I used to sit on the stoop in front of my Los Angeles studio. The dog walkers, gardeners, and residents formed the stage, with a backdrop of high-rise, two-million-dollar condominiums and vacant concrete terraces. From that, thoughts randomly tapped: I wish I owned that, wish I had that car, wish I had that garden. It is amusing how one’s view can determine one’s thoughts.
In Ballston Spa,where I lived the last six years, homes are two-hundred years old, or newly built to emulate the Victorian era. The automobile is sturdy, practical, and unwaxed. The way of this wonderment brings simplicity into my life. There’s no need to dress up and fit in; it’s the opposite here, dress down to fit in, or, like me, a combination. I am omitted, observed, and questioned, because, well, I never learned the answer to that, until this moment. Locals love locals, and I have never been one.
Winter announced! First ladylike snow because I can still wear my loafers and jeans.
I say this as politely as possible: Government stay away from my Genie. The annoyance of conflicting orders robs me of my Aladdin (magic moments). Mental sedation is needed while I edit my next book. I’ve been advised to delete 40,000 words from the 141,780 manuscript. Over three days I deleted 2300 words. My new friend Rose, says, ‘Chop chop, you can do it!”
I feel like time is stained with interior stoplights, obstructions, and restrictions, within and without. What happens is subtle, but when so much time is spent on soulless activities, life loses its Aladdin. Even if you’re sitting on the beach at Turk and Caicos, dining al fresco with perfectly agreeable friends, and swirling in jets of aromatic succulents, I think our souls ache for simple genuine, honesty.
Writing feels rusty today. I plow deliberately through the blank mental soil to find a blade of substance in a week of tragedy and cultural chaos. In conversations with men and women about our fractured culture.
” It was never like this when I was growing up,” that is from a fifty-year-old,
” I won’t get on a plane, no way?” from a forty-year-old.
” I don’t talk about my views with anyone at work or out of work, except my family and friends.”
I replied, “Yes, we have to talk niceties, bland boring conversation. “
When I was growing up, there was more joking, laughter, and confessional conversation. I was thinking about my high school years; we talked a lot about emotions, our parents, our dreams, and our fears. I don’t recall restraining what was on my mind. Perhaps that is why the majority of the younger generation prefers social media friends, as they can be easily deleted or blocked. On my FB page and feed, not one follower or friend reveals their political views, including myself. Isn’t that so contrary to humanity? And political violence, I keep hearing we won’t tolerate that on the news, but we are tolerating it. Do we all need drones over our homes for security? An optimist would say, We can do better, and we will; a pessimist might say, I think it’s going to get worse, and a nihilist would say, Life isn’t worth fixing; it’s just worthless.
I canceled my utubetv cable account, because on most days anxiety is at full tank without the news. In this new state of freedom from home; maintenance, repairs, showings and tenants, time is on another clock.The one that ticks as a writer in progress who is dusting off the least truest of thoughts.
Scintillating in luxury and comfort is therapeutic if mastered with moderation. So, my second week here in the hotel, I opened the thruway to discerning tasks: a deep dive into publishing my book, rewriting the ending so art isn’t imitating life, but the other way around, searching for part-time employment, a seriously pragmatic approach to where to move, and writing my pop-up columns.
It is tremendously easy to write from this hotel room, without those damn barking dogs next to my home, the constant vibration and noise of mowers, blowers, and city works.
On my desk is Henry Miller’s book, On Writing, and every page moves the mental nerves in some way. “The writer lives between the upper and lower worlds: he takes the path in order eventually to become the path itself.” From living in isolation in my home, my tenants are cordial but reserved; I am now swept like a surfboard into a wave of public swells. It is their stories that come out of this experience.
I begin with the Casino, attached to the hotel lobby, and open at 11 am. Arrivals begin: gamblers shuffle inside, some in wheelchairs, younger men with speedy strides, couples, single women, a plethora of humanity in common, with one mission: to win. I take a seat at the bar, and eye wonder at the slot machines. I haven’t counted them, but the room for walking is limited. There is one machine with the motif of a bull, and when someone sits, the bull grumbles loudly, so I pull out my earplugs. I watched one man win, and after he left, other players who heard the winning clang took his seat. It is a popular machine.
The casino looks to be around eight thousand square feet, with seventeen hundred gambling options. The path to get back to the hotel, I have to navigate around and around. The first time, of course, I went in circles as my sense of direction is like a butterfly’s.
“ Excuse me, can you tell me the most direct way back to the hotel?”
“ Lost are you? Follow this carpet pattern, the one in the middle, and it will take you back.”
Off I trot, staring at the paisley pattern, through six different arenas to the hotel. I went outside and took a seat on the bench. A woman passed by and stopped, “ How are you?’
“Adapting, I’ve not been here but a few days.”
“ Oh, we’re just checking out. I can’t wait to get home to my Pomeranians. I have two. I rescued them, and they are my babies,” she continued, talking about the dogs. As she spoke, I noticed how immensely liberated she was in conversation, and how her hair matched her outfit. She smiled while talking.
“ I’ve seen you before. I noticed your style; you were wearing such a pretty outfit”, she said earnestly.
“ Well, thank you, and so are you.”
“ Are you alone? I think you are, but don’t let that get you down.”
“ I wasn’t ready for a very long time. I’m crossing over that mountain, only I’m not like you. I can’t approach people the way you just did.”
“ I used to be like that! Now I don’t care, and you shouldn’t either. God loves you, we are all his children, and we need to love each other.”
I let her go on and thought any minute she might bring out a bible or a cross and start praying for me.
“ I bet my husband is looking for me; he’ll be mad, not really, he’s used to it. We’ve been together forty-five years.
“ Remarkable. What’s your secret?”
“ Love, respect, and compromise, it’s really very simple. You’ll meet your honey, I feel it, you want that, don’t you?”
“Yes, when a man tells me everything is going to be okay, I settle down. I’m emotionally overweight.”
“You’re funny, see that is another quality that gets you through life.”
“ I see a man approaching, and she introduces her husband. He is tall, and emulates a calmness and contentment as he hedges into the conversation about going to Lake Placid.”
“ Have you been there?” he asked.
“ Years ago. It’s beautiful.”
“ I turned towards his wife. I didn’t get your name.”
“ Donetica, Italian, my friends call me Dee.”
“I’m Loulou, and thank you for stopping by my bench.”
She giggled, blew a kiss, and said in parting, “ I love you.”
As she left, a woman exited the hotel in a state of exhilaration.
“ It looks like you had a good day,” I said
“ Yes! I won eight hundred dollars. She swung her purse and skipped off.
Hmm, I wouldn’t mind winning at all, but I’m in enough ambiguity to play against those odds. To be continued.
ADVENTURESS IN LIVINGNESS this week ends with new directions in living. Before that happens, you have to get lost, detached, and miserable. It messes up your social life, your routines, your comfort, and your partner. I don’t have one, so it’s all up to me.
Men wonder why women change so often, why we are spirited unicorns one day, and mules the next. It comes from the universal need to roam, to feel new sensations and passions, and to find more things to love. Even our closets are overflowing with love: “I love those shoes, I love that coat.” We replace our wardrobes because we need more garments to love.
At the crossroads of some moment in time, I stopped loving material things, my reflection, and went looking for a deeper direction of sensation.
It started last year, when my life was tangled up in two projects that were not progressing. As long as someone didn’t raise the curtain on my imaginary life, I stayed right there, like a gearshift left in neutral. When failure and rejection continued to knock me on the shoulder, I welcomed the familiar knock and remained stationary.
The exact moment I decided to shift gears was a painful one. I let go of both projects that were obstructing my motion. I have extracted the nature of the projects because it really is irrelevant. After I let go, and watched those long-term efforts just dangle from boxes, notebooks, and letters of correspondence, the straight of my back curved. Where is my direction? Where are any of us going anyway, except away from that moment we have no control?
If I asked why this happened, and that happened, I was then distracted by some woman in the car next to me who was having more fun in her convertible talking on her cell phone. Routines were becoming burdens, and my favorite places of comfort were boring. Encouragement came from writing columns, reading letters, and those long, solitary road trips in the night. I felt like I was sleeping, but even in that state of detachment people were finding me, and shaking me up.
I remembered one of the faintest memories of my childhood. I cannot even recall the place I was, or who was there; most certainly, it was not my father and mother. We were camping out and I was in a sleeping bag on the hard gravel ground. It was so unfamiliar to me, the simplicity of the natural surroundings, the heavy black balm of tranquility, and the brightness of each star. I lied awake most of the night talking to my fellow campers, and at some point they said to go to sleep. I could not close my eyes. The adventure had swept me into a state of alertness, the kind that makes you feel extraterrestrial. That night must have taught me to welcome new adventures. Sometimes they have ruined months of my life, but most definitely, at the end, I sprung up with a new line of faith.
Again, I am leaving out particulars because it is not the direction I took or what I’ve chosen. After all, it could be anything. We all want to roam, and love, and find some nugget of truth at the end of the road. I think women need to roam more now than men.
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I watch film noir with an admitted addiction. The grainy black and white stillness, the music scores, the cinematography satisfies more than current cinema . The message comes through, live gracious, selfless, forgiving, brave, and passionate? As I feel these thoughts streaming along, the one that stabs like a knife is passion. That visceral sensibility has driven me throughout my life: about men, mystery,adventure, accomplishment, art, music, dancing, unfamiliar places and faces, and café society rendezvous. A temporary grasp of glee. And when it ends, it goes like this.
Undisclosed strangers will walk in our paths. Cross our hearts and Tread on our minds
Uncertainly We traverse our heart’s discourse Shooting for dreams of undiscovered lands More weightless plans I don’t know if I can see ahead My steps, like pebbles, follow the rush in the river On the edge of the quiver
Skipping towards freedom In summer, rays of light Like a leaf, I break free from the branch,
Writing somberly is parallel to writer’s block. It’s not a block, really, more like a resistance to engaging feelings. If I place all the options on a puzzle board, this leads to the center. A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions, and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! I watch Blacklist or some foreign film in the evening. Most weekdays, I’m circulating between finance, selling furnishings online, shoveling snow, and researching acronyms because the news uses them so often.
The vortex of discontent is a punctured life.The windows of my home reflect the splendor of nature that plays all day long in the winter. I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. My collection of records and CDs accompanies the scenery. When I’m sorrowful, I listen to Ennio Morricone; when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera. When I’m a go-go girl, Swing, Salsa, or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen, and Annie Lenox.
I don’t see any remedy commercials for a fractured heart. By tomorrow, the despair could vanish, like the rain that puddled us for the last two weeks.Everything I’ve experienced is good in the beginning. So, to begin, I will listen to Begin the Beguine.
“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theater.
Henry miller writes in his book, “ Henry Miller on Writing” “Whoever greatly suffers must be, I suppose a sublime combination of a sadist and masochist.’ I suppose that a few of my friends have aligned me as such, and now that I write this, as in all writing, answers blink at you, and then the soul receives them like a wafer of wonder.Perhaps I am, but where that evolved and manifested, I have no time to think about it because the sun is out. I must sit in my newly designed sunroom, a small book library alcove that receives the sun at noon. When I returned with my phone to snap a photograph, the sundisappeared like a footprint in the sky. Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted and receive a thousand weekly warnings to get a flu shot. My doctor has tried persuading me to get a flu shot for three years. I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question.
In one of my books on writing, I read that most writers face the demon in the middle of the novel. The beginning is a gallop, and the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.
The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. I’ve finally accepted that my constant relocation, reinventing, and restlessness will not be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I stoodout on the porch observing the peacefulness. The scenery of this street is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets; all the shops, services, and restaurants are a patchwork, and all the business owners know each other.
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender. If you are an artist, the limit is not the sky; it’s everywhere. Nature’s artistry is a full-time exhibition in the Northeast. The view now is of tumbling clouds rolling over; they move slowly, like dough, across the road, while squirrels dart about. Outdoors is where we see the best of life.
The subject pierced me yesterday morning and came from Anais Nin, a passage in her diary. “Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.” ― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934.
Today, the first in several months that the atmosphere is ripe with thought, and has brought me back to the writing of the moment. The delivery trucks have not opened their doors, and dropped their ramps, the garbage trucks have already passed, and the traffic is so slight as it is Sunday.
Spring is brushing nature with a varnish of subdued sunshine. I sit at my desk and listen. I hear some cheerful shouting on the sidewalk, a horn breaks the sanctuary, and then a sparrow lands on the terrace, and we watch each other. I breathe deep, close my eyes, and feel my oatmeal breakfast thumping in my belly.
The stream of consciousness is threaded into the deeper blanket of anxiousness. I am in the circle of chaos that seeps into everyday activities. Tempers are flaring, rousing combative street encounters. Business owners and employees are jumping ship everywhere. People are relocating, selling possessions, or using succulent lips and breasts to lure men for financial support. We are all edgy.
My emotional tail is wagging. Curled up in my desk chair, I feel almost as if I was born in this chair. It’s cushioned me through a cyclone of adventures in livingness. This piece of writing was handwritten on a tablet back in late January. I’ve made some minor additions and deletions. Before submitting to a publisher, the editor I used asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in final editing. My control over my writing is identical to how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t even think of applying proven methods; I make up new ones. Back to this plateau of solitude. Love what you have, and especially yourself, with all your flaws. Integrity is more critical; be proud not just for yourself, but because someone out there needs you.
PART TWO: After reading this and while emptying the trash, I was struck by this: the big payback to living as I described is an adaptation to proven methods. I’m learning pragmatic over poetic.
ADVENTURERS IN SINGLE LIVINGNESS 
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