Page 525. Terrified to post this but it is Sunday and I’m brave on Sunday. The book is fiction, first-person, and close third person so you’ll need a jogging suit to read. Based on true events.
Greta let the moment of the village rescue stay with her, like a new pet for as long as she could hold on to its beneficial ointment, away from what she calls her immersion into self. She gives me examples that illustrate her obsession with matching outfits in her closet.
Itโs a bedroom she converted into a dressing room. Thereโs a single bed against one wall, a cabinet where she stores the winter boots, and an eight-drawerFrench nouveau dresser and mirror. She sits on a chair facing the windows so she can watch the trees live through sun, wind, rain, and snow. Across from the chair is the bed. She diligently arranged her summer pastel skinny jeans on the bed, and next to that row she arranged the T-shirts, camisoles, and shorts. Itโs quite practical considering Greta as she has admitted to me half a dozen times, that she was born without common sense or practicality. At the base of the bed, she lined up her shoes, the slip-ons, the flats, the pumps stuffed with tissue paper to preserve their shape, and the wedges. After a breach of sanity, she goes into this room and visualizes outfits and color matching like someone might play chess. โ It does have a purpose, this way I visualize without wrangling with hangers and you know it just takes too much time when youโre in a closet.
‘”These days I look at them as if they belonged to someone else, I mean the red suede with gold heels that I wore on a New Yearโs Eve of gaiety and not since, the black velvet pumps that always make me feel dainty and light. What care I give to all these garments when in the other part of the house, Dodger was descending into a financial coma.”
ย Greta did not acknowledge the few months before his departure that he was riddled with abject unfulfilling tasks, bills, and construction jobs that no longer fed him purpose and accomplishment. She did not notice that his slacking posture on the front porch, head lowered and staring out without any body movement was a sign, she in fact despised it and walked away. ย In the last few months, all of this seemed to rise up like a curtain before a play, in a theater and she witnessed his insolence and his silent howl for help. ย
The irony of her activity is that she doesn’t go to the events that she plans on going to wear the outfits.
Sometimes an interview with a musician goes deeper than a narrative history of recordings, concert calendar, and early training. That happened when I met Jorge Gรณmez; founder, keyboardist, and musical director of Tiempo Libre, an all-Cuban-born Timba band. We met in a modest hotel room in Santa Fe, New Mexico where he and his six band members were invited to play for the third time at the Lensic Theater. It was steam-bath hot and muggy that Friday afternoon. As I stood in the doorway, Jorge wrapped up a recording session. After introductions, everyone cleared out except Jorge and Raul Rodriguez, the trumpet player. Raul propped up against the headboard of an unmade bed, one leg bent at the knee, the other straight out. He reminded me of Miles; cool in his skin and unflappable.
Jorge and I sat at the kitchenette bar, between us his keyboard on the countertop. Eagerness to begin was dilating from his eyes, so I began with my favorite question to all immigrants; how did it feel when you landed in the United States?
“Oh my God! It was my dream; all through childhood in Havana.” “Do you love America now?”
His arms shot straight up, as he rose from his chair.
“Are you kidding? We love America! How can you not? This is the best country in the world. I’ve been all over: Europe, Asia, Mexico, and the Caribbean. You have all the opportunities; you make your own life here, whatever you want.” He shifts his attention to Raul, agreeably excluded.
“You can’t do this in Cubaโright Raul?” Jorge leans forward and I’m struck by the indisputable untainted smile. Jorge continues to dramatize his arrival in Manhattan, with arms and eyes, “I got out because I had friends in New York. They helped me get gigs in the bars, weddings, and then we got into the clubs.” The room is silent except for Jorge’s satin-smooth transitions from one question to the next. That alone is reason enough to meet Jorge for a conversation. “We were not allowed to listen to Cuban salsa music, or American music; only classical. I trained at the Conservatory all my childhood. I play all of them; Beethoven, Brahms, all of them.” “Where did you learn Salsa?”
“From America! Yes. As teenagers, we climb to the roof and we to wait till state-programmed Cuban music goes off the air at 1:00am. Then we wrap aluminum around the antenna and turn our radio on. We pick up American music; like Gloria Estefan, Michael Jackson, everyone. We listened all night so we’d take the rhythms’ in our heads you know.” “What’s the difference between Cuban Salsa and Latin Salsa?” “Everyone claims this is their Salsa; it’s Latin, Marange, Colombian… it is a blend of many cultures and musical influences. We take from each other. All the instruments I learn come from listening. They teach me everything, and I teach them.”
“Do Americans play Conga different than Cubans?”
“It depends on the person. See if the person is open to learn everything then he push through. For example we have been playing all these places like Michigan, Minnesota, Minneapolis…all those places that are so.” He pauses to express it precisely. “Cold” he says, laughing out loud.
“And I’ve seen American band playing Cuban salsa so so good, my God, so well. Blue eyes and blond hair.” Jorge breaks to howl out his enthusiasm, surprise, and demonstrate the memory.
“Who do you like to listen to do today?”
“I don’t know the names, but I have a lot of friends, and they call me and say, ‘I have a band, you come and hear me.’ So I go to the club and Wow! This is good music! Everyone is dancing. I love to see them dancing! I want to see them happy. If they want to sit and listen, good, if they want to sing along, good, they want to dance good. Everybody has a different reaction. My job is to transfer the energy to the person; that’s the idea. Not to play the music for me; I want them to be happy.”
“How do you do that?”
“Sometimes you are sick, and no matter how many pills you take you are still sick. Right?”
I nod and watch his facial expressions twitch in thought.
“Then let’s say I come and say, Wow! You look so good man, you are looking good, and he claps’ his hands and pantomimes the joy he’s transferring. ‘You wanna coffee cake and coffee, yea, come with me, (clapping again) you want to sit here? Yea sit here and see the sun.’ Suddenly, you feel good.” He nods his head. “Trust me.”
Jorge is toe-tapping in place, his arms positioned in a warm world embrace.
“You forget all about the pills. Trust me, that is the kind of energy I give.”
“I suppose you don’t get sick?”
“Never. For sure. Never. I don’t know what this head pain is… how you say, headache? Like friends say I have so many problems, so many headaches, I can’t go out. I say, ‘What! Come on we go to the beach, to the sand. Bring your conga. What are you crazy! Come on!’ So he comes and we play on the beach in Miami.”
Jorge drums on the countertop. “Have a beer, have another.’ And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, ‘I had the best day of my life.’ Yea! Be happy! This is youth; this is how you stay young. Life is so big.”
I shake my head, “Not in America; we concentrate on sickness and misery.”
“Yea! You don’t have sickness yet, but you are going to get it.” He ruptures into laughter and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can’t go to sleep at night. All the songs and ideas are in my head and I can’t sleep. I must write it down, and the next morning I feel so good because I didn’t go to sleep. I drink beer because I am too happy-over happy.”
“Where did you learn this happiness?”
“From all the difficult paths I have in my life. Childhood was very difficult; no food, no water, no electricity, and no plumbing. What are you going to do? Party, go outside, dance, play basketball, and baseball. I get my friends and they say my problems are bigger than yours. Bla bla bla.”
I’m laughing now as Jorge continues to articulate his life philosophy. “At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can’t go it alone.”
He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge’s eyes and brows are in motion, as much as his legs arms and hands.
“What you’re going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You’re going to see a lot of soul. When Raul plays his trumpet you’re going to turn inside out.”
“What is Timba music?”
“A mixture of jazz, classical, rock, and Cuban music.”
“Sounds like a musical.”
“Yes, Yes! We are in preparing for that.”
Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was dancing below the stage. Two and half hours later I was still dancing, along with half the audience.!!
Looks like an open dragon mouth, in a way it is. Follies House is begging for a brace. The horrors and hahas of owning a 137-year-old home. We’ve had twenty-two years of sustainable wood, but this year is the end of luck. A dear and wise friend once told me this, ” Don’t love what doesn’t love you back.” As a woman of insatiable imagination and impracticability, I do love her. So I spent a few weeks interviewing masonry contractors. The first four said this, ” I wouldn’t park your car under there.” “What? The carport is going to collapse?” “It could.” ” And that costs? ” Fifteen thousand at minimum.” ” What about a temporary fix.” ” Too much liability. Sorry, mam.”
Five interviews later talking to a man whose been in the business thirty years, ” I cannot restore the entire job, is there a temporary fix?” “Well, we could bring in a platform plank to hold it up.” ” How much would that cost?” “Twenty-five hundred tops. You should really let us remove the foundation above it, that’s rotted and sinking. Is there a room above it?” “Yes, a bedroom in my unit. How much would that cost?” ” Between ten thousand and fifteen. We have to get in there and see how much water damage.” ” No, I can’t do that, no impossible.” ” I understand. I’ll do the temporary fix, the house is so gorgeous, and I’ve seen them all.” ” Thank you, I have tenants and have to be responsible for their safety.” ” Would you like to see the bedroom?” ” I’m in a rush.” I smiled a lot and walked up the stairs and opened the front door so he could see. “Wow, this is incredible.” Once he was in the house he was in love and granted me a discount of five hundred dollars. Do you know why? He said he’d love to be a part of her history after he’s gone. Historic homes are leaving our country, replaced by what he called tinderboxes that only last thirty years.
In December 2018, I relocated to Ballston Spa, New York ( like the Adirondacks) from Los Angeles, for a temporary stay. I checked out of my charming Kleenex box studio in Westwood Village with bougainvillea, assorted flowers, squeaky clean green lawns, and shiny MBZ, Porches, and Maseratiโs racing up Beverly Glen Boulevard. I met eccentric neighbors with prominent film, TV, and Tech careers. The homes sell for 2-8 million. My four-hundred-square-foot studio rented for sixteen hundred-plus utilities, and street parking. Moving y car twice a week for the street cleaner was an annoyance. I didn’t understand why he came twice a week, the street was living room tidy, no trash or cigarette buts, and very few leaves.
The last time I was driving along these rolling roads past farms, fields, shabby chic barns, horses, and the forest was in 2012 with my co-owner, renovator, best friend Dodger, and my fiancรฉ Jay. Now I am a subterranean single, with a belt-tight debit card.
As the driver swerved into the driveway, my mouth dropped, frozen for a moment. Follies was frayed, peeling paint, the cracked driveway got worse, the flower beds were now weeds, and dried fall leaves all around. Dodger and I spent twenty years maintaining her glory and, provenance until the last six years. She needs a face-lift, a porch lift, a stairway replacement, an entirely new coat of paint (we used seven pastel shades on all the trim) on the five thousand square feet three-unit home. The swell of guilt emerged when I discovered what Iโd ignored did not take care of itself.
Until I procure a tenant for the vacant three-bedroom apartment, I’ll move in and attempt to repair and maintain what I can afford. A pang of overwhelming sadness emerged into a sobbing session. Afterward, I felt a lot better! I’ve never understood why so much argument is against emoting-where else can it go? Into hiding, only to pop out at the wrong moment.
I opened the wooden front door with stained glass inlay and dropped my luggage. Where the fxz$% is all the furniture?โ When I was here in 2012, I had just redesigned the rooms, polished the wood, and shined our antique mid-century furniture collection. The salon captures everyoneโs attention, with its cherry wood ceiling and baseboard trim, leather embossed fireplace, and the floor-to-ceiling original windows were stripped of the drapes.
The last time Dodger was here, I think in 2015, he made repairs and replacements over two months. He must have sold the furniture or what? We are not in contact any longer. In the Salon one tattered pink swing 60s sofa, all the tables and chairs the roulette table, stereo, TV, porch bar set, and photography absent. Upstairs, to the bedrooms, I entered the guest bedroom, stripped, except the gorgeous three-panel engraved black and ivory divider.
As I roam further, my lips quiver, I am cursing non-stop, then I step into my bedroom, I call it Heaven. The room is painted the most subtle shade of wisteria, and the floor-to-ceiling windows reveal all the light against the handsome spruce, pine, oak, and evergreen trees. Wow! the room is furnished with a desk, a lamp, bedside tables, and a new comforter and pillow shams to match. It’s as if someone was expecting me. But who? To be continued.
Iโve often wondered what people think about when they are alone; taking a run or walk, dining alone, in the shower or tub, or just being on their own. Artists in all genres spend more time alone in the process of creating art.
Waking alone, I step out to open the drape to see if it has snowed. If it has then Iโm on landlord duty to wait for the snowblower to arrive, so my tenants can get to their cars. If it hasnโt snowed then I am thankful, not that the snow-white lawns and rooftops arenโt magically transforming, itโs that time of year when the power goes out or some other nuisance like scraping snow off my car and porch.
Then thoughts leap like little squirrels, from musing on my friends, who I need to call, do I feel like writing today, can I stomach thirty minutes of news and a bit of punishment for past mistakes. The one thread that rises in nightmares, and the first moment I wake up is unconquerable, fear is a thread I cannot snip and toss away. Fear is really about the unknown, we cannot supersede circumstances that are in the waiting room of our lives. Either they have already occurred or you know they are on their way to your front door.
THE FOLLIES HOUSE
Now with the coldness, at six or seven in the morning, I crawl back in bed with coffee and think of the past, then the present, then the future, and then my thoughts drift like snowflakes. You know the saying when you are despondent or troubled you will be told to keep busy. I have not understood that advice until now. My life prior to the last two years was dizzy bizzy. And yes, it eliminated fear and malaise, so now without all the lists, commitments, and responsibilities absent, I am on time with my thoughts.
I ROSE AT 3:00 AM to turn the heat on, pick up my writing journal, and discern the weekโs theme. I wonder for a moment if I should boil water for tea or coffee, and settle on decaf. The street is hollowed like a tunnel, the light of day is shining in some distant country, and the sky appears tinted with primer. Somewhere someone is dressing for work, breathing by the tick of the clock until he or she ( canโt figure out the right pronouns) must report for work.
The draft of sleep lingers in my eyes, and my feet shuffle on the wood floors while I grind the beans and think through the remains of the week. There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpectedly and replace whatever we were holding on to dearly, and deliver something unpleasant, like sickness, or separation. The sensations leading up to my theme jilted my creativity, and the pages I wrote were jammed with contradictions, maybe they still are.
Thoughts begin to form and ruminate, what is important? The theme of my week began when I finally was in the Dentists office. Itโs been a year, and at sixty that was enough. Now Dr. FX’s office calls me every six months because I am over sixty-five. Still canโt really grasp my age. When I was thirty-something sixty-eight seemed very old. Do you remember that?
Dr. FX is the Music Man dressed in a white tunic. When he comes into my cubicle, he sort of prances on his toes and gives me an elbow safe bump.
โ Hello, oh I see,โ as he looks into my mouth that has been open too long and my cheeks start to stiffen. The hygienist takes that white suck-up tube out of my mouth.
โ She has some tarter that I canโt remove so I suggest she come back because her gums are so sensitive and nonvaccine her for the water treatment .โ
Dr. FX nods and bounces out of the room. Now she begins to sort of authoritatively advise me again that I have serious tarter. I think this is the third time.
โ I think I got a little lazy flossing during covid.โ
โEveryone did.โ
โAnd I also started snacking on those crunchy health bars at night.โ
โThat wouldnโt cause that.โ
Now I am ready to leave and Iโm elated to get out. The receptionist starts talking and advising me about Dental Insurance and she leaves her desk and meets me in the waiting room, and starts stretching.
โ I have to do this as much as I can, sitting in that chair all day long.โ
โOh, of course,โ I raise my arms and swing my hips beside hers. I walked out into a day of clouds and a peek a boo sun feeling a mood change, a spark of energy from a few moments of improvisational dancing. We all crave an irreplaceable swarming of joy, that comes unexpectedly. I was awakened to my detachment from feeling truly alive.
Writing with a pen is so different from the keyboard, journaling is always with a pen, but columns are on the keyboard. I understand what tranquilizes all the peripheral complaints, mental pains, and wounds that lie dormant or at least manageable. Without thinking of the tormented hours, I think of the comforts of exhibiting my life on paper. My desk is sealed into a corner of the bedroom, next to a double pane window (original 1885) forty feet in length. It is not the act of writing with pen and paper moving along at a steady rhythm; itโs the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or a Moorish Castle, but experiences that flake off the skin, or recall of the experience that gives it relevance.
I return to the porch for one more gulp of landscape that I share with the stars. The street is unfamiliar, a temporary scene like a bus stop, and I am merely waiting to move on. Some of the neighbors are friendly, some have no interest, one kind of spies on me when he thinks Iโm not looking. Thereโs a reason for that but itโs too much of a separate story right now.
If I continue to roam around the task of writing this story, the intensity of irritation will escalate, my neck and shoulders will not loosen, my walk will be feigned, my smile forced, my heart longing for padding, my ego striving for recognition in the wrong places, and my soul roaming the hallways at 3:00 in the morning. I read a quote the other day on some website, to paraphrase: When I’m writing I know I can’t do anything else. The theme of the week is to bring back LouLou, a clownish, spirited, curious, joy seeker.
Let this not be a scorched with boredom bla bla piece of writing as all the elements are with me this Sunday. No one is mowing their lawn, the sky is a metal grey shield against sunlight, a light freckly kind of rain falls outside, and Bill Evans and Jim Hall’s sublime mix plays into my pulse.
In upstate New York, an overwhelming enthusiasm erupts for pumpkins, apples, and cider doughnuts. Advertisements appear in my Saratoga news feed of festivals at the local farms, homemade apple cider, witches and hayrides, pick your own pumpkins, and doughnut-eating contests.
Instead of smirking at this unfamiliar custom, I took a ride out to Lakeside Farms Cider Mill to riddle my sensibilities and get into the autumn groove. It’s a short distance away but, after you make the third turn off the main road, the gladiator trees blushing with yellow and gold formed a canopy over my convertible. It reminded me of an amusement park ride. My mood melted with the colors and as I pulled into the driveway of Lakeside, packed as if the Rolling Stones were going to perform my internal stick shift went into submission. I’m guessing the farm sits on several acres, and on one side is a field of grass, with pathways to walk, and then as I moved closer to a small brown barn, I noticed a witch outfitted for the children standing with her pitchfork.
Shoppers with carts passed filled with pumpkins and apples, and as I looked for a shopping cart, a woman noticed my puzzled expression. “You lookinโ for a cart?”
“Yes, where do I find one?”
“There’s an empty one behind you.” I felt dumb as gum and thanked her. Then I had the choice of going into the open farmhouse where a display of a dozen diverse kinds of apples stacked in crates, farm-fresh vegetables, pumpkins of all sizes, and an assortment of Apple Brown Betty mixes neatly placed on shelves next to jars of honey, preserves, syrup, and pancake mixes.
It is now a full-blown bumper car amusement ride as carts are pushed by shoppers unaware of colliding with other carts. Children are jumping up and down, and screeching with sugar craving desire. I cannot decide which aisle to choose. First, an eggplant that wasn’t the size of a dinner platter, then a few green chilis, and sexy plump tomatoes. I could have chosen a dozen more items. Since I am single, my lesson has been learned not to overbuy only to throw it away.
Apples were tied in bags, a dozen the smallest amount, so I chose one bag of Cortland amongst the other twenty-five kinds of apples! Macintosh, Macoun, Gala, Empire, Jonagold, Honey Crisp, Red Delicious, etc.
I knew I was in the jive when I bought a two-pound sack of Buttermilk pancake mix, a jar of Vermont Syrup, and a jug of Apple Cider. At the counter, in line with half a dozen others, the clerk whom I’m sure was part of the family greeted me.
“How are you today?” He said this as if he was on stage speaking loud enough for an auditorium of guests.
“I’m doing very well, and you?” I don’t usually project an openly loving tone but he sort of earned my delight. With all that I bought, the bill was twenty-eight dollars. I used to spend that at Sprouts in Los Angeles for half the items.
Next, the bakery for those tantalizing apple cider doughnuts. Now I go indoors to a converted barn where they serve food and more grocery items. Another reason for this jaunt was to pick up a dozen doughnuts for the seven firemen who answered my call this week when my basement began to flood. We had so much rain my sump pumps gave up, and the water was just about to fill the hot water heaters in the pit. After they hosed out all the water, we chatted outdoors. Someone mentioned breakfast time. I chimed in,
“Let me guess, cider doughnut!” A round of laughter and oh yes, they all love them. They would not take any money and so I thought I’d buy them what they love.
The sandwich line was twenty groups long. I squeezed in next to the bakery and was called on right away.
“What can we get for you today?” Another gleeful greeting from a woman who looked like she grew up next to the oven. I looked at the selection of pastries oozing with sugar, cream, icing the works.
“A dozen cider doughnut in a box please-it’s a gift.”
“Sugar glazed pleased. And six cinnamons in a bag.”
With a cart loaded up, I suddenly realized I would have to wheel it all the way to my car over puddles, chipped brick, and steps. Instead, I used my less-than sturdy arms. As I walked along leaning slightly to the right (my left arm hasn’t behaved since I fell on the stairs) my LA persona surrendered to old-fashioned, no dieting, family-friendly shopping at Lakeside.
As soon as I entered my kitchen, I dug into the bag of doughnuts, poured a cup of coffee, and dunked.
I wonder what you all are doing this July 4th. The last year had pressed us closer, and friends from years past have knocked on my FB door. Someone switched the light on our lives and I for one will find pages of material as a memoirist to unleash all that happened within and without. What took me all the way down was seeing the number of deaths. NY lost more than thirty-five thousand people, that would be like all of Saratoga County.
I vote for a Memorial somewhere in the US, maybe a wall, inscribed with the names of those lost to Covid-19. Grateful is the word of the times. I wish you all a big, loud, closely adjoined unmasked party.
Unless you’ve lived in a four seasons city, you just can’t understand how transformational and redivivus the vernal expectation of spring. My mind feels like someone has loosened the screws, and a willowy feeling fills the body so when I walk my steps waver, without any alcohol. This spring is like a substance prescription after one of the gloomiest winters of my life.
THE CLASSMATE THAT wrote is named Andrew. I imagine heโs married; a man with his looks and gregarious personality living in Los Angeles all these years. Maybe he married one of our high school classmates. We exchanged a few emails in two thousand eight, he’d just returned from a trip to Poland and I was managing the gallery. Then the crash came and I think my correspondence dropped. Why was he thinking of me? I don’t have any photographs from high school, I suppose I could look him up in the yearbook. I’ll wait till he writes again.
The sky is crystal blue, and the temperature a mild fifty degrees. From my window, the leaves dropping makes me think the trauma and suffering the last four years has dropped from my life. What the trauma was about is irrelevant and too lengthy to write. We all get sent to the chopping block of heartache and this was mine. This is as liberating as taking off a tight bra after a long day!
Maxfield Parrish
September has traditionally been my month of transition. It’s a sort of pattern that began years ago and so making decisions is as if I’m on a time clock. What is most essential now is finding a new place to call home. I began looking at Santa Barbara. I loved visiting the city by the sea, those beautiful mountains, and quaint craftsman architecture. So what if I don’t know anyone, I’ll be alone regardless of where I move. Easily accomplished in my fifties, not so improvisational at sixty-seven.
Rapturous Autumn day; this year the transformation of nature, outdoor activities, cider doughnuts, smoking fireplaces, and a crispness that reminds me of breaking open a head of lettuce. What really happens to us in the East is fall descends like a new stage and the props from summer are removed. The mums come out on the porches, and the bright yellow and gold plants dot every porch. The conventional lifestyle and customary activities placate our sense of belonging. Christmas, wow, it’s only a short time till winter. In the dressing room unpacking more sweaters, socks, warm-ups, I get an alert, another email. Andrew added another compliment so my response was crush-worthy. Why not? Maybe fantasy is what is needed. Remerging silhouettes, all of us on the front lawn at lunch time, and boys are pairing up with girls and Andrew is laughing, making clownish faces and gestures, yes he was crush-worthy. He walked in long strides, visible energy and every step seemed to have a purpose. The boy I was in love with graduated, and I did not have a boyfriend. My shyness and restrained conversational skills excluded me from invitations to date. Maybe that’s why he didn’t take notice of me observing him, a lot of classmates had crushes on him.
The reality of COVID-19 is now the centerfold story because it is affecting everyone; the excruciating financial loss, death, sickness, and loneliness. It’s more like acceptance that this is our job now to tolerate COVID-19. Restrictions, circumstances of failed businesses we all loved, fear, and more fear call for an imaginary friend who I haven’t seen in fifty years. He replied with a formal note of response that he was on Facebook and could we be friends. I wrote back, yes. I am listening to the soundtrack from the film A Man and A Woman while chopping vegetables for soup. This music has formed a flame of optimism for the day I’m in love and let go of singleness.
On Facebook Andrew’s feature photos reveal the teenager I remember. He is a photographer, a Neuro Technician, and in his twenties an actor and model โฆ hum, sounds like my resume, professional career changer. His photos sent a quiver through my veins, a call to read everything on his page, and view videos of his European travels: beautifully crafted images of architecture, monuments, art, culture, and locals. It deepened my understanding of his life just by his photos and posts. The other side, his appearance; the facial features, keen brown eyes, uncensored or rehearsed self-photos, group photos with our high school mates at the reunions, his long wavy hair, and his defined lips and cheekbones tingled curiosity.
The photos of Andrew at the class reunions next to my best friend and other classmates I remembered brought a snowstorm of memories. How I loved my friends back then. About six of us went everywhere together; bought our first bras, learned to drive, went to Westwood Village to look for cute boys, sat in the booths at Mario’s Pizza, Hamburger Hamlet, and The Apple Pan and all of it on ten or twenty dollars a week allowance. I have not been to a reunion since the tenth. Andrew posted photos from several. He stayed connected. Fifty years have passed, and he’s on my mind. To be continued.
What I think of at three in the morning is never the same at ten o’clock in the morning. The labyrinth of safety and comfort, colliding with the unknown darkness, seems to be the most revealing of emotions. It is also a time that spirals into visual realizations, recognitions, and a time when our mirrors move toward us. Tonight, is about friends.
Friends are bookends that bind our stories; some novellas, some poems, some cinematic, each friend s serves as a bookend to our personal history. When Iโve lost my way and need direction my friends motorize me like a little engine, and when I fly without wings, they ring the bell to come down to earth. At times, arguments arise and my friendships stray, but true-life friends never leave you behind. Sometimes years may pass, and then one day you get a call or an email or send one yourself, and the flushing of that particular squabble in history vanishes. You can start anew; at the same time, it is not.
The essence of friendship never burns out, it is our galaxy, a kind of celestial agility.
Are you experiencing a startling outpouring from friends whoโve left your life only to suddenly show up on your social media or a personal email? Are your friends calling and writing more often than pre-Covid? I’m always examining some unfamiliar events in life, a new trend, a cultural change. We have that now, and conversation, as it has leaped from let’s just talk to all the, don’t go there subjects of 2020. Seems like every topic can be mixed with politics, sometimes the mixture is explosive. Iโve halted the political discussions and so have my friends as they are more important to my livingness than politics.
These new threads of friendship began with a young man I dated when we were in our mid-twenties. He was developing into a businessman, the world was not far from his scope, I on the other hand was cradled by my father’s demands, my freedom limited. Our short story ended; the bookends shelved until one day he sent a message on Facebook with his phone number. The last time Iโd seen him was around nineteen-seventy-three. I paddled through the well of memories; his image materialized, he was smiling, joking, driving me around, going places. I could be passive with him; he was a trailblazer. I was content to be in the company of a man who was fearless, exploratory, and a gentleman. Our first phone call lasted a long while because youthful history is crystallized and reigns over the years missed. I find it problematic especially during this pandemic to form new friendships, so the friendship of the past rises like warm muffins in the oven.
In May as the spring yearned to rise from the winter, I received an email that flowered my childhood. Bonny, my playmate, throughout elementary school, as Brownies and Girl Scouts, as synagogue attending students and mischievous little girls who wanted to be dancers, me in Jazz and Bonny in Ballet. She lived just across the street from Bellagio Road school and our escapades often took place in her home. I remember the black and white tile floor, streams of sunlight over the grand piano where her father played and Bonny practiced ballet technique. Even at the age, her discipline and dedication were remarkably striking.
Bonny Bourne Singer
After exchanging emails we had a phone call. The last time Iโd seen Bonny was in the 7th grade, bookends that yielded to fifty-four years. Our conversation began in yelps of laughter, astonishment, excitement and the pages of our story flipped from her career with the New York City Ballet, and the San Francisco Ballet, to her marriage and children, and then to her Mother.
โLuellen, hold on my mother is nudging me to give her the phone.โ
As soon as I heard her say, โSweetheart,โ her name came back to me.
โRose! oh my, this is unbelievable. I am so happy Bonny contacted me after reading my book.
โI just finished it. I loved it.โ
โThank you, Rose, I have a question–do you remember much about my Mother?โ Youโre the only one still alive that knew her.
โDarling, a day didnโt go by that we didnโt talk on the phone. She was such a beautiful person.โ
Tears blurred my sight as we walked through some memories. The fifty-four-year absence seemed like five. Since that first conversation, we now speak every few weeks, send emails, photos and our friendship is as sustainable as if we were ten years old.
Sometimes friends get into disputes, not verbal arguments, just an interruption caused by events or circumstances that override the friendship. My closest friend in Santa Fe, Iโve coined Pandora and I relinquished our friendship because of our raucousness when we were serenading downtown Santa Fe. Pandora and I recently liberated from dower circumstances clicked our heels, held hands and skipped through town endowed with our personal feminist characteristics. Then, at some point, we divided as our playtime interred with our work time and five years passed. As it happens during Covid- we recall the best times of our lives. Pandora heard the calling and left me a voice message. Oh, how I rehearsed what I would say, and how much I missed her, in between visual images of us, at the La Fonda Hotel, La Posada, and Santa Cafรฉ. For one of my birthdays, she arrived with balloons, flowers, champagne, and a bag of presents, that reminded me of my childhood indulgences. I called her back within the hour. Our bookends opened to our shared memories and we both admitted we regretted we let responsibilities divide us. Now, Pandora is within my life and mine in hers. I told her, โI donโt care what happens between us, Iโm not going anywhere. โ
Photo Pandora with her therapy poodle, Pumpkin visiting patients a at a Santa Fe Hospital. Her blazing compassion for anyone suffering.
When September arrived, the leaves dropped like tears from the trees. I watched from my window, this shedding of a season, and began packing up the summer clothes. As I pulled out the sweaterโs boots, hats, gloves, and warm-ups with regret and stubbornness, I am not prepared for a third winter alone. Maybe it will be like this for the rest of my life. These invective fears permeate throughout my days and nights. What I asked for as a writer was time alone, now I have it.
Hours passed like waiting in line in my own mind, how to shift from this sentiment to something promising. I switched from news to emails to social media and then I noticed a comment from a student on Classmates. Com. I am a member as a graduate of University High School in Los Angeles.
We were the graduating class of 1971, one thousand students from the Westside. Some classmates lived so close I walked there after school, some from wealthy influential parents, some in the film business, and some from blue-collar families, We did not judge by color, income, or politics, we just accepted one another. I don’t recall any arguments, attacks, insults, or violence, high school was our second home. I remember the beautiful botanical gardens, the dance studio, the football field, and the front lawn where my gang hung out during lunch or after school.
The comments were touching and so I responded back. I remembered this secret admirer from Junior High and High School. He had a distinctive style, part trendy part individual, he wore hats and paisley shirts, his stride was fast-paced, his hair brown, long and thick that framed a beautiful masculine jawline. He laughed with gusto, his voice was theatrical in tone as it was at one moment pensive and the next comical. He was not part of one particular gang of friends but moved like a party host between many of the circles. To be continued.