child and the artist know: magic and power lie in truth.โ€

CHANGE IS COMING


Photo by Nataliya Vaitkevich on Pexels.com

Some of us are not rushing to wave the I made it flag. Some favor holding back until the other elements of our character life are solid; ย our fear, pettiness, falsity, greed, so many steps to climb. I have to trust in the pattern of our lives; the invisible thread that taunts us, teases us, and even torments us. I am discovering the shame and greed, the absolute indifference to my security, and finances.

Gravity has dropped, and so has my sense of structure, health, and self-discipline. Making a bed was too tedious, and grocery shopping was needless because I didnโ€™t care about food; I like tuna sandwiches with avocado and bananas for breakfast. The comfort comes from writing, cloud watching, and phone calls with friends. ย ย 

The loss of direction and ambiguity lurking in the future is a place any person can find themselves in, especially those sensitive and artistic, without a map, familiar signs, and a plan. You have to ride it all the way to a new horizon.

It is a day later; the sky is unchanged, and the cloud cover is still nailed to the sky.ย  In random conversations, I have heard of peopleโ€™s hardships, sacrifices, and compromises. ย I tell myself not to be too sentimental , but it’s a useless force, I am sentiment. Donโ€™tย open those links to real estate values, how much money you need to retire. Openย the link to redesign my interior life using new colors, textures, and backgrounds.

FRIENDS AND FONDNESS OF THE PAST


ย  I ‘m thinking about Loren, one of the most original characters in my life. He developed a vernacular unlike anyone I’ve met. It came from growing up in the hood of Santa Fe, New Mexico. Later exclusive Wilshire Boulevard in Westwood, and then returning to Santa Fe. Joined the upper class clientele as a chauffeur. His vernacular was impressive as it collated honesty, and a wit sharp as a razors edge. Loren visits three times a week at least. Snow means silence and hermitizing. Iย  can’t wait to open the door to Luxury Limo Loren and make him brunch.ย  We harmonize for hours; on tones of fretful fear, wicked secrets, confessions and laughter. The delicious crust of survival and our similarities.

If I write down the pleasantries surrounding my life, the blessings rise up and give me a softened comfort.  The sweet peace may vanish the next day, or be intercepted by the news, a wreck in the street, an unexpected phone call. The crossroads of everyday life comes and goes. Between all of these uncontrollable incidents we are writing stories that some day will be told in conversation, or written in journals and books. The essence of our changing lives is universal.

FAME & FAILURE


SHAME IN SHY

LIKE EYES OF A SPY

HOWLING IN THE STREET

A GUTTURAL CRY

TO BE RECOGNIZED

LIKE JAGGER AND DYLAN

WHERE THEY DWELL

THE SHEEP WILL FOLLOW

CHASING PIECES OF THEIR PIE

CLOAKED IN YOUR SUCCESS

WE HOPE TO IMPRESS

THE ONES WHO TOOK YOUR HAND

TO THE PROMISE LAND.

TO BE PASSED OVER BY THE GAME

AND WATCH YOUR MASTERPIECE LAY IN BLAME

NO ONE NOTICED

YOU HAVE PASSION

IN DARK FLAMES

SHY IS A SHAME WHEN YOU ARE TOO PLAIN

SEDONA SENSUAL


:

A MELODY OF LOVE CRIES

 MY LOVER AND I CHASE THE SUNRISE

GRASPED THE PASSION 

FLAMES BURIED IN COMPROMISE

SCATTERED POOL BALLS IN A HONKY TONK

DRANK RED WINE 

SPOONED FRESH LIFE INTO DRY MOUTHS 

STARED MESMERIZED INTO EACH OTHER’S EYES

MORE BEAUTIFUL THAN THE SUNRISE

OF MOMENTS 

ENGRAVED IN OUR MINDS

IN A POEM THAT DOESN’T NEED TO RHYME