With last names like Smiley and Funk, you know thereโs bound to be something creative going on in the imaginations of this Ballston Spa duo. The couple, both natives of San Diego, Calif., purchased a house at 63 East High St. last May. Luellen Smiley and Rudy Funk have turned a once-ramshackle 1860โs structure, now known as The Follies House, into three furnished apartments oozing with zany charm. Smileyโs brochure touts the place as a โplayful vacation residence designed to inspire.โ On the wide front porch, a sign offers visitors โFree Records,โ paying homage to one apartmentโs main decorative inspiration: classic stage musicals. Called the Broadway suite, its walls are adorned with record covers, programs, ballet slippers and even a dance costume. There are dice on the end tables, a life-sized poster of Humphrey Bogart, colorful paper parasols and peacock feathers. For tenants who bring their own films, thereโs a projector screen and, tucked into an alcove, a working Victrola. Vintage Broadway memorabilia is everywhere. Then thereโs the nearly ceiling-height replica of a bass guitar. โThis was actually a costume someone wore,โ said Smiley, pointing out the head and arm holes. โThese are the kinds of things we like, the really unusual andunheard of.โ Growing up in California, Smiley aspired to be a dancer and maintained an interest in the arts.
THE FOLLIES HOUSE
In recent years, she became keen on the idea of renovating and decorating an older home, although the village of Ballston Spa was not first on her list. โWhen we first came here, I wanted to be in Saratoga, and when I drove through Ballston Spa I said, โIโd never want to live here,โโ Smiley said. โBut then we rented here, and I didnโt want to go back on the road. We loved this street. We think this village is really starting to happen.โ The couple went to work feverishly last spring to ready the apartments in time for the track season. While not a bed and breakfast, the apartments are designed for temporary tenants โ people new to the area or vacationers. Smileyโs off-season rates are $800 a month for the Broadway Suite and $700 for the Boomers Pad. The one-bedroom Boomers Pad is designed with vintage โ50s and โ60s furniture. Smiley said she and Funk combed area antique shops, including those in the village, for many of the offbeat pieces, including the vinyl records and oversized pink sofa. The houseโs history mirrors the eclectic style the couple hasbrought to the home. โIt was built by a man actually named Dr. Doolittle as a wedding present for his daughter,โ Smiley said. โYou can see the little touches everywhere. There are butterflies and sun rays carved into the woodworking and doorknobs. Itโs a love house. It was built with love.โ Smiley said she and Funk have combed files at Brookside History Center looking for old photographs of the house in order to decide what color to repaint the facade. โThe exterior of the house is next on our list, and while we havenโt located any photographs, weโre thinking pastels,โ Smiley said. โInside, we used a lot of pistachio and pink.โ While Funk commutes to and from California for business purposes, the pair weathered their first winter this year, relying on the kindness of neighbors for jobs like snow-blowing. โWeโve never seen winters like this,โ Smiley said. โIโm from the other side of the world. But this is a very supportive community. Thatโs one of the things we love about the village.โ
Smiley has immersed herself in the closely-knit community, joining the Ballston Spa Business & Professional Association, the local chamber of commerce, and helping promote an upcoming Art Walk. The Follies House recently was given a beautification award for significant improvements during the past year. In her brochure for potential tenants, Smiley points out area highlights including the Saratoga Performing Arts Center and destinations within the village, such as the museums, the glassworks studio, Art Ink., and the new gallery and loft spaces on Low Street. Smiley said she also recommends people take a stroll along East High Street, a historic district known for its Victorian homes. โIโve seen little villages, big villages โ but what I see here is the most beautiful village,โ Smiley said. โThe potential is here. Thereโs a sense of magic here and the transformation will happen. Iโm certain of that.โ
The embryo of thought. Sometimes it is negligible, as is life. I am the puzzle maker and every time I try to carve the right size square, I fall off the board and have more material to write about. The puzzle is so vast that it covers our lifetime and the pieces are the choices, and non-choices that fit into themes. My life, is like a melody, a Gershwin tune. As a dancer and prancer at heart, my feet are my hands, and my hands are my heart. Drizzling rain is relative to thoughts on a Saturday; a few thoughts for my book, assembling the bedroom fan, calling friends, a walk with my umbrella to live in rain, answering emails, and those hypnotic Film Noir Classics on Utube. When world news disables self-absorbency, it’s a relief, I hold hands with whatever keeps me alive.
When I was eight years old, our home burnt to the ground in the Bel Air, CA fire, and everything we owned fell to ash. Shortly after my mother moved us to an apartment in Brentwood, a mammoth carton arrived and was placed in the center of the living room. My mother cut it open and urged me to look inside. I sat cross-legged on the avocado green carpeting and discovered a heap of brand-new Bermuda shorts, matching tops, and dresses.
I quickly shed my worn trousers and stepped into a new outfit, dancing about as I zipped myself in. My mother watched, and echoed my childish yelps of elation.I learned they were from my Aunt Millicent and that she lived in New York, and Iโd met her when I was a child.
Close to ten years later, my father called and ordered me to his apartment. He said that Millicent was coming over. I knew by now that Millicent was Benjamin Siegelโs daughter, and Ben was my fatherโs best friend. He was sitting on the same chintz covered sofa the night Ben was murdered and witnessed Benโs eyes bleeding down his face.
When my father answered the door, I watched as they embraced. Millicent had tears in her eyes. She walked over to me, and took my hand. I looked into her swimming pool blue eyes and felt as if I was drowning. She sat on the edge of the sofa and lit a brown Sherman cigarette. I studied her frosted white nails, the way she crossed her legs at the ankles, her platinum blonde hair, and the way her bangs draped over one eye. What impressed me most was her voice; like a childโs whisper, her tone was delicate as a rose petal.
I spent the rest of that afternoon memorizing her behavior. She emanated composure and a reserve that distanced her from uninvited intrusion. Over the next few years, Millicent and I were joined through my fatherโs arrangements, but I was never alone with her. When he died in 1982, she was one of three friends at his memorial service, just as my dad was the only friend at Ben Siegelโs funeral.
As the years passed, and my tattered address books were replaced with new ones, I lost Millicentโs phone number. When I began researching my fatherโs life in organized crime in 1996, I gained an understanding of my fatherโs bond with Ben Siegel. I reconnected with several of Dadโs inner-circle, but Millicent was underground, and now I understood why.
Last year I received an email from Cynthia Duncan, Meyer Lanskyโs step-granddaughter. She told me about the Las Vegas Mob Experience, a state-of-the-art museum in the Tropicana Hotel, that will take visitors into the personal histories of Las Vegas gangsters. Despite my apprehensions about the debasing and one-sided publicity that characteristically surrounds gangster history, I called the museum and was told, โMillicent would like to contact you.โ
A month later, I was waiting for Millicent in the Mob Experience offices in Las Vegas. When she walked in, I stood to embrace her, and this time the tears were in my eyes.Millicentโs voice and regal posture was unchanged, โOur fathers were best friends, practically attached at the hip. Your Dad was at the house all the time. Iโll never forget when he met me at the train station to tell us about my fatherโsโฆ death. Smiley was very good to us. My mother adored him, too.โ
Mob Experience
March 27 2011
Photos By Denise Truscello
The Mob Experience Preview Center was like a family room to me, because some of the men featured had been my fatherโs lifelong friends and protectors. I stopped in front of the Ben Siegel display case and saw an object that was very familiar. My father had the identical ivory figurine of an Asian woman. I still have it. So much of their veiled history was exposed. Between these two men was a brotherly bond that transcended their passing, and was even evident in their shared taste in furnishings.
After I returned home, Millicent and I talked on the phone.
โYour father belongs in my Dadโs room. Theyโll just have to make Mickey Cohenโs room smaller.โ
โMy father hated Mickeyโ, I said.
โSo did mine! When are you coming back? Iโll kill you if you donโt become part of thisโ.
I dropped into random reflections; the adventures of Ben and my father, gleaned from books, newspapers, FBI surveillance files, films, documentaries, and conversations with people who knew them both. I dreamily visualized these two men, striding along the streets of Beverly Hills when it was a two-story brick village, without islands of garish lighted palm trees, paparazzi, and limousines. They might stop at Al Perryโs Beverly Hills Athletic Club for a steam and work-out, and then take a drive in Benโs convertible to Santa Anita Race Track. At the track, theyโd sit in the Turf Club, immersed in the perfume and red lipstick glamour that Lana Turner, Betty Grable, and Rita Hayworth epitomized. They, and my mother, became the characters I had to write about.
On balmy summer nights, Ben, and Al drove along Sunset Boulevard, stopped in for a few rounds at Ciroโs or the Mocambo, and then played cards at Dadโs apartment at the Sunset Plaza. George Raft was there, too, along with a funny little Runyonesque character by the name of Champ Segal, and Swifty Morgan, with a pocket size fortune of tricks and dice. The FBI were parked in a sedan across the street, watching. Maybe they had an informant planted in the building, like they did when I lived with my father at the Doheny Towers. I know Dad watched Benโs back, not just because Ben moved so quickly, and in so many directions, but because he was studying him, like an actor studies his character, aspiring to absorb Benโs magnetic mannerism.
Early the next morning, I opened the shutters of our Havana-hip suite at the Tropicana and looked out at the misty peppermint pink sunrise and flashing multimedia billboards. My eyes sank into the stimulation, like being thrown into a food processor of human temptation. If Ben had lived to build his Monaco-chic hotels and casinos, Iโm sure he would have done it differently. Heโd been to the French Riviera, and experienced European รฉlan. More importantly, Ben was different, but not in the way youโve been asked to believe by reporters and law enforcement. Ben was noble, and his violent temper, cost him his reputation. His loyalty to his partners, and his family was intact. What the press wrote about Ben was handed to them by Hoover, two-faced columnists, and informants. He was more than handsome, generous, and fearless; he was an icon, with the finesse for embellishing strangers with importance, facilitating dreams, and taking a fighting stand against Anti-Semitism.
Newspaper reporters from that era like Mark Hellinger and Damon Runyon knew how to write about Ben, and they are the sources I used to draw my own Ben Siegel portrait.Itโs easier to read books than go out and interview the relatives, rabbis, and community where they lived.
My dad came into the life by way of a friendship with Ben. He wasnโt physically violent: he could holler loud and intimidate guys, but his real asset was that bullet-proof friendship.
As our jet roared upward, I crunched against a pocket-size window, and studied the paper-thin rows of glass and marble hotels of Las Vegas, the sprawling monopoly of gated communities, each one sandwiched between a slice of palm trees, sprawling to the base of the muddy mountains. Ben, Meyer, and a few others like Billy Wilkerson, Johnny Roselli, Moe Dalitz, and Allen Smiley, peeked beyond the dusty sand dunes, and in the mirage, they saw an oasis. The pioneers of Vegas were not committing any crimes when they financed the building of the first hotels. They were businessman carving out a legitimate future. More importantly, they were demonstrating to the Jewish community that it could be done. You could rattle respect like a Rockefeller or a Kennedy.
When I arrived home, an unfamiliar upright pride and surety about myself surfaced. It is ironic that what my father shielded from me is where I needed to be: among people who understand my family history, and accept it.
Itโs been seventy-five years since Ben and Al sat by side, figuring out the next bet. Now, their possessions will share the same room. And from those collections, stories will emerge, and new information, and more questions, and this time their daughters will be there, in the open, to speak in reverence of Siegel and Smiley.
Everything in my path leads me to understanding the men that turned to crime so that they could sit in first class and order Dom Perignon. If my father left a ten-year career in film making with Cecil B DeMille to join Ben Siegel, then Benโs story has yet to be written.
Today, I look at my fatherโs collection and see It tells the story of a remarkable lifeโฆ the precious artifacts of a life onthe edge: photos that document an album from his unnamed sweetheart during his twenties; James Metcalf poems clipped from newspapers; wedding photos; Flamingo party photos; his phone book filled with names like H. L.Hunt, Eddie Cantor, and O.J. Simpson; heartfelt letters to Meyer Lansky and others; and FBI memos that describe my father as a pimp, a murderer, an extortionist and a Russian Jew.
Ironically, the journey to discover my fatherโs story ends in Las Vegas; for my dad, who wasย blacklisted from Vegas, that is poetic justice.
THANK YOU FOR READING. IF YOU LIKE THIS PLEASE LET ME KNOW.
The Beatles and the Maharishiย ย 1967 –Philip Townsend
“The Beatles and Maharishi at the Meditation Centre, Abbotsbury Road, Kensington. After this meeting, they went to the Hilton Hotel, Park Lane, where Maharishi gave a lecture.ย These shots for Beatle purists were taken before they went to Wales or India.ย The shot of all the fabs, partners and road crew is interesting as it is one of the few with the whole lot in one snap.
The photographs are exclusive as I was the only photographer there. I had been asked by the holy manโs Public Relations agent to take them but they failed to pay, me therefore I own the copyrights.”
What I love is every Beatle has a distinctive expressionat the meeting. Note John contrasted with Paul.
Gallery Loulou 2008
Philip arrived from London late in the evening. We met him at La Posada Resort Hotel. He did not stop smiling and chuckling in spite of his lost luggage, and a twelve-hour flight. His photographs had arrived and were already placed when we invited him into the gallery. Again, a resonating joyous outburst, ” Oh, it’s lovely, marvelous, just marvelous.” He was tall, lanky, and at seventy-something majestically youthful. We spent hours together over the next week. He loved when I made him a cup of Tea, the bumpy New Mexico road trips we planned, and the dinners. The slightest bit of congeniality towards him was returned with a pat or a hug and kiss. Opening night was a sensational tribute to a prince of a man.
THE MEMORIES are fading, like images floating through a mist, not just of Dodger but the life pre-break-up, a carousal of my favorite places; swimming, hiking, running, new restaurants, gallery openings, shopping, concerts, clubs, dancing in the street and our porch parties, but I cannot remember the state of grateful, emerging in the vortex of sensations, stimulation, surprise.
Do we ever return to that kind of forever spectrum, as if it will never end, and then it does, and we cannot go back. Itโs not too late to feel grateful, fortunate, and lucky to have lived so many acts of my choice.
All reactions:
5Carolyn Gootgeld-Levine, Erika Marie Schwalbach and 3 others
Academy of Loulou Awards. All of you that respond to my nuanced writings are awarded. A Star award for a few that push my cart.
Marc Romano, Historian, J’amie Rubio, author, and archivist, Antonio Mendoza for the best photographs of the Rolling Stones, Alison Martino for Vintage LA, Rare Jazz Photos for the best photographs of Jazz, Eric Dezenhall real friend and author, Cynthia Duncan, my consiglieri, Santa Fe Bulletin Board to bring back the memories, Scott Varley, the best real estate broker I ever met in 25 years, Las Vegas Mafia History… I’ll think of more later. Warren and Annette Hull, filmmakers, Danielle Haynes, an angelic warrior who joined my battle, William Winant, a high schoolmate and acclaimed musician who remembers me, Larry Henry, torch-carrier of Mafia history and Greg Price, my UK 911 call, along with Gloria Devan, Tere Tereba and Armen Ozaynan who settles me down. Friends, when you are single, are food for the soul.
My direction is following Lawrence Durrell, โSpirit of the Place,โ and living where I would never expect to live.ย I wish I could control my impractical, impulsive, and annoying spirit of adventure. I think about architecture, Jewish deli’s, Italian restaurants, at one movie theater built in the 1930s, and neighborhoods of unfamiliar lighting, expressions, and conversations. Gambling on yourself is how much you can adapt, change, influence, and accept the days of your life.
In my syndicate, there must be a dozen pals with the same unsolved equation. Is it age that blocks me and maybe you from relocation, or is it the trauma and stress? What liberation to just pack a suitcase and board a plane like in the movies. Separation from the familiar. The spirit of adventure has arrived. My home sold and so relocation isn’t a muse any longer, it’s reality. Today, coincidently is Independence day and so am I. It is a day of nostalgia. The Rudster painting Follies. It took two summers to remove the aluminum siding, scrape, caulk, prime, and paint my chosen seven colors to resemble a wedding cake. Mr. Doolittle built the home in 1883 as a wedding present for his daughter.
The Rudster painting Follies. It took two summers to remove the aluminum siding, scrape, caulk, prime, and paint my chosen seven colors to resemble a wedding cake. Mr Doolittle built the home in 1883 for his daughter as a wedding present.
Curiosity doesnโt always kill the cat, sometimes it brings confidence. I asked my British friend, โis it common for people to lose their curiosity, passion, and desires as they age?โ He responded, LOL, yes. Thatโs where we are different, he has certainty, whereas I don’t. Being single and living alone affords you freedom of thought, and so it was this weekend, while enveloped indoors to avoid the chilling grip of winter, my thoughts were in a heated argument.
Go to Saratoga and visit the Casino Museum, have a croissant or lobster roll, roam the gallery district, window shop, and get out of this house now.
Itโs too cold to walk, Iโve been to the museum, I donโt feel like dining alone again, and the galleries Iโve been to are arts and crafts.
Thatโs not the reason, is it?
No, Iโm not curious.
Just four years ago, Iโd pop out of my Santa Fe home and walk up to Canyon Road Friday Night. All the galleries are open and serve appetizers, some live music, some street vendors, and some costumed characters and it was a party. I didnโt mind eating alone because I knew the restaurant owners, bartenders,and regular guests. Sedation of spirit came in the last six months. The first year coming back to my home after a six-year absence was invigorating and new, and unexpectedly in need of serious maintenance and lease management.
In front of El Farol, Canyon Road on a stranger’s beauty mobile. Twice a week for live rockin music and dancing. One of my favorite dance floors because the stage is three feet away.
The second year was getting about town and exploring and then Covid so it was an incomplete year. The third year was a wicked winter and when spring came, the ebullient appreciation of the sun and flowers renewed, and my curiosity temperature was down but not dormant. Circumstances too complicated and gruesome to write, force me to stay here. Iโm one of the millions, that live where they donโt choose to live anymore. When the day comes, the freedom to relocate is my curiosity. My next nest is undetermined. My friends, ask me, โwhere are you going to move to?โ This comes up in every third or fourth conversation. And the answer is the same, ‘when I know Iโll tell you.โ
Upstate on a clear day.
Poetic justice for a life-long wanderer. Curiosity I call on you to visit my spirit and paddle me out to waters and roads unknown. Give me the confidence to keep my oars afloat; confident, curious, and passionate.
On the road from New Mexico to somewhere… I can’t remember.
He’s digging my grave For the dragon he pays With our nest, now shaved Tumbling into the abyss I visit the comfort robes of the past Monogrammed in stone
The will to relive what’s past comes at night
And must be excluded by daylight.
Of HUMAN BONDAGE
The sky hasnโt decided if it will let clouds overturn the sun, and I havenโt decided if I will pack the stack of books on the floor. No, I donโt feel the drive to lift and organize, my bed is warm and the house is not as warm.
I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love. Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep. I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.
OLYMPUS DIGITAL CAMERA
I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.
Writing somberly so if you’re not in a dreary mood, skip reading. Somber writing is akin to writer’s block. It’s not a block really more like a disregard of hallelujah holidays, maybe. Disinterest in shopping, village festivals, parties, writing, dancing, and eating. If I place all the options on a puzzle board, this leads to the center. The vortex of discontent is a punctured life.
A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover. I watch Blacklist or some foreign film in the evening. Most weekdays I’m circulating between finance, selling furnishings online, and writing.
The windows of my home reflect the splendor of nature that plays all day long in the winter. I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. The scenery is accompanied by my collection of records and CDs. Thank you to all my musician friends for the gift of mood enhancement. When I’m sorrowful I listen to Ennio Morricone, when I need a lift, Vivaldi, Sundays it is Turandot or some other Opera, and when I’m a go-go girl, Swing, Salsa or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen and Annie Lenox .
I don’t see any remedy commercials for a fractured heart. By tomorrow the despair could vanish, like the rain that puddled us for the last two weeks.Everything Iโve experienced is good in the beginning. So, to begin the beginning, Iโm going to listen to Begin the Beguine.
“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theatre.
Iโve adopted a savant to facilitate making decisions. I donโt want to use the word hate, itโs useless, but this time I will, I hate making decisions. Whether to go out for dinner, or go to one of villages’ festivals, parades, or events, they rake up events during the winter to keep us off drugs. This weekend was a ย village-wide Friday sale for shopping, the lighted tractor parade, and appetizers at all the shops in town. Sounded pleasurable and Iโm proud of the village to induct us into a community of we care about you.ย I didnโt go, but I did go out for Thanksgiving dinner in a restaurant Iโd never been to, festive crowded, and the tempting buffet twinkled like the first time Iโd seen decorated food. Itโs been five years since Iโve gone out for Thanksgiving so the jubilee of food was a bit musical.ย I ordered a glass of wine at the bar, the only customer as everyone had reserved tables for grandparents and children and the roar was melodious. My order to go would wait, the celebratory ambiance shattered my loneliness. The bartender, Jovida was like a lightbulb, she kept coming over to me maybe three times asking me polite questions, have you been here before, you must come on the weekends we have live music, while youโre having your wine can I bring you something from the buffet. I wondered if Iโd be charged, she noticed my hesitation and said, No charge. So I choose smoked salmon, capers, onion, and horseradish. On m wish list if Iโm allowed to eat in heaven, along with Gruyere cheese, tacos, salad, and croissants. ย The bliss, was a sandwich of bustlingeager activity, laughter, and the children. ย I remember our family Thanksgiving when my parents were divorced and we went to Nanaโs home in San Fernando Valley, through that old tunnel. My motherโs mother is full-flecked Irish so the dinner was grand, and she was a dedicated cooking slave.ย She made mashed potatoes like Iโve never tasted since, and homemade pies, everything spiced with Nanaโs kinship with making the family love her.
ย ย ย ย ย I left the restaurant after an hour later with a jubilant bag of turkey, fixings, and pumpkin pie. I found my seat on the bedroom sofa, and watched, โ The Trainโ with Burt Lancaster.ย My thoughts were rested, abated for the whole evening, and then the next day, turkey revenge. I could not get out of bed, eat, or think. So I said to myself, itโs okay to do nothing and so I watched a romantic comedy, โ Cardboard Husband,โ with Norma Sherer and Robert Taylor, removed three-year-old lipstick and liners, shopped online without buying, saved for later my way of shopping. Then I threw the dice and I got seven. That is where my decisionsare now made. If I donโt get a seven with seven throws, I donโt go out or make a decision. If I get it once- Iโm on!It was a perfect day for thanks. I think we should have a Thanksgiving Holiday three or four times a year.