COVID-CHANGED US


IN THESE TIMES OF DISTANCE, DEATH, DISCOURSE, AND ISOLATION what can I write of value? All month this puzzle chased my thoughts; nudged me like a pesky fly. At different intervals during the solemnness, my journal returned parched sketchy paragraphs, and books did not deliver the inspiration I craved. Listening to Beethoven as I gaze out the window at the blowing branches on a spring gray and white day, I feel a singleness I’ve never known. Maybe you feel the same, and it is you I am writing to because I know you are there. Singleness in quarantine is more incarcerating than it is for married, partnered, family people. Though they have to acclimatize to spacial hardship as everyone at home is at the same intersection without privacy, and that slogan I remember from college, ‘I need my space man,” resonates. One friend said to me on the phone, “I yelled at my kids today, I’ve never done that before. We’re bumping into each other. I think I’m losing my mind.”

US SINGLES  are accustomed to solitude, especially if you are an artist. How we howl for isolation to create, and now we have it. The time is here, to skip down the most bizarre roads and create COVID-Art. A few weeks ago, Governor Cuomo delivered his press conference and said, “I have something to show you.” A sliding door opened and a collage that appeared twelve feet in height displayed a tapestry of masks. He told us they came from all over the world. He was so touched by the gesture. Imagine a new solo dance performing an abstraction of the virus, or a poem, a song, and for sure a dozen or more writers and screenwriters are tapping at the speed of light to capture the pandemic in art form.

https://www.theartnewspaper.com/analysis/art-pandemic

I’M GOING DOWNTOWN now to pick up a cobb salad from Sunset Grill, my stable for drinks and great food. The sky is in turmoil, as the clouds interchange across the sun, and she appears to be breaking through at one moment and the next she has revealed her radiance. I dress for the weather with a hat and coat and begin my three-block walk to downtown. When it begins to rain, I am smiling as I’ve always loved walking in the rain. As masked villagers pass, I’m struck by the absence of smiles, or good afternoon which you get a lot in a village of five-thousand. Some younger couples cross the street when they see me, and heads are mostly lowered to the ground. A new silence emerges as cell phones are tucked into pockets and passing voices are inaudible.
I HAVEN’T HAD FACE TO FACE  conversation for several days and I feel a sprinting joy in anticipation of a conversation with Eric or Brian who own the café. They’ve installed a take out window, and as I approach I see Brian, and he ducks down to greet me.
Hey Loulou, how are you?
“ At this moment I am so happy to see you!
He swings down a bit lower to pop his head through the window
“ So am I. We miss you.”
“ I feel the same. How are you doing with all this.” He is smiling, and he’s always a bit jumpy like he needs to go for a jog or a bike ride.
“We had to let the staff go,” now his smile turns to a gripping inner pain. My kid is washing dishes and we’re still here, but you’re the first customer today.”
“Will you reopen when we’re off the pause button?
“ With twenty-five percent capacity, I don’t know. The numbers don’t work out so well. I mean we’ll still do curbside.”
Suddenly he turns about-face and joins me on the sidewalk touting my cobb salad. Brian must need a conversation as much I do. We chatted about the virus, our change of behavior, and this pent-up craving for closeness.
“ I can’t even go on a date anymore with someone! How can you meet anyone today?” He gestures with his arms to emphasize his frustration.
“Yeah, you’ll have to take their temperature before you sit six feet away.” We laughed, maybe for the first time in days.

AS I WALK BACK HOME  my thoughts are traveling along the pathway of restaurants, I frequented in San Diego, Los Angeles, Taos, Santa Fe, and now here. I see the owners and waiters’ faces, remember the food and a visual kaleidoscope of the festive times we shared. You know that saying, the good ol’ days, now I am on the other side of that at least for the foreseeable future.
For me the adaptation is more than frustration. Last year I did not take advantage of the racetrack, or the concerts at SPAC, or the exhilarating nightlife along Broadway on a Saturday night in Saratoga Springs. I trembled in silence abashed by the consequences of my mistakes. If we un-pause this summer I promise you I will not be clasping the remote waiting for the next film.

AS I APPROACH  my house, I notice the neighbor in her driveway. We clashed in the most vicious ways the summer Rudy and I moved into the house. One time I think the police were brought in to settle the argument. It was because she placed a close circuit camera on her roof to track our renovation. She was retired and her husband was always fiddling in the shed. We gave her a purpose. She looked my way timidly. I smiled at her. This is the first time we’ve been this close since I moved here two years ago. She smiled back.
“Are you happy to be back?” she said in a quiet sort of empathetic tone.
“It’s taking time to adjust. I haven’t lived here in so long.”
“I know. Well, not much has changed except for a few new restaurants. Do you plan on staying?”
“I don’t know the answer yet. We had the house up for sale…”
“ I noticed the sign.” She said expectant of more information
“ I can’t maintain a hundred and twenty-seven-year-old house on my own. You know, Rudy’s gone.” She nodded her head.
“Well, I don’t know how much longer I’ll be here either. I’m eighty years old now.” She dropped her head to the ground.
“Lorraine you don’t look like it at all.”
We continued on about my new tenants, her dog, and how much work it takes to maintain a painted lady historic home. I couldn’t believe how sweet her voice was, I’d actually never heard her speak except one time shouting at me. Give up grievances and trivia because the person you once disliked may be very different now.

 

SELF PORTRAIT

VOTING HAS BEGUN ON TALEFLICK.


 

IT’S HERE. “CRADLE OF CRIME-A Daughter’s Tribute” is LIVE in the TaleFlick Discovery contest.

 

Hi Readers:

Voting has begun on Taleflick for this week’s winner. It ends on Friday at 4:pm. CRADLE OF CRIME- A Daughter’s Tribute is on

Page 8. There you will see a voting button. Let’s win!

Head over to the TaleFlick Discovery page, where https://taleflick.com/pages/discovery all visitors to the site will be allowed to vote (once) ON CRADLE OF CRIME- A Daughter’s Tribute

  https://taleflick.com/pages/discovery

 

 

LOOKING FOR VOTES


 

 

 

Dear Luellen,

Thank you very much for allowing “CRADLE OF CRIME-A Daughter’s Tribute” to participate in a TaleFlick Discovery contest. Your date has been set!

It will be a special week on TaleFlick Discovery: an all-women’s week, to commemorate International Women’s Day.

“CRADLE OF CRIME-A Daughter’s Tribute” will be part of next week’s contest that starts:

Wednesday 03/11/2020 at 10:00am Pacific.   https://taleflick.com/pages/discovery. The contest will accept votes for three consecutive days, starting at the above time, and ending the following Friday at 4pm PT.

Participation is 100% free.

DYLAN’S TOUCH


The irony.  When I first heard “Like A Rolling Stone” as a teenager, the lyrics saddened me every time I played it or it came on the radio. Then this song became my destiny.

“Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn’t you?
People call say ‘beware doll, you’re bound to fall’
You thought they were all kidding you
You used to laugh about
Everybody that was hanging out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging your next meal
How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone
Ahh you’ve gone to the finest schools, alright Miss Lonely
But you know you only used to get juiced in it
Nobody’s ever taught you how to live out on the street
And now you’re gonna have to get used to it
You say you never compromise
With the mystery tramp, but now you realize
He’s not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?
How does it feel, how does it feel?
To be on your own, with no direction home
A complete unknown, like a rolling stone
Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you
You never understood that it ain’t no good
You shouldn’t let other people get your kicks for you
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain’t it hard when you discovered that
He really wasn’t where it’s at
After he took from you everything he could steal
How does it feel, how does it feel?
To have on your own, with no direction home
Like a complete unknown, like a rolling stone
Ahh princess on a steeple and all the pretty people
They’re all drinking, thinking that they’ve got it made
Exchanging all precious gifts
But you better take your diamond ring, you better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him he calls you, you can’t refuse
When you ain’t got nothing, you got nothing to lose
You’re invisible now, you’ve got no secrets to conceal
How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone.”
Songwriters: Bob Dylan
© Downtown Music Publishing, AUDIAM, INC
Photograph credit Jim Marshall

FATHER GANGSTERS


I am thinking about some of Dad’s answers to questions. You learn more by listening than telling. I remember if a friend or associate made some business proposition, Dad would answer, ‘I’ve been thinking along those same lines myself, and have a few ideas.’ Now, sometimes, he didn’t know but that gave him a shot into the game. The opponent would then tell Dad everything. The reason I say this is he said that to me. Not in those words, but the same move. Gangster’s do as much strategizing as politicians, maybe more. Coming out of court LA Times Photo. He loved sunglasses, and so do I.

STORIES TO SCREEN-AUTHORS AND PRODUCERS CONNECT


Pitch Page by TaleFlick  http://www.taleflick.com

MOVING STORIES TO SCREEN The world’s finest library of original storiescropped-54795916_high-resolution-front-cover_6490467-11-19-1.jpg

CRADLE OF CRIME-A Daughter’s Tribute
Luellen Smiley

GENRE
MEMOIR CRIME DRAMA BIOGRAPHICAL FAMILY
Drama

Mature Audience

Politics

Suspense

Romance

Core Theme
A MAFIA STORY THROUGH THE EYES OF A DAUGHTER.
TIME PERIOD
1960s & ’70s
COMPARABLE TITLES
THE SOPRANOS, THE GODFATHER, CASINO, GOODFELLAS
CHARACTER LIST
• LUELLEN “LILY” SMILEY: TEENAGER/50S. NEEDY, LOOKING FOR LOVE/ADMIRATION FROM HER FATHER; DILIGENT, STRONG MORAL CODE, CAN READ A ROOM.
• ALLEN SMILEY: 65. LILLY’S FATHER, (IN)FAMOUS GANGSTER. CRIMINAL, AGGRESSIVE, CHARMING, BADASS, ENGAGING.
Register for Full Story
Pitch Page by TaleFlick Info by Author

Brief
Luellen “Lilly” Smiley is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and
business partner. She rips herself from innocence and confronts her father’s nefarious criminal life, as
she breaks the mafia code of silence ten years after her father’s death.
What We Liked
– True story;
– A period piece inside a period piece (‘40s and ‘70s);
– 1940’s Hollywood, with actual “appearances” by stars of that era;
– The mafia and its members through another perspective;
– The father/daughter relationship;
– Episodic narrative, making it perfect for series;
– Possibility of both a fiction piece and a very rich documentary.
Synopsis

940s Hollywood may seem like the Golden Era of Cinema; Clark Gable, Judy Garland, Lauren Bacall
graced the screen, but behind the camera, there was a seedy underbelly ran by Bugsy Siegel and Allen
Smiley.
In the 1970s, Allen’s daughter Lilly Smiley gets a job at her uncle Jack’s book store. There, she is
constantly reminded and asked about her father from customers and other “uncles” who would come
in. After answering with pleasantries, she realizes that people have a completely different view and
opinion of her father than she does. Through research and help from her therapist, Lilly decides to
unearth the real Allen Smiley.
Each story is an episode; a look into the relationship Allen had with Lilly, Lilly had with Allen, Allen had
with the Mafia, and Lilly had with the Mafia. All three of these dynamics weave a tapestry of an
unstable, yet loving relationship. Some of the stories consist of:
● The day her dad died of Hepatitis C was an apparent hit on the Mafia;
● Meeting celebrities of the day and how they respected her father;
● The day her loving Uncle Bugsy died from a drive-by that sent her dad into hiding;
● One incident where her father wouldn’t let her into the apartment because she forgot the safe
word. He forced her to go to another home to get the key, and wouldn’t let her in;
● The day her parents got a divorce, yet her father came home for dinner every night;
● The relationship between Uncle Bugsy and her dad;
● The time her mother was diagnosed with cancer and spent the rest of her life in the Hospital.
How her dad, even though divorced, never left her side;
● Dad coming from an immigrant family, and how that shaped how he approaches problems;
● Allen, disappearing for weeks or months at a time, and how hard it was on her and her
mother. Once her mother died, it was even tougher on her.
● All the different “Uncles” that would stop by and look after the family.
By the end of the series she has a journey of denial, curiosity, and disbelief. She eventually manages
to find people who understand her history and accept her.
About The Author
Luellen’s “Smiley’s Dice-Growing Up with Gangsters columns appeared in San Diego newspapers and earned a Blue Ribbon award from the CA Newspaper Association. Her research led to TV, radio, and print interviews about her father and Bugsy Siegel.

IMAGINE YOUR BOOK AS A FILM.


HOPSCOTCHING THE TRUTH TWO


Three days later: The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I?
It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year “Huckleberry Friend” song. I don’t know how anyone else adapts to this. I’m kinda staring out the window, like a cat staring at an unreachable mouse. When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic.  Photo Credit Philip Townsend. ” London in the Swinging Sixties.”

HOPSCOTCHING THE TRUTH


WHEN YOU TOUCH THE TRUTH: by thought, word of mouth, friend, or by a dream, however, it comes, and completely unexpectedly it is, the blessing is it came.  hopscotch-bristol-1050x700   When it is closure, to events and persons in those events, and if you examine your part, what you played, was it original or falsified, was it genuine, and was it worth it. Asking myself these questions, as  I bounced over to the Social Club to test my sociability.  I do resist introductions, loners are like that, tonight I was in a celebratory mood, and I wanted to be  like an octopus, my arms hanging out, ready to catch. t.     

Three days later:  The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I? 

It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year Huckleberry Friend trust.  I don’t know how anyone else adapts to this.  I’m kinda staring out the window, like a cat staring at an unreachable mouse.  When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic.

AN EMOTIONAL ATTITUDE


 

Earlier today, I stopped into bring Blossom a gift, recently renamed from Christine as she reminds me of a flower. Her curly braided brown hair, pink lipstick, birch brown eyes, and flowing printed dress, just formed that image of a bouquet. She was leaning on the glass display of her boutique, (Amazing Finds, in the village of Ballston Spa) eyes wide and bonded to the glass
window.

 

( Downtown Ballston Spa, settled in 1771)
An instant greeting of, “How’d it go? You look happy. Was it painful?’
My bandaged nose, from surgery last week to remove cancer concerned her, as her flowery eyes turned into studied binoculars. Our conversation drifted into a dialogue about attitude. In the eight months, I’ve lived here and stopped to chat, like four times a week, Blossom has not once displayed melancholy or agitation. Instead, she draws me out of my moody anxiousness (I’m that way. Too emotional) and into laughter and joviality.
” You’re always so positive. How do you do it?” I asked.
” Here’s what I do, I will tell you. Every morning I wake up and write down whatever comes to mind– don’t even think about it, just listen to your thoughts. Write down five thoughts, then go back and cross off the negative ones.”
” Interesting. I journal.”
” That’s different– this works. I wake up grateful, no matter what shit is going on in my life.”
” I’m not that way. I’m too emotional about what happens in my life.”
” Why?”
” Wish I knew, I guess I’m a reactionary. I wish you knew me when I was really happy, content with my life.”
” Forget the past, you gotta let that go. You have it inside you now. I see it, even though you have a lot of obstacles, I know you’re a good person, and you got legs!
” Wish I had your breasts!
“Hah-hah! Listen I want you to do what I said, wake up with what you have and not what you don’t have. Love the purse too by the way.” We hugged and I trotted off, a bit of a dance to my step and a smile on my face. She touched my emotional gear, gave it a push, and into the night. Instead of arguing with myself that I should go out and meet people, mingle, laugh, my evening was music and film, emotions like floating musical notes until midnight.
Three days later, Dorian strikes and my head turned outward, the images on television seemed staged, the aerial footage presented an island of trash floating in dump water. How do they rebuild those miles of destruction? The emotions we have monitored from the comfort of our homes or wherever you happen to be are as one. News anchors drop bashing in the tidepool of politics, and sordid revolting details about Jeffrey Epstein, or the latest protest. I imagine every one of you is horrified, maybe slightly in shock to grasp the velocity of Mother Nature. Floridians are locked up like school children. My friends in Miami cling to one another, as the warnings are now so intensified, the fear detonated functioning life. I’ve never lived through a hurricane; a few tornadoes and my nerves were wiggling from those events. Life, when we come together in emotions is the hope that we can do it when we are not threatened.
Sitting on the porch of Follies House in the wooded hillsides of Saratoga County, NY sealed in verdant shades, tickled by a tap of breeze, only enough to cause the slightest of tones, much like what I am listening to Little Girl Blue by Oscar Petersen. Anais wrote extensively about jazz writing when she lived in New York and frequented all the jazz clubs. So, with my emotions, the music, the serenity of East High Street on a Saturday, white butterflies and cotton ball clouds granulate into daydreaming, and neutrality.

OLYMPUS DIGITAL CAMERA

I tried Blossom’s idea and surprised to find that the negatives are not life-threatening, painful, or disastrous in any way. The positives are it is September in New York, my windows are newly cleaned, so I can see the leaves sprout into golden shades, nothing broke in the house this week, and my refrigerator is full. The essentials of livingness, a partner to warn me from misadventures, a working laptop and printer,  friends phone call and texts, oh, and money for perfume and lipstick.

Yesterday I stopped in to see Blossom.  ” Pick something out, I love your present.  … here try this shawl. It looks like you.”

 

WEST TO EAST-PART TWO


THE LAWN MOWERS.

I READ THAT GRASS GROWS AN INCH A WEEK IN THE NORTHEAST  and so the neighbors mow once a week. Then they edge, weed wack, then they blow. Some are more finicky than others,  I can see them from my bedroom window.  Some wear expressions of an artist, intensely serious and meticulous, others mow in business suits on motorized stand-up mowers, and some mow with a visible resentment, an overly redundant but necessary chore in the Northeast.

I don’t mow, I hired a couple, Matt and Jessica.  Matt mows with his legs wide apart, no gloves or sunglasses, no earplugs, and Jessica blows. She wears the blower mechanism on her back, her long tanned naturally sculpted arms maneuvering as if she was vacuuming the living room rug. I wait until they have almost finished to greet them on the porch.

” Life sucks,” Matt calls out to me with the motor still running.

” Yes, it does. What’s happened?”

” My daughter got into a car accident on prom night, seven thousand dollars later. He wipes his forehead of sweat.”

” Is she alright?”

“Another driver crashed into them. How’s it look, nice right?”

” Excellent.”

I invited them into the house, for a look at the furnishings I’m selling.”

” Wow, you love music and vinyl!  I do too. Is that Mick Jagger in the photograph?”

I took that on to ruminate about my former Santa Fe Gallery of the music photography of the sixties, the Rolling Stones, Hendrix, Beatles, and as soon as my boasting sounded halfway boring, I shut up. I really don’t think my past is important to anyone but me unless they are photographers. I used to sneer at people who only talked about what they used to do. How life revisits you at sixty-something when the bragging projects have ceased.

” You own the house?”

” Half owner?”

” Where’s your other half?”

” Missing in action. It’s all up to me now.”

” That sucks. Listen, if you ever need advice about the Northeast, call me– I know everyone.  You lived in Santa Fe right?”

” Yes, eleven years.”

” I hear it’s beautiful.”

” Well, it is, and it was, but I’m here now.”

” You going back? I mean why the hell stay here?”

” Maybe? I just don’t know.”  Jessica tilted her head as women do when they see a falling sister.

” Okay, I like you, you’re a nice lady. We’re friends now.”

” Are we good enough friends that I postdate the check for three days?”

” Hell yes! I don’t need the money. Don’t even worry.”  I walked into the music room and picked up a double album of Janis, still in the cover.

” You like Janis?”

They both said oh my God I love her.  I gave them the album.  That’s what friends do, reciprocate.

Matt and Jessica come every two or three weeks because I love grass. The wind blows it, the curve of it when it bends, just like I love long hair.  One time I greeted them in my interview outfit, you know, buttons and high heels. Matt said something like, “Lose the scarf and fit in, or they will charge you double.”

If I knew how to manage the Northeast weather, sensibility and had a big family, I’d adopt a cat and get a New York drivers license.

 

OLYMPUS DIGITAL CAMERA
2003 The Village Adopted my Slogan.

 

 

 

 

 

BLACKLIST- NETFLIX


The Blacklist | Netflix
netflix.com
NETFLIX- BLACKLIST-
Agent Keen and Reddington are educating me on how to fight evil and how to survive. All of my problems are theirs in some episode: mental torture, financial sabotage, abandonment, physical pain, betrayal, threats, and deceit. The only problem, is I am up till 3am watching it! In my humble movie mania opinion, this is the most outstanding drama-suspense-script perfect series. James Spader blows me away with his finesse in dialogue and authenticity. And how I wish to be more like Agent Keen, played superbly sincere by Megan Boone. There is a part of you in one of the characters, I’ll bet on that.
https://www.netflix.com/title/70281312BLACKLIST .png